Agee, Richard, The Gardano Music Printing Firms, 1569–1611, Rochester, NY, 1998Google Scholar

Albertini, Arnaldus, De agnoscendis assertionibus Catholicis et haereticis tractatus, Rome, 1572Google Scholar

Anderson, Michael Alan, St Anne in Renaissance Music: Devotion and Politics, Cambridge, 2014Google Scholar

Annibaldi, Claudio, La cappella musicale pontificia nel Seicento, Rome, 2011Google Scholar

Annibaldi, Claudio, ‘L’ultimo viaggio dei “Musici di Nostro Signore”: Per una rifondazione della storiografia della Cappella Pontificia fra Cinque e Seicento’, in Cappelle musicali fra corti, stato e Chiesa nell’Italia del Rinascimento, ed. Piperno, Franco, Biagi, Gabriella Ravenni, and Andrea Chegai, , Florence, 2007, 285–316Google Scholar

Bellarmine, Robert, De Controversiis Christianae Fidei, Book 3, Rome, 1593Google Scholar

Bernstein, Jane A., Music Printing in Renaissance Venice: The Scotto Press, 1539–1572, New York, 1998Google Scholar

Bertoglio, Chiara, Reforming Music: Music and the Religious Reformations of the Sixteenth Century, Berlin, 2017CrossRefGoogle Scholar

Besutti, Paola, ‘Un modello alternativo di Controriforma: Il caso mantovano’, in La cappella musicale nell’Italia della Controriforma, ed. Mischiati, Oscar and Russo, Paolo, Florence, 1993, 111–21Google Scholar

Bispo, Antonio A., Grundlagen christlicher Musikkultur in der aussereuropäischen Welt der Neuzeit: der Raum des früheren portugiesischen Patronatsrechts, Cologne and Rome, 1988Google Scholar

Borg, Paul, ‘The Polyphonic Music in the Guatemalan Music Manuscripts of the Lilly Library’, Ph.D. diss., Indiana University, 1985Google Scholar

Brasio, Antonio, ed., Monumenta Missionaria Africana, Africa ocidental, ser. II, vol. IV, Lisbon, 1958Google Scholar

Bryant, David, and Quaranta, Elena, eds., Produzione, circolazione, e consumo; consuetudine e quotidianità della polifonia sacra nelle chiese monastiche e parrocchiali dal tardo Medioevo alla fine degli antichi regimi, Bologna, 2006Google Scholar

Candelaria, Lorenzo, ‘Bernardino de Sahagún’s Psalmodia christiana: A Catholic Songbook from Sixteenth-Century New Spain’, JAMS 67 (2014), 619–84Google Scholar

Canguilhem, Philippe, ‘Singing upon the Book According to Vicente Lusitano’, EMH (2011), 55–103Google Scholar

Carreras, Juan José, and García, Bernardo J. García, , eds., The Royal Chapel in the Time of the Habsburgs: Music and Ceremony in the Early Modern European Court, Woodbridge, 2005Google Scholar

Cattin, Giulio, and Gallo, Franco Alberto, eds., Un millenio di polifonia liturgica tra oralità e scrittura, Bologna, 2002Google Scholar

Coifman, David, De obispos, reyes, santos, y señas en la historia de la capilla musical de Venezuela (1532–1804), Madrid, 2010Google Scholar

Crook, David, ‘A Sixteenth-Century Catalog of Prohibited Music’, JAMS 62 (2009), 1–78Google Scholar

Dahlenburg, Jane, ‘The Motet c. 1580–1630: Sacred Music Based on the Song of Songs’, Ph.D. diss., University of North Carolina at Chapel Hill, 2001Google Scholar

Ditchfield, Simon, ‘De-centering the Catholic Reformation: Papacy and Peoples in the Early Modern World’, Archiv für Reformationsgeschichte 101 (2010), 186–208Google Scholar

Ditchfield, Simon, ‘Of Dancing Cardinals and Mestizo Madonnas: Reconfiguring the History of Roman Catholicism in the Early Modern Period’, Journal of Early Modern History 8 (2004), 386–408CrossRefGoogle Scholar

Edwards, Warwick, ‘Text Treatment in Motets around 1500: The Humanistic Fallacy’, in The Motet around 1500: On the Relationship of Imitation and Text Treatment, ed. Schmidt-Beste, Thomas, Turnhout, 2012, 113–38Google Scholar

Escalante, Gonzalbo, Pablo, El arte cristiano-indígeno del siglo XVI novohispano y sus modelos europeos, Cuernavaca, 2008Google Scholar

Fenlon, Iain, ‘Lepanto: Music, Ceremony, and Celebration in Counter-Reformation Rome’, in Music and Culture in Late Renaissance Italy, Oxford, 2002, 139–61CrossRefGoogle Scholar

Fenlon, Iain Music and Patronage in Sixteenth-Century Mantua, 2 vols., Cambridge, 1980–2Google Scholar

Ferer, Mary Tiffany, Music and Ceremony at the Court of Charles V: The Capilla Flamenca and the Art of Political Promotion, Woodbridge, 2012Google Scholar

Filippi, Daniele V., ed., Palestrina, Motecta festorum totius anni, Pisa, 2003Google Scholar

Fiorentino, Giuseppe, ‘Cantar por uso and cantar faburdón: The “Unlearned” Tradition of Oral Polyphony in Renaissance Spain (and Beyond)’, EM 43 (2015), 23–35Google Scholar

Fisher, Alexander J., Music, Piety and Propaganda: The Soundscapes of Counter-Reformation Bavaria, New York, 2014CrossRefGoogle Scholar

Fisher, Alexander Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630, Aldershot, 2004Google Scholar

Föcking, Marc, ‘Rime sacre’ und die Genese des barocken Stils: Untersuchungen zur Stilgeschichte geistlicher Lyrik in Italien 1536–1614, Stuttgart, 1994Google Scholar

Fromson, Michele, ‘A Conjunction of Rhetoric and Music: Structural Modelling in the Italian Counter-Reformation Motet’, JRMA 117 (1992), 208–45Google Scholar

Gentile, Luise Clotilde, ‘Orlando di Lassus pellegrino a Loreto (1585): Vicende di un ex-voto musicale’, Recercare 19 (2007), 221–7Google Scholar

Glixon, Jonathan, ‘A Musicians’ Union in Sixteenth-Century Venice’, JAMS 36 (1983), 392–421Google Scholar

Glixon, Jonathan Honoring God and the City: Music at the Venetian Confraternities, 1260–1807, New York, 2003CrossRefGoogle Scholar

Gozzi, Marco, Il Graduale Giunta, Venezia 1572, Lucca, 2013Google Scholar

Gozzi, Marco, and Luisi, Francesco, eds., Il canto fratto: L’altro gregoriano, Rome, 2006Google Scholar

Hall, Marcia B., and Cooper, Tracy, eds., The Sensuous in the Counter-Reformation Church, New York, 2013Google Scholar

Hardie, Jane, The Lamentations of Jeremiah: Ten Sixteenth-Century Prints, Ottawa, 2003Google Scholar

His, Isabelle, Claude Le Jeune (c. 1530–1600): Un compositeur entre Renaissance et Baroque, Arles, 2000Google Scholar

Horstmann, Angelika, Katalog der Musikdrucke aus der Zeit der Kasseler Hofkapelle (1550–1650), Wiesbaden, 2005Google Scholar

Jeno de’ Coronei, Niccolò, Sinodo materese del 1597 [sic], Naples, 1880Google Scholar

Judd, Cristle Collins, ed., Zarlino, Motets from 1549, p. 1: Motets Based on the Song of Songs, Middleton, WI, 2006Google Scholar

Karp, Theodore, An Introduction to the Post-Tridentine Mass Proper, Middleton, WI, 2005Google Scholar

Kendrick, Robert L., ‘Honore a Dio, e allegrezza alli santi, e consolazioni alli putti: The Musical Projection of Litanies in Sixteenth-Century Italy’, Sanctorum 6 (2009), 15–46Google Scholar

Kendrick, Robert The Sounds of Milan, 1585–1650, New York, 2002Google Scholar

Kirk, Douglas, ‘Churching the Shawms in Renaissance Spain’, Ph. D. diss., McGill University, 1993Google Scholar

Kühebacher, Egon, ‘Prozessionen des Stiftes Innichen im frühen 17. Jahrhundert’, Der Schlern 60 (1986), 637–72Google Scholar

Kurtzman, Jeffrey, ‘The Effect on Italian Liturgical Music of the Council of Trent (1562), the Breviarium Romanum (1568), the Missale Romanum (1570), and the Caeremoniale Episcoporum (1600)’, in Studies in Sixteenth- and Seventeenth-Century Italian Sacred Music, Farnham, 2014Google Scholar

Kurtzman, Jeffrey, and Schnoebelen, Anne, ‘A Catalogue of Mass, Office, and Holy Week Music Printed in Italy, 1516–1770’, JSCM Instrumenta 2, http://sscm-jscm.org/instrumenta/instrumenta-volumes/instrumenta-volume-2Google Scholar

Leitmeir, Christian, Jacobus de Kerle (1531/32–1591): Komponieren im Spannungsfeld von Kirche und Kunst, Turnhout, 2009Google Scholar

Lewis, Mary S., Antonio Gardano, Venetian Music Printer, 1538–1569: A Descriptive Bibliography and Historical Study, 3 vols., New York, 1988–97Google Scholar

Lockwood, Lewis, The Counter-Reformation and the Masses of Vincenzo Ruffo, Vienna, 1970Google Scholar

López, Gay, Jesús, La liturgía en la misión del Japón en el siglo XVI, Rome, 1970Google Scholar

Macchiarella, Ignazio, Il falsobordone fra tradizione orale e tradizione scritta, Lucca, 1995Google Scholar

Mantese, Giovanni, Memorie storiche della chiesa vicentina, vol. IV, Vicenza, 1952Google Scholar

Marín, López, Javier, Los libros de polifonía de la Catedral de México, Jaén, 2012Google Scholar

Martini, Giovanni Battista, Essemplare ossia Saggio generale, Bologna, 1774Google Scholar

McCarthy, Kerry, Liturgy and Contemplation in Byrd’s Gradualia, New York, 2007Google Scholar

Minnich, Nelson, ‘The Catholic Church and the Pastoral Care of Black Africans in Renaissance Europe’, in Black Africans in Renaissance Europe, ed. Earle, Thomas F. and Lowe, Kate, Cambridge, 2005, 280–99Google Scholar

Mira, Caballos, Esteban, ‘Cofradías étnicas en la España moderna: una aproximación al estado de la cuestión’, Hispania sacra 66 (2014), 57–88Google Scholar

Mischiati, Oscar, La prassi musicale presso i Canonici Regolari del Ss. Salvatore, Rome, 1985Google Scholar

Monson, Craig, ‘Byrd, the Catholics, and the Motet: The Hearing Reopened’, in Hearing the Motet, ed. Pesce, Dolores, New York, 1996, 348–74Google Scholar

Monson, Craig, ‘Renewal, Reaction, and Reform in Catholic Sacred Music’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 401–21Google Scholar

Monson, Craig ‘The Council of Trent Revisited’, JAMS 55 (2002), 1–37Google Scholar

Morelli, Arnaldo, Il tempio armonico: Musica nell’Oratorio dei Filippini a Roma (1575–1705), Laaber, 1991Google Scholar

Nagel, Alexander, The Controversy of Renaissance Art, Chicago, 2011Google Scholar

Nanni, Stefania, ed., La musica dei semplici: L’altra Controriforma, Rome, 2012Google Scholar

Noone, Michael, Music and Musicians in the Escorial Liturgy under the Habsburgs, 1563–1700, Rochester, 1998Google Scholar

O’Malley, John W., Trent: What Happened at the Council, Cambridge, MA, 2013Google Scholar

O’Regan, Noel, ‘Asprilio Pacelli, Ludovico da Viadana, and the Origins of the Roman Concerto Ecclesiastico’, JSCM 6 (2000), http://sscm-jscm.org/v6/no1/oregan.htmlGoogle Scholar

O’Regan, Noel ‘Marenzio’s Golden Chain: Music and Homosocial Bonding in Late Sixteenth-Century Rome’, in Luca Marenzio e il madrigale italiano, ed. Piperno, Franco, Rome, 2007, 63–79Google Scholar

O’Regan, Noel, ‘Palestrina, a Musician and Composer in the Market-Place’, EM 22 (1994), 551–72Google Scholar

O’Regan, Noel ‘The Counter-Reformation and Music’, in The Ashgate Research Companion to the Counter-Reformation, ed. Bamji, Alexandra, Janssen, Geert H., and Laven, Mary, Farnham, 2013, 337–54Google Scholar

Pallavicino, Sforza, Istoria del Concilio di Trento, 3 vols., Rome, 1664Google Scholar

Paquette-Abt, Mary, ‘A Professional Musician in Early Modern Rome: The Life and Print Program of Fabio Costantini, c.1579–c.1644’, Ph.D. diss., University of Chicago, 2003Google Scholar

Patti, Gloria, ed., Pietro Vinci, Quattordeci sonetti spirituali, Florence, 2002Google Scholar

Patuzzi, Stefano, Madrigali in basilica: ‘Le Sacre lodi a diversi santi’ (1587) di G. G. Gastoldi: un emblema controriformistico, Florence, 1999Google Scholar

Piéjus, Anne, Musique et dévotion à Rome à la fin du Renaissance: Les Laudes de l’Oratoire, Brepols, 2014Google Scholar

Pietschmann, Klaus, Kirchenmusik zwischen Tradition und Reform: die päpstliche Kapelle und ihr Repertoire unter Papst Paul III. 1534–1549, Vatican City, 2007Google Scholar

Printed Sacred Music database: www.printed-sacred-music.orgGoogle Scholar

Quaranta, Elena, Oltre San Marco: Organizzazione e prassi della musica nelle chiese di Venezia nel Rinascimento, Florence, 1998Google Scholar

Razzi, Serafino, La vita in Abruzzo nel Cinquecento, Cerchio, 1990Google Scholar

Rees, , Owen, , and Nelson, Bernadette, eds., Cristóbal de Morales: Sources, Influences, Reception, Woodbridge, 2007Google Scholar

Rice, Eric, Music and Ritual at Charlemagne’s Marienkirche in Aachen, Kassel, 2009Google Scholar

Ros-Fábregas, Emilio, ‘Cristóbal de Morales: A Problem of Musical Mysticism and National Identity in the Historiography of the Renaissance’, in Cristóbal de Morales: Sources, Influences, Reception, ed. Rees, Owen and Nelson, Bernadette, Woodbridge, 2007, 215–33Google Scholar

Ros-Fábregas, Emilio ‘Imagine All the People: Polyphonic Flowers in the Hands and Voices of Indians in 16th-Century Mexico’, EM 40 (2012), 177–89Google Scholar

Rostirolla, Giancarlo, Musica e musicisti nella Basilica di San Pietro: cinque secoli di storia della Cappella Giulia, Rome, 2014Google Scholar

Rothenberg, David, The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music, New York, 2011Google Scholar

Ruiz, Jiménez, Juan, La librería de canto de órgano: Creación y pervivencia del repertorio del Renacimiento en la actividad musical de la catedral de Sevilla, Seville, 2007Google Scholar

Schilling, Andreas, ‘Die religiosen und kirchlichen Zustände der ehemaligen Reichsstadt Biberach unmittelbar vor Einführung der Reformation’, Freiburger Diöcesan-Archiv 19 (1887), 1–191Google Scholar

Sherr, Richard, ‘Ceremonies for Holy Week, Papal Commissions, and Madness (?) in Early Sixteenth-Century Rome’, in Music in Cities and Courts: Studies in Honor of Lewis Lockwood, ed. Owens, Jessie Ann and Cummings, Anthony M., Detroit, 1996, 391–403Google Scholar

Tenorio, Martha, ed., Poesía novohispana: Antología, vol. I, Mexico City, 2010Google Scholar

Tomlinson, Gary, The Singing of the New World: Indigenous Voice in the Era of European Contact, Cambridge, 2007Google Scholar

Van der Straeten, Edmond, La Musique aux Pays-Bas avant le XIXe siècle, Brussels, 1867Google Scholar

Varese, Fabio, Canzoni, ed. Stella, Angelo, Milan, 1979Google Scholar

Viscardi, Giuseppe, Tra Europa e Indie di quaggiù: Chiesa, religiosità e cultura popolare nel Mezzogiorno, secoli XV–XIX, Rome, 2005Google Scholar

Weber, Edith, Le Concile de Trente et la musique, Paris, 1982Google Scholar

Wegman, Rob, The Crisis of Music in Early Modern Europe 1470–1530, New York, 2005Google Scholar

Woodfield, Ian, English Musicians in the Age of Exploration, Stuyvesant, NY, 1995Google Scholar

Ameln, Konrad, ‘Das Klugsche Gesangbuch, Wittenberg 1529: Versuche einer Rekonstruktion’, Jahrbuch für Liturgik und Hymnologie 16 (1971), 159–62Google Scholar

Ameln, Konrad Leonhard Lechner, Lüdenscheid, 1957Google Scholar

Ameln, Konrad ‘Leonhard Lechner in his Time’, in Cantors at the Crossroads: Essays on Church Music in Honor of Walter E. Buszin, ed. Riedel, Johannes, St Louis, MO, 1967, 75–86Google Scholar

Ameln, Konrad, ed., Das Babstsche Gesangbuch von 1545, Kassel, 1966Google Scholar

Ameln, Konrad Das Erfurter Enchiridion: gedruckt in der Permentergassen zum Ferbefaß 1524 und der Ergänzungsdruck Etliche Christliche Gesenge und psalmen, wilche vor bey dem Enchiridion nicht gewest synd (Erfurt) 1525, Kassel, 1983Google Scholar

Bellingham, Bruce A., ‘The Bicinium in the Lutheran Latin Schools during the Reformation Period’, Ph.D. diss., University of Toronto, 1971Google Scholar

Bente, Martin, Neue Wege der Quellenkritik und die Biographie Ludwig Senfls: Ein Beitrag zur Musikgeschichte der Reformationszeitalters, Wiesbaden, 1968Google Scholar

Bitzel, Alexander, ‘The Theology of the Sermon in the Eighteenth Century’, in Preaching, Sermon and Cultural Change in the Long Eighteenth Century, ed. van Eijnatten, Joris, Leiden, 2009, 57–94Google Scholar

Blankenburg, Walter, ‘Church Music in Reformed Europe’, in Protestant Church Music, ed. Blume, Friedrich, trans. Hans Heinsheimer, London, 1975, 509–90Google Scholar

Blankenburg, Walter Johann Walter: Leben und Werk, ed. Brusniak, Friedhelm, Tutzing, 1991Google Scholar

Blankenburg, Walter ‘Überlieferung und Textgeschichte von Martin Luthers “Encomion musices”’, Lutherjahrbuch (1973), 80–104Google Scholar

Blankenburg, Walter, ed., Das Geistliche Gesangbüchlein ‘Chorgesangbuch’, Kassel, 1979Google Scholar

Blankenburg, Walter, and Gottwald, Clytus, ‘Eccard, Johannes’, Grove Music OnlineGoogle Scholar

Blume, Friedrich, Protestant Church Music: A History, rev. Finscher, Ludwig, trans. F. Ellsworth Peterson, London, 1975Google Scholar

Bouwsma, William, ‘Renaissance and Reformation: An Essay on Their Affinities and Connections’, in A Usable Past: Essays in European Cultural History, Berkeley, CA, 1990, 225–46Google Scholar

Braun, Werner, ‘Walter [Walther], Johann [Johannes]’, Grove Music OnlineGoogle Scholar

Brown, Christopher Boyd, Singing the Gospel: Lutheran Hymns and the Success of the Reformation, Cambridge, MA, 2005Google Scholar

Bruinsma, Henry A., ‘The “Souterliedekens” and its Relation to Psalmody in the Netherlands’, Ph.D. diss., University of Michigan, 1949Google Scholar

Clive, H. P., ‘The Calvinist Attitude to Music and its Literary Aspects and Sources’, Bibliothèque d’Humanisme et Renaissance 19 (1957), 79–107Google Scholar

Contzen, , Adam, S.J., Politicorum libri decem, Mainz, 1621Google Scholar

Crook, David, Orlando di Lasso’s Imitation Magnificats for Counter-Reformation Munich, Princeton, NJ, 1994Google Scholar

Diefendorf, Barbara, ‘The Huguenot Psalter and the Faith of French Protestants in the Sixteenth Century’, in Culture and Identity in Early Modern Europe (1500–1800): Essays in Honor of Natalie Zemon Davis, ed. Diefendorf, Barbara B. and Hesse, Carla A., Ann Arbor, MI, 1993, 41–63Google Scholar

Dobbins, Frank, ‘Bourgeois, Loys’, Grove Music OnlineGoogle Scholar

Dollinger, Robert, ‘Erhalt uns Herr, bei deinem Wort!’ Zeitschrift für bayerische Kirchengeschichte 29 (1960), 33–42Google Scholar

Duffy, Kathryn, ‘The Jena Choirbooks: The Music and Liturgy of Pre-Reformation Saxony’, Ph.D. diss., University of Chicago, 1994Google Scholar

Eitner, Robert, ‘Ein Nachtrag zu Heinrich Faber’, Monatshefte für Musikgeschichte 5 (1873), 189–90Google Scholar

Eitner, Robert ‘Magister Heinrich Faber. Biographie’, Monatshefte für Musikgeschichte 2 (1870), 17–30Google Scholar

Elders, Willem, et al., ‘Clemens non Papa, Jacobus [Clement, Jacob]’, Grove Music OnlineGoogle Scholar

Fisher, Alexander J., Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria, New York, 2014Google Scholar

Fisher, Alexander Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630, Aldershot, 2004Google Scholar

Fisher, Alexander ‘Song, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe’, JM 18 (2001), 616–57Google Scholar

