Select Bibliography
Baraka, Amiri. Black Music. New York: W. Morrow, 1967.
Berlant, Lauren. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham: Duke University Press, 2008.
Bowman, Rob. Soulsville, U.S.A.—The Story of Stax Records. New York: Prentice Hall, 1997.
Burford, Mark. “Sam Cooke as Pop Album Artist—A Reinvention in Three Songs.” Journal of the American Musicological Society 65 (2012): 113–78.
Dobkin, Matt. I Never Loved a Man the Way I Love You: Aretha Franklin, Respect, and The Making of a Soul Music Masterpiece. New York: St. Martin’s Press, 2004.
Frith, Simon. “Pop Music.” In The Cambridge Companion to Pop and Rock, edited by Frith, Simon, Straw, Will, and Street, John, 91–108. Cambridge: Cambridge University Press, 2001.
Garland, Phyl. The Sound of Soul. Chicago: Henry Regnery, 1969.
Gioia, Ted. Love Songs: The Hidden History. New York: Oxford University Press, 2015.
Guralnick, Peter. Last Train to Memphis: The Rise of Presley. New York: Little Brown, 1994.
Hibbett, Ryan. “What Is Indie Rock?” Popular Music and Society 28 (2005): 55–77.
Howard, June. “What Is Sentimentality?” American Literary History 11 (1999): 63–81.
Jensen, Joli. The Nashville Sound: Authenticity, Commercialization, and Country Music. Nashville: The Country Music Foundation and Vanderbilt University Press, 1998.
Leydon, Rebecca. “The Soft-Focus Sound: Reverb as a Gendered Attribute in Mid-Century Mood Music.” Perspectives of New Music 39 (2001): 96–107.
Magill, R. Jay Jr.. Chic Ironic Bitterness. Ann Arbor: University of Michigan Press, 2007.
McCracken, Allison. Real Men Don’t Sing: Crooning in American Culture. Durham: Duke University Press, 2015.
Moore, Allan. “Authenticity as Authentication.” Popular Music 21 (2002): 209–23.
Newman, Michael Z. “Indie Culture: In Pursuit of the Authentic Autonomous Alternative.” Cinema Journal 48 (2009): 16–34.
Ripani, Richard J. The New Blue Music: Changes in Rhythm & Blues, 1950–1999. Jackson: University Press of Mississippi, 2006.
Stearns, Peter N. American Cool: Constructing a Twentieth-Century Emotional Style. New York: New York University Press: 1994.
Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: Wesleyan University Press, 1993.
Ward, Brian. Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations. Berkeley: University of California Press, 1998.
Werner, Craig. A Change Is Gonna Come: Music, Race, and the Soul of America. Ann Arbor: University of Michigan Press, 2006.
Wilson, Carl. Let’s Talk about Love: A Journey to the End of Taste. New York: Continuum, 2008.
Zak, Albin J III. I Don’t Sound Like Nobody: Remaking Music in 1950s America. Ann Arbor: University of Michigan Press, 2010.