Book contents
- Representation in Western Music
- Representation in Western Music
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Introduction
- Part I Representation and the interpretation of musical meaning
- 1 Layers of representation in nineteenth-century genres: the case of one Brahmsballade
- 2 ‘As a stranger give it welcome’: musical meanings in 1830s London
- 3 ‘Music is obscure’: textless Soviet works and their phantom programmes
- 4 Representing Arlen
- 5 Video cultures: ‘Bohemian Rhapsody’,Wayne’s World, and beyond
- Part II Sound and visual representations: music, painting, and dance
- Part III Musical representations in opera and cinema
- Part IV Music, representation, and the concepts of East and West
- Index
2 - ‘As a stranger give it welcome’: musical meanings in 1830s London
from Part I - Representation and the interpretation of musical meaning
Published online by Cambridge University Press: 05 April 2013
- Representation in Western Music
- Representation in Western Music
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Introduction
- Part I Representation and the interpretation of musical meaning
- 1 Layers of representation in nineteenth-century genres: the case of one Brahmsballade
- 2 ‘As a stranger give it welcome’: musical meanings in 1830s London
- 3 ‘Music is obscure’: textless Soviet works and their phantom programmes
- 4 Representing Arlen
- 5 Video cultures: ‘Bohemian Rhapsody’,Wayne’s World, and beyond
- Part II Sound and visual representations: music, painting, and dance
- Part III Musical representations in opera and cinema
- Part IV Music, representation, and the concepts of East and West
- Index
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- Representation in Western Music , pp. 33 - 46Publisher: Cambridge University PressPrint publication year: 2013
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