Adkin, N. (1987). “The Fathers on
Laughter”. Orpheus 6: 149–52.
Agard, W. R. (1923). “Greek Humor in Vase
Paintings”. Classical Journal 19.2: 97–105.
Amyx, D. A. (1945). “A New Pelike by the Geras
Painter”. American Journal of Archaeology 49: 508–18.
Anderson, M. J. (1997). The Fall of Troy in Early Greek Poetry and
Art. Oxford: Oxford University
Press.
Andreassi, M. (2004). Le Facezie del Philogelos. Barzellette Antiche e Umorismo
Moderno. Lecce: Pensa Multimedia
Editore.
Angiolillo, S. (1997). Arte e Cultura nell’Atene di Pisistrato e dei
Pisistratidi: O EΠ I KPONOY BIOΣ. Bibliotheca Archeologica 4.
Bari: Edipuglia Bari.
Apte, M. L. (1983). “Humor Research, Methodology, and Theory in
Anthropology”, in Handbook of Humor Research. McGhee, J. (ed.). New York:
Springer-Verlag 1: 183–212.
Apte, M.L. (1985). Humor and Laughter: An Anthropological
Approach. Ithaca: Cornell University
Press.
Apte, M.L. (1988). “Disciplinary Boundaries in Humorology: An
Anthropologist’s Ruminations”. HUMOR: International
Journal of Humor Research 1(1): 5–25.
Armitage, P. L. (1994). “Unwelcome Companions, Ancient Rats
Reviewed”. Antiquity 68: 231–40.
Arnould, D. (1990). Le Rire et les Larmes dans la Littérature Grecque
d’Homère à Platon. Paris:
Presses Universitaires de France.
Attardo, S. (1994). Linguistic Theories of Humor.
Berlin: Mouton de
Gruyter.
Attardo, S. (1997). “The Semantic Foundations of Cognitive Theories
of Humor”. HUMOR: International Journal of Humor
Research 10(4): 395–420.
Auda, V. (1989). “The Court Fool or Jester: A Historic
Background”. Cycnos [France] 5: 23–6.
Babcock, B. A. (1975). “‘A Tolerated Margin of Mess’:
The Trickster and His Tales Reconsidered”. Journal of the
Folklore Institute 9: 147–86.
Bakhtin, M. (1968). Rabelais and His World (trans. from Tvorchestvo Fransua
Rable by Helene Iswolsky). Cambridge,
MA: MIT Press.
Baldwin, B. (1983). The Philogelos or Laughter-Lover.
Amsterdam: J. C. Gieben.
Ballabriga, A. (1981). “Le Malheur des Nains. Quelques Aspects du
Combat des Grues contre les Pygmées dans la Littérature
Grecque”. Revue des Etudes Anciennes 81: 57–74.
Basso, E. B. (1988). “The Trickster’s Scattered
Self”. Anthropological Linguistics 30.3–4: 292–318.
Baudelaire, C. (1857). Les Fleurs du Mal. Paris: A.
Poulet Malassis.
Baudelaire, C. (1860). “De l’Essence du Rire et Généralement du
Comique dans les Arts Plastiques”, in Oeuvres Complètes.
Dantec, Y. Le (ed.). Paris: Gallimard,
Bibliothèque de la Pléiade.
Beazley, J. D. (1939). “Prometheus
Fire-lighter”. American Journal of Archaeology 43: 628–9.
Beazley, J.D. (1943). “Panathenaica”.
American Journal of Archaeology 47: 441–65.
Beazley, J.D. (1949–51). “Geras”.
Bulletin Antieke Beschaving 24–6: 18–20.
Beazley, J.D. (1951). The Development of Attic Black-figure.
Oxford: Oxford University
Press.
Beazley, J.D. (1956). Attic Black-figure Vase-painters.
Oxford: Oxford University
Press.
Beazley, J.D. (1963a). Attic Red-figure Vase-painters.
Oxford: Oxford University
Press.
Beazley, J.D. (1963b). “Herakles Derubato”.
Apollo (Salerno) 3–4: 3–14.
Beazley, J.D. (1967). Attic Red Figured Vases in American Museums.
Cambridge, MA: Harvard University
Press.
Beazley, J. D. and Caskey, L. D. (1954). Attic Vase-paintings in the Museum of Fine
Arts. Boston, London: Publication for
the Museum of Fine Arts by Oxford University Press.
Beccatti, G. (1953). “La Leggenda di Dedalo”.
AM 60: 22–36.
Beck, F. A. G. (1975). Album of Greek Education: the Greeks at School and at
Play. Sydney: Cheiron
Press.
Beecher, D. (1987). “Intriguers and Trickster: The Manifestations
of an Archetype in the Comedy of the Renaissance”. Revue de
Littérature Comparée 61.1: 5–29.
