Skip to main content Accessibility help
×
Home
The Economics of Cultural Policy
  • Cited by 172
  • Export citation
  • Recommend to librarian
  • Buy the print book

Book description

Cultural policy is changing. Traditionally, cultural policies have been concerned with providing financial support for the arts, for cultural heritage and for institutions such as museums and galleries. In recent years, around the world, interest has grown in the creative industries as a source of innovation and economic dynamism. This book argues that an understanding of the nature of both the economic and the cultural value created by the cultural sector is essential to good policy-making. The book is the first comprehensive account of the application of economic theory and analysis to the broad field of cultural policy. It deals with general principles of policy-making in the cultural arena as seen from an economic point of view, and goes on to examine a range of specific cultural policy areas, including the arts, heritage, the cultural industries, urban development, tourism, education, trade, cultural diversity, economic development, intellectual property and cultural statistics.

Reviews

‘As is to be expected of this leading writer on the economics of the arts, this book is yet another valuable contribution. It covers areas not previously well trodden and covers a subject of vital importance for the flourishing of the arts. Well written, as pieces by Throsby always are, it will add to the enjoyment as well as knowledge and understanding of its readers.’

William J. Baumol - Harold Price Professor of Entrepreneurship, New York University

‘David Throsby has again met the challenge of making cultural economics accessible to non-specialists while maintaining the interest of more specialised readers. His summaries of the various theories and their application to cultural policy could not be bettered and demonstrate his thorough understanding of both. I can recommend the book to everyone concerned with cultural economics and with cultural policy.'

Ruth Towse - Professor of Economics of Creative Industries, Bournemouth University and Professor Emerita, Erasmus University Rotterdam

‘Drawing on the best traditions of classical political economy, Throsby shows how the processes of cultural policy-making can be illuminated by the application of economic theory. In its insistence on a distinction between economic and cultural value, the book offers little support to those who see culture as just another branch of economic activity. What Throsby gives us is a rigorously worked out framework for economic analysis, but one that remains receptive to other intellectual influences. Written with great lucidity, using language that non-economists will understand, this is essential reading for anyone engaged in the study or making of cultural policies.'

Oliver Bennett - Professor of Cultural Policy Studies, University of Warwick, and Editor, International Journal of Cultural Policy

'David Throsby promises to provide a comprehensive synopsis of all economic contributions to the analysis of cultural policy while extending the discussion beyond the usual questions, inviting non-economists and specialists alike to join the conversation … [He] identifies important aspects of cultural policy and argues that it can be enriched rather than debased by economic logic. He persuasively argues this by elaborating on various theories and their application to broader areas of cultural interest.'

Lyudmila Petrova Source: Journal of Cultural Economics

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

References
Abrams, Burton A. and Schmitz, Mark D., 1978. ‘The “crowding-out” effect of governmental transfers on private charitable contributions’, Public Choice, 33(1): 29–39
Acheson, Keith and Maule, Christopher, 2006. ‘Culture in international trade’, in Ginsburgh, and Throsby, (eds.) (2006), pp. 1141–1182
Adams, Jeff, 2003. ‘The artist-teacher scheme as postgraduate professional development in higher education’, International Journal of Art and Design Education, 22(2): 183–194
Adler, Moshe, 2006. ‘Stardom and talent’, in Ginsburgh, and Throsby, (eds.) (2006), pp. 895–905
Adorno, Theodor and Horkheimer, Max, 1947. Dialektik der Aufklärung: Philosophische Fragmente, Amsterdam: Querido; English trans. by Cumming, John, Dialectic of Enlightenment, London: Verso, 1979
Alexander, Judith A., 1994. ‘Public goods and the public performance tariff: the experience of the Copyright Board of Canada’, paper presented at the Economics of Intellectual Property Rights Conference, University of Venice, October 6–8
Group, Allen Consulting, 2005. ‘Valuing the Priceless: the Value of Historic Heritage in Australia’, Research Report 2, Sydney: Heritage Chairs and Officials of Australia and New Zealand
Alper, Neil O. and Wassall, Gregory H., 2006. ‘Artists’ careers and their labor markets', in Ginsburgh, and Throsby, (eds.) (2006), pp. 813–864
Arts, Americans for the, 2008. Arts and Economic Prosperity III, Washington, DC: Americans for the Arts
Andersen, Birgitte, Kozul-Wright, Zeljka and Kozul-Wright, Richard, 2000. ‘Copyrights, Competition, and Development’, UNCTAD Discussion Paper No. 145, January. Geneva: UNCTAD
Anderson, Maxwell L., 2004. ‘Metrics of Success in Art Museums’, paper commissioned by Getty Leadership Institute, Los Angeles: Getty Foundation
Appadurai, Arjun, 2006. ‘The risks of dialogue’ in UNESCO, New Stakes for Intercultural Dialogue, Paris: UNESCO, pp. 33–37
Arnold, Matthew, 1869. Culture and Anarchy, edited by Dover Wilson, J. (1935), Cambridge: Cambridge University Press
Arrow, Kenneth, et al., 1993. ‘Report of the NOAA Panel on Contingent Valuation’, Federal Register, 58: 4601–4614
Britain, Arts Council of Great, 19451946. Annual Report, London: Arts Council of Great Britain
Ashenfelter, Orley and Graddy, Kathryn, 2005. ‘Anatomy of the rise and fall of a price-fixing conspiracy: auctions at Sotheby's and Christie's’, Journal of Competition Law and Economics, 1(1): 3–20
Aston, Jane, 1999. ‘Ambitions and destinations: the careers and retrospective views of art and design graduates and postgraduates’, Journal of Art and Design Education, 18(2): 231–240
Arts, Australian Council for the, 1973. First Annual Report, January – December 1973, North Sydney: Australian Council for the Arts
Bailey, Christopher, Miles, Steven and Stark, Peter, 2004. ‘Culture-led urban regeneration and the revitalisation of identities in Newcastle, Gateshead and the North East of England’, International Journal of Cultural Policy, 10(1): 47–65
Bakhshi, Hasan, McVittie, Eric and Simmie, James, 2008. Creating Innovation: Do the Creative Industries Support Innovation in the Wider Economy?, London: National Endowment for Science, Technology and the Arts
Balsas, Carlos J. L., 2004. ‘City centre regeneration in the context of the 2001 European capital of culture in Porto, Portugal’, Local Economy, 19(4): 396–410
Baniotopoulou, Evdoxia, 2001. ‘Art for whose sake? Modern art museums and their role in transforming societies: the case of the Guggenheim Bilbao’, Journal of Conservation and Museum Studies, 7(1): 1–15
