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Cambridge Studies in Modern Theatre

Published online by Cambridge University Press:  12 October 2019

Christopher B. Balme
Affiliation:
Ludwig-Maximilians-Universität Munchen
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Type
Chapter
Information
The Globalization of Theatre 1870–1930
The Theatrical Networks of Maurice E. Bandmann
, pp. ii - iv
Publisher: Cambridge University Press
Print publication year: 2019

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References

Books published

Crow, Brian and Banfield, Chris, An Introduction to Post-Colonial TheatreGoogle Scholar
DiCenzo, Maria, The Politics of Alternative Theatre in Britain, 1968–1990: The Case of 7:84 (Scotland)Google Scholar
Riley, Jo, Chinese Theatre and the Actor in PerformanceGoogle Scholar
Kalb, Jonathan, The Theatre of Heiner MüllerGoogle Scholar
Schumacher, Claude, ed., Staging the Holocaust: The Shoah in Drama and PerformanceGoogle Scholar
Boon, Richard and Plastow, Jane, eds., Theatre Matters: Performance and Culture on the World StageGoogle Scholar
Smeliansky, Anatoly, The Russian Theatre after StalinGoogle Scholar
Roberts, Philip, The Royal Court Theatre and the Modern StageGoogle Scholar
Grene, Nicholas, The Politics of Irish Drama: Plays in Context from Boucicault to FrielGoogle Scholar
Barker, Clive and Gale, Maggie B., eds., British Theatre between the Wars, 1918–1939Google Scholar
Patterson, Michael, Strategies of Political Theatre: Post-War British PlaywrightsGoogle Scholar
Aston, Elaine, Feminist Views on the English Stage: Women Playwrights, 1990–2000Google Scholar
Griffin, Gabriele, Contemporary Black and Asian Women Playwrights in BritainGoogle Scholar
Kruger, Loren, Post-Imperial Brecht: Politics and Performance, East and SouthGoogle Scholar
Boon, Richard and Plastow, Jane, eds., Theatre and Empowerment: Community Drama on the World StageGoogle Scholar
Barnett, David, Rainer Werner Fassbinder and the German TheatreGoogle Scholar
Luckhurst, Mary, Dramaturgy: A Revolution in TheatreGoogle Scholar
Boltwood, Scott, Brian Friel, Ireland, and the NorthGoogle Scholar
Bigsby, Christopher, Neil LaBute: Stage and CinemaGoogle Scholar
Strobl, Gerwin, The Swastika and the Stage: German Theatre and Society, 1933–1945Google Scholar
Plunka, Gene A., Holocaust Drama: The Theater of AtrocityGoogle Scholar
Holdsworth, Nadine, Joan Littlewood’s TheatreGoogle Scholar
Storm, William, Irony and the Modern TheatreGoogle Scholar
Reinelt, Janelle and Hewitt, Gerald, The Political Theatre of David Edgar: Negotiation and RetrievalGoogle Scholar
Menon, Jisha, The Performance of Nationalism: India, Pakistan, and the Memory of PartitionGoogle Scholar
Barnett, David, A History of the Berliner EnsembleGoogle Scholar
Christopher B., Balme, The Globalization of Theatre 1870–1930: The Theatrical Networks of Maurice E. BandmannGoogle Scholar

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