Bélis, A. (1992). “L’Aulète et le Jeu de
l’Oie”. Bulletin de Correspondance
Hellénique 2(116): 497–500.
Benton, J. R. (2004). Medieval Mischief, Wit and Humour in the Art of the
Middle Ages. London: Sutton
Publishing.
Bentz, M. (1998). Panathenaïische Preisamphoren: eine Athenische
Vasengattung und ihre Funktion vom 6. –4. Jahrhundert v. Chr.
Basel: Vereinigung der Freunde Antiker
Kunst.
Bérard, C. (1966). “Une Nouvelle Péliké du Peintre
de Géras”. Antike Kunst 9: 93–100.
Bérard, C. (1983). “Le Corps Bestial (les Métamorphoses de l’Homme
Idéal au Siècle de Periclès)”, in Le Corps et ses
Fictions. Reichler, C. (ed.). Paris: Editions de
Minuit: 43–54.
Bérard, C. (1984). “Le Jeu du Satyre”, in La Cité des
Images: Religion et Société en Grèce Antique. Institut
d’Archéologie et d’Histoire Ancienne, Lausanne, Centre de Recherches
Comparées sur les Sociétés Anciennes. Paris:
F. Nathan: 127–46.
Bérard, C. and Bron, C. (1991). “Dionysos le Masque Impossible”, in
Dionysos: Mito e mistero. Atti del Convegno Internazionale Comacchio 3–5 novembre
1989. Berti, F. and Gasparri, C. (eds.). Ferrara.
Bérard, C. and Durand, J.-L. (1984). “Entrer en Imagerie”, in La Cité des
Images: Religion et Société en Grèce Antique. Bérard, C. and Vernant, J.-P. (eds.). Institut d’Archéologie et d’Histoire Ancienne, Lausanne,
Centre de Recherches Comparées sur les Sociétés Anciennes.
Paris: F. Nathan:
19–31.
Bérard, C. and Vernant, J.-P. (eds.) (1984). La Cité des Images: Religion et
Société en Grèce Antique. Institut d’Archéologie et
d’Histoire Ancienne, Lausanne, Centre de Recherches Comparées sur les
Sociétés Anciennes. Paris: F.
Nathan.
Bergson, H. (1905). Le Rire, Essai sur la Signification du
Comique. Paris: Alcan.
Bergson, H. (1921). Laughter, An Essay on the Meaning of the
Comic. London: The Macmillan Company.
Bernand, A. (1991). Sorciers Grecs.
Paris: Hachette.
Bernstein, M. A. (1983). “When the Carnival Turns Bitter: Preliminary
Reflections upon the Abject Hero”. Critical
Inquiry 10(2): 283–305.
Berthiaume, G. (1982). Les Rôles du Mageiros, Etude sur la Boucherie, la
Cuisine et le Sacrifice dans la Grèce Ancienne (Mnemosyne, Suppl. 70).
Leiden: Brill.
Bettelheim, B. (1976). The Uses of Enchantment: The Meaning and Importance of
Fairy Tales. New York:
Knopf.
Bieber, M. (1961). The History of the Greek and Roman Theater.
Princeton: Princeton University
Press.
Billington, S. (1984). A Social History of the Fool.
Brighton: Harvester.
Binsfeld, W. (1956). Grylloi. Ein Beitrag zur Geschichte der Antiken
Karikatur. Dissertation Faculty of Philosophy of
Cologne.
Bishop, C. and Osthelder, X. (eds.) (2001). Sexualia. From Prehistory to
Cyberspace. Cologne:
Konemann.
Bloesch, H. (1940). Formen Attischer Schalen von Exekias bis zum Ende des
Strengen Stils. Bern:
Benteli.
Blondel, E. (1988). Le Risible et le Dérisoire.
Paris: Presses Universitaires de
France.
Bluestein, G. (1981). “It Only Hurts When We Laugh: Ethnic Jokes and
the International Theme”. Thalia: Studies in Literary
Humor 4.1: 10–13.
Blundell, S. (1995). Women in Ancient Greece.
London: British Museum
Press.
Boardman, J. (1976). “A Curious Eye Cup”.
Archäologischer Anzeiger281–90.
Boardman, J. (1986). “Herakles in Extremis”, in Studien zur
Mythologie und Vasenmalerei, Festschrift für Konrad Schauenburg.
Mainz am Rhein: Philipp von Zabern:
127–32.
Boardman, J. (1987a). Athenian Red Figure Vases Handbook, The Archaic
Period. London: Thames &
Hudson.
Boardman, J. (1987b). “Silver is White”.
Revue Archéologique279–95.
Boardman, J. (1988a). “Trade in Greek Decorated
Pottery”. Oxford Journal of Archaeology 7: 27–33.
