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Beckett in Performance
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  • Cited by 19
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    This (lowercase (translateProductType product.productType)) has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Coffey, Michael 2016. Gare St. Lazare Ireland'sWaiting for Godot, directed by Judy Hegarty Lovett. Journal of Beckett Studies, Vol. 25, Issue. 2, p. 300.

    Pattie, David 2016. ‘Let What Happens Happen’: The Whitelaw Archive. Journal of Beckett Studies, Vol. 25, Issue. 2, p. 206.

    Twitchin, Mischa 2016. The Theatre of Death – The Uncanny in Mimesis. p. 17.

    Bianchini, Natka 2015. Samuel Beckett’s Theatre in America. p. 61.

    Bianchini, Natka 2015. Samuel Beckett’s Theatre in America. p. 91.

    Bianchini, Natka 2015. Samuel Beckett’s Theatre in America. p. 147.

    McMullan, Anna 2015. Billie Honor Whitelaw 1932–2014. Journal of Beckett Studies, Vol. 24, Issue. 1, p. 116.

    McMullan, Anna McTighe, Trish Pattie, David and Tucker, David 2014. Staging Beckett: Constructing Histories of Performance. Journal of Beckett Studies, Vol. 23, Issue. 1, p. 11.

    Paraskeva, Anthony 2013. Beckett, Biomechanics and Eisenstein's Reading of Kleist's Marionettes. Journal of Beckett Studies, Vol. 22, Issue. 2, p. 161.

    Hadaegh, Bahee 2012. Quasi-mysticism in Beckett's Major Plays. Theory and Practice in Language Studies, Vol. 2, Issue. 12,

    Palileo, Ruth Pe 2010. Staging Age. p. 129.

    Mansell, Thomas 2007. Sam's Shambles: Beckett's piano-pedalling technique. Performance Research, Vol. 12, Issue. 1, p. 124.

    Manuel Ramírez Ladrón De Guevara, Víctor 2007. Performing Beckett as an Intercultural Actor. Performance Research, Vol. 12, Issue. 1, p. 110.

    Mcmullan, Anna 2007. Mutated Bodies Stage performances of Beckett's late prose texts by Mabou Mines (1984) and Gare St. Lazare Players, Ireland (2005). Performance Research, Vol. 12, Issue. 1, p. 57.

    Shrubsall, Anthony 2005. Rockaby: a director?s response. Studies in Theatre and Performance, Vol. 25, Issue. 1, p. 55.

    Salamensky, S.I. 2003. Dramaturgies of the skin: Beckett'sCompanyin post‐Beckettian production. Women & Performance: a journal of feminist theory, Vol. 13, Issue. 2, p. 123.

    Oppenheim, Lois 2001. A preoccupation with object‐representation: The Beckett‐Bion case revisited. The International Journal of Psychoanalysis, Vol. 82, Issue. 4, p. 767.

    Baron, Steve Harris, Kim and Harris, Richard 2001. Retail Theater. Journal of Service Research, Vol. 4, Issue. 2, p. 102.

    Zurbrugg, Nicholas 1998. Habermas… Burroughs. Beckett.. Foreman. Performance Research, Vol. 3, Issue. 1, p. 58.

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    Beckett in Performance
    • Online ISBN: 9780511554216
    • Book DOI: https://doi.org/10.1017/CBO9780511554216
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Book description

This book takes a critical look at the work of one of the twentieth-century's most influential playwrights from the viewpoint of those whose job it is to give the work life on the stage. From personal experience of over seventy productions, from interviews with numerous Beckett actors and directors, and in rare conversations with the playwright himself, Kalb addresses such fundamental questions as: is the task of performing Beckett categorically different from that of performing other forms of theatre? Is the audience's role different, and if so, how? The result is a new insight into particular problems of producing Beckett's early and late works, television plays, and prose works adapted for the stage. The book contains numerous performance photographs and an appendix of interviews with actors and directors involved in seminal Beckett productions.

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