Book contents
- The Cambridge Companion to the Literature of the American West
- The Cambridge Companion to the Literature of the American West
- The Cambridge Companion to the Literature of the American West
- Copyright page
- Contents
- Figures
- Contributors
- Chronology
- Book part
- 1 Introduction
- 2 Transnational Wests: the literature of Spanish exploration
- 3 Western folk traditions: from colonization to Mark Twain and the San Francisco Circle
- 4 Settlement, promise, and catastrophe in the middle regions
- 5 Gender and the literature of expansion
- 6 The American West and the literature of environmental consciousness
- 7 California in late settlement
- 8 The West in modern verse
- 9 Noir fiction and the Western city
- 10 The Western and film
- 11 The Native American Renaissance
- 12 Chicana/o literature in the West
- 13 Mestiza consciousness of La Frontera/Borderlands in Sandra Cisneros and Helena María Viramontes
- 14 The West and the Asian American experience
- 15 African American literature and the early West
- 16 Wallace Stegner and the literature of historical memory
- 17 Cormac McCarthy: narratives and borders
- Further reading
- Index
- Series List
- References
12 - Chicana/o literature in the West
Published online by Cambridge University Press: 05 May 2016
Edited by
Book contents
- The Cambridge Companion to the Literature of the American West
- The Cambridge Companion to the Literature of the American West
- The Cambridge Companion to the Literature of the American West
- Copyright page
- Contents
- Figures
- Contributors
- Chronology
- Book part
- 1 Introduction
- 2 Transnational Wests: the literature of Spanish exploration
- 3 Western folk traditions: from colonization to Mark Twain and the San Francisco Circle
- 4 Settlement, promise, and catastrophe in the middle regions
- 5 Gender and the literature of expansion
- 6 The American West and the literature of environmental consciousness
- 7 California in late settlement
- 8 The West in modern verse
- 9 Noir fiction and the Western city
- 10 The Western and film
- 11 The Native American Renaissance
- 12 Chicana/o literature in the West
- 13 Mestiza consciousness of La Frontera/Borderlands in Sandra Cisneros and Helena María Viramontes
- 14 The West and the Asian American experience
- 15 African American literature and the early West
- 16 Wallace Stegner and the literature of historical memory
- 17 Cormac McCarthy: narratives and borders
- Further reading
- Index
- Series List
- References
- Type
- Chapter
- Information
- The Cambridge Companion to the Literature of the American West , pp. 153 - 169Publisher: Cambridge University PressPrint publication year: 2016
References
Works Cited
Acosta, Oscar. “Zeta.” The Autobiography of a Brown Buffalo. San Francisco, CA: Straight Arrow Books, 1972. Print.Google Scholar
Acosta, Oscar. The Revolt of the Cockroach People. San Francisco, CA: Straight Arrow Books, 1973. Print.Google Scholar
Allen-Taylor, Douglas. “Wizard of Aztlán.” Metro: Silicon Valley’s Weekly Newspaper. August 5–11, 1991. San Jose, CA: Metro Publishing Inc. Web. Accessed June 17, 2015.Google Scholar
Alurista, . Nationchild Plumaroja, 1969–1972. San Diego, CA: Centro Cultural de la Raza, 1972. Print.Google Scholar
Alurista, . Timespace Huracan: Poems, 1972–1975. Albuquerque, NM: Pajarito Publications, 1976. Print.Google Scholar
Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. San Francisco, CA: Spinsters/Aunt Lute Books, 1987. Print.Google Scholar
Anzaldúa, Gloria. ed. Making Face, Making Soul/Haciendo Caras: Creative and Critical Perspectives by Feminists of Color. San Francisco, CA: Aunt Lute Press, 1990. Print.Google Scholar
Broyles-González, Yolanda. El Teatro Campesino: Theater in the Chicano Movement. Austin: University of Texas Press, 1994. Print.Google Scholar
Bruce-Novoa, Juan. Chicano Authors: Inquiry by Interview. Austin: University of Texas Press, 1980. Print.Google Scholar
Buckley, Christopher. “Chicano/Latina Poets: A Special APR Supplement.” The American Poetry Review. Vol. 40, no. 5 (2011): 23–30. Web. Accessed June 20, 2015.Google Scholar
Calderón, Hectór. Narratives of Greater Mexico: Essays on Chicano Literary History, Genre, and Borders. Austin: University of Texas Press, 2005.Google Scholar
Cervantes, Lorna Dee. Emplumada. Pittsburgh, PA: University of Pittsburgh Press, 1981. Print.Google Scholar
Cervantes, Lorna Dee. From the Cables of Genocide: Poems on Love and Hunger. Houston, TX: Arte Público Press, 1991. Print.Google Scholar
Chabram-Dernersesian, Angie. “I Throw Punches for My Race, but I Don’t Want to Be a Man: Writing Us – Chica-nos (Girl, Us)/ Chicanas – into the Movement Script.” In Grossberg, Lawrence, Nelson, Cary, and Treichler, Paula (eds.) Cultural Studies. New York: Routledge, 1992. 81–95. Print.Google Scholar
