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14 - The literature of Rum

The making of a literary tradition (1450–1600)

from Part III - Culture and the Arts

Published online by Cambridge University Press:  05 July 2013

Suraiya N. Faroqhi
Affiliation:
Istanbul Bilgi Üniversitesi
Kate Fleet
Affiliation:
Newnham College, Cambridge
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Summary

A literary identity

Rum has pleasant water and air, and due to the extremely pleasurable water and air, the people of Rum are refined and each has everlasting excellence of character and abundant elegance of intellect. As a consequence, a poetic nature governs the people of Rum and they seek cultural attainment and knowledge. Due to this natural disposition, they have an inclination to poetry and those among them who conquer the domains of verse are countless.

In the conclusion to his biographical dictionary of poets, written around 1538, the Ottoman bureaucrat and poet Sehi Bey (1470–1549) explained the rise of a particular poetry in Anatolian Turkish by using the physical nature of its geographical location, “Rum”. Approximately 30 years later, in 1566, Aşık Çelebi (1520–72), a scholar and poet, further described Rum as “a target for Arabs and Persians and a source for Turkish and Deylamite poets”. In his introduction, he quoted many verses by bureaucrats and scholars of his time to support his claim that the climate of Rum was so conducive to poetry that even those Rum elite who lacked interest in poetry would burst into verse when faced with momentous events. For Sehi and Aşık Çelebi, Rum stood for western Anatolia and Rumeli, with Istanbul constituting its centre.

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Publisher: Cambridge University Press
Print publication year: 2012

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References

See C. E. Bosworth, ‘Rum’, in The Encyclopaedia of Islam, 2nd ed., ed. H. A. R. Gibb et al. (Leiden, 1960–2006)
For an essay on the changing perceptions of the concept of Rum, see Cemal Kafadar, ‘A Rome of One’s Own: Reflections on Cultural Geography and Identity in the Lands of Rum’, Muqarnas 24 (2007), 7–25
Faroqhi, Suraiya, Subjects of the Sultan: Culture and Daily Life in the Ottoman Empire (London, 2005)Google Scholar
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The Early Modern Ottomans: Remapping the Empire, ed. Virginia H. Aksan and Daniel Goffman (Cambridge, 2007)
Kafesçioğlu, Çiğdem, ‘In the Image of Rum: Ottoman Architectural Patronage in Sixteenth-Century Aleppo and Damascus’, Muqarnas 16 (1999), 70–96CrossRefGoogle Scholar
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Esir, Hasan Ali, Münşeât-ı Lâmiî: (Lâmiî Çelebi’nin Mektupları)-İnceleme-Metin-İndeks-Sözlük (Trabzon, 2006)Google Scholar
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Süleyman I’s line reads as “Egrilik olsa aceb mi kâfirî mihrâbda”. For Süleyman’s poem, see poem no. 2427 in Muhibbî Dîvânı, İzahlı Metin, Kanûnî Sultan Süleyman, ed. Coşkun Ak (Ankara, 1987), p. 708
Kütükoğlu, Bekir, ‘Murad III’, İslam Ansiklopedisi, İslâm Âlemî Coğrafya, Etnoğrafya ve Biyografya Lügatî, ed. A. Adıvar, R. Arat, A. Ateş, C. Baysun, B. Darkot (Istanbul, 1960)Google Scholar
Dünden Bugüne Bursa: Bursa Tasavvuf Sempozyumu (Bursa, 2004)

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