Barrowclough, Diana and Kozul-Wright, Zeljka (eds.), 2008. Creative Industries and Developing Countries: Voice, Choice and Economic Growth, London: Routledge
Baumol, William J., 2002. The Free-Market Innovation Machine: Analyzing the Growth Miracle of Capitalism, Princeton, NJ: Princeton University Press
Baumol, William J. and Bowen, William G., 1966. Performing Arts: The Economic Dilemma, New York: Twentieth Century Fund
Becker, Gary S., 1964. Human Capital: A Theoretical and Empirical Analysis, with Special Reference to Education, New York: National Bureau of Economic Research
Bellamy, Carol and Weinberg, Adam, 2008. ‘Educational and cultural exchanges to restore America's image’, Washington Quarterly, 31(3): 55–68
Benhamou, Françoise, 2003. ‘Heritage’, in Towse, (ed.) (2003), pp. 255–262
Benhamou, Françoise, Benhamou, Françoise, 2006. Les Dérèglements de l'Exception Culturelle, Paris: Editions du Seuil
Benhamou, Françoise and Peltier, Stéphanie, 2007. ‘How should cultural diversity be measured? An application using the French publishing industry, Journal of Cultural Economics, 31(2): 85–107
Bennett, Dawn, 2007. ‘Utopia for music performance graduates. Is it achievable, and how should it be defined?’, British Journal of Music Education, 24(02): 179–189
Bennett, Oliver, 2004. ‘Review essay: the torn halves of cultural policy research’, International Journal of Cultural Policy, 10(2): 237–248
Besen, Stanley M., Kirby, Sheila N. and Salop, Steven C., 1992. ‘An economic analysis of copyright collectives’, Virginia Law Review, 78(1): 383–411
Besen, Stanley M. and Raskind, Leo J., 1991. ‘An introduction to the law and economics of intellectual property’, Journal of Economic Perspectives, 5(1): 3–27
Bille, Trine and Schulze, Günther G., 2006. ‘Culture in urban and regional development’, in Ginsburgh, and Throsby, (eds.) (2006), pp. 1051–1100
Blake, Adam, et al., 2001. ‘Modelling Tourism and Travel using Tourism Satellite Accounts and Tourism Policy and Forecasting Models’, Christel DeHaan Tourism and Travel Research Institute Discussion Paper 2001/4. Nottingham: Nottingham University Business School
Bland, Roger, 2005. ‘Rescuing our neglected heritage: the evolution of the Government's policy on portable antiquities in England and Wales’, Cultural Trends, 14(4): 257–296
Bolton, Richard (ed.), 1992. Culture Wars: Documents from the Recent Controversies in the Arts, New York: New Press
Boorsma, Peter B., Hemel, Annemoon and Wielen, Niki (eds.), 1998. Privatisation and Culture: Experiences in the Arts, Heritage, and Cultural Industries in Europe, Dordrecht: Kluwer Academic Publishers
Borgonovi, Francesca and O' Hare, , Michael, 2004. ‘The impact of the National Endowment for the Arts in the United States: institutional and sectoral effects on private funding’, Journal of Cultural Economics, 28(1): 21–36
Boyle, Stephen, 2007. ‘Ownership, Efficiency, and Identity: The Transition of Australia's Symphony Orchestras from Government Departments to Corporate Entities’, unpublished PhD thesis. Department of Economics, Macquarie University, Sydney
Bresler, Liora (ed.), 2007. International Handbook of Research in Arts Education, Dordrecht: Springer
Brighton, Andrew, 2006. ‘Consumed by the political: the ruination of the Arts Council’, in Mirza (ed.) (2006), pp. 111–129
Briguglio, Lino, et al. (eds.), 1996. Sustainable Tourism in Islands and Small States: Issues and Policies, London: Pinter
,British Broadcasting Corporation (BBC), 2004. Building Public Value: Renewing the BBC for a Digital World, London: BBC
Brooks, Arthur C., 2000. ‘Public subsidies and charitable giving: crowding out, crowding in, or both?’, Journal of Policy Analysis and Management 19(3): 451–464
Brooks, Arthur C., 2008. ‘The public value of controversial art: the case of the Sensation exhibit’, in Hutter and Throsby, (eds.) (2008), pp. 270–282
Brown, Katrina, et al., 1995. ‘Tourism and Sustainability in Environmentally Fragile Areas: Case Studies from the Maldives and Nepal’, The Centre for Social and Economic Research on the Global Environment: Working Paper GEC-1995–30, University of East Anglia, Norwich, United Kingdom
Bryan, Jane, et al., 2000. ‘Assessing the role of the arts and cultural industries in a local economy’, Environment and Planning A, 32: 1391–1408
Bryant, William D. A. and Throsby, David, 2006. ‘Creativity and the behavior of artists’, in Ginsburgh, and Throsby, (eds.) (2006), pp. 507–529
Burnaford, Gail A., 2007. ‘Moving toward a culture of evidence: documentation and action research in the practice of arts partnerships’, Arts Education Policy Review, 108(3): 35–40
Burney, Fanny, 1782. Cecilia: Or, Memoirs of an Heiress, London: Virago, 1986
Burrows, Paul, 1994. ‘Justice, efficiency and copyright in cultural goods’, in Peacock, and Rizzo, (eds.) (1994), pp. 99–110
Bussell, Helen and Forbes, Deborah, 2006. ‘Volunteer management in arts organisations: a case study and managerial implications’, International Journal of Arts Management, 9(2): 16
Bustamante, Enrique, 2004. ‘Cultural industries in the digital age: some provisional conclusions’, Media, Culture and Society, 26(6): 803–820
Cahir, Linda C., 2004. ‘Narratological parallels in Joseph Conrad's Heart of Darkness and Francis Ford Coppola's Apocalypse Now’, in Moore, Gene M. (ed.), Joseph Conrad's Heart of Darkness: A Casebook, Oxford: Oxford University Press, pp. 183–196
Arts, Canada Council for the, 2008. Moving Forward: Action Plan 2008–2011, Ottawa: Canada Council for the Arts
Cannon-Brookes, Peter, 1996. ‘Cultural-economic analyses of art museums: a British curator's viewpoint’, in Ginsburgh, and Menger, (eds.) (1996), pp. 255–274
Carman, John, 1996. Valuing Ancient Things: Archaeology and Law, London: Leicester University Press
Carnegie, Garry D. and Wolnizer, Peter W., 1995. ‘The financial value of cultural, heritage and scientific collections: an accounting fiction’, Australian Accounting Review, 5(9): 31–47
Castells, Manuel, 2001. The Internet Galaxy: Reflections on the Internet, Business and Society, Oxford: Oxford University Press
Caves, Richard E., 2000. Creative Industries: Contracts between Art and Commerce, Cambridge, MA: Harvard University Press
Cernea, Michael, 2001. Cultural Heritage and Development: A Framework for Action in the Middle East and North Africa, Washington, D.C.: World Bank
Champarnaud, Luc, Ginsburgh, Victor and Michel, Philippe, 2008. ‘Can public arts education replace arts subsidization?’, Journal of Cultural Economics, 32(2): 109–126
Chan, Tak Wing and Goldthorpe, John H., 2005. ‘The social stratification of theatre, dance and cinema attendance’, Cultural Trends, 14(3): 193–212
Chantepie, Philippe, et al., 2008. Special issue on ‘Culture and the Intangible Economy’, Communications and Strategies, 71(3)
Cheng, Sao-Wen, 2006. ‘Cultural goods production, cultural capital formation and the provision of cultural services’, Journal of Cultural Economics, 30(4): 263–286
Choi, Andy S., Papandrea, Franco and Bennett, Jeff, 2007. ‘Assessing cultural values: developing an attitudinal scale’, Journal of Cultural Economics, 31(4): 311–335
Coase, Ronald H., 1960. ‘The problem of social cost’, Journal of Law and Economics, 3(1): 1–44