Cutler, John Alba. Ends of Assimilation: The Formation of Chicano Literature. Oxford: University of Oxford Press, 2015. Print.CrossRefGoogle Scholar
García, Mario T. Mexican Americans: Leadership, Ideology, and Identity, 1930–1960. New Haven, CT: Yale University Press, 1991. Print.Google Scholar
Heller, Meredith. “Gender-Bending in El Teatro Campesino (1968–1980): A Mestiza Epistemology of Performance.” Gender & History. Vol. 24, no. 3 (2012): 766–781. Print.CrossRefGoogle Scholar
Hinojosa, Rolando. Estamas del valle y otras obras/Sketches of the Valley and Other Works. Berkeley, CA: Quinto Sol Publications, 1973. Print.Google Scholar
Huerta, Jorge A. “Introduction.” In Jorge Huerta (ed.) Necessary Theatre: Six Plays about the Chicano Experience. Houston, TX: Arte Público Press, 1989. Print.Google Scholar
Islas, Arturo. “Richard Rodriguez: Autobiography as Self-Denial.” In Frederick Luis Aldama (ed.) Arturo Islas: The Uncollected Work. Houston, TX: Arte Público Press, 2003. 220–228. Print.Google Scholar
López, Marissa. Chicano Nations: The Hemispheric Origins of Mexican American Literature. New York: New York University Press, 2011.Google Scholar
Moraga, Cherríe. Heroes and Saints and Other Plays. Albuquerque, NM: West End Press, 1994. PrintGoogle Scholar
Moraga, Cherríe. Watsonville/Circle in the Dirt. Albuquerque, NM: West End Press, 2002. Print.Google Scholar
Moraga, Cherríe, and Anzaldúa, Gloria, eds. This Bridge Called My Back: Writing by Radical Women of Color. 2nd edition. New York: Kitchen Table Press, 1983. Print.Google Scholar
Olivas, Daniel. “Daniel Olivas Interviews Luis J. Rodriguez.” Los Angeles Review of Books. March 19, 2014. Web. Accessed February 20, 2015.Google Scholar
Ortiz, Ricardo L. “Sexuality Degree Zero: Pleasure and Power in the Novels of John Rechy, Arturo Islas and Michael Nava.” Journal of Homosexuality. Vol. 26, nos. 2–3 (1993): 111–126.CrossRefGoogle ScholarPubMed
Pérez-Torres, Rafael. Mestizaje: Critical Uses of Race in Chicano Culture. Minneapolis: University of Minnesota Press, 2005.Google Scholar
“Plan Espiritual de Aztlán.” In Valdez, Luís and Steiner, Stan (eds.) Aztlan: An Anthology of Mexican American Literature. New York: Knopf, 402–406. Print.Google Scholar
Portillo-Trambley, Estela. Rain of Scorpions and Other Writing. Berkeley, CA: Tonatiuh International, 1975. Print.Google Scholar
Rechy, John. The Miraculous Day of Amalia Gómez. New York: Arcade Publications, 1991. Print.Google Scholar
Rivera, Tomás. ...y no se lo tragó la tierra/...And the Earth Did Not Part. Rios, Herminio, trans. Berkeley: Quinto Sol Publications, 1971. Print.Google Scholar
Rodríguez, Luis J. Always Running: La Vida Loca, Gang Days in L.A. Willamtic, CT: Curbstone Press, 1993. Print.Google Scholar
Rodríguez, Luis J. It Calls You Back: An Odyssey through Love, Addiction, Revolutions, and Healing. New York: Touchstone Press, 2012. Print.Google Scholar
Rodriguez, Richard. Days of Obligation: An Argument with My Mexican Father. New York: Viking, 1992. Print.Google Scholar
Rodriguez, Richard. Hunger of Memory: The Education of Richard Rodriguez. New York: Bantam Books, 1983. Print.Google Scholar
Sáenz, Benjamin Alire. “In the Borderlands of Chicano Identity, There Are Only Fragments.” In Michaelsen, Scott and Johnson, David E. (eds.) Border Theory: The Limits of Cultural Politics. Minneapolis: University of Minnesota Press, 1997. 68–96. Print.Google Scholar
Saldívar, José David. The Dialectics of Our America: Genealogy, Cultural Critique, and Literary History. Durham, NC: Duke University Press, 1991. Print.Google Scholar
Saldívar, Ramón. Chicano Narrative: The Dialectics of Difference. Madison: University of Wisconsin Press, 1990. Print.Google Scholar
Saldívar-Hull, Sonia. Feminism on the Border: Chicana Gender Politics and Literature. Berkeley, CA: University of California Press, 2000.CrossRefGoogle Scholar
Sandoval, Chela. “U.S. Third World Feminism: The Theory and Method of Oppositional Consciousness in the Postmodern World.” Genders. Vol. 10 (1991): 1–24. Print.Google Scholar
Soto, Gary. The Elements of San Joaquin Pittsburgh, PA: University of Pittsburgh Press, 1977. Print.Google Scholar
Soto, Gary. The Tale of Sunlight. Pittsburgh, PA: University of Pittsburgh Press, 1978. Print.Google Scholar
Valdez, Luis. The Shrunken Head of Pancho Villa. [publisher not identified], 1967. Print.Google Scholar
Viramontes, Helena María. The Moths and Other Stories. Houston, TX: Arte Público Press, 1985. Print.Google Scholar
Viramontes, Helena María. Their Dogs Came With Them. New York: Atria Books, 2007. Print.Google Scholar