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  • Print publication year: 2013
  • Online publication date: December 2013

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The Cambridge Companion to Vaughan Williams
  • Online ISBN: 9781139043243
  • Book DOI: https://doi.org/10.1017/CCO9781139043243
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Manning, David, ‘Harmony, Tonality and Structure in Vaughan Williams’s Music’ (PhD dissertation, Cardiff University, 2003).
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McGuire, Charles Edward ‘From The Apostles to Sancta Civitas: The Oratorios of Elgar and Vaughan Williams’, in Norris, Neill and Kennedy (eds.), A Special Flame, 99–115.
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Neighbour, Oliver, ‘Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation (With a Note About Tippett)’, ML 89/3 (2008), 337–45
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Newman, Ernest, ‘Concerning “A Shropshire Lad” and Other Matters’, MT 59 (1918), 394.
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Savage, Roger, ‘Vaughan Williams Brings in the May: Sydenham, 1911’, Journal of the RVW Society 28 (2003), 12–14.
Saylor, EricDramatic Applications of Folksong in Vaughan Williams’s Operas Hugh the Drover and Sir John in Love’, Journal of the Royal Musical Association 134/1 (2009), 47–58.
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Vaughan Williams, Ralph The Making of Music (Ithaca: Cornell University Press, 1955).
Vaughan Williams, Ralph National Music and Other Essays, 2nd edn (Oxford: Clarendon Press, 1987).
Vaughan Williams, RalphReview of Six Suffolk Folk-Songs, collected and arranged by E. J. Moeran’, Journal of the English Folk Dance and Song Society 1/3 (1934), 173.
Vaughan Williams, Ralph Some Thoughts on Beethoven’s Choral Symphony with Writings on Other Musical Subjects (London: Oxford University Press, 1953).
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