Australia, Commonwealth of, 1994. Creative Nation: Commonwealth Cultural Policy, Canberra: Department of Communications and the Arts
Foundation, Commonwealth, 2008. Putting Culture First: Commonwealth Perspectives on Culture and Development, London: Commonwealth Foundation
Connor, Steven, 1992. Theory and Cultural Value, Oxford: Blackwell
Costanza, Robert, 1992. Ecological Economics: the Science and Management of Sustainability, New York: Columbia University Press
Cowell, Ben, 2007. ‘Measuring the impact of free admission’, Cultural Trends, 16(3): 203–224
Cowen, Tyler, 2006. Good and Plenty: The Creative Successes of American Arts Funding, Princeton, NJ: Princeton University Press
Cowen, Tyler and Tabarrok, Anton, 2000. ‘An economic theory of avant-garde and popular art, or high and low culture’, Southern Economic Journal, 35(2): 232–252
Cunningham, Stuart D., 2006. ‘What Price a Creative Economy?’, Platform Paper No. 8, Sydney: Currency House
Curran, James, Petley, Julian and Gaber, Ivor, 2005. Culture Wars: the Media and the British Left, Edinburgh: Edinburgh University Press
Dalrymple, Lynn, 2006. ‘Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context’, Research in Drama Education, 11(2): 201–218
Delacroix, Jacques and Bornon, Julien, 2005. ‘Can protectionism ever be respectable? A sceptic's case for the cultural exception, with special reference to French movies’, Independent Review, 9(3): 353–374
Deodhar, Vinita, 2007. ‘Economic Valuation of the Benefits of Local Heritage Policy Programs’, unpublished PhD thesis, Department of Economics, Macquarie University, Sydney
Statistiques, Département des Etudes de la Prospective et des, 2006. Aperçu statistique des industries culturelles No. 6, Paris: Ministry of Culture and Communication
,Department for Culture, Media and Sport (DCMS), 2006. ‘Creative Industries Economic Estimates Statistical Bulletin’. No. 5, September, London: DCMS
,Department for Culture, Media and Sport (DCMS), 2007a. The Creative Economy Programme: A Summary of Projects Commissioned in 2006/7, London: DCMS
,Department for Culture, Media and Sport (DCMS), 2007b. Export of Objects of Cultural Interest, London: DCMS
DeVereaux, Constance, 2006. ‘Any way the wind blows: changing dynamics in American arts policy’, Journal of Arts Management, Law and Society, 36(3): 168–180
Dodds, Eric R. (ed.), 1966. The Collected Poems of Louis MacNeice, London: Faber and Faber
Donegan, Mary and Lowe, Nicola, 2008. ‘Inequality in the creative city: is there still a place for “old-fashioned” institutions?’, Economic Development Quarterly, 22(1): 46–62
Drew, Philip and Browell, Anthony, 2002. Sydney Opera House: Joern Utzon, London: Phaidon
Dubuffet, Jean, 1988. Asphyxiating Culture and Other Writings, trans. by Volk, Carol, New York: Four Walls Eight Windows
Dwyer, Larry, et al., 2000. ‘Economic impacts of inbound tourism under different assumptions regarding the macroeconomy’, Current Issues in Tourism, 3(4): 325–363
Dwyer, Larry, Forsyth, Peter and Spurr, Ray, 2004. ‘Evaluating tourism's economic effects: new and old approaches’, Tourism Management, 25(3): 307–317
Edwards-Jones, Gareth, Davies, Ben and Hussain, Salman, 2000. Ecological Economics: An Introduction, Oxford: Blackwell
Ellis, Adrian, 2003. Valuing Culture, London: AEA Consulting, mimeograph
Engelsman, Steven, 2006. ‘Privatization of museums in the Netherlands: twelve years later’, Museum International, 58(4): 37–42
ERICarts, , 2008. Sharing Diversity: National Approaches to Intercultural Dialogue in Europe. A Study for the European Commission, Bonn: ERICarts.
Farchy, Joëlle, 1999. La Fin de l'Exception Culturelle?, Paris: CNRS Éditions
Farchy, Joëlle, 2003. Internet et le droit d'auteur, Paris: CNRS Éditions
Feld, Alan L., O' Hare, Michael and Schuster, J. Mark, 1983. Patrons Despite Themselves: Taxpayers and Arts Policy, New York: New York University Press
Filer, Randall K., 1986. ‘The “starving artist” – myth or reality? Earnings of artists in the United States’, Journal of Political Economy, 94(1): 56–75; reprinted in Towse, (ed.) (1997), ii, pp. 227–246
Fisher, David, 2003. ‘Tourism and change in local economic behaviour’, in Harrison, David (ed.) (2003), pp. 58–68
Flew, Terry, 2002. ‘Beyond ad hocery: defining creative industries’. Paper presented at the Cultural Sites, Cultural Theory, Cultural Policy: Second International Conference on Cultural Policy Research, Wellington, New Zealand, 23–26 January
Flôres, Renato G. Jr., 2009. ‘A Preliminary Inventory of Data Sources and Indicators on Measuring the Diversity of Cultural Expressions’, Report prepared for UNESCO Institute for Statistics, Montréal: UIS
Florida, Richard, 2002. The Rise of the Creative Class: and How it's Transforming Work, Leisure, Community and Everyday Life, New York: Basic Books
Florida, Richard, Florida, Richard, 2008. Who's Your City?: How the Creative Economy is Making Where You Live the Most Important Decision of Your Life, New York: Basic Books
Frey, Bruno S., 2003. ‘Public support’, in Towse, (ed.) (2003), pp. 389–398
Frey, Bruno S., 2008. ‘What values should count in the arts? The tension between economic effects and cultural value’, in Hutter, and Throsby, (eds.) (2008), pp. 261–269
Frey, Bruno S. and Jegen, Reto, 2001. ‘Motivation crowding theory: a survey of empirical evidence’, Journal of Economic Surveys, 15(5): 589–611
Frey, Bruno S. and Meier, Stephan, 2006. ‘The economics of museums’, in Ginsburgh, and Throsby, (eds.) (2006), pp. 1017–1047
Frey, Bruno S. and Oberholzer-Gee, Felix, 1998. ‘Public choice, cost-benefit analysis, and the evaluation of cultural heritage’, in Peacock, (ed.) (1998), pp. 27–53
Fukuda-Parr, Sakiko, 2001. ‘In search of indicators of culture and development: review of progress and proposals for next steps’, paper presented at the Second Global Forum on Human Development, Rio de Janeiro, Brazil, 9–10 October
Galloway, Susan, 2008. ‘Cultural industries or creative industries: a critical approach’, paper presented at the 3es Journées d'Economie de la Culture: Nouvelles frontières de l'économie de la culture, Paris, 2–3 October
Galloway, Susan and Dunlop, Stewart, 2007. ‘A critique of definitions of the cultural and creative industries in public policy’, International Journal of Cultural Policy, 13(1): 17–31
Galt, Frederick S., 2004. ‘The life, death, and rebirth of the Cultural Exception in the multilateral trading system: an evolutionary analysis of cultural protection and intervention in the face of American pop culture's hegemony’, Washington University Global Studies Law Review, 3(3): 909–935
Garnham, Nicholas, 1990. Capitalism and Communication: Global Culture and the Economics of Information, London: Sage
Garnham, Nicholas, Garnham, Nicholas, 2001. ‘Afterword: the cultural commodity and cultural policy’, in Selwood (ed.) (2001), pp. 445–458
Garnham, Nicholas, Garnham, Nicholas, 2005. ‘From cultural to creative industries’, International Journal of Cultural Policy, 11(1): 15–29
Geber, Kati, 2006. ‘Participatory digital cultural content’, Museum International, 58(1–2): 121–122
Gee, Constance Bumgarner, 2007. ‘Valuing the arts on their own terms? (Ceci n'est pas une pipe)’, Arts Education Policy Review, 108(3): 3–12
