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Alban Berg
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  • Cited by 14
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    This (lowercase (translateProductType product.productType)) has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Neidhöfer, Christoph 2017. Review of Theodor W. Adorno, Kranichsteiner Vorlesungen, edited by Klaus Reichert and Michael Schwarz (Suhrkamp, 2014) . Music Theory Online, Vol. 23, Issue. 4,

    Bassler, O. Bradley 2017. Diagnosing Contemporary Philosophy with the Matrix Movies. p. 15.

    Bassler, O. Bradley 2017. Diagnosing Contemporary Philosophy with the Matrix Movies. p. 111.

    Carpenter, Alexander 2015. “This beastly science…”: On the reception of psychoanalysis by the composers of the Second Viennese School, 1908–1923. International Forum of Psychoanalysis, Vol. 24, Issue. 4, p. 243.

    Fischer-Lescano, Andreas 2015. A ‘Just and Non-violent Force’? Critique of Law in World Society. Law and Critique, Vol. 26, Issue. 3, p. 267.

    Hall, Mirko M. 2014. Musical Revolutions in German Culture. p. 81.

    SUBOTNIK, ROSE ROSENGARD 2011. The Unwritable in Full Pursuit of the Unreadable:1 Adorno'sPhilosophie der neuen Musikin Translation. Music Analysis, Vol. 30, Issue. 1, p. 89.

    Satyendra, Ramon 2008. Montage and Block Form in Ralph Shapey'sSevenfor Two Pianos. Contemporary Music Review, Vol. 27, Issue. 4-5, p. 477.

    Norris, Christopher 2004. Language, Logic and Epistemology. p. 185.

    ASHBY, ARVED 2002. Reading Berg. Music Analysis, Vol. 21, Issue. 3, p. 383.

    Tregear, Peter 1999. Sounding fascism: T. W. Adorno and the political susceptibility of music. Renaissance and Modern Studies, Vol. 42, Issue. 1, p. 36.

    Baragwanath, Nicholas 1999. Alban Berg, Richard Wagner, and Leitmotivs of Symmetry. 19th-Century Music, Vol. 23, Issue. 1, p. 62.

    Ashby, Arved 1995. Of "Modell-Typen" and "Reihenformen": Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation. Journal of the American Musicological Society, Vol. 48, Issue. 1, p. 67.

    Barker, Andrew W. 1992. Gustav Mahler's Folksong Texts: Ethnicity and Authenticity. Publications of the English Goethe Society, Vol. 63, Issue. 1, p. 49.

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Book description

Adorno's study of Alban Berg is a unique document. Itself now a part of music history, it is a personal account, by a pre-eminent philosopher and aesthetician, of the life and musical works of his mentor, friend and composition teacher. Shortly after Berg's death in 1935, Adorno contributed several analyses to the first Berg biography. Thirty years later he incorporated these chapters and several subsequent essays into one volume. Beyond analyses of individual pieces, the book explores the historical and cultural significance of Berg's music, its relationship to that of other twentieth-century composers, and to the larger issues of contemporary life. This is a classic study, made available here for the first time in English, and it provides a key to understanding Adorno himself as well as offering an individual perspective on one of the major composers of the twentieth century.

Reviews

‘ … a remarkable document; a personal memoir and a study of the composer’s works, it is also something more: a revelation of Adorno’s belief that modern philosophy ought to be modelled on modern music. Adorno’s Berg, one of his most provocative books, has been beautifully translated by Juliane Brand and Christopher Hailey.’

Source: The Times Literary Supplement

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