Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-wq2xx Total loading time: 0 Render date: 2024-04-20T02:06:02.475Z Has data issue: false hasContentIssue false

V

Published online by Cambridge University Press:  29 August 2010

Edited by
Get access

Summary

VACCAJ, Nicola, a prolific composer of Italian operas, born at Tolentino March 15, 1790. He passed the first 10 or 12 years of his life at Pesaro, a few more at Rome with the view to the law, and it was not till his 17th or 18 th year that he threw off this, and took lessons of Jannaconi in counterpoint. In 1811 he went to Naples and put himself under Paisiello for dramatic composition, and there wrote a couple of cantatas and some church music. In 1814 he brought out his first opera, ‘I solitari di Scozia,’ at Naples. The next seven years were passed at Venice, each one with its opera. None, however, were sufficiently successful, and he therefore took up the teaching of singing, and practised it in Trieste and in Vienna. In 1824 he resumed opera composition, and in 1825 wrote amongst several others his most favourite work, ‘Giulietta e Romeo,’ for Naples. In 1829 he visited Paris, and stayed there two years as a singing master in great popularity. He then passed a short time in London, and in 1831 we again find him writing operas in Italy, amongst others ‘Marco Visconti’ and ‘Giovanna Grey’—the latter for Malibran. In 1838 he succeeded Basili as head and principal professor of composition of the Conservatorio of Milan. In 1844 he left his active duties, returned to Pesaro, and wrote a fresh opera, ‘Virginia,’ for the Argentino Theatre, Rome.

Type
Chapter
Information
A Dictionary of Music and Musicians (A.D. 1450–1880)
By Eminent Writers, English and Foreign
, pp. 212 - 342
Publisher: Cambridge University Press
Print publication year: 2009
First published in: 1889

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • V
  • Edited by George Grove
  • Book: A Dictionary of Music and Musicians (A.D. 1450–1880)
  • Online publication: 29 August 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511703331.005
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • V
  • Edited by George Grove
  • Book: A Dictionary of Music and Musicians (A.D. 1450–1880)
  • Online publication: 29 August 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511703331.005
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • V
  • Edited by George Grove
  • Book: A Dictionary of Music and Musicians (A.D. 1450–1880)
  • Online publication: 29 August 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511703331.005
Available formats
×