Gibson, Chris and Klocker, Natascha, 2004. ‘Academic publishing as “creative” industry, and recent discourses of “creative economies”: some critical reflections’, Area, 36(4): 423–434
Gibson, Chris, Murphy, Peter and Freestone, Robert, 2002. ‘Employment and socio-spatial relations in Australia's cultural economy’, Australian Geographer, 33(2): 173–189
Gilmore, Audrey, Carson, David and Ascenção, Mário, 2007. ‘Sustainable tourism marketing at a World Heritage site’, Journal of Strategic Marketing, 15(2): 253–264
Ginsburgh, Victor and Menger, Pierre-Michel (eds.), 1996. Economics of the Arts: Selected Essays, Amsterdam: North Holland
Ginsburgh, Victor and Throsby, David (eds.), 2006. Handbook of the Economics of Art and Culture, vol. i, Amsterdam: Elsevier
Ginsburgh, Victor A., Legros, Patrick and Sahuguet, Nicolas, 2005. ‘How to Win Twice at an Auction. On the Incidence of Commissions in Auction Markets’, CEPR Discussion Papers 4876, London: Centre for Economic Policy Research
Glass, Aaron, 2004. ‘Return to sender: on the politics of cultural property and the proper address of art’, Journal of Material Culture, 9(2): 115–139
Gordon, Wendy J. and Watt, Richard (eds.), 2003. The Economics of Copyright: Developments in Research and Analysis, Cheltenham: Edward Elgar
Graber, Christoph B., 2006. ‘The new UNESCO Convention on Cultural Diversity: a counterbalance to the WTO?’, Journal of International Economic Law, 9(3): 553–574
Grant, Peter S. and Wood, Chris, 2005. Blockbusters and Trade Wars: Popular Culture in a Globalized World, Vancouver: Douglas & McIntyre
Gratton, Chris and Taylor, Peter, 1995. ‘Impacts of festival events: a case study of Edinburgh’, in Ashworth, Gregory J. and Dietvorst, A.G.J. (eds.), Tourism and Spatial Transformations: Implications for Policy and Planning, Wallingford: CAB International, pp. 225–238
Green, Michael and Wilding, Michael, 1970. Cultural Policy in Great Britain, Paris: UNESCO
Greenfield, Jeanette, 2007. The Return of Cultural Treasures, 3rd edn., Cambridge: Cambridge University Press
Grenier, Robert, Nutley, David and Cochran, Ian (eds.), 2006. Underwater Cultural Heritage at Risk: Managing Natural and Human Impacts, Paris: International Council on Monuments and Sites
Gumucio, Mariano B., 1978. Cultural Policy in Bolivia, Paris: UNESCO
Hahn, Michael, 2006. ‘A clash of cultures? The UNESCO Diversity Convention and international trade law’, Journal of International Economic Law, 9(3): 515–552
Hall, Peter, 1998. Cities in Civilisation: Culture, Innovation and Urban Order, London: Weidenfeld & Nicolson
Harmon, David, 2007. ‘A bridge over the chasm: finding ways to achieve integrated natural and cultural heritage conservation’, International Journal of Heritage Studies, 13(4): 380–392
Harrison, David (ed.), 2003. Pacific Island Tourism, New York: Cognizant Communication Corporation
Hartley, John (ed.), 2005. Creative Industries, Oxford: Blackwell
Harvey, Lee and Blackwell, Alison, 1999. Destinations and Reflections: Careers of British Art, Craft and Design Graduates, Birmingham: Centre for Research into Quality, University of Central England in Birmingham
Hayes, Nicky and Stratton, Peter, 2003. A Student's Dictionary of Psychology, New York: Hodder Arnold
Hearn, Greg, Roodhouse, Simon and Blakey, Julie, 2007. ‘From value chain to value creating ecology’, International Journal of Cultural Policy, 13(4): 419–436
Heckathorn, Douglas D. and Jeffri, Joan, 2001. ‘Finding the beat: using respondent-driven sampling to study jazz musicians’, Poetics, 28(4): 307–329
Heilbrun, James, 2003. ‘Baumol's cost disease’, in Towse, (ed.) (2003), pp. 91–101
Hesmondhalgh, David, 2007. The Cultural Industries, 2nd edn., London: Sage
Hesmondhalgh, David and Pratt, Andy C., 2005. ‘Cultural industries and cultural policy’, International Journal of Cultural Policy, 11(1): 1–13
Higgs, Peter, Cunningham, Stuart and Bakhshi, Hasan, 2008. Beyond the Creative Industries: Mapping the Creative Economy in the United Kingdom, London: National Endowment for Science, Technology and the Arts
Hodur, Nancy M. and Leistritz, F. Larry, 2007. ‘Estimating the economic impact of event tourism’, Journal of Convention and Event Tourism, 8(4): 63–79
Hoffman, Barbara T. (ed.), 2006. Art and Cultural Heritage: Law, Policy and Practice, New York: Cambridge University Press
Holden, John, 2004. Capturing Cultural Value: How Culture has Become a Tool of Government Policy, London: Demos
Holden, John, 2008. Democratic Culture: Opening Up the Arts to Everyone, London: Demos
Howkins, John, 2001. The Creative Economy: How People Make Money from Ideas, London: Penguin
Hughes, Howard L., 1998. ‘Theatre in London and the inter-relationship with tourism’, Tourism Management, 19(5): 445–452
Hughes, Howard L., 2000. Arts, Entertainment and Tourism, Oxford: Butterworth Heinemann
Hughes, Patricia N. and Luksetich, William A., 1999. ‘The relationship among funding sources for art and history museums’, Nonprofit Management and Leadership, 10(1): 21–37
Hui, Desmond, et al., 2005. A Study on Creativity Index, Hong Kong: Centre for Cultural Policy Research, University of Hong Kong, and Home Affairs Bureau, HKSAR Government
Huntington, Samuel P., 1996. The Clash of Civilizations and the Remaking of World Order, New York: Simon and Schuster
Hurt, Robert M. and Schuchman, Robert M., 1966. ‘The economic rationale of copyright’, American Economic Review, 56(1/2): 421–432
Hutter, Michael and Rizzo, Ilde (eds.), 1997. Economic Perspectives on Cultural Heritage, London: Macmillan
Hutter, Michael and Throsby, David (eds.), 2008. Beyond Price: Value in Culture, Economics and the Arts, New York: Cambridge University Press
Irby, Paul and Hebert, Jim, 2005. Creative Vitality Index, Seattle, WA: Washington State Arts Commission and the Office of Arts and Cultural Affairs
Ivey, Bill, 2008. Arts, Inc.: How Greed and Neglect Have Destroyed our Cultural Rights, Berkeley, CA: University of California Press
Izushi, Hiro and Aoyama, Yuko, 2006. ‘Industry evolution and cross-sectoral skill transfers: a comparative analysis of the video game industry in Japan, the United States and the United Kingdom’, Environment and Planning A, 38(10): 1843–1861
Jackson, Maria R., Kabwasa-Green, Florence and Herranz, Joaquin, 2006. Cultural Vitality in Communities: Interpretation and Indicators, Washington, DC: The Urban Institute
Jacobs, Jane, 1970. The Economy of Cities, London: Cape
Jameson, Fredric, 1993. ‘On “cultural studies”’, Social Text, 34: 17–52
Jansson, AnnMari, et al. (eds.), 1994. Investing in Natural Capital: the Ecological Economics Approach to Sustainability, Washington, DC: Island Press
Jeffri, Joan and Throsby, David, 1994. ‘Professionalism and the visual artist’, European Journal of Cultural Policy, 1: 99–108
Jelin, Elizabeth, 1998. ‘Cities, culture and globalization’, in UNESCO (1998a), pp. 105–124
Jennings, Simon, 2005. The New Artist's Manual: the Complete Guide to Painting and Drawing, San Francisco: Chronicle Books
Johnston, Alison M, 2006. Is the Sacred for Sale? Tourism and Indigenous Peoples, London: Earthscan
Jones, Calvin, Munday, Max and Roberts, Annette, 2003. ‘Regional tourism satellite accounts: a useful policy tool?’, Urban Studies, 40(13): 2777–2794