Freedman, Richard, The Chansons of Orlando di Lasso: Music, Piety, and Print in Sixteenth-Century France, Rochester, NY, 2001Google Scholar

Gaillard, Paul-André, Loys Bourgeois, sa vie, son oeuvre comme pédagogue et compositeur, Lausanne, 1948Google Scholar

Garside, Charles, The Origins of Calvin’s Theology of Music, Philadelphia, PA, 1979Google Scholar

Garside, Charles Zwingli and the Arts, New Haven, CT, and London, 1966Google Scholar

Gerken, Robert E., ‘The Polyphonic Cycles of the Proper of the Mass in the Trent Codex 88 and Jena Choirbooks 30 and 35’, Ph.D. diss., Indiana University, 1969Google Scholar

Giselbrecht, Elisabeth, and Elizabeth Upper, L., ‘Glittering Woodcuts and Moveable Music: Decoding the Elaborate Printing Techniques, Purpose, and Patronage of the Liber Selectarum Cantionum’, in Senfl-Studien 1, ed. Gasch, Stefan, Lodes, Birgit, and Tröster, Sonja, Tutzing, 2012, 17–67Google Scholar

Grijp, Louis P., ‘The Souterliedekens by Gherardus Mes (1561): An Enigmatic Pupil of Clemens non Papa, and Popular Song of the Mid-Sixteenth Century’, in From Ciconia to Sweelinck: Donum natalicum Willem Elders, ed. Clement, Albert and Jas, Eric, Amsterdam, 1994, 245–54Google Scholar

Gurlitt, Wilibald, ‘Johannes Walter und die Musik der Reformationszeit’, Luther-Jahrbuch 15 (1933), 1–112Google Scholar

Gurlitt, Wilibald Michael Praetorius (Creuzbergensis). Sein Leben und seine Werke nebst einer Biographie seines Vaters, des Predigers M. Schulteis, Leipzig, 1915Google Scholar

Heidrich, Jürgen, Die deutschen Chorbücher aus der Hofkapelle Friedrichs des Weisen: Ein Beitrag zur mitteldeutschen geistlichen Musikpraxis um 1500, Baden-Baden, 1993Google Scholar

Herl, Joseph, Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict, Oxford, 2004Google Scholar

Hoffmann, Lawrence A., and Walton, Janet R., eds., Sacred Sound and Social Change: Liturgical Music in Jewish and Christian Experience, Notre Dame, IN, 1992Google Scholar

Irwin, Joyce, ‘Music and the Doctrine of Adiaphora in Orthodox Lutheran Theology’, SCJ 14 (1983), 157–72Google Scholar

Kantz, Caspar, Von der Evangelyschenn Mesß mitt schöne[n] Christlich[e]n gebeten vor un[d] nach der entpfachu[n]g des Sacraments, Nördlingen, 1522Google Scholar

Kempers, Bernet, ‘Die “Souterliedekens” des Jacobus Clemens non Papa’, Tijdschrift van de Vereniging voor Nederlandse muziekgeschiedenis 12 (1928), 261–8; 13 (1929), 29–43, 126–51Google Scholar

Kümin, Beat, ‘Masses, Morris and Metrical Psalms: Music in the English Parish, c. 1400–1600’, in Music and Musicians in Renaissance Cities and Towns, ed. Kisby, Fiona, Cambridge, 2001, 70–81Google Scholar

Lawry, Eleanor, ‘Some Observations of Goudimel’s Psalm Settings’, in Libraries, History, Diplomacy, and the Performing Arts: Essays in Honor of Carleton Sprague Smith, ed. Katz, Israel J, Stuyvesant, NY, 1991, 337–47Google Scholar

Le Huray, Peter, Music and the Reformation in England 1549–1660, London, 1967Google Scholar

Leaver, Robin, ‘Christian Liturgical Music in the Wake of the Protestant Reformation’, in Sacred Sound and Social Change: Liturgical Music in Jewish and Christian Experience, ed. Hoffmann, Lawrence A. and Walton, Janet R., Notre Dame, IN, 1992, 124–44Google Scholar

Leaver, Robin ‘Genevan Psalm Tunes in the Lutheran Choral Tradition’, in Der Genfer Psalter und seine Rezeption in Deutschland, der Schweiz und den Niederlanden, ed. Grünewald, Eckhard et al., Tübingen, 2004, 145–66Google Scholar

Leaver, Robin ‘Goostly Psalmes and Spirituell Songes’: English and Dutch Metrical Psalms from Coverdale to Utenhove, 1535–1566. Oxford, 1991Google Scholar

Leaver, Robin Luther’s Liturgical Music: Principles and Implications, Grand Rapids, MI, 2007Google Scholar

Leaver, Robin ‘Lutheran Vespers as a Context for Music’, in Church, Stage, and Studio: Music and Its Contexts in Seventeenth-Century Germany, ed. Walker, Paul, Ann Arbor, MI, 1990, 143–61Google Scholar

Leaver, Robin ‘The Reformation and Music’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 371–400CrossRefGoogle Scholar

Luther, Martin, D. Martin Luthers Werke: Kritische Gesammtausgabe, Weimar, 1883–1929Google Scholar

Luther, Martin Luther’s Works: American Edition, ed. Pelikan, Jaroslav and Lehmann, Helmut T, St Louis, MI, 1955–86Google Scholar

Marshall, Robert J., and Leaver, Robin A, ‘Chorale’, Grove Music OnlineGoogle Scholar

Mathesius, Johann, Historien, Von des Ehrwirdigen inn Gott seligen theuren Manns Gottes, D. Martin Luthers. Nuremberg, 1566. Reprinted as Dr. Martin Luthers Leben, St Louis, MO, 1883–1929Google Scholar

Mattfeld, Victor H., ‘Rhau [Rhaw], Georg’, Grove Music OnlineGoogle Scholar

Miller, Clement A., ‘Erasmus on Music’, MQ 52 (1966), 332–49Google Scholar

Monson, Craig A., ‘The Council of Trent Revisited’, JAMS 55 (2002), 1–37Google Scholar

Müntzer, Thomas, Deutsche Evangelische Messe 1524, ed. Bräuer, Siegfried, Berlin, 1988Google Scholar

Noailly, Jean-Michel, ‘Claude Goudimel, Adrian Le Roy et les CL psaumes’, Ph.D. diss., Université de Saint-Étienne, 1988Google Scholar

Oettinger, Rebecca Wagner, Music as Propaganda in the German Reformation, Aldershot, 2001Google Scholar

Pidoux, Pierre, Le Psautier huguenot du XVIe siècle, 2 vols., Basel, 1962Google Scholar

Pidoux, Pierre ‘Les Psaumes d’Antoine de Mornable, Guillaume Morlaye et Pierre Certon (1546, 1554, 1555): étude comparative’, Annales musicologiques 5 (1957), 179–98Google Scholar

Pidoux, Pierre ‘Loys Bourgeois’ Anteil am Hugunotten-Psalter’, Jahrbuch für Liturgik und Hymnologie 15 (1970), 123–32Google Scholar

Pidoux, Pierre, ed., Les psaumes en vers français avec leurs mélodies: Clément Marot et Théodore de Bèze, Geneva, 1986Google Scholar

Quitslund, Beth, The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547–1603, Aldershot, 2008Google Scholar

Rasch, Rudolf A., ‘Souterliedekens’, Grove Music OnlineGoogle Scholar

Reese, Gustave, Music of the Renaissance, revised edn, New York, 1959Google Scholar

Reid, W. Sanford, ‘The Battle Hymns of the Lord: Calvinist Psalmody of the Sixteenth Century’, SCJ 2 (1971), 36–54Google Scholar

Robinson, Hastings, Zurich Letters 1558–1579, Cambridge, 1842Google Scholar

Rokseth, Yvonne, ‘Les premiers chants de l’Église calviniste’, RdM 36 (1954), 7–20Google Scholar

Rubsamen, Walter, ‘The International “Catholic” Repertoire of a Lutheran Church in Nürnberg (1574–1597)’, Annales musicologiques 5 (1957), 229–327Google Scholar

Schalk, Carl, Luther on Music: Paradigms of Praise, St. Louis, MO, 1988Google Scholar

Scheurleer, Daniel François, Die Souterliedekens. Bijdrage tot de geschiedenis der oudste nederlandsche psalmberijming, Leiden, 1898Google Scholar

Schlagel, Stephanie, ‘The Liber selectarum cantionum and the “German Josquin Renaissance”’, JM 19 (2002), 564–615Google Scholar

Schoenbaum, Camillo, and Gottwald, Clytus, ‘Bohemian Brethren’, Grove Music OnlineGoogle Scholar

Schuler, Louis Eugene, ‘Lucas Osiander and his Fünfftzig geistliche Lieder und Psalmen: The Development and Use of the First Cantional’, Ph.D. diss., Washington University, 1986Google Scholar

Smend, Julius, Die evangelischen deutschen Messen bis zu Luthers Deutscher Messe, Göttingen, 1896Google Scholar

Söhngen, Oskar, Theologie der Musik, Kassel, 1967Google Scholar

Spinks, Bryan, Luther’s Liturgical Criteria and His Reform of the Canon of the Mass, Bramcote, 1982Google Scholar

Strunk, Oliver, ed., The Renaissance: Source Readings in Music History, New York, 1965Google Scholar

Temperley, Nicholas, The Music of the English Parish Church, Cambridge, 1979Google Scholar

Temperley, Nicholas, Slenk, Howard, Luth, Jan R., Munck, Margaret, Barkley, John M., and Tosh, R, ‘Psalms, Metrical, III: England’, Grove Music OnlineGoogle Scholar

Tomlinson, Gary, ‘Renaissance Humanism and Music’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 1–19Google Scholar

van Orden, Kate, Music, Discipline, and Arms in Early Modern France, Chicago, IL, 2005Google Scholar

Veit, Patrice, Das Kirchenlied in der Reformation Martin Luthers: eine thematische und semantische Untersuchung, Wiesbaden, 1986Google Scholar

Weeda, Robert, Itinéraires du Psautier huguenot à la Renaissance, Turnhout, 2009Google Scholar

Willis, Jonathan, Church Music and Protestantism in Post-Reformation England, Aldershot, 2010Google Scholar

Wissemann-Garbe, Daniela, ‘Neue Weisen zu alten Liedern: die Ersatzmelodien im Klugschen Gesangbuch von 1533’, Jahrbuch für Liturgik und Hymnologie 37 (1998), 118–38Google Scholar

Abel, , La parangon des chansons Sixiesme livre contenant xxv Chansons nouvelles, Lyons, 1540Google Scholar

Alford, Stephen, Kingship and Politics in the Reign of Edward VI, Cambridge, 2002Google Scholar

Aplin, John, ‘“The Fourth Kind of Faburden”: The Identity of an English Four-Part Style’, ML 61 (1980), 245–65Google Scholar

Aplin, John ‘The Origins of John Day’s “Certaine Notes”’, ML 62 (1981), 295‒9Google Scholar

