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The Cambridge Companion to Boccaccio
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    The Cambridge Companion to Boccaccio
    • Online ISBN: 9781139013987
    • Book DOI: https://doi.org/10.1017/CCO9781139013987
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Book description

Incorporating the most recent research by scholars in Italy, the UK, Ireland and North America, this collection of essays foregrounds Boccaccio's significance as a pre-eminent scholar and mediator of the classical and vernacular traditions, whose innovative textual practices confirm him as a figure of equal standing to Petrarch and Dante. Situating Boccaccio and his works in their cultural contexts, the Companion introduces a wide range of his texts, paying close attention to his formal innovations, elaborate voicing strategies, and the tensions deriving from his position as a medieval author who places women at the centre of his work. Four chapters are dedicated to different aspects of his masterpiece, the Decameron, while particular attention is paid to the material forms of his works: from his own textual strategies as the shaper of his own and others' literary legacies, to his subsequent editorial history, and translation into other languages and media.

Reviews

‘… this new book enlightens readers from different disciplines and backgrounds about the works of Boccaccio. It offers a picture of him at the crossroads of media, political commitments, and a literary career, underlines his modernity, and explains why his genius continues to live - even through media he had no opportunity, for reasons of chronology, to exploit …’

Johnny L. Bertolio Source: Renaissance and Reformation

'These essays, all well and clearly written, knowledgeable and thoroughly grounded in up-to-date scholarship, combine a quick review of previous work on their topics with an offering of valuable new insights and suggestions for diverse approaches to Boccaccio’s texts. Both readable by students and useful to scholars, this will long remain a necessary and worthwhile volume for anyone venturing into Boccaccio studies.'