Jowell, Tessa, 2004. Government and the Value of Culture, London: Department for Culture, Media and Sport
,KEA European Affairs, 2006. Economy of Culture in Europe, Brussels: European Commission, Directorate-General for Education and Culture
Keaney, Emily, 2006. Public Value and the Arts: Literature Review, London: Arts Council of England
Keeble, David and Cavanagh, Richard, 2008. ‘Concepts in value chain analysis and their utility in understanding cultural industries’, in Conference Board of Canada (ed.), Compendium of Research Papers from the International Forum on the Creative Economy, Ottawa: Conference Board of Canada, pp. 161–170
King, Karen and Blaug, Mark, 1976. ‘Does the Arts Council know what it is doing?’, in Blaug, Mark (ed.), The Economics of the Arts, London: Martin Robinson, pp. 6–16
Kirshenblatt-Gimblett, Barbara, 2006. ‘World heritage and cultural economics’, in Karp, Ivan, et al. (eds.), Museum Frictions: Public Cultures/Global Transformations, Durham, NC: Duke University Press, pp. 161–202
Klamer, Arjo and Zuidhof, Peter-Wim, 1999. ‘The values of cultural heritage: merging economic and cultural appraisals’, in Mason, Randall (ed.), Economics and Heritage Conservation, Los Angeles: The Getty Conservation Institute, pp. 23–61
Kokkranikal, Jithendran, McLellan, Rory and Baum, Tom, 2003. ‘Island tourism and sustainability: a case study of the Lakshadweep Islands’, Journal of Sustainable Tourism, 11(5): 426–447
Kretschmer, Martin, Klimis, George M. and Wallis, Roger, 1999. ‘The changing location of intellectual property rights in music: a study of music publishers, collecting societies and media conglomerates’, Prometheus, 17(2): 163–186
LaBute, Neil, 2001. The Shape of Things, London: Faber and Faber
Lam, Peng E., 2007. ‘Japan's quest for “soft power”: attraction and limitation’, East Asia, 24(4): 349–363
Landes, William M., 2000. ‘Copyright, borrowed images and appropriation art: an economic approach’, George Mason Law Review, 9: 1–24
Landes, William M., Landes, William M., 2003. ‘Copyright’, in Towse (ed.) (2003), pp. 9–31
Landes, William M. and Levine, Daniel B., 2006. ‘The economic analysis of art law’, in Ginsburgh and Throsby (eds.) (2006), pp. 211–251
Landes, William M. and Posner, Richard A., 1989. ‘The economic analysis of copyright law’, Journal of Legal Studies, 18(2): 325–363
Landry, Charles, 2000. The Creative City: A Toolkit for Urban Innovators, London: Comedia/Earthscan
Lazzeretti, Luciana (ed.), 2004. Art Cities, Cultural Districts and Museums: an Economic and Managerial Study of the Culture Sector in Florence, Florence: Firenze University Press
Leask, Anna and Fyall, Alan (eds.), 2006. Managing World Heritage Sites, Amsterdam: Elsevier
Leichenko, Robin M., Coulson, N. Edward and Listokin, David, 2001. ‘Historic preservation and residential property values: an analysis of Texas cities’, Urban Studies, 38(11)
Lewis, Justin and Miller, Toby (eds.), 2003. Critical Cultural Policy Studies: A Reader, Oxford: Blackwell
Libreros, Marion, Massieu, Antonio and Meis, Scott, 2006. ‘Progress in tourism satellite account implementation and development’, Journal of Travel Research, 45(1): 83–91
Lichfield, Nathaniel (ed.), 1998. Evaluation in Planning: Facing the Challenge of Complexity, Boston: Kluwer Academic Publishers
Liebowitz, Stan, 2003. ‘Back to the future: can copyright owners appropriate revenues in the face of new copying technologies?’, in Gordon and Watt (eds.) (2003), pp. 1–25
Liikkanen, Mirja, 2007. ‘Convention on the Protection and Promotion of the Diversity of Cultural Expressions: Possible Statistical Implications?’, Report prepared for UNESCO, Paris: UNESCO
Lindberg, Kreg, 1999. Sustainable Tourism and Cultural Heritage: A Review of Development Assistance and its Potential to Promote Sustainability, Paris: World Heritage
Long, Veronica H. and Wall, Geoffrey, 1995. ‘Small-scale tourism development in Bali’, in Conlin, Michael V. and Baum, Tom (eds.), Island Tourism: Management Principles and Practice, Chichester: John Wiley & Sons, pp. 237–257
Lynn, Jonathan and Jay, Anthony, 1984. The Complete Yes Minister: the Diaries of a Cabinet Minister by the Right Hon. James Hacker MP, London: BBC Books
Macleod, Donald V. L., 2006. ‘Power, resources and identity: the influence of tourism on indigenous communities’, in Burns, Peter M. and Novelli, Marina (eds.), Tourism and Social Identities: Global Frameworks and Local Realities, Amsterdam: Elsevier, pp. 111–124
MacMillan, Fiona and Bowery, Kathy (eds.), 2006. New Directions in Copyright Law, vol. iii, Cheltenham: Edward Elgar
Madden, Christopher, 2005a. ‘Indicators for arts and cultural policy: a global perspective’, Cultural Trends, 14(3): 217–247
Madden, Christopher, Madden, Christopher, 2005b. ‘Cross-country comparisons of cultural statistics: issues and good practice’, Cultural Trends, 14(4): 299–316
Mann, Thomas, 1912. Death in Venice, trans. by Hein, Michael H., New York: Ecco/Harper Collins, 2005
Markusen, Ann, 2006. ‘Urban development and the politics of a creative class: evidence from a study of artists’, Environment and Planning A, 38(10): 1921–1940
Markusen, Ann, et al., 2008. ‘Defining the creative economy: industry and occupational approaches’, Economic Development Quarterly, 22(1): 24–45
Marquis, Alice G., 1995. Art Lessons: Learning from the Rise and Fall of Public Arts Funding, New York: Basic Books
Marshall, Alfred, 1890. Principles of Economics, London: MacMillan, 8th edn., 1930
Mason, Randall, 2005. Economics of Historic Preservation: A Guide and Review of the Literature, Washington, DC: Brookings Institution
Matarasso, François (ed.), 2001. Recognising Culture: A Series of Briefing Papers on Culture and Development, Stroud: Comedia, together with the Department of Canadian Heritage and UNESCO
Maurice, Clare and Turnor, Richard, 1992. ‘Export licensing rules in the United Kingdom and the Waverley Criteria’, International Journal of Cultural Property, 1(2): 273–296
McCain, Roger, 2006. ‘Defining cultural and artistic products’, in Ginsburgh and Throsby (eds.) (2006), pp. 147–167
McCarthy, Kevin F., et al., 2004. Gifts of the Muse: Reframing the Debate about the Benefits of the Arts, Santa Monica, CA: RAND Corporation
McCaughey, Claire, 2005. Comparisons of Arts Funding in Selected Countries: Preliminary Findings, Ottawa: Canada Council for the Arts
McGuigan, Jim, 2001. ‘Problems of cultural analysis and policy in the information age’, Cultural Studies, Critical Methodologies, 1(2): 190–219
McGuigan, Jim, 2004. Rethinking Cultural Policy, Buckingham: Open University Press
McKenna, Wayne and Antonia, Alexis, 1994. ‘Intertextuality and Joyce's “Oxen of the Sun” episode in Ulysses: the relation between literary and computational evidence’, Extrait de la Revue Informatique et Statistique dans les Sciences Humaines, 30(1–4): 75–90
McKercher, Bob and Du Cros, Hilary, 2002. Cultural Tourism: The Partnership Between Tourism and Cultural Heritage Management, New York: Haworth Hospitality Press
McKinley, Terry, 1998. ‘Measuring the contribution of culture to human well-being: cultural indicators of development’, in UNESCO (1998a), pp. 322–332
McMaster, Sir Brian, 2008. Supporting Excellence in the Arts, London: Department for Culture, Media and Sport
Meadows, Donella H., et al., 1972. The Limits to Growth: A Report for the Club of Rome's Project on the Predicament of Mankind, New York: Universe Books
Meier, Richard, 1997. Building the Getty, New York: Alfred Knopf
Menger, Pierre-Michel, 2006. ‘Artists’ labour markets: contingent work, excess supply and occupational risk management', in Ginsburgh, and Throsby, (eds.) (2006), pp. 765–811
Miles, Steven and Paddison, Ronan, 2005. ‘Introduction: the rise and rise of culture-led urban regeneration’, Urban Studies, 42(5): 833–839
Miller, Toby and Yúdice, George, 2002. Cultural Policy, London: Sage
Minghetti, Valeria, Moretti, Andrea and Micelli, Stefano, 2001. ‘Reengineering the museum's role in the tourism value chain: towards an IT business model’, Journal of Information Technology and Tourism, 4(1): 131–143
Mirza, Munira (ed.), 2006. Culture Vultures: Is UK Arts Policy Damaging the Arts?, London: Policy Exchange
Moore, Mark H., 1995. Creating Public Value: Strategic Management in Government, Cambridge, MA: Harvard University Press
Moore, Mark H. and Williams Moore, Gaylen., 2005. Creating Public Value through State Arts Agencies, Minneapolis, MN: Arts Midwest
Mumford, Lewis, 1958. The Culture of Cities, 3rd edn., London: Secker & Warburg
Murdoch, Iris, 1954. Under the Net, London: Chatto and Windus
Musgrave, Richard, 1990. ‘Merit goods’, in Brennan, Geoffrey and Walsh, Cliff (eds.), Rationality, Individualism and Public Policy, Canberra: Centre for Research on Federal Financial Relations, Australian National University, pp. 207–210
Myerscough, John, 1988. The Economic Importance of the Arts in Britain, London: Policy Studies Institute
,National Endowment for the Arts (NEA), 2007. How the United States Funds the Arts, 2nd edn., Washington, DC: NEA
Navrud, Ståle and Ready, Richard C. (eds.), 2002. Valuing Cultural Heritage: Applying Environmental Valuation Techniques to Historic Buildings, Monuments and Artifacts, Cheltenham: Edward Elgar
Netzer, Dick, 2006. ‘Cultural policy: an American view’, in Ginsburgh and Throsby (eds.) (2006), pp. 1233–1251
Nijkamp, Peter, 1995. ‘Quantity and quality: evaluation indicators for our cultural-architectural heritage’, in Coccossis, Harry and Nijkamp, Peter (eds.), Planning for Our Cultural Heritage, Aldershot: Avebury, pp. 17–37
Noonan, Douglas S., 2003. ‘Contingent valuation and cultural resources: a meta-analytic review of the literature’, Journal of Cultural Economics, 27(3): 159–176
Nye Jr, Joseph S., 1990. ‘Soft power’, Foreign Policy, 80(3): 153–171
Nye Jr, Joseph S., Nye Jr, Joseph S., 2004. ‘Soft power and American foreign policy’, Political Science Quarterly, 119(2): 255–270
O'Connor, Justin, 1999. The Definition of ‘Cultural Industries’, Manchester Institute for Popular Culture, Manchester Metropolitan University, mimeograph
O'Connor, Justin, 2006. ‘Art, popular culture and cultural policy: variations on a theme of John Carey’, Critical Quarterly, 48(4): 49–104
O'Hare, Michael, 1985. ‘Copyright: when is monopoly efficient?’, Journal of Policy Analysis and Management, 4(3): 407–418
Oakley, Kate, Sperry, Brooke and Pratt, Andy, 2008. The Art of Innovation: How Fine Arts Graduates Contribute to Innovation, London: National Endowment for Science, Technology and the Arts
Obuljen, Nina, 2006. ‘From Our Creative Diversity to the Convention on Cultural Diversity: introduction to the debate’, in Obuljen, Nina and Smiers, Joost (eds.), UNESCO's Convention on the Protection and Promotion of the Diversity of Cultural Expressions: Making it Work, Zagreb: Institute for International Relations, pp. 17–38
Paine, Albert Bigelow (ed.), 1972. Mark Twain's Notebook, New York: Cooper Square Publishers
Palazuelos, Manuel, 2005. ‘Clusters: myth or realistic ambition for policy-makers?’, Local Economy, 20(2): 131–140
Papandrea, Franco, 2005. ‘Trade and cultural diversity: an Australian perspective’, Prometheus, 23(2): 227–237
Pattanaik, Prasanta, 1998. ‘Cultural indicators of well-being, some conceptual issues’, in UNESCO (1998a), pp. 333–340
Peacock, Alan (ed.), 1998. Does the Past Have a Future? The Political Economy of Heritage, London: Institute of Economic Affairs
Peacock, Alan and Rizzo, Ilde (eds.), 1994. Cultural Economics and Cultural Policies, Dordrecht: Kluwer
Peck, Jamie, 2005. ‘Struggling with the creative class’, International Journal of Urban and Regional Research, 29(4): 740–770
Peterson, Richard A., 1992. ‘Understanding audience segmentation: from elite and mass to omnivore and univore’, Poetics, 21(4): 243–258
Pignatoro, Giacomo, 2003. ‘Performance indicators’, in Towse (ed.) (2003), pp. 366–372
Plaza, Beatriz, 2000. ‘Evaluating the influence of a large cultural artifact in the attraction of tourism: the Guggenheim Museum Bilbao case’, Urban Affairs Review, 36(2): 264–274
Porter, Michael E., 1998. On Competition, Cambridge, MA: Harvard Business School Press
Porter, Michael E., 2000. ‘Localisation, competition and economic development: local clusters in a global economy’, Economic Development Quarterly, 14(1): 15–31
Potts, Jason, et al., 2008. ‘Social network markets: a new definition of the creative industries’, Journal of Cultural Economics, 32(3): 167–185
Pratt, Andy C., 2005. ‘Cultural industries and public policy: an oxymoron?’, International Journal of Cultural Policy, 11(1): 31–44
Prevots, Naima and Foner, Eric, 2001. Dance for Export: Cultural Diplomacy and the Cold War, Middletown, CT: Wesleyan University Press
(Australia), Productivity Commission, 2006. ‘Conservation of Australia's Historic Heritage Places’, PC Inquiry Report No. 37, Canberra: Productivity Commission
Provins, Allan, et al., 2008. ‘Valuation of the historic environment: the scope for using economic valuation evidence in the appraisal of heritage-related projects’, Progress in Planning, 69(4): 131–175
Quinn, Bernadette, 2005. ‘Arts festivals and the city’, Urban Studies, 42(5/6): 927–943
Rahel, Shafie, 1978. Cultural Policy in Afghanistan, Paris: UNESCO
Rausch, Stephen and Negrey, Cynthia, 2006. ‘Does the creative engine run? A consideration of the effect of creative class on economic strength and growth’, Journal of Urban Affairs, 28(5): 473–489
Rayward, W. Boyd and Twidale, Michael B., 1999. ‘From docent to cyberdocent: education and guidance in the virtual museum’, Archives and Museum Informatics, 13(1): 23–53
Richards, Greg and Wilson, Julie, 2004. ‘The impact of cultural events on city image: Rotterdam, cultural capital of Europe 2001’, Urban Studies, 41(10): 1931–1951
Richmond, Yale, 2003. Cultural Exchange and the Cold War: Raising the Iron Curtain, University Park, IL: Pennsylvania State University Press
Richmond, Yale, 2005. ‘Cultural exchange and the Cold War: how the arts influenced policy’, Journal of Arts Management, Law and Society, 35(3): 239–245
Rizzo, Ilde and Throsby, David, 2006. ‘Cultural heritage: economic analysis and public policy’, in Ginsburgh and Throsby (eds.) (2006), pp. 983–1016
Rizzo, Ilde and Towse, Ruth (eds.), 2002. The Economics of Heritage: A Study of the Political Economy of Culture in Sicily, Cheltenham: Edward Elgar
Robertson, Iain, 2005. Understanding International Art Markets and Management, London: Routledge
