Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-wq2xx Total loading time: 0 Render date: 2024-04-23T13:22:04.683Z Has data issue: false hasContentIssue false

1 - Ancient audiences and expectations

from Part I - Approaches

Published online by Cambridge University Press:  28 November 2010

Andrew Feldherr
Affiliation:
Princeton University, New Jersey
Get access

Summary

Although some Greek historians comment on the audience for their own history or for history in general, the Roman historians are usually silent on the subject, and we must use passing remarks or inferences from their histories and from other writers to determine the audience for history at Rome. That Rome was a society much devoted to the past cannot be denied. Romans of all eras prided themselves on their fidelity to mos maiorum, the ways of their ancestors, and the past provided both example and inspiration; Rome itself abounded with concrete reminders of past events; in early times the pontifex maximus recorded publicly the year's notable or unusual events; and the funerals of great men rehearsed the deeds of noble Romans and their ancestors. An interest in history is evident, moreover, at the very beginnings of Latin literature in C. Naevius' poem, the Bellum Punicum, which treated both earlier Roman history and the First Punic War (264-241 BCE) in which Naevius himself had fought. The writing of prose narrative history, however, began late in comparison with other genres. Its first practitioner was Quintus Fabius Pictor, a participant in the Second Punic War (218-201) who wrote when Roman history was already nearly five centuries old. Fabius wrote in Greek, a choice that suggests primarily a Greek audience: he was placing Rome and the Roman case before the wider Mediterranean world, in which Rome now played a leading role.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×