Appenzeller, Benedictus, Chansons a quatre parties, Antwerp, 1542Google Scholar

Appenzeller, Benedictus Articles agreed on by the Bishoppes, and other learned menne in the Synode at London …, London, 1553Google Scholar

Appenzeller, Benedictus Articles to be enquired of, in the visitacion of the ryght Reuerende Father in GOD, John [Taylor] Byschop of Lyncoln …, London, 1552Google Scholar

Appenzeller, Benedictus Articles to be enquyred of in thordinary visitation of the most reuerende father in God, the Lord Cardinall Pooles grace Archbyshop of Cannterbury wythin hys Dioces of Cantorbury, n.p., 1556Google Scholar

Aston, Margaret, ‘English Ruins and English History: The Dissolution and the Sense of the Past’, JWCI 36 (1973), 231‒55Google Scholar

Baldwin, William, The canticles or balades of Salomon, London, 1549Google Scholar

Barnaud, Nicolas, Dialogue second du reveille matin des francois et de leurs voisins, n.p., 1574Google Scholar

Bernard, G. W., The King’s Reformation: Henry VIII and the Remaking of the English Church, New Haven, CT, and London, 2005Google Scholar

Bisaro, Xavier, Chanter toujours: plain-chant et religion villageoise dans la France moderne (XVIe–XIXe siècle), Rennes, 2010Google Scholar

Blezzard, Judith, ‘Monsters and Messages: The Wilmott and Braikenridge Manuscripts of Latin Church Music, 1591’, Antiquaries Journal 75 (1995), 311–38Google Scholar

Blezzard, Judith The Tudor Church Music of the Lumley Books, Madison, WI, 1985Google Scholar

Bowers, Roger, ‘The Chapel Royal, the First Edwardian Prayer Book, and Elizabeth’s Settlement of Religion, 1559’, The Historical Journal 43 (2000), 317‒44Google Scholar

Bowers, Roger ‘The Prayer Book and the Musicians, 1549‒1662’, Cathedral Music (2002), 36‒44Google Scholar

Bowers, Roger ‘The Vernacular Litany of 1544 During the Reign of Henry VIII’, in Authority and Consent in Tudor England, ed. Bernard, George W. and Gunn, Steven J., Aldershot, 2002, 151−78Google Scholar

Bowker, Margaret, The Henrician Reformation: The Diocese of Lincoln under John Longland, 1521–1547, Cambridge, 1981Google Scholar

Bray, Roger, ed., Robert Fayrfax, III: Regali, Albanus and Sponsus amat sponsam, London, 2010Google Scholar

Brett, Philip, ‘Edward Paston (1550‒1630): A Norfolk Gentleman and his Musical Collection’, Transactions of the Cambridge Bibliographical Society 4 (1964), 51‒69Google Scholar

Brigden, Susan, London and the Reformation, Oxford, 1989Google Scholar

Brooks, Jeanice, ‘France, ii. 1560–1600’, in European Music, 1520−1640, ed. Haar, James, Woodbridge, 2006, 171−81Google Scholar

Brown, Christopher Boyd, Singing the Gospel: Lutheran Hymns and the Success of the Reformation, Cambridge, MA, 2005Google Scholar

Brown, K. M., Mann, A., McIntosh, G, and Ritchie, P, eds., The Records of the Parliaments of Scotland to 1707, St Andrews, 2007‒13Google Scholar

Carley, James, ‘French Evangelical Books at the Court of Henry VIII’, in Le livre évangélique en français avant Calvin, ed. Gilmont, Jean-François and Kemp, William, Turnhout, 2004, 131‒45Google Scholar

Cavicchi, Camilla, ‘Musiciens et chantres picards en voyage’, in La musique en Picardie du XIVe au XVIIe siècle, ed. Cavicchi, Camilla, Colin, Marie-Alexis, and Vendrix, Philippe, Turnhout, 2012, 327‒43Google Scholar

Cazaux, Christelle, La musique à la cour de François Ier, Paris, 2002Google Scholar

Dawson, Jane, Scotland Re-Formed 1488‒1587, Edinburgh, 2007Google Scholar

Dobbins, Frank, Music in Renaissance Lyons, Oxford, 1992Google Scholar

Doe, Paul, ‘Latin Polyphony under Henry VIII’, Proceedings of the Royal Musical Association 95 (1968–9), 81−96Google Scholar

Duffy, Eamon, Fires of Faith: Catholic England under Mary Tudor, New Haven, CT, and London, 2009Google Scholar

Duguid, Timothy, Metrical Psalmody in Print and Practice: English ‘Singing Psalms’ and Scottish ‘Psalm Buik’, c. 1547‒1640, Aldershot, 2014Google Scholar

Dumitrescu, Theodor, The Early Tudor Court and International Musical Relations, Aldershot, 2007Google Scholar

Dunning, R. W., The Victoria History of the County of Somerset, vol. IX: Glastonbury and Street, London, 2006Google Scholar

Elliott, Kenneth, ‘Church Music at Dunkell’, ML 45 (1964), 228‒32Google Scholar

Febvre, Lucien, ‘Une question mal posée: les origines de la Réforme française et le problème des causes de la Réforme’, Revue Historique 161 (1929), 7‒95Google Scholar

Fenlon, Iain, ‘La diffusion de la chanson continentale dans les manuscrits anglais entre 1509–1570’, in La chanson à la Renaissance, ed. Vaccaro, Jean-Michel, Tours, 1981, 172‒89Google Scholar

Foxe, John, Actes and monuments of these latter and perillous dayes touching matters of the Church, London, 1563Google Scholar

Freedman, Richard, The Chansons of Orlando di Lassus and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France, Rochester, 2000Google Scholar

Gentian, , La difficile des chansons: Second livre contenant xxvi chansons nouvelles, Lyons, 1544Google Scholar

Gros, Gérard, Le poète, la Vierge et le prince du puy: étude sur les puys marials de la France du nord du XIVe siècle à la Renaissance, Paris, 1992Google Scholar

Harper, Sally, Music in Welsh Culture Before 1650: A Study of the Principal Sources, Aldershot, 2007Google Scholar

Heal, Bridget, The Cult of the Virgin Mary in Early Modern Germany: Catholic and Protestant Piety, 1500–1648, Cambridge, 2007Google Scholar

Hearne, Thomas, ed., Johannis Lelandi Antiquarii de Rebus Britannicis Collectanea, vol. IV, London, 1770Google Scholar

Henry VIII, King of England, Assertio Septem Sacramentorum, London, 1521Google Scholar

Holt, Mack P., The French Wars of Religion, 1562–1629, 2nd edn, Cambridge, 2005Google Scholar

Hoyle, R. W., The Pilgrimage of Grace and the Politics of the 1530s, Oxford, 2001Google Scholar

Hume, Martin, and Tyler, Royall, eds., Calendar of State Papers, Spanish, vol. IX: 1547–1549, London, 1912Google Scholar

Ives, Eric, ‘Anne Boleyn and the “Entente évangélique”?’ in François Ier et Henri VIII: deux princes de la Renaissance (1515‒1547), ed. Giry-Deloison, Charles, Lille and London, 1996, 83‒102Google Scholar

Ives, Eric ‘Anne Boleyn on Trial Again’, JEH 62 (2011), 763‒77Google Scholar

Johnstone, Andrew, ‘Thomas Tallis and the Five-Part English Litany of 1544: Evidence of “the Notes Used in the King’s Majesty’s Chapel”’, EM 44 (2016), 219−32Google Scholar

Jones, Elisabeth, ‘From Chamber to Church: The Remarkable Emergence of Thomas Sternhold as Psalmist for the Church of England’, Reformation & Renaissance Review 11 (2009), 29‒56Google Scholar

Kerman, Joseph, ‘An Elizabethan Edition of Lassus’, AcM 27 (1955), 71‒6Google Scholar

Kingdon, Robert, Myths about the St Bartholomew’s Day Massacres, 1572‒1576, Cambridge, MA, 1988Google Scholar

Lafarge, James K., Orthodoxy and Reform in Early Reformation France: The Faculty of Theology of Paris, 1500–1543, Leiden, 1985Google Scholar

Launay, Denise, La musique religieuse en France du Concile de Trente à 1804, Paris, 1993Google Scholar

Leaver, Robin, ‘Goostly Psalmes and Spirituall Songes’: English and Dutch Metrical Psalms from Coverdale to Utenhove, 1535‒1566, Oxford, 1991Google Scholar

Leaver, Robin ‘Metrical Psalms and Canticles, the Book of Common Prayer, and Thomas Cranmer’, in The Serious Business of Worship: Essays in Honour of Bryan D. Spinks, ed. Ross, Melanie C. and Jones, Simon, London, 2010, 101‒16Google Scholar

MacCulloch, Diarmaid, Thomas Cranmer: A Life, New Haven, CT, and London, 1996Google Scholar

MacCulloch, Diarmaid Tudor Church Militant: Edward VI and the Protestant Reformation, London, 1999Google Scholar

Manchicourt, Pierre de, Le neufiesme livre Des Chansons a quatre parties … composees par maistre pier de manchicourt, Antwerp, 1545Google Scholar

Marot, Clément, and de Bèze, Théodore, Pseaumes Octantetrois de David, Geneva, 1551Google Scholar

Marsh, Dana, ‘Sacred Polyphony “Not Understandid”: Medieval Exegesis, Ritual Tradition and Henry VIII’s Reformation’, EMH 29 (2010), 33−77Google Scholar

Mateer, David, ‘John Sadler and Oxford, Bodleian Mss Mus. e. 1–5’, ML 60 (1979), 281‒95Google Scholar

Mateer, David ‘The Compilation of the “Gyffard” Partbooks’, Royal Musical Association Research Chronicle 26 (1993), 19‒43Google Scholar

Mateer, David ‘The “Gyffard” Partbooks: Composers, Owners, Date and Provenance’, Royal Musical Association Research Chronicle 28 (1995), 21‒50Google Scholar

Mateer, David ‘William Byrd, John Petre and Oxford, Bodleian MS Mus. Sch. E. 423’, Royal Musical Association Research Chronicle 29 (1996), 21‒46Google Scholar

Mateer, David, ed., The Gyffard Partbooks, 2 vols., Early English Church Music, 48 and 51, London, 2007 and 2009Google Scholar

McCarthy, Kerry, ‘Evidence of Things Past’, JRMA 135 (2010), 405‒11Google Scholar

Milsom, John, ‘Caustun’s Contrafacta’, JRMA 132 (2007), 1–31Google Scholar

Milsom, John ‘English-Texted Chant Before Merbecke’, Plainsong and Medieval Music 1 (1992), 77–92Google Scholar

Milsom, John ‘Sacred Songs in the Chamber’, in English Choral Practice 1400–1650, ed. Morehen, John, Cambridge, 1995, 161–79Google Scholar

Milsom, John ‘Singing Sternhold’s Psalms’, unpublished paper delivered at Newcastle University, 6 November 2013Google Scholar

Milsom, John ‘William Mundy’s “Vox Patris Caelestis” and the Accession of Mary Tudor’, ML 91 (2010), 1−38Google Scholar