Robinson, Michael D. and Montgomery, Sarah S., 2000. ‘The time allocation and earnings of artists’, Industrial Relations, 39(3): 525–534
Rocchi, Cesare, et al., 2004. ‘The museum visit: generating seamless personalized presentations on multiple devices’, in Nunes, Nuno J. and Rich, Charles (eds.), Proceedings of the 9th International Conference on Intelligent User Interfaces, Madeira, Portugal, 2004, pp. 316–318
Rochelandet, Fabrice, 2003. ‘Are copyright collecting societies efficient organisations? An evaluation of collective administration of copyright in Europe’, in Gordon, and Watt, (eds.) (2003), pp. 176–197
Rose, Mark, 1994. ‘The author in court: Pope v. Curll’, in Woodmansee, Martha and Peter, Jaszi (eds.), The Construction of Authorship: Textual Appropriation in Law and Literature, Durham, NC: Duke University Press, pp. 211–229
Rosen, Sherwin, 1981. ‘The economics of superstars’, American Economic Review, 71(5): 845–858
Ross, Malcolm, 2003. ‘Evaluating education programmes in arts organisations’, Music Education Research, 5(1): 69–79
Rothfield, Lawrence, 1999. ‘Cultural Policy Studies?! Cultural Policy Studies?! Cultural Policy Studies?! A Guide for Perplexed Humanists’, Working Paper, Cultural Policy Center, University of Chicago
Rothfield, Lawrence (ed.), 2001. Unsettling ‘Sensation’: Arts-Policy Lessons from the Brooklyn Museum of Art Controversy, New Brunswick, NJ: Rutgers University Press
Rushton, Michael, 2000. ‘Public funding of controversial art’, Journal of Cultural Economics, 24(4): 267–282
Rushton, Michael, Rushton, Michael, 2003. ‘Cultural diversity and public funding of the arts: a view from cultural economics’, Journal of Arts Management, Law and Society, 33(2): 85–97
Ryan, Chris and Aicken, Michelle (eds.), 2005. Indigenous Tourism: the Commodification and Management of Culture, Amsterdam: Elsevier
Salganik, Matthew J. and Heckathorn, Douglas D., 2004. ‘Sampling and estimation in hidden populations using respondent-driven sampling’, Sociological Methodology, 34: 193–239
Santagata, Walter, 2002. ‘Cultural districts, property rights and sustainable economic growth’, International Journal of Urban and Regional Research, 26(1): 9–23
Santagata, Walter, 2006. ‘Cultural districts and their role in developed and developing countries’, in Ginsburgh and Throsby (eds.) (2006), pp. 1101–1119
Sasaki, Masayuki, 2004. ‘The role of culture in urban regeneration’. Paper presented at the Fòrum Universal de les Cultures, Barcelona, 9 May–26 September
Scafidi, Susan, 2005. Who Owns Culture?: Appropriation and Authenticity in American Law, New Brunswick, NJ: Rutgers University Press
Schultz, Theodore W., 1961. ‘Investment in human capital’, American Economic Review, 51(1): 1–17
Schuster, J. Mark, 1996. ‘The performance of performance indicators in the arts’, Nonprofit Management and Leadership, 7(3): 253–269
Schuster, J. Mark, Schuster, J. Mark, 2001. ‘Policy and Planning with a Purpose or the Art of Making Choices in Arts Funding’, Working Paper, Cultural Policy Center, University of Chicago
Schuster, J. Mark, Schuster, J. Mark, 2002a. Informing Cultural Policy: The Research and Information Infrastructure, Newark, NJ: Center for Urban Policy Research, Rutgers University
Schuster, J. Mark, 2002b. ‘Sub-national cultural policy – where the action is: mapping state cultural policy in the United States’, International Journal of Cultural Policy, 8(2): 181–196
Schuster, J. Mark, Schuster, J. Mark, 2003. ‘Informing cultural policy – data, statistics and meaning’, in Bernier, Serge and Lievesley, Denise (eds.), Proceedings of the International Symposium on Culture Statistics: Montréal, 21 to 23 October 2002, Montréal: Government of Québec, pp. 41–61
Schuster, J. Mark, Schuster, J. Mark, 2006. ‘Tax incentives in cultural policy’, in Ginsburgh and Throsby (eds.) (2006), pp. 1253–1298
Schuster, J. Mark, Schuster, J. Mark, 2007. ‘Participation studies and cross-national comparison: proliferation, prudence, and possibility’, Cultural Trends, 16(2): 99–196
Schuster, J. Mark, Monchaux, John and Riley, Charles A. (eds.), 1997. Preserving the Built Heritage: Tools for Implementation, Hanover, NH: University Press of New England
Scott, Allen J., 2005. On Hollywood: The Place, The Industry, Princeton, NJ: Princeton University Press
Scott, Carol, 2006. ‘Museums: impact and value’, Cultural Trends, 15(1): 45–75
Council, Scottish Arts, 2007. Corporate Plan 2007–2009, Edinburgh: Scottish Arts Council
Scullion, Adrienne and García, Beatriz, 2005. ‘What is cultural policy research?’, International Journal of Cultural Policy, 11(2): 113–127
Seaman, Bruce A., 1987. ‘Arts impact studies: a fashionable excess’, in Economic Impact of the Arts: A Sourcebook, National Conference of State Legislatures, pp. 43–75; reprinted in Towse, (ed.) (1997), ii, pp. 723–755
Seaman, Bruce A., 2004. ‘Competition and the non-profit arts: the lost industrial organisation agenda’, Journal of Cultural Economics, 28(3): 167–193
Seaman, Bruce A., 2006. ‘Empirical studies of the demand for the performing arts’, in Ginsburgh and Throsby (eds.) (2006), pp. 415–472
Segers, Katia and Huijgh, Ellen, 2006. ‘Clarifying the Complexity and Ambivalence of the Cultural Industries’, Working Paper No. 8: Centre for Media Sociology, Free University of Brussels.
Selwood, Sara (ed.), 2001. The UK Cultural Sector: Profile and Policy Issues, London: Policy Studies Institute
Selwood, Sara, 2006. ‘Unreliable evidence: the rhetorics of data collection in the cultural sector’, in Mirza, (ed.) (2006), pp. 38–52
Sen, Amartya, 1990. ‘Development as capacity expansion’, in Griffin, Keith and Knight, John (eds.), Human Development and the International Development Strategy for the 1990s, London: Macmillan, pp. 41–58
Senie, Harriet F., 2001. The Tilted Arc Controversy: Dangerous Precedent?, Minneapolis, MN: University of Minnesota Press
Shim, Doobo, 2006. ‘Hybridity and the rise of Korean popular culture in Asia’, Media, Culture and Society, 28(1): 25–44
Shipley, Robert, 2000. ‘Heritage designation and property values: is there an effect?’, International Journal of Heritage Studies, 6(1): 83–100
Shockley, Gordon E., 2004. ‘Government investment in cultural capital: a methodology for comparing direct government support for the arts in the US and the UK’, Public Finance and Management, 4(1): 75–102
Sigala, Marianna, 2005. ‘New media and technologies: trends and management issues for cultural tourism’, in Sigala, Marianna and David, Leslie (eds.), International Cultural Tourism: Management, Implications and Cases, Amsterdam: Elsevier, pp. 181–200
Smeral, Egon, 2006. ‘Tourism satellite accounts: a critical assessment’, Journal of Travel Research, 45(1): 92–98
Smith, Laurajane and Akagawa, Natsuko (eds.), 2009. Intangible Heritage, London: Routledge
Stenou, Katérina (ed.), 2007. UNESCO and the Issue of Cultural Diversity: Review and Strategy, 1946–2007, Paris: UNESCO
Sterling, J. Adrian, 2000. TRIPs Agreement: Copyright and Related Rights, Luxembourg: Office for Official Publication of European Communities
Strati, Anastasia, 1995. The Protection of the Underwater Cultural Heritage: An Emerging Objective of the Contemporary Law of the Sea, The Hague: Martinus Nijhoff Publishers
Strom, Elizabeth, 1999. ‘Let's put on a show! Performing arts and urban revitalization in Newark, New Jersey’, Journal of Urban Affairs, 21(4): 423–435
Foundation, The Work, 2007. Staying Ahead: the Economic Performance of the UK's Creative Industries, London: Department for Culture, Media and Sport
Throsby, David, 1992. ‘Artists as workers’, in Towse, Ruth and Khakee, Abdul (eds.), Cultural Economics, Heidelberg: Springer-Verlag, pp. 201–208
Throsby, David, Throsby, David, 1994. ‘A work-preference model of artist behaviour’, in Peacock, and Rizzo, (eds.) (1994), pp. 69–80
Throsby, David, 1996. ‘Disaggregated earnings functions for artists’, in Ginsburgh, and Menger, (eds.) (1996), pp. 331–346
Throsby, David, 1997a. ‘Seven questions in the economics of cultural heritage’, in Hutter, and Rizzo, (eds.) (1997), pp. 12–30
Throsby, David, 1997b. ‘Making preservation happen: the pros and cons of regulation’, in Schuster, Monchaux and Riley, (eds.) (1997), pp. 32–48
Throsby, David, 1999. ‘Cultural capital’, Journal of Cultural Economics, 23(1): 3–12
Throsby, David, 2001. Economics and Culture, Cambridge: Cambridge University Press
Throsby, David, Throsby, David, 2004. ‘Assessing the impacts of a cultural industry’, Journal of Arts Management, Law and Society, 34(3): 188–204
Throsby, David, Throsby, David, 2006. ‘Introduction and overview’, in Ginsburgh, and Throsby, (eds.) (2006), pp. 3–22
Throsby, David, Throsby, David, 2008a. ‘Modelling the cultural industries’, International Journal of Cultural Policy, 14(3): 217–232
Throsby, David, Throsby, David, 2008b. ‘The concentric circles model of the cultural industries’, Cultural Trends, 17(3): 147–164
Throsby, David and Hollister, Virginia, 2003. Don't Give Up Your Day Job: An Economic Study of Professional Artists in Australia, Sydney: Australia Council
Throsby, David and Zednik, Anita, 2008. ‘The Value of Arts and Cultural Activities in Australia: Survey Results’, Macquarie Economics Research Paper 2/2008, Sydney: Macquarie University
Thurow, Lester C., 1971. ‘The income distribution as a pure public good’, Quarterly Journal of Economics, 85(2): 327–336
Tisdell, Clem, 2003. Ecological and Environmental Economics: Selected Issues and Policy Responses, Cheltenham: Edward Elgar
Tisdell, Clem and McKee, David L., 2001. ‘Tourism as an industry for the economic expansion of archipelagos and small island states’, in Tisdell, Clem (ed.), Tourism Economics, the Environment and Development: Analysis and Policy, Cheltenham: Edward Elgar, pp. 181–189
Tisdell, Clem and Wilson, Clevo, 2002. ‘World heritage listing of Australian natural sites: tourism stimulus and its economic value’, Economic Analysis and Policy, 32(2): 27–50
Toepler, Stefan, 2006. ‘The role and changing face of non-market provision of culture in the United States’, Museum International, 58(4): 55–63
Tohmo, Timo, 2005. ‘Economic impacts of cultural events on local economies: an input-output analysis of the Kaustinen Folk Music Festival’, Tourism Economics, 11(3): 431–451
Towse, Ruth (ed.), 1997. Cultural Economics: the Arts, the Heritage and the Media Industries, 2 Vols., Cheltenham: Edward Elgar
Towse, Ruth, 2001. Creativity, Incentive and Reward: An Economic Analysis of Copyright and Culture in the Information Age, Cheltenham: Edward Elgar
Towse, Ruth (ed.), 2003. Handbook of Cultural Economics, Cheltenham: Edward Elgar
Towse, Ruth, 2006. ‘Human capital and artists’ labour markets', in Ginsburgh, and Throsby, (eds.) (2006), pp. 865–894
Tyrrell, Timothy J. and Johnston, Robert J., 2001. ‘A framework for assessing direct economic impacts of tourist events: distinguishing origins, destinations, and causes of expenditures’, Journal of Travel Research, 40(1): 94–100
Ulibarri, Carlos A., 2000. ‘Rational philanthropy and cultural capital’, Journal of Cultural Economics, 24(2): 135–146
,UNCTAD, 2008. Creative Economy Report 2008, Geneva: United Nations
,UNESCO, 1969. Cultural Policy: A Preliminary Study, Paris: UNESCO
,UNESCO, 1998a. World Culture Report: Culture, Creativity and Markets, Paris: UNESCO
,UNESCO, 1998b. Final Report of Intergovernmental Conference on Cultural Policies for Development: The Power of Culture, Stockholm, 30 March–2 April, Paris: UNESCO
,UNESCO, 2000. World Culture Report No. 2: Cultural Diversity, Conflict and Pluralism, Paris: UNESCO
,UNESCO, 2002. Universal Declaration on Cultural Diversity, Paris: UNESCO
,UNESCO, 2003. Convention for the Safeguarding of the Intangible Cultural Heritage, Paris: UNESCO
,UNESCO Institute of Statistics (UIS), 2009. The 2009 UNESCO Framework for Cultural Statistics, Montreal: UIS
Upton, Andrew, 2008. Riflemind, London: Faber and Faber
Bruggen, Coosje, 1997. Frank O. Gehry: Guggenheim Museum Bilbao, New York: Guggenheim Museum Publications
Ploeg, Frederick, 2006. ‘The making of cultural policy: a European perspective’, in Ginsburgh, and Throsby, (eds.) (2006), pp. 1183–1222
Varian, Hal R., 2005. ‘Copying and copyright’, Journal of Economic Perspectives, 19(2): 121–138
Vickery, Jonathan, 2007. ‘The Emergence of Culture-led Regeneration: A Policy Concept and its Discontents’, Centre for Cultural Policy Studies Research Papers No. 9, Coventry: University of Warwick
Young, Greg, 2008. Reshaping Planning with Culture, Aldershot: Ashgate
Wall, Geoffrey, 1999. ‘Partnerships involving indigenous peoples in the management of heritage sites’, in Robinson, Mike and Boniface, Priscilla (eds.), Tourism and Cultural Conflicts, Wallingford: CABI Publishing, pp. 269–286
Weil, Stephen E., 2000. ‘Transformed from a cemetery of bric-a-brac’, in Institute of Museum and Library Services, Perspectives on Outcome Based Evaluation for Libraries and Museums, Washington DC: IMLS, pp. 4–15
West, Edwin G., 1986. ‘Arts vouchers to replace grants’, Economic Affairs, 6(3): 9–16; reprinted in Towse (ed.) (1997), II, pp. 665–668
Wiesand, Andreas and Söndermann, Michael, 2005. The ‘Creative Sector’: An Engine for Diversity, Growth and Jobs in Europe: An Overview of Research Findings and Debates prepared for the European Cultural Foundation, Amsterdam: European Cultural Foundation
Winter, Tim, 2008. ‘Post-conflict heritage and tourism in Cambodia: the burden of Angkor’, International Journal of Heritage Studies, 14(6): 524–539
Bank, World, 2001. ‘Tunisia: Cultural Heritage Project, Project Appraisal Document’, Report no. 20413, Washington, DC: World Bank
Bank, World, 2007. ‘Jordan: Cultural Heritage, Tourism and Urban Development Project. Project Appraisal Document’, Report no. 38162, Washington, DC: World Bank
,World Commission Environment and Development (WCED), 1987. Our Common Future, Oxford: Oxford University Press
,World Commission on Culture and Development (WCCD), 1995. Our Creative Diversity, Paris: UNESCO
,World Intellectual Property Organisation (WIPO), 2003. Guide on Surveying the Economic Contribution of the Copyright-Based Industries, Geneva: WIPO
Zan, Luca, Baraldi, Sara B. and Gordon, Christopher, 2007. ‘Cultural heritage between centralisation and decentralisation: insights from the Italian context’, International Journal of Cultural Policy, 13(1): 49–70

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.