Janet Levarie Smarr Source: Speculum

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Guido, Almansi, The Writer as Liar: Narrative Techniques in the ‘Decameron’ (London: Routledge, 1975)
Guyda, Armstrong, The English Boccaccio: A History in Books (Toronto: University of Toronto Press, 2013)
Bergin, Thomas, Boccaccio (New York: Viking, 1981)
Branca, Vittore, Boccaccio: The Man and his Works, trans. by Monges, Richard and McAuliffe, Dennis J. (New York: New York University Press, 1976)
Cervigni, Dino S., ed., Boccaccio's ‘Decameron’: Rewriting the Christian Middle Ages, Annali d'Italianistica, 31 (2013)
Ciabattoni, Francesco and Forni, Pier Massimo, The Decameron Third Day in Perspective (Toronto: University of Toronto Press, 2014)
Cottino-Jones, Marga, Order from Chaos: Social and Aesthetic Harmonies in Boccaccio's ‘Decameron’ (Washington, DC: University Press of America, 1982)
Daniels, Rhiannon, Boccaccio and the Book: Production and Reading in Italy 1340–1520 (London: Legenda, 2009)
Dombroski, Robert S., ed., Critical Perspectives on the ‘Decameron’ (London: Hodder and Stoughton, 1976)
Eisner, Martin, Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular (Cambridge: Cambridge University Press, 2013)
Forni, Pier Massimo, Adventures in Speech: Rhetoric and Narration in Boccaccio's ‘Decameron’ (Philadelphia: University of Pennsylvania Press, 1996)
Gittes, Tobias Foster, Boccaccio's Naked Muse: Eros, Culture, and the Mythopoeic Imagination (Toronto: University of Toronto Press, 2008)
Hollander, Robert, Boccaccio's Two Venuses (New York: Columbia University Press, 1977)
Hollander, Robert Boccaccio's Last Fiction: ‘Il Corbaccio’ (Philadelphia: University of Pennsylvania Press, 1988)
Hollander, Robert Boccaccio's Dante and the Shaping Force of Satire (Ann Arbor: University of Michigan Press, 1997)
Kirkham, Victoria, The Sign of Reason in Boccaccio's Fiction (Florence: Leo S. Olschki, 1993)
Kirkham, Victoria Fabulous Vernacular: Boccaccio's ‘Filocolo’ and the Art of Medieval Fiction (Ann Arbor: University of Michigan Press, 2001)
Victoria, Kirkham, Sherberg, Michael, and Smarr, Janet Levarie, eds, Boccaccio: A Critical Guide to the Complete Works (Chicago: University of Chicago Press, 2013)
Marcus, Millicent Joy, An Allegory of Form: Literary Self-Consciousness in the ‘Decameron’ (Saratoga: Anma Libri, 1979)
Giuseppe, Mazzotta, The World at Play in Boccaccio's ‘Decameron’ (Princeton: Princeton University Press, 1986)
McGregor, James H., ed., Approaches to Teaching Boccaccio's ‘Decameron’ (New York: Modern Language Association of America, 2000)
Migiel, Marilyn, A Rhetoric of the ‘Decameron’ (Toronto: University of Toronto Press, 2003)
Ó Cuilleanáin, Cormac, Religion and the Clergy in Boccaccio's ‘Decameron’ (Rome: Edizioni di storia e letteratura, 1984)
Potter, Joy Hambuechen, Five Frames for the ‘Decameron’: Communication and Social Systems in the ‘cornice’ (Princeton: Princeton University Press, 1982)
Sherberg, Michael, The Governance of Friendship: Law and Gender in the ‘Decameron’ (Columbus: Ohio State University Press, 2011)
Smarr, Janet Levarie, Boccaccio and Fiammetta: The Narrator as Lover (Urbana: University of Illinois Press, 1986)
Stone, Gregory B., The Ethics of Nature in the Middle Ages: On Boccaccio's Poetaphysics (New York: St. Martin's Press, 1998)
Usher, Jonathan, ‘Boccaccio'sArs morendi” in the Decameron’, Modern Language Review, 81.3 (1986), 621–32
Usher, JonathanBoccaccio on Readers and Reading’, Heliotropia, 1.1 (2003) http://www.heliotropia.org
Usher, JonathanMonuments More Enduring than Bronze: Boccaccio and Paper Inscriptions’, Heliotropia, 4.1 (2007) http://www.heliotropia.org
Usher, Jonathan“Sesto fra cotanto senno” and Appetentia primi loci: Boccaccio, Petrarch and Dante's Poetic Hierarchy’, Studi sul Boccaccio, 35 (2007), 157–98
Wallace, David, Giovanni Boccaccio: Decameron (Cambridge: Cambridge University Press, 1991)