Munro, Gordon, ‘“Sang Schwylls” and “Music Schools”: Music Education in Scotland, 1560‒1650’, in Music Education in the Middle Ages and the Renaissance, ed. Murray, Russell E., Forscher, Susan Weiss, Cynthia J. Cyrus, , Bloomington, IN, 2010, 65‒83Google Scholar

Munro, Gordon ‘Scottish Church Music and Musicians, 1500–1700’, Ph.D. diss., Glasgow University, 1999Google Scholar

Munro, Gordon ‘The Scottish Reformation and its Consequences’, in Our Awin Scottis Use: Music in the Scottish Church up to 1603, ed. Harper, Sally, with additional contributions by Edwards, Warwick and Munro, Gordon J., Glasgow and Aberdeen, 2000Google Scholar

Overell, M. Anne, ‘Pole’s Piety? The Devotional Reading of Reginald Pole and His Friends’, JEH 63 (2012), 458‒74Google Scholar

Page, Christopher, ‘Freedom of Movement and the Rise of European Music in the Early Middle Ages’, in Freedom of Movement in the Middle Ages, ed. Horden, Peregrine, Donington, 2007, 1‒18Google Scholar

Page, Daniel, ‘Uniform and Catholic: Church Music in the Reign of Mary Tudor (1553–1558)’, Ph.D. diss., Brandeis University, 1996Google Scholar

Porrer, Sheila M., Jacques Lefèvre d’Étaples and the Three Maries Debate, Geneva, 2009Google Scholar

Porter, James, ‘The Geneva Connection: Jean Servin’s Settings of the Latin Psalm Paraphrases of George Buchanan (1579)’, AcM 81 (2009), 229‒54Google Scholar

Quitslund, Beth, The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547‒1603, Aldershot, 2008Google Scholar

Raine, James, ed., Depositions and Other Ecclesiastical Proceedings from the Courts of Durham, London and Edinburgh, 1845Google Scholar

Rees, Owen, ‘The English Background to Byrd’s Motets: Textual and Stylistic Models for Infelix ego’, in Byrd Studies, ed. Brown, Alan and Turbet, Richard, Cambridge, 1992, 24–50Google Scholar

Reid, Jonathan, King’s Sister – Queen of Dissent: Marguerite of Navarre (1492–1549) and Her Evangelical Network, 2 vols., Leiden, 2009Google Scholar

Reinburg, Virginia, ‘Liturgy and the Laity in Late Medieval and Reformation France’, SCJ 23 (1992), 526‒47Google Scholar

Roberts, Penny, A City in Conflict: Troyes During the French Wars of Religion, Manchester, 1996Google Scholar

Ross, D. James, Musick Fyne: Robert Carver and the Art of Music in Sixteenth Century Scotland, Edinburgh, 1993Google Scholar

Ryrie, Alec, ‘Reform Without Frontiers in the Last Years of Catholic Scotland’, English Historical Review 119 (2004), 27–56Google Scholar

Ryrie, Alec The Age of Reformation: The Tudor and Stewart Realms 1485–1603. Abingdon, 2017Google Scholar

Ryrie, Alec The Origins of the Scottish Reformation, Manchester, 2006Google Scholar

Ryrie, Alec ‘The Psalms and Confrontation in English and Scottish Protestantism’, Archiv für Reformationsgeschichte 101 (2010), 114‒37Google Scholar

Sandon, Nick, ‘The Henrician Partbooks at Peterhouse, Cambridge’, Proceedings of the Royal Musical Association 103 (1976–7), 106–40Google Scholar

Saulnier, Verdun-Louis, ‘Marguerite de Navarre, Catherine de Médicis et les Psaumes de Marot: autour de la lettre de Villemadon’, Bibliothèque d’Humanisme et Renaissance 37 (1975), 349‒76Google Scholar

Skinner, David, ‘Music and the Reformation at Magdalen’, Magdalen College Record (2002), 79‒84Google Scholar

Smith, Jeremy, Thomas East and Music Publishing in Renaissance England, New York, 2003Google Scholar

Starkey, David, The Reign of Henry VIII: Personalities and Politics, London, 2002Google Scholar

Sternhold, Thomas, Certayne psalms chosen out of the Psalter of Dauid, and drawen into Engishe metre by Thomas Sternhold grome of ye kynges Maiesties Roobes, London, 1548?Google Scholar

Sternhold, Thomas, and Hopkins, John, Al such psalms of Dauid as Thomas Sternehold late grome of [the] kings Maiesties roobes, didde in his time draw into English Metre, London, 1549Google Scholar

Strohm, Reinhard, The Rise of European Music, 1380‒1500, Cambridge, 1993Google Scholar

Taylor, Philip, ‘Memorializing Mary Tudor: William Byrd and Edward Paston’s “Crowned with flowers and lilies”’, ML 93 (2012), 170‒90Google Scholar

Temperley, Nicholas, ‘“All Skillful Praises Sing”: How Congregations Sang the Psalms in Early Modern England’, RS 29 (2015), 531–53Google Scholar

Trocmé-Latter, Daniel, ‘The Psalms as a Mark of Protestantism: The Introduction of Liturgical Psalm-Singing in Geneva’, Plainsong and Medieval Music 20 (2011), 145–63Google Scholar

Trocmé-Latter, Daniel The Singing of the Strasbourg Protestants, 1523–1541, Aldershot, 2015Google Scholar

Tye, Christopher, The Actes of the Apostles, translated into Englyshe Metre, London, 1553; ed. Morehen, John, Christopher Tye, I: English Sacred Music, London, 1977Google Scholar

Urkevich, Lisa, ‘Anne Boleyn, a Music Book, and the Northern Renaissance Courts: Music Manuscript 1070 of the Royal College of Music, London’, Ph.D. diss., University of Maryland, 1997Google Scholar

van Orden, Kate, ‘Chanson and Air’, in European Music, 1520‒1640, ed. Haar, James, Woodbridge, 2006, 193‒224Google Scholar

van Orden, Kate ‘Children’s Voices: Singing and Literacy in Sixteenth-Century France’, EMH 25 (2006), 209‒56Google Scholar

van Orden, Kate Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe, New York, 2015Google Scholar

Watson, Tim, ‘Preaching, Printing, Psalm-Singing: The Making and Unmaking of the Reformed Church in Lyon, 1550–1572’, in Society and Culture in the Huguenot World, 1559–1685, ed. Mentzer, Raymond and Spicer, Andrew, Cambridge, 2002, 10–28Google Scholar

Weeda, Robert, Itinéraires du Psautier huguenot à la Renaissance, Turnhout, 2009Google Scholar

Wegman, Rob, The Crisis of Music in Early Modern Europe, 1470–1530, New York, 2005Google Scholar

Whatmore, L. E., ed., Archdeacon Harpsfield’s Visitation, 1557, London, 1950‒1Google Scholar

Williams, N. J., ed., Calendar of the Patent Rolls Preserved in the Public Record Office: Elizabeth I, vol. VI: 1572‒1575, London, 1973Google Scholar

Williamson, Magnus, ‘Evangelicalism at Boston, Oxford and Windsor under Henry VIII: John Foxe’s Narratives Recontextualized’, in John Foxe at Home and Abroad, ed. Loades, David, Aldershot, 2004, 31–45Google Scholar

Willis, Jonathan, ‘“By These Means the Sacred Discourses Sink More Deeply into the Minds of Men”: Music and Education in Elizabethan England’, History 94 (2009), 294–309Google Scholar

Willis, Jonathan Church Music and Protestantism in Post-Reformation England: Discourses, Sites and Identities, Aldershot, 2010Google Scholar

Woodcock, Philippa, ‘Was Original Best? Refitting the Churches of Le Mans, 1562‒1598’, in The Archaeology of Post-Medieval Religion, ed. King, Chris and Sayer, Duncan, Woodbridge, 2011, 39–52Google Scholar

Wrightson, James, The Wanley Manuscripts, Madison, WI, 1989Google Scholar

Wursten, Dick, ‘Did Clément Marot Really Offer his Trente Pseaulmes to the Emperor Charles V in January 1540?’ RS 22 (2008), 240‒50Google Scholar

Abernethy, David, The Dynamics of Global Dominance: European Empires Overseas, 1415–1980, New Haven, CT, and London, 2000Google Scholar

Arce, Daniel Mendoza de, , Music in Ibero-America to 1850: A Historical Survey, Lanham, MD, 2001Google Scholar

Arróniz, Othón, Teatro de evangelización en Nueva España, Mexico City, 1979Google Scholar

Bailey, Gauvin Alexander, ‘The Truth-Showing Mirror: Jesuit Catechism and the Arts in Mughal India’, in The Jesuits: Cultures, Sciences, and the Arts, 1540–1773, ed. O’Malley, John W, SJ, Gauvin Alexander, Bailey, Harris, Steven J., and Kennedy, T. Frank, SJ, Toronto, 1999, 380–401Google Scholar

Baker, Geoffrey, Imposing Harmony: Music and Society in Colonial Cuzco, Durham, NC, 2008Google Scholar

Baker, Geoffrey ‘The “Ethnic Villancico” and Racial Politics in 17th-century Mexico’, in Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres, ed. Knighton, Tess and Torrente, Alvaro, Aldershot, 2007, 399–408Google Scholar

Baker, Geoffrey ‘The Resounding City’, in Music and Urban Society in Colonial Latin America, ed. Baker, Geoffrey and Knighton, Tess, Cambridge, 2011, 1–20Google Scholar

Balandier, Georges, Daily Life in the Kingdom of the Kongo from the Sixteenth through the Eighteenth Century, trans. Helen Weaver, London, 1968Google Scholar

Barwick, Steven, ed., The Franco Codex of the Cathedral of Mexico, Carbondale, IL, 1965Google Scholar

Bassani, Enzio, ‘Due olifanti afro-portoghesi nelle collezione pubbliche italiane’, Rassegna di Studi Musicali 2 (1975), 97–103Google Scholar

Behar, Cem, ‘The Ottoman Musical Tradition’, in The Cambridge History of Turkey, vol. III: The Later Ottoman Empire, 1603–1839, ed. Faroqhi, Suraiya, Cambridge, 2006, 393–407Google Scholar

Bennett, Herman L., Africans in Colonial Mexico: Absolutism, Christianity, and Afro-Creole Consciousness, 1570–1640, Bloomington, 2003Google Scholar

Berg, Maxine, ed., Writing the History of the Global: Challenges for the 21st Century, Oxford, 2013Google Scholar

Berger, Karol, Bach’s Cycle, Mozart’s Arrow: An Essay on the Origins of Musical Modernity, Berkeley, 2007Google Scholar

Bermúdez, Egberto, ‘“Gold was Music to their Ears”: Conflicting Sounds in Santafé (Nuevo Reino de Granada), 1540–1570’, in Music and Urban Society in Colonial Latin America, ed. Baker, Geoffrey and Knighton, Tess, Cambridge, 2011, 83–101Google Scholar

Blackburn, Robin, The Making of New World Slavery: From the Baroque to the Modern, 1492–1800, London, 1997Google Scholar

Bloechl, Olivia, Native American Song at the Frontiers of Early Modern Music, Cambridge, 2008Google Scholar

Bloechl, Olivia ‘Post-Colonialism’, Oxford Bibliographies in MusicGoogle Scholar

Bloechl, Olivia ‘Race, Empire, and Early Music’, in Rethinking Difference in Music Scholarship, ed. Bloechl, Olivia, Lowe, Melanie, and Kallberg, Jeffrey, Cambridge, 2015, 77–107Google Scholar

Bloechl, Olivia, with Lowe, Melanie, ‘Rethinking Difference’, in Rethinking Difference in Music Scholarship, ed. Bloechl, Olivia, Lowe, Melanie and Kallberg, Jeffrey, Cambridge, 2015, 9–16Google Scholar

Bohlman, Philip, ed., The Cambridge History of World Music, Cambridge, 2013Google Scholar

Boxer, Charles R., The Christian Century in Japan, revised edn, Berkeley, CA, 1967Google Scholar

Braudel, Fernand, The Mediterranean and the Mediterranean World in the Age of Philip II, 2 vols., trans. Siân Reynolds, New York, 1972Google Scholar

Burkhart, Louise M., Aztecs on Stage: Religious Theater in Colonial Mexico, Norman, OK, 2012Google Scholar

Burkhart, Louise M., ed., Holy Wednesday: A Nahua Drama from Early Colonial Mexico, Philadelphia, 1996Google Scholar

Cabranes-Grant, Leo, From Scenarios to Networks: Performing the Intercultural in Colonial Mexico, Evanston, IL, 2016Google Scholar

Camões, Luís Vaz De, The Lusiads, trans. Landeg White, Oxford, 1997Google Scholar

Cartas que os padres e irmãos da Companhia de Jesus escreverão dos reynos de Japão & China aos da mesma Companhia da India & Europa, des do anno de 1549 atè o de 1580, 2 vols., Evora, 1598Google Scholar

Castagna, Paulo, ‘The Use of Music by the Jesuits in the Conversion of the Indigenous Peoples of Brazil’, in The Jesuits: Cultures, Sciences, and the Arts, 1540–1773, O’Malley, John W, SJ, Gauvin Alexander, Bailey, Harris, Steven J., and Kennedy, T. Frank, SJ, Toronto, 1999, 641–58Google Scholar

Castillo, Bernal Diáz del, Historia verdadera de la conquista de la Nueva-España, 2 vols., ed. García, Genaro, Mexico, 1904Google Scholar

The History of the Conquest of New Spain, ed. Carrasco, David, Albuquerque, NM, 2008Google Scholar

Catalyne, Alice Ray, and Brill, Mark, ‘Franco, Hernando’, Grove Music OnlineGoogle Scholar

Certeau, Michel de, ‘Ethno-graphy: Speech, or the Space of the Other: Jean de Léry’, in The Writing of History, trans. Tom Conley, New York, 1988Google Scholar

Cervantes, Fernando, The Devil in the New World: The Impact of Diabolism in New Spain, New Haven, CT, and London, 1994Google Scholar

Chakrabarty, Dipesh, ‘The Muddle of Modernity’, The American Historical Review 116 (2011), 663–75Google Scholar

Chase-Dunn, Christopher, and Hall, Thomas D, ‘Global Scale Analysis in Human History’, in A Companion to World History, ed. Northrop, Douglas, Chichester, 2012, 185–200Google Scholar

Chen, Liu Ti, ‘Commentary’, in The Chinese in the Philippines, vol. I, ed. Felix, Alfonso, Jr, Manila, 1966, 252–85Google Scholar

Chimalpahin, Cuauhtlehuanitzin, San Antón Muñón, don Domingo de, Annals of his time, ed. and trans. James, Lockhart, Schroeder, Susan, and Namala, Doris, Stanford, CA, 2006Google Scholar

Chirino, Pedro, ‘Relation of the Philippine Islands’, in The Philippine Islands, 1493–1803, vol. XII, ed. Blair, Emma Helen and Robertson, James Alexander, Cleveland, OH, 1904, 169–321Google Scholar

Colín, Francisco, Labor evangelica, ministerios apostolicos de los obreros de la Compañia de Jesús, fundacion, y progressos de su provincia en las Islas Filipinas, 3 vols., Madrid, 1663Google Scholar

Conrad, Sebastian, ‘Enlightenment in Global History: A Historiographical Critique’, The American Historical Review 117 (2012), 999–1027Google Scholar

Cruz, Eloy, ‘De cómo una letra hace la diferencia. Las obras en Nahuatl atribuidas a Don Hernando Franco’, Estudios de Cultura Náhuatl 32 (2009), 257–95Google Scholar

Curcio, Linda Ann, The Great Festivals of Colonial Mexico City: Performing Power and Identity, Albuquerque, 2004Google Scholar

Curtin, Philip D., Cross-Cultural Trade in World History, Cambridge, 1984Google Scholar

d’Elia, Pasquale M., ed., Fonti ricciane; documenti originali concernenti Matteo Ricci e la storia delle prime relazioni tra l’Europa e la Cina (1579–1615), 2 vols., Rome, 1942–9Google Scholar

Deagan, Kathleen A., and Cruxent, José Maria, Columbus’s Outpost among the Taínos: Spain and America at La Isabela, 1493–1498, New Haven, CT, and London, 2002Google Scholar

Dean, Carolyn, Inka Bodies and the Body of Christ: Corpus Christi in Colonial Cuzco, Peru, Durham, NC, 1999Google Scholar

Dussel, Enrique D., Etica de la liberación en la edad de la globalización y de la exclusión, Madrid, 1998Google Scholar

Dussel, Enrique D. ‘World System and “Trans”-Modernity’, Nepantla: Views from the South 3 (2002), 221–44Google Scholar

Escobar, José Perdomo, Ignacio, El Archivo musical de la Catedral de Bogotá, Yerbabuena, 1976Google Scholar

Ezra, Kate, African Ivories, New York, 1984Google Scholar

Fagan, Brian M., and Kirkman, James, ‘An Ivory Trumpet from Sofala, Mozambique’, Ethnomusicology 11 (1967), 68–74Google Scholar

Fagg, William B., Afro-Portuguese Ivories, London, 1959Google Scholar

Fernández-Armesto, Felipe, ‘Portuguese Expansion in Global Context’, in Portuguese Oceanic Expansion, 1400–1800, ed. Bethencourt, Francisco and Ramada Curto, Diogo, Cambridge, 2007, 480–511Google Scholar

Fernández-Armesto, Felipe, with Sacks, Benjamin, ‘Networks, Interactions, and Connective History’, in A Companion to World History, ed. Northrop, Douglas, Chichester, 2012, 303–20Google Scholar

Fieldhouse, D. K., The Colonial Empires: A Comparative Survey from the Eighteenth Century, New York, 1967Google Scholar

Flynn, Dennis O., and Giráldez, Arturo, ‘Born With a “Silver Spoon”: The Origin of World Trade in 1571’, The Journal of World History 6 (1995), 201–21Google Scholar

Fróis, Luís, Historia de Japam, 5 vols., ed. Joseph Wicki, SJ, Lisbon, 1976–84Google Scholar

Fróis, Luís La première ambassade du Japon en Europe, 1582–1592, ed. Abranches Pinto, J. A., Okamoto, Yoshitomo, and Bernard, Henri, Tokyo, 1942Google Scholar

Fróis, Luís The First European Description of Japan, 1585: A Critical English-Language Edition of Striking Contrasts in the Customs of Europe and Japan, by Luis Frois, S.J., New York, 2014Google Scholar

Gama, Vasco da, Em Nome de Deus: The Journal of the First Voyage of Vasco da Gama to India, 1497–1499, trans. and ed. Ames, Glenn J., Leiden, 2009Google Scholar

Gembero Ustárroz, María, ‘Circulación de libros de música entre España y América (1492–1650): notas para su estudio’, in Early Music Printing and Publishing in the Iberian World, ed. Fenlon, Iain and Knighton, Tess, Kassel, 2006, 147–80Google Scholar

Gualtieri, Guido, Relationi della venuta degli ambasciatori giaponesi à Roma fino alla partita di Lisbona, Rome, 1586Google Scholar

Harich-Schneider, Eta, A History of Japanese Music, Oxford, 1973Google Scholar

Haruko, Komoda, ‘The Musical Narrative of The Tale of the Heike’, in The Ashgate Research Companion to Japanese Music, ed. McQueen Tokita, Alison and Hughes, David W, Aldershot, 2008, 77–104Google Scholar

Hegel, G. W. F., Introduction to the Philosophy of History, trans. Leo Rauch, Indianapolis, 1988Google Scholar

Higashibaba, Ikuo, Christianity in Early Modern Japan: Kirishitan Belief and Practice, Leiden, 2001Google Scholar

Holloway, Thomas H. ed., A Companion to Latin American History, Oxford, 2011Google Scholar

Hopkins, Anthony G., ‘Introduction: Globalization – An Agenda for Historians’, in Globalization in World History, ed. Hopkins, Anthony G., London, 2002, 1–10Google Scholar

Horcasitas, Fernando, Teatro Náhuatl: épocas novohispana y moderna, vol. I, Mexico City, 2004Google Scholar

Irving, David R. M., Colonial Counterpoint: Music in Early Modern Manila, New York, 2010Google Scholar

Irving, David R. M. ‘The Dissemination and Use of European Music Books in Early Modern Asia’, EMH 28 (2009), 39–59Google Scholar

Kaemmer, John E., ‘Southern Africa: An Introduction’, in Garland Encyclopedia of World Music, vol. I, Africa, ed. Stone, Ruth M, New York, 1997Google Scholar

Kirby, Percival R., The Musical Instruments of the Native Races of South Africa, London, 1934Google Scholar

Lach, Donald F., Asia in the Making of Europe, vol. I: The Century of Discovery, Book 1, Chicago, IL, 1965Google Scholar

Lancashire, Terence, Gods’ Music: The Japanese Folk Theatre of Iwami Kagura, Wilhelmshaven, 2006Google Scholar

Leims, Thomas, ‘Mysterienspiel und Schultheater in der japanischen Jesuitenmission des 16. Jahrhunderts’, Maske und Kothurn 27:1 (1981), 57–71Google Scholar

Leite, Serafim, ed., Monumenta brasiliae, 5 vols., Rome, 1956–68Google Scholar

Lindorff, Joyce, ‘Missionaries, Keyboards and Musical Exchange in the Ming and Qing Courts’, EM 32 (2004), 403–14Google Scholar

Loomba, Ania, ‘Early Modern or Early Colonial?’ Journal for Early Modern Cultural Studies 14:1 (2014), 143–8Google Scholar

Malm, William P., ‘Music, Power, and the Inquisition in Vice-regal Mexico City’, in Music and Urban Society in Colonial Latin America, ed. Baker, Geoffrey and Knighton, Tess, Cambridge, 2011, 43–63Google Scholar

Marín López, Javier ‘The Musical Inventory of Mexico Cathedral, 1589: A Lost Document Rediscovered’, EM 36 (2008), 575–96Google Scholar