Boardman, J. (1988b). “The Trade Figures”.
Oxford Journal of Archaeology 7: 371–3.
Boardman, J. (1989). Athenian Red Figure Vases Handbook, the Classical
Period. London: Thames &
Hudson.
Boardman, J. (1991). Athenian Black Figure Vases Handbook.
London: Thames &
Hudson.
Boardman, J. (1992). “The Phallos-bird in Archaic and Classical
Greek Art”. Revue Archéologique 2: [227]–42.
Boardman, J. (1998). Early Greek Vase Painting, 11th–6th Centuries
B.C., A Handbook. London: Thames
& Hudson.
Boardman, J. (1999). The Greeks Overseas. Their Early Colonies and
Trade. 4th edn. London: Thames &
Hudson.
Boardman, J. (2000, 2006). The History of Greek Vases: Potters, Painters and
Pictures. London: Thames &
Hudson.
Boardman, J. and Kurtz, D. (1971). Greek Burial Customs (Aspects of Greek and Roman
Life). Ithaca: Cornell University
Press.
Boehlau, J. (1900). “Die Ionische
Augenschalen”. AM 25: 40–99.
Böhr, E. (1982). Der Schaukelmaler. Forschungen zur Antiken
Keramik, 2nd series, Kerameus 4. Mainz am Rhein:
Philipp von Zabern.
Boskin, J. and Dorinson, J. (1985). “Ethnic Humor: Subversion and
Survival”. American Quarterly 37.1: 81–97.
Bourhis, R. Y., Gedfield, N. J., Giles, H., and Tajfel, H. (1977). “Context and Ethnic Humour in Intergroup Relations”, in
It’s a Funny Thing, Humour. Chapman, A. and Foot, H. (eds.). NY: Pergamon:
261–6.
Bowie, A. M. (1993). Aristophanes: Myth, Ritual and Comedy.
Cambridge: Cambridge University
Press.
Breitholtz, L. (1960). Die Dorische Farce im Griechische Mutterland vor dem 5.
Jahrhundert: Hypothese oder Realität?Stockholm: Almquist &
Wiksell.
Bremmer, J. (1997a). “Jokes, Jokers and Jokebooks in Ancient Greek
Culture”, in A Cultural History of Humour. From Antiquity to the Present
Day. Bremmer, J., (ed.). Cambridge: Cambridge University
Press.
Bremmer, J.(ed.) (1997b). A Cultural History of Humour from Antiquity to the
Present Day. Cambridge: Cambridge
University Press.
Brommer, F. (1937). “Die Ruckführung des
Hephaistos”. JDI 52: 198–219.
Brommer, F. (1959). Satyrspiele. Bilder
griechischer Vasen. Berlin: Walter de
Gruyter.
Bron, C. (1984). “Porteurs de Thyrse ou
Bacchants?” Actes du Colloque International de Lausanne, 8–11
fév 1984, Image et Société en Grèce Ancienne Cahiers
d’Archéologie Romande 36: 145–53.
Bron, C. (1988). “Le Lieu du Comos”, in Proceedings of the
3rd Symposium on Ancient Greek and Related Pottery Copenhagen 31.8. –4.9.87.
Christiansen, J. and Melander, T.. Copenhagen: 71–9.
Bron, C. (1992). Dionysos, Mythes et Mystères, Vases de Spina,
Catalogue de l’Exposition du 17/10/1991 au 5/1/92 au Musée
Historique de l’Ancien Evêché de Lausanne.
Kilchberg.
Brown, C. G. (1989). “Ares, Aphrodite and the Laughter of the
Gods”. Phoenix 43: 238–93.
Brownlee, A. B. (1989). “A Black-figure Parody of the Ransome of
Hector”. Revue Archéologique3–21.
Bruneau, P. (1970). Recherches sur les Cultes de Délos à
l’Époque Hellénistique et à l’Époque Impériale.
Bibliothèque des Ecoles Françaises d’Athènes et de Rome,
fasc. 217. Paris: Edition de
Boccard.
Brünner-Traut, E. (1956). Die Altägyptischen Scherbenbilder (Bildostraka)
der Deutschen Museen und Sammlungen. Wiesbaden:
Franz Steiner Verlag.
Brünner-Traut, E. (1970). Altägyptische Tiergeschichte und
Fabel. Darmstadt: Wissenschaftliche
Buchgesellschaft.
Brünner-Traut, E. (1979). Egyptian Artists’ Sketches, Figured Ostraka from
the Gayer-Anderson Collection in the Fitzwilliam Museum, Cambridge.
Istanbul: Nederlands Historisch-Archaeologisch
Instituut te Istanbul.
Burford, A. (1985). Kunstler und Handwerker in Griechenland und
Rom. Mainz am Rhein: Philