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  • Online publication date: December 2013

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The Cambridge Companion to Vaughan Williams
  • Online ISBN: 9781139043243
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Adams, Byron, ‘“No Armpits, Please, We’re British”: Whitman and English Music’, in Lawrence Kramer (ed.), Walt Whitman and Modern Music: War, Desire, and the Trials of Nationhood (New York and London: Garland, 2000), 25–42.
Adams, Byron, and Robin Wells (eds.), Vaughan Williams Essays (Aldershot: Ashgate Publishing, 2003).
Atlas, Allan W., ‘On the Structure and Proportions of Vaughan Williams’s Fantasia on a Theme by Thomas Tallis’, Journal of the Royal Musical Association 135/9 (2010), 115–44.
Baker, H. W., and Walter Howard Frere, Hymns Ancient and Modern for Use in the Services of the Church, with Accompanying Tunes (London: W. Clowes, 1909).
Banfield, Stephen, Sensibility and English Song (Cambridge University Press, 1985).
Bawden, John, ‘The Music of The English Hymnal’, in Alan Luff (ed.), Strengthen for Service: 100 Years of The English Hymnal 1906–2006 (Norwich: Canterbury Press, 2005), 133–54.
Beckerman, Michael, ‘The Composer as Pole Seeker: Reading Vaughan Williams’s Sinfonia Antartica’, Current Musicology 69 (2000), 42–67.
Benjamin, Arthur, ‘A Student in Kensington’, ML 31/3 (1950), 202–3.
Boden, Anthony, Three Choirs: A History of the Festival: Gloucester, Hereford, Worcester (Stroud: Sutton, 1992).
Boult, Adrian, Boult on Music: Words from a Lifetime’s Communication (London: Toccata Press, 1983).
Boult, Adrian My Own Trumpet (London: Hamish Hamilton, 1973).
Boult, Adrian Thoughts on Conducting (London: Phoenix House, 1963).
Boult, AdrianTributes to Vaughan Williams’, MT 99 (1958), 535–9.
Bradley, Ian Campbell, ‘Vaughan Williams’ “Chamber of Horrors” – Changing Attitudes towards Victorian Hymns’, in Alan Luff (ed.), Strengthen for Service: One Hundred Years of the English Hymnal 1906–2006 (Norwich: Canterbury Press, 2005), 231–43.
C[apell], R[ichard], ‘Three Choirs Festival – Gloucester, September 5–10’. MT 78 (1937), 909–10.
Carpenter, Humphrey, The Envy of the World: Fifty Years of the BBC Third Programme and Radio 3 (London: Weidenfeld and Nicolson, 1996).
Cobbe, Hugh (ed.), Letters of Ralph Vaughan Williams 1895–1958 (Oxford University Press, 2008).
Connock, Stephen, ‘“It Will Be Alright in the End”: The Complex Evolution of the Libretto’, Journal of the RVW Society 26 (2003), 6.
Cooke, Deryck, The Language of Music (Oxford University Press, 1959).
Copland, Aaron, Copland on Music (London: André Deutsch, 1961).
Day, James, The Master Musicians: Vaughan Williams, 3rd edn (Oxford and New York: Oxford University Press, 1998).
Dickinson, Alan E., Vaughan Williams (London: Faber and Faber, 1963).
Doctor, Jennifer, The BBC and Ultra-Modern Music, 1922–1936: Shaping a Nation’s Tastes (Cambridge University Press, 1999).
Erlebach, Rupert, ‘Dr. Ralph Vaughan Williams, O.M.’, The RCM Magazine 55/1 (1959), 30.
Etter, Paul James, ‘Ralph Vaughan Williams’s Hodie: An Analysis and Performance Guide for the Choral Conductor’ (DMA dissertation, Texas Tech University, 2002).
Evans, Edwin, ‘English Song and “On Wenlock Edge”’, MT 59 (1918), 247–8.
Evans, EdwinModern British Composers. ix. Ralph Vaughan Williams’, MT 61 (1920), 232–4.
Evans, EdwinModern British Composers. x. Ralph Vaughan Williams (Contd.)’, MT 61 (1920), 302–5.
Evans, EdwinModern British Composers. x. Ralph Vaughan Williams (Concluded)’, MT 61 (1920), 371–4.
Foreman, Lewis (ed.), Ralph Vaughan Williams in Perspective: Studies of an English Composer (London: Albion Music, 1998).
Foss, Hubert, Ralph Vaughan Williams: A Study (London: Harrap, 1950).
Frogley, Alain, ‘“O Farther Sail”: Vaughan Williams and Whitman’, in Julian Rushton (ed.), Let Beauty Awake: Elgar, Vaughan Williams and Literature (London: Elgar Editions, 2010), 77–95.