Weaver, Elissa B., ed., The ‘Decameron’ First Day in Perspective (Toronto: University of Toronto Press, 2004)
Battaglia Ricci, Lucia, Boccaccio (Rome: Salerno, 2000)
Bragantini, Renzo, and Forni, Pier Massimo, eds, Lessico critico decameroniano (Turin: Bollati Boringhieri, 1995)
Branca, Vittore, Boccaccio medievale e nuovi studi sul ‘Decameron’, 4th edn (Milan: BUR Rizzoli, 2010)
Bruni, Francesco, Boccaccio: l'invenzione della letteratura mezzana (Bologna: Il Mulino, 1990)
Bruno Pagnamenta, Roberta, Il ‘Decameron’: l'ambiguità come strategia narrativa (Ravenna: Longo, 1999)
Cardini, Franco, Le cento novelle contro la morte: Giovanni Boccaccio e la rifondazione cavalleresca del mondo (Rome: Salerno, 2007)
De Robertis, Teresa, Monti, Carla Maria, Petoletti, Marco, Tanturli, Giuliano, and Zamponi, Stefano, eds, Boccaccio autore e copista (Florence: Mandragora, 2013)
Fido, Franco, Il regime delle simmetrie imperfette (Milan: Franco Angeli, 1988)
Getto, Giovanni, Vita di forme e forme di vita nel ‘Decameron’ (Turin: Petrini, 1986)
Marchesi, Simone, Stratigrafie decameroniane (Florence: Olschki, 2004)
Natali, Giulia, Boccaccio e le controfigure dell'autore (L'Aquila: Japadre, 1991)
Quondam, Amedeo, Fiorilla, Maurizio, and Alfano, Giancarlo (eds), Giovanni Boccaccio: ‘Decameron’ (Milan: BUR Rizzoli, 2013)
Surdich, Luigi, Boccaccio (Rome: Laterza, 2001)
Alexander, J. G., Medieval Illuminators and their Methods of Work (New Haven: Yale University Press, 1992)
Bertolo, Fabio M., Cherubini, Paolo, Inglese, Giorgio, and Miglio, Luisa, Breve storia della scrittura e del libro (Roma: Carocci, 2005)
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Cerquiglini, Bernard, In Praise of the Variant: A Critical History of Philology, trans. by Wing, Betsy (Baltimore: Johns Hopkins University Press, 1999)
Clemens, Raymond and Graham, Terry, Introduction to Manuscript Studies (Ithaca, NY: Cornell University Press, 2007)
Copeland, Rita and Sluiter, Ineke, eds, Medieval Grammar and Rhetoric: Language Arts and Literary Theory, AD 300–1475 (Oxford: Oxford University Press, 2009)
Cursi, Marco, Il ‘Decameron’: scritture, scriventi, lettori. Storia di un testo (Rome: Viella, 2007)
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De la Mare, Albinia C., The Handwriting of Italian Humanists (London: Oxford University Press, 1973)
De Hamel, Christopher, Scribes and Illuminators (Toronto: Toronto University Press, 1992)
Lubac, Henri de, Medieval Exegesis: The Four Senses of Scripture, 3 vols (Grand Rapids, MI: Eerdmans, 1998–2001)
Mehtonen, Päivi, Old Concepts and New Poetics: ‘Historia’, ‘Argumentum’, and ‘Fabula’ in the Twelfth- and Early Thirteenth-Century Latin Poetics of Fiction (Helsinki: Societas Scientiarum Fennica, 1996)
Minnis, Alastair, Medieval Theory of Authorship: Scholastic Literary Attitudes in the Later Middle Ages, 2nd edn (Philadelphia: University of Pennsylvania Press, 2010)
Minnis, A. J., and Scott, A. B., with Wallace, David, eds, Medieval Literary Theory and Criticism c. 1100–c.1375, 2nd edn (Oxford: Clarendon Press, 1991)
Petrucci, Armando, Writers and Readers in Medieval Italy: Studies in the History of Written Culture, trans. by Radding, C. M. (New Haven: Yale University Press, 1995)
Richardson, Brian, Printing, Writers and Readers in Renaissance Italy (Cambridge: Cambridge University Press, 1999)
Branca, Vittore, ed., Mercanti scrittori: ricordi nella Firenze tra medioevo e Rinascimento (Milan: Rusconi, 1986)
Brucker, Gene A., Florentine Politics and Society 1343–1378 (Princeton: Princeton University Press, 1962)
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Milner, Stephen J., ‘Communication, Consensus and Conflict: Rhetorical Precepts, the ars concionandi and Social Ordering in Late Medieval Italy’, in The Rhetoric of Cicero in its Medieval and Renaissance Commentary Tradition, ed. by Cox, Virginia and Ward, John O. (Leiden: Brill, 2006), pp. 411–60
Milner, Stephen J.The Italian Peninsula: Reception and Dissemination’, in Humanism in Fifteenth- Century Europe, ed. by Rundle, David (Oxford: The Society for the Study of Medieval Languages and Literatures, 2012), pp. 130
Najemy, John M., A History of Florence 1200–1575 (Oxford: Blackwell, 2006)
Trexler, Richard C., Public Life in Renaissance Florence (Ithaca: Cornell University Press, 1991)
Wallace, David, Chaucerian Polity: Absolutist Lineages and Associational Forms in England and Italy (Stanford: Stanford University Press, 1997)
Weissman, Ronald F. E., ‘The Importance of Being Ambiguous: Social Relations, Individualism, and Identity in Renaissance Florence’, in Urban Life in the Renaissance, ed. by Zimmerman, Susan and Weissman, Ronald F. E. (Newark: University of Delaware Press, 1989), pp. 269–80
Witt, Ronald, In the Footsteps of the Ancients: The Origins of Humanism from Lovato to Bruni (Boston: Brill, 2003)
Giancarlo, Alfano, D'Urso, Teresa, and Saggese, Alessandra Perriccioli, eds, Boccaccio angioino: materiali per la storia di Napoli nel Trecento (Brussels: Peter Lang, 2012)
Anderson, David,‘Which are Boccaccio's Own Glosses?’, in Gli zibaldoni di Boccaccio: memoria, scrittura, riscrittura. Atti del Seminario internazionale di Firenze-Certaldo (26–28 aprile 1996), ed. by Picone, Michelangelo and Bérard, Claude Cazalé (Florence: Cesati, 1998), pp. 327–31
Anselmi, Gian Mario, Baffetti, Giovanni, Delcorno, Carlo, and Nobili, Sebastiana, eds, Boccacccio e i suoi lettori: una lunga ricezione (Bologna: Il Mulino, 2013)
Armstrong, Guyda, ‘Heavenly Bodies: The Presence of the Divine Female in Boccaccio’, Italian Studies, 60 (2005), 134–46
Barański, Zygmunt G., and Cachey Jr., Theodore J., eds, Petrarch and Dante: Anti-Dantism, Metaphysics, Tradition (Notre Dame: University of Notre Dame Press, 2009), pp. 114–73
Barolini, Teodolinda, ‘The Wheel of the Decameron’, Romance Philology, 36.4 (1983), 521–39
Barsella, Susanna, ‘Boccaccio, Petrarch, and Peter Damian: Two Models of the Humanist Intellectual’, Modern Language Notes, 121 (2006), 1648
Baxter, Catherine, ‘Turpiloquium in Boccaccio's Tale of the Goslings (Decameron, Day iv, Introduction)’, Modern Language Review, 108 (2013), 812–38
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Cornish, Alison, Vernacular Translation in Dante's Italy: Illiterate Literature (Cambridge: Cambridge University Press, 2011)
Eisner, Martin, ‘Petrarch Reading Boccaccio: Revisiting the Genesis of the Triumphi’, in Petrarch and the Textual Origins of Interpretation, ed. by Barolini, Teodolina and Storey, H. Wayne (Leiden: Brill, 2007), pp. 131–46
Enenkel, Karl, ‘Modelling the Humanist: Petrarch's Letter to Posterity and Boccaccio's Biography of the Poet Laureate’, in Modelling the Individual: Biography and Portrait in the Renaissance, ed. by Enenkel, Karl, de Jong-Crane, Betsy, and Liebregts, Peter (Amsterdam: Rodopi, 1998), pp. 1149
Ferrante, Joan M., ‘Politics, Finance and Feminism in Decameron, ii, 7’, Studi sul Boccaccio, 21 (1993), 151–74
Gibaldi, Joseph, ‘The Decameron cornice and the Responses to the Disintegration of Civilisation’, Kentucky Romance Quarterly, 24 (1977), 349–57
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Hagedorn, C. Suzanne, Abandoned Women: Rewriting the Classics in Dante, Boccaccio and Chaucer (Ann Arbor: University of Michigan, 2004)
Janssens, Marcel, ‘The Internal Reception of the Stories within the Decameron’, in Boccaccio in Europe: Proceedings of the Boccaccio Conference, Leuven, December 1975, ed. by Tournoy, Gilbert (Leuven: Leuven University Press, 1977), pp. 135–48
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Kriesel, James C., ‘The Genealogy of Boccaccio's Theory of Allegory’, Studi sul Boccaccio, 36 (2009), 197226
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