Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-gtxcr Total loading time: 0 Render date: 2024-04-23T17:49:06.800Z Has data issue: false hasContentIssue false

9 - Music in Monteverdi's Venice

Published online by Cambridge University Press:  28 September 2011

John Whenham
Affiliation:
University of Birmingham
Richard Wistreich
Affiliation:
University of Newcastle upon Tyne
Get access

Summary

In November 1619 Francesco Dognazzi, maestro di cappella to the Duke of Mantua whose forebears had been Monteverdi's employers, arrived in Venice (see Monteverdi's letter of 8 March 1620). When Santi Orlandi, who had been in charge of music at the Gonzaga court, had died in the previous July, Monteverdi had been invited to return to the Duke's service. In Venice, where rumours of Monteverdi's departure from his post at S. Marco were already rife, Dognazzi's mission was to advance the cause of a return to Mantua. In this he failed. Writing to Alessandro Striggio, a Mantuan court secretary who had been Monteverdi's librettist for Orfeo, Monteverdi enumerated some of his reasons for staying in Venice:

Nor is there any gentleman who does not esteem and honour me, and when I am about to perform either chamber or church music, I swear to Your Lordship that the entire city comes running.

Next, the duties are very light since the whole choir is liable to discipline except the director of music – in fact, it is in his hands, having a singer censured or excused and giving leave or not; and if he does not go into chapel nobody says anything. Moreover, his allowance is assured until his death: neither the death of a procurator nor that of a doge interferes with it, and by always serving faithfully and with reverence he has greater expectations, not the opposite; and as regards his salary, if he does not go at the appointed time to pick it up, it is brought round to his house. And this is the first particular, as regards basic income; then there is occasional income, which consists of whatever extra I can easily earn outside S. Marco, of about two hundred ducats a year (invited as I am again and again by the wardens of the guilds [signori guardiani di scole]. Because whoever can engage the director to look after their music – not to mention the payment of thirty ducats, and even forty, and up to fifty for two Vespers and a Mass – does not fail to take him on, and they also thank him afterwards with well-chosen words.

Now let Your Lordship weigh in the balance of your very refined judgement that amount which you have offered me in His Highness’s name, and see whether – on good and solid grounds – I could make the change or not.

(Letter of 13 March 1620)
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×