Frogley, AlainVaughan Williams and Nazi Germany: The 1937 Hamburg Shakespeare Prize’, in Christa Brüstle and Guido Heldt (eds.), Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland 1920–1950 (Hildesheim: Georg Olms Verlag, 2005).
Frogley, Alain Vaughan Williams’s Ninth Symphony (Oxford University Press, 2001).
Frogley, Alain (ed.), Vaughan Williams Studies (Cambridge University Press, 1996).
Garnham, Alison, ‘The BBC in Possession: 1949–59’, in Jennifer Doctor, David Wright and Nicholas Kenyon (eds.), The Proms: A New History (London: Thames & Hudson, 2007), 130–67.
Goddard, Scott, ‘The Three Choirs Festival’, MT 95 (1954), 615–16.
Gray, Cecil, A Survey of Contemporary Music (Oxford University Press, 1924).
Grimley, Daniel M., ‘Music, Ice, and the Geometry of Fear: Vaughan Williams’s Sinfonia Antartica’, MQ 91 (2008), 116–50.
Hinnells, Duncan, ‘The Making of a National Composer: Vaughan Williams, OUP, and the BBC’ (DPhil thesis, University of Oxford, 1999).
Hinnells, DuncanVaughan Williams’s Piano Concerto: The First Seventy Years’, in Lewis Foreman (ed.), Ralph Vaughan Williams in Perspective: Studies of an English Composer (London: Albion Music, 1998), 118–63.
Holbrooke, Joseph, Contemporary British Composers (London: Cecil Palmer, 1925).
Holyoake, Michael, ‘Towards a Folk Song Awakening: Vaughan Williams in Bournemouth, 1902’, Ralph Vaughan Williams Society Journal 46 (2009), 9–15.
Howes, Frank, The Music of Ralph Vaughan Williams (Oxford University Press, 1954).
Hull, Robert, ‘The Cult of Archaism’, ML 11 (1930), 367–74.
Jacob, Gordon, ‘Dr. Ralph Vaughan Williams, O.M.’, The RCM Magazine 55/1 (1959), 31.
Keen, Basil, The Bach Choir: The First Hundred Years (Aldershot: Ashgate, 2008).
Kennedy, Michael, Adrian Boult (London: Papermac, 1987).
Kennedy, Michael A Catalogue of the Works of Ralph Vaughan Williams, 2nd edn (Oxford University Press, 1996).
Kennedy, Michael The Works of Ralph Vaughan Williams, 2nd edn (London: Oxford University Press, 1980).
Kimberling, Clark, ‘Hymn Tune Descants, Part i: 1915–1934’, The Hymn 54/3 (2003), 20–7.
Leith Hill Musical Festival, Music Won the Cause: 100 Years of the Leith Hill Musical Festival, 1905–2005 (Dorking: Leith Hill Musical Festival, 2005).
Maconchy, Elizabeth, ‘Dr. Ralph Vaughan Williams, O.M.’, The RCM Magazine 55/1 (Easter 1959), 33–4.
Manning, David, ‘Harmony, Tonality and Structure in Vaughan Williams’s Music’ (PhD dissertation, Cardiff University, 2003).
Manning, David (ed.), Vaughan Williams on Music (Oxford University Press, 2008).
McGuire, Charles Edward, Elgar’s Oratorios: The Creation of an Epic Narrative (Aldershot: Ashgate Press, 2002).
McGuire, Charles Edward ‘From The Apostles to Sancta Civitas: The Oratorios of Elgar and Vaughan Williams’, in Norris, Neill and Kennedy (eds.), A Special Flame, 99–115.
McGuire, Charles Edward Music and Victorian Philanthropy: The Tonic Sol-fa Movement (Cambridge University Press, 2009).
Mellers, Wilfrid, Vaughan Williams and the Vision of Albion (London: Barrie and Jenkins, 1989).
Mitchell, Donald, ‘Contemporary Chronicle: Revaluations: Vaughan Williams’, Musical Opinion 78 (1955), 409–11 and 471.
Moore, Jerrold Northrop (ed.), Music & Friends: Seven Decades of Letters to Adrian Boult from Elgar, Vaughan Williams, Holst, Bruno Walter, Yehudi Menuhin and Other Friends (London: Hamish Hamilton, 1979).
Neighbour, Oliver, ‘Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation (With a Note About Tippett)’, ML 89/3 (2008), 337–45
Newbery, Celia (ed.), Vaughan Williams in Dorking: A Collection of Personal Reminiscences of the Composer Dr. Ralph Vaughan Williams O. M. (Dorking, Surrey: The Local History Group of the Dorking and Leith Hill District Preservation Society, 1979).
Newman, Ernest, ‘Concerning “A Shropshire Lad” and Other Matters’, MT 59 (1918), 394.
Norris, John, Andrew Neill, and Michael Kennedy, A Special Flame: The Music of Elgar and Vaughan Williams Based on the Proceedings of an International Symposium Jointly Organised by the Elgar and RVW Societies Held at the British Library, Saturday 29 & Sunday 30 March 2003 (Rickmansworth: Elgar Editions, 2004).
Onderdonk, Julian, ‘Vaughan Williams and the Modes’, Folk Music Journal 7/5 (1999), 609–26.
Ottaway, Hugh, Vaughan Williams Symphonies (London: British Broadcasting Corporation, 1972).
Ottaway, HughRiders to the Sea’, MT 93/1314 (1952), 358–60.
Ottaway, Hugh, and Alain Frogley, ‘Vaughan Williams, Ralph’, in Grove Music Online, Oxford Music Online, (accessed 30 May 2013).
Raverat, Gwen, Period Piece: A Cambridge Childhood (London: Faber and Faber, 1960).
Routley, Erik, The Music of Christian Hymnody (London: Independent Press, 1957).
Routley, Erik Twentieth Century Church Music (Oxford University Press, 1964).
Rushton, Julian (ed.), Let Beauty Awake: Elgar, Vaughan Williams and Literature (London: Elgar Editions, 2010).
Russell, Dave, Popular Music in England, 1840–1914: A Social History, 2nd edn (Manchester University Press, 1997).
Savage, Roger, ‘Vaughan Williams Brings in the May: Sydenham, 1911’, Journal of the RVW Society 28 (2003), 12–14.
Saylor, EricDramatic Applications of Folksong in Vaughan Williams’s Operas Hugh the Drover and Sir John in Love’, Journal of the Royal Musical Association 134/1 (2009), 47–58.
Saylor, Eric, ‘The Significance of Nation in the Music of Ralph Vaughan Williams’ (PhD dissertation, University of Michigan, 2003).
Scholes, Percy A., The Mirror of Music, 1844–1944: A Century of Musical Life in Britain as Reflected in the Pages of The Musical Times, 2 vols. (London: Novello & Company, Limited; Oxford University Press, 1947).
Schwartz, Elliott S., The Symphonies of Ralph Vaughan Williams (Amherst: University of Massachusetts Press, 1964).
Seddon, Eric, ‘Beyond Wishful Thinking: A Re-Evaluation of Vaughan Williams and Religion’, Ralph Vaughan Williams Society Journal 36 (2006), 14–23.
Shaw, Watkins, ‘Church Music in England from the Reformation to the Present Day’, in Friedrich Blume (ed.), Protestant Church Music: A History (New York: W. W. Norton, 1974), 691–732.
Talbot, Michael, The Finale in Western Instrumental Music (Oxford and New York: Oxford University Press, 2001).
Temperley, NicholasThe Lost Chord’, Victorian Studies 30 (1986), 7.
Temperley, Nicholas, The Music of the English Parish Church, 2 vols. (Cambridge University Press, 1979).
Vaughan Williams, Ralph, ‘The Composer in Wartime, 1940’, The Listener 23 (1940), 989.
Vaughan Williams, Ralph Folk Songs from the Eastern Counties (London: Novello, 1908).
Vaughan Williams, Ralph Letters of Ralph Vaughan Williams 1895–1958, ed. Hugh Cobbe (Oxford University Press, 2008).
Vaughan Williams, Ralph The Making of Music (Ithaca: Cornell University Press, 1955).
Vaughan Williams, Ralph National Music and Other Essays, 2nd edn (Oxford: Clarendon Press, 1987).
Vaughan Williams, RalphReview of Six Suffolk Folk-Songs, collected and arranged by E. J. Moeran’, Journal of the English Folk Dance and Song Society 1/3 (1934), 173.
Vaughan Williams, Ralph Some Thoughts on Beethoven’s Choral Symphony with Writings on Other Musical Subjects (London: Oxford University Press, 1953).
Vaughan Williams, Ralph Vaughan Williams on Music, ed. David Manning (Oxford University Press, 2008).
Vaughan Williams, RalphWho Wants the English Composer?’, The RCM Magazine 11/1 (1912), 12–15.
Vaughan Williams, Ralph, and Gustav Holst, Heirs and Rebels: Letters Written to Each Other and Occasional Writings on Music, ed. Ursula Vaughan Williams and Imogen Holst (London: Oxford University Press, 1959).
Vaughan Williams, Ursula, R. V. W.: A Biography of Ralph Vaughan Williams (Oxford: Clarendon Press, 1964).
Weltzien, O. Alan, ‘Notes and Lineaments: Vaughan Williams’s “Job: A Masque for Dancing” and Blake’s “Illustrations”’, MQ 76/3 (1992), 301–36.