Marín López, Javier Traditional Japanese Music and Musical Instruments, revised edition, Tokyo, 2000Google Scholar

Marín, López, Javier, ‘A Conflicted Relationship: Music, Power and the Inquisition in Viceregal Mexico City’, in Music and Urban Society in Colonial Latin America, ed. Baker, Geoffrey and Knighton, Tess, Cambridge, 2011, 43–63Google Scholar

Marín, López, Javier, ed., Los libros de polifonía de la Catedral de México. Estúdio y catálogo crítico, 2 vols., Jaén, 2012Google Scholar

Mann, Kristin Dutcher, The Power of Song: Music and Dance in the Mission Communities of New Spain, 1590–1810, Stanford and Berkeley, CA, 2010Google Scholar

McKeown, Adam, ‘Periodizing Globalization’, History Workshop Journal 63 (2007), 218–30Google Scholar

Medina, Juan Ruiz de, ‘The Role of the Blind Biwa Hóshi Troubadours in the History of the Christian Mission in Japan’, Bulletin of Portuguese/Japanese Studies 6 (2003), 107–45Google Scholar

Medina, Juan Ruiz de ‘Un Japones con un nombre español. Juan de Torres, S.J. (1551–1612)’, Missionalia Hispanica 41 (1984), 5–98Google Scholar

Medina, Juan Ruiz de, ed., Documentos del Japón, 1547–1557, vol. LII, Monumenta Historica Societatis Iesu, Rome, 1990Google Scholar

Mignolo, Walter, Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking, Princeton, NJ, 2012Google Scholar

Mignolo, Walter The Darker Side of the Renaissance: Literacy, Territoriality and Colonization, Ann Arbor, MI, 1995Google Scholar

Moran, J. F., The Japanese and the Jesuits: Alessandro Valignano in Sixteenth-Century Japan, London, 1993Google Scholar

Morejón, Pedro, A Briefe Relation of the Persecution Lately Made Against the Catholike Christians, in the Kingdome of Japonia Divided into Two Bookes … Printed First at Mexico in the West Indies, the Yeare of Christ M.DC.XVI. and Translated into English by W. W. Gent. The First Part, [St Omer], 1619Google Scholar

Nawrot, Piotr, Indígenas y cultura musical de las reducciones Jesuíticas. Guaraníes, Chiquitos, moxos, Cochabamba, Bolivia, 2000Google Scholar

Nelson, Steven G., ‘Court and Religious Music (1): History of Gagaku and Shōmyō,’ in The Ashgate Research Companion to Japanese Music, ed. McQueen Tokita, Alison and Hughes, David W, Aldershot, 2008, 35–48Google Scholar

Northrup, David, ‘Globalization and the Great Convergence: Rethinking World History in the Long Term’, Journal of World History 16 (2005), 249–67Google Scholar

Nuttall, Zelia, ed., New Light on Drake: A Collection of Documents Relating to His Voyage of Circumnavigation, 1577–1580, London, 1914Google Scholar

Pearson, Michael N., ‘Markets and Merchant Communities in the Indian Ocean’, in Portuguese Oceanic Expansion, 1400–1800, ed. Bethencourt, Francisco and Ramada Curto, Diogo, Cambridge, 2007, 88–108Google Scholar

Pedelty, Mark, Musical Ritual in Mexico City: From the Aztec to NAFTA, Austin, 2004Google Scholar

Pedrini, Teodorico, Sonate a violino solo col basso del Nepridi [sic], Opus 3, Beijing National Library, Ms. no. 3397Google Scholar

Pigafetta, Filippo, and Lopez, Duarte, A Report of the Kingdom of Congo and of the Surrounding Countries, trans. Margarite Hutchinson, London, 1970Google Scholar

Quijano, Aníbal, ‘Coloniality of Power, Eurocentrism and Latin America’, Nepantla: Views from the South 3 (2000), 533–80Google Scholar

Rego, A. da Silva, Documentação para a história das missões do padroado português do Oriente: India, vol. IX, Lisbon, 1953Google Scholar

Richards, John F., ‘Early Modern India and World History’, Journal of World History 8:2 (1997), 197–209Google Scholar

Rondón, Víctor, ‘Sung Catechism and College Opera: Two Musical Genres in the Jesuit Evangelization of Colonial Chile’, in The Jesuits II: Cultures, Sciences, and the Arts, 1540–1773, ed. O’Malley, John W, SJ, Toronto, 2006, 498–511Google Scholar

Ros-Fábregas, Emilio, ‘Imagine All the People: Polyphonic Flowers in the Hands and Voices of Indians in 16th-Century Mexico’, EM 40 (2012), 177–89Google Scholar

Sahagún, Fray Bernardino de, General History of the Things of New Spain, trans. and ed. Anderson, Arthur J. O. and Dibble, Charles E., 13 vols., 2nd edn, Salt Lake City, 2012Google Scholar

Sahlins, Marshall, ‘Cosmologies of Capitalism: The Trans–Pacific Sector of “The World System”’, Proceedings of the British Academy 74 (1988), 1–51Google Scholar

Sassoon, Hamo, The Siwas of Lamu: Two Historic Trumpets in Brass and Ivory, Nairobi, 1975Google Scholar

Sautron, Marie, ‘La triple composante chant-musique-danse chez les anciens Mexicains: des documents ethnographiques au discours poétique Nahuat’, in Musiques et sociétés en Amérique Latine, ed. Borras, Gérard, Rennes, 2000, 219–27Google Scholar

Schurhammer, Georg, SJ, Shin-tō, der Weg der Götter in Japan; der Shintoismus nach den gedruckten und ungedruckten Berichten der japanischen Jesuitenmissionare des 16. und 17. Jahrhunderts, Bonn, 1923Google Scholar

Schurz, William Lytle, The Manila Galleon, New York, 1959Google Scholar

Schwaller, John Frederick, The History of the Catholic Church in Latin America: From Conquest to Revolution and Beyond, New York, 2011Google Scholar

Scolieri, Paul A., Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest, Austin, 2013Google Scholar

Sell, Barry D., Nahua Confraternities in Early Colonial Mexico: The 1552 Nahuatl Ordinances of Fray Alonso De Molina, OFM, Berkeley, 2002Google Scholar

Sell, Barry D., and Burkhart, Louise M., eds., Nahuatl Theater, vol. I: Death and Life in Colonial Nahua Mexico, Norman, OK, 2004Google Scholar

Sell, Barry D., Burkhart, Louise M, and Poole, Stafford, eds., Nahuatl Theater, vol. II: Our Lady of Guadalupe, Norman, OK, 2006Google Scholar

Singer, Deborah, ‘Entre la devoción y la subversión: la música como dispositivo de poder en las reducciones de la provincia jesuítica del Paraguay’, Escena 32:65 (2009), 45–54Google Scholar

Snow, Robert J., ed., A New-World Collection of Polyphony for Holy Week and the Salve Service: Guatemala City, Cathedral Archive, Music MS 4, Chicago, IL, 1996Google Scholar

Spell, Lota M., ‘Music in the Cathedral of Mexico in the Sixteenth Century’, Hispanic American Historical Review 26 (1946), 293–319Google Scholar

Spell, Lota M. ‘The First Teacher of European Music in America’, Catholic Historical Review 8 (1922), 372–8Google Scholar

Stevenson, Robert, ‘European Music in 16th-Century Guatemala’, MQ 50 (1964), 341–52Google Scholar

‘Mexican Colonial Music Manuscripts Abroad’, Notes 29 (1972), 203–14Google Scholar

Stevenson, Robert ‘Mexico City Cathedral: The Founding Century’, Inter-American Music Review 1:2 (1979), 131–79Google Scholar

Stevenson, Robert Music in Aztec and Inca Territory, Berkeley, CA, 1968Google Scholar

Stevenson, Robert Music in Mexico: A Historical Survey, New York, 1952Google Scholar

Stevenson, Robert ‘Music in Quito: Four Centuries’, The Hispanic American Historical Review 43:2 (1963), 247–66Google Scholar

Stevenson, Robert Renaissance and Baroque Musical Sources in the Americas, Washington, DC, 1970Google Scholar

Stevenson, Robert ‘The Afro-American Musical Legacy to 1800’, MQ 54 (1968), 475–502Google Scholar

Stevenson, Robert ‘The Music of Colonial Spanish America’, in The Cambridge History of Latin America, vol. II: Colonial Latin America, ed. Bethell, Leslie, Cambridge, 1980, 771–98Google Scholar

Stevenson, Robert The Music of Peru: Aboriginal and Viceroyal Epochs, Washington, DC, 1960Google Scholar

Stevenson, Robert, and Bermudez, Egberto, ‘Fernández, Gutierre’, Grove Music OnlineGoogle Scholar

Subrahmanyam, Sanjay, ‘Connected Histories: Notes Towards a Reconfiguration of Early Modern Eurasia’, Modern Asian Studies 31 (1997), 735–62Google Scholar

Subrahmanyam, Sanjay ‘Hearing Voices: Vignettes of Early Modernity in South Asia, 1400–1750’, Daedalus 127 (1998), 75–104Google Scholar

Subrahmanyam, Sanjay, and Thomaz, Luís Filipe F. R., ‘Evolution of Empire: The Portuguese in the Indian Ocean during the Sixteenth Century’, in The Political Economy of Merchant Empires: State Power and World Trade, 1350–1750, ed. Tracy, James D, Cambridge, 1991, 298–331Google Scholar

Summers, William John, ‘Listening for Historic Manila: Music and Rejoicing in an International City’, Budhi: A Journal of Ideas and Culture 2 (1998), 203–54Google Scholar

Terraciano, Kevin, ‘Indigenous Peoples in Colonial Spanish American Society’, in A Companion to Latin American History, ed. Holloway, Thomas H., Oxford, 2011, 124–45Google Scholar

Tomlinson, Gary, ‘Musicology, Anthropology, History’, in The Cultural Study of Music, ed. Clayton, Martin, London, 2003, 31–44Google Scholar

Tomlinson, Gary The Singing of the New World: Indigenous Voice in the Era of European Contact, Cambridge, 2007Google Scholar

Torre Villar, Ernesto de la, Fray Pedro de Gante: Maestro y civilizador de América, Mexico City, 1973Google Scholar

Tucci, Stefano, Christus nascens; Christus patiens; Christus iudex: tragoediae, trans. and ed. Saulini, Mirella, Rome, 2011Google Scholar

Turrent, Lourdes, La conquista musical de México, Mexico City, 1993Google Scholar

Valignano, Alessandro, Historia del principio y progresso de la Compañía de Jesús en las Indias Orientales (1542–64), ed. Wicki, Josef SJ, Rome, 1944Google Scholar

Velazco, Jorge, ‘Edición y circulación de publicaciones musicales entre México y Europa’, Revista de Musicología 16 (1993), 47–57, 1181–91Google Scholar

Wagner, Peter, Modernity: Understanding the Present, Cambridge, 2012Google Scholar

Wagstaff, Grayson, ‘Cristóbal de Morales’ Circumdederunt me, an Alternate Invitatory for Matins for the Dead, and Music for Charles V’, in Encomium Musicae: Essays in Memory of Robert J. Snow, ed. Crawford, David and Wagstaff, Grayson, Hillsdale, NY, 2002, 27–46Google Scholar

Matins for the Dead in Sixteenth-Century Colonial Mexico: Mexico City Cathedral 3 and Puebla Cathedral 3, Ottawa, 2007Google Scholar

Wallerstein, Immanuel, The Modern World-System: Capitalist Agriculture and the Origins of the European World-Economy in the Sixteenth Century, New York, 1976Google Scholar

Watkins, Timothy D., ‘Performance Issues in Early Colonial Mexican Polyphony: A Critical Examination of Some Colonial Accounts’, in Performance Practice: Issues and Approaches, ed. Watkins, Timothy D, Ann Arbor, MI, 2009, 45–58Google Scholar

Ward, Haruko Nawata, ‘Jesuits, Too: Jesuits, Women Catechists, and Jezebels in Christian-Century Japan’, in The Jesuits II: Cultures, Sciences, and the Arts, 1540–1773, ed. O’Malley, John W. SJ, Toronto, 2006, 638–57Google Scholar

Ward, Haruko Nawata Women Religious Leaders in Japan’s Christian Century, 1549–1650, Farnham, 2009Google Scholar

Waterhouse, David B., ‘The Earliest Japanese Contacts with Western Music’, Review of Culture 26 (1996), 36–47Google Scholar

Werner, Michael, and Zimmermann, Bénédicte, ‘Beyond Comparison: Histoire croisée and the Challenge of Reflexivity’, History and Theory 45 (2006), 30–50Google Scholar

Wills, Jr, John E., ‘Relations with Maritime Europeans, 1514–1662’, in The Ming Dynasty, 1368–1644, vol. VIII, part 2, The Cambridge History of China, ed. Mote, Frederick W and Twitchett, Denis, Cambridge, 1998, 333–75Google Scholar

Wong, R. Bin, ‘Regions and Global History’, in Writing the History of the Global: Challenges for the 21st Century, ed. Berg, Maxine, Oxford, 2013, 83–105Google Scholar

Woodfield, Ian, English Musicians in the Age of Exploration, Stuyvesant, NY, 1995Google Scholar

Apel, Willi, ed., French Secular Compositions of the Fourteenth Century, 3 vols., Dallas, 1970Google Scholar

Arbeau, Thoinot, Orchésographie, Langres, 1589; rep. Orchesography, trans. Mary Stewart Evans, ed. Sutton, Julia, New York, 1967Google Scholar

Biaggi, Marisa, ‘“Ogni amante e guerrier”’: Monteverdi and the War of Love in Early Modern Italy’, Ph.D. diss., Princeton University, 2006Google Scholar

Billacois, François, The Duel: Its Rise in Early Modern France, trans. Trista Selous, New Haven, CT, and London, 1990Google Scholar

Brooks, Jeanice, Courtly Song in Sixteenth-Century France, Chicago, IL, 2000Google Scholar

Burke, Peter, The Fortunes of the Courtier: The European Reception of Castiglione’s ‘Cortegiano’, London, 1995Google Scholar

Byrne, Maurice, ‘“The English March”’ and Early Drum Notation’, GSJ 50 (1997), 43–80Google Scholar

Cailes, Michael, ‘Renaissance Ideas of Peace and War, and the Humanist Challenge to the Scholastic Just War: The Disputatio De Pace et Bello of 1468; Erasmus and Machiavelli’, Ph.D. diss., University of Exeter, 2012Google Scholar

Castiglione, Baldassare, Il libro del cortegiano (1528), ed. Cordié, Carlo, Milan, 1991Google Scholar

Chafe, Eric, Monteverdi’s Tonal Language, New York, 1992Google Scholar

Cotterill, Rowland, ‘War and Music in the Sixteenth Century’, in War, Literature and the Arts in Sixteenth Century Europe, ed. Mulryne, James R. and Shewring, Margaret, Basingstoke, 1989, 63–77Google Scholar

Downey, Peter, ‘A Renaissance Correspondence Concerning Trumpet Music’, EM 19 (1981), 325–29Google Scholar

Elias, Norbert, Über den Prozess der Zivilisation: soziogenetische und psychogenetische Unterzuchungen, Frankfurt am Main, 1997 (1st edn 1937); trans. Edmund Jephcott, as The Civilizing Process (1978); rev. edn Erica Dunning, Johan Goudsblom, and Stephen Mennell, Oxford, 2000Google Scholar

Eltis, David, The Military Revolution in Sixteenth-Century Europe, London, 1995Google Scholar

Fabbri, Paolo, ed., Musica in torneo nell’Italia del Seicento, Lucca, 1999Google Scholar

Fink, Monika, ‘Bedeutung und Funktion der Musik im Turnierwesen’, in Muziek aan het hof van Margaretha van Oostenrijk: Jaarboek van het Vlaamse Centrum voor oude muziek, Mecheln 3, ed. Moens-Haenen, Greta, Peer, 1987, 69–78Google Scholar

Goselini, Giuliano, Vita di Don Ferrando Gonzaga in tre libri divisa, Milan, 1574Google Scholar

Guazzo, Stefano, La civil conversazione, Brescia, 1574; ed. Quondam, Amedeo, Modena, 1993Google Scholar

Haar, James, ‘Petrarch’, Grove Music OnlineGoogle Scholar

Haar, James ‘The Courtier as Musician: Castiglione’s View of the Science and Art of Music’, in Castiglione: The Ideal and the Real in Renaissance Culture, ed. Hanning, Robert W and Rosand, David, New Haven, CT, and London, 1983, 165–89Google Scholar

Hale, John R., Artists and Warfare in the Renaissance, New Haven, CT, and London, 1990Google Scholar

Hale, John R. ‘Sixteenth-Century Explanations of War and Violence’, in Renaissance War Studies, London, 1983, 335–58Google Scholar

Hale, John R. The Civilization of Europe in the Renaissance, London, 1994Google Scholar

Hale, John R. ‘The Military Education of the Officer Class in Early Modern Europe’, in Renaissance War Studies, London, 1983, 225–46Google Scholar

Hale, John R. ‘War and Public Opinion in Renaissance Italy’, in Renaissance War Studies, London, 1983, 359–87Google Scholar

Hale, John R. War and Society in Renaissance Europe, Leicester, 1985Google Scholar

Herbert, Trevor, ‘“… Men of Great Perfection in their Science”: The Trumpeter as Musician and Diplomat in England in the Later Fifteenth and Sixteenth Centuries’, Historic Brass Society Journal 23 (2011), 1–23Google Scholar

Herczog, Johan, Marte armonioso: Trionfo della battaglia musicale nel Rinascimento, Lecce, 2005Google Scholar

His, Isabelle, Claude Le Jeune, v. 1530–1600: un compositeur entre Renaissance et baroque, Arles, 2000Google Scholar

His, Isabelle ‘L’invention de la mêlée en musique: Du chant de bataille au chant de victoire’, in Clément Janequin: Un musicien au milieu des poètes, ed. Halévy, Olivier, His, Isabelle, and Vignes, Jean, Paris, 2013, 213–43Google Scholar

Hofer, Bernd, Höfle, Bernhard, and Probst, Werner, ‘Militärmusik’, in MGG 6, Kassel, 1997, 269–92Google Scholar

Le Jeune, Claude, Airs (1608), ed. Walker, Daniel Pickering and Lesure, François, 4 vols., Rome, 1951Google Scholar

Lorenzetti, Stefano, Music e identità nobiliare in Italia, Florence, 2003Google Scholar

Lot, Ferdinand, Recherches sur les effectifs des armées françaises des guerres d’Italie et les guerres de religion 1494–1562, Paris, 1962Google Scholar

Machiavelli, Niccoló, Libro dell’arte della Guerra, Florence, 1521; ed. Marchand, Jean-Jacques, Fachard, Denis, and Masi, Giorgio, Rome, 2001; trans. and ed. Lynch, Christopher, Chicago, IL, 2003Google Scholar

Maffei, Giovanni da Solfra, Camillo, Delle lettere, Naples, 1562Google Scholar

Markham, Francis, Five Decades of Epistles of Warre, London, 1622Google Scholar

Montaigne, Michel de, Essais, Paris, 1580Google Scholar

Murrin, Michael, History and Warfare in Renaissance Epic, Chicago, IL, 1994Google Scholar

Ovid, , Amores, vol. I, ed. Barsby, John A., Oxford, 1973Google Scholar

Parker, Geoffrey, The Military Revolution: Military Innovation and the Rise of the West, 1500–1800, Cambridge, 2000Google Scholar

Posner, David M., The Performance of Nobility in European Literature, Cambridge, 1999Google Scholar

Potter, David, The French Wars of Religion: Selected Documents, London, 1997Google Scholar

Ringer, Alexander L., ‘Proxy Wars and Horns of Plenty: On Music and Hunt in the Time of Francis 1’, in Music and Civilization: Essays in Honor of Henry Paul Lang, ed. Strainchamps, Edward, Maniates, Maria Rika, and Hatch, Christopher, New York, 1984, 297–310Google Scholar

Steinheuer, Joachim, ‘Zur Ikonographie militärischer Architekturen im Liebeskrieg bei Cipriano de Rore, Claudio Monteverdi und Barbara Strozzi’, Musiktheorie 21 (2006), 101–29Google Scholar

Strong, Roy, Art and Power: Renaissance Festivals, 1450–1650, Woodbridge, 1984Google Scholar

Thomas, Elizabeth, ‘Variations on a Military Theme in Ovid’s Amores’, Greece & Rome 11 (1964), 151–64Google Scholar

Timms, Colin, ‘Tourney’, Grove Music OnlineGoogle Scholar

Tomlinson, Gary, ed., Strunk’s Source Readings in Music History: The Renaissance, New York and London, 1998Google Scholar

van Orden, Kate, Music, Discipline, and Arms in Early Modern France, Chicago, IL, 2005Google Scholar

Vecchi, Orazio, Selva di varie ricreatione (1590), in Battaglia d’Amor e Dispetto and Mascherata della Malinconia et Allegrezza, ed. Nutter, David, Madison, WI, 1987Google Scholar

Vickers, Brian, ‘Leisure and Idleness in the Renaissance: The Ambivalence of Otium’, RS 4 (1990), 8–19Google Scholar

Watanabe-O’Kelly, Helen, Triumphal Shews: Tournaments at German-Speaking Courts in their European Context, 1560–1730, Berlin, 1992Google Scholar

Weelkes, Thomas, Madrigals of Six Parts (1600), ed. Fellowes, Edmund H, London, 1921Google Scholar

Whigham, Frank, Ambition and Privilege: The Social Tropes of Elizabethan Courtesy Theory, Berkeley, CA, 1984Google Scholar

Wistreich, Richard, Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance, Aldershot, 2007Google Scholar

Yates, Francies A., The French Academies of the Sixteenth Century, London, 1947; repr. 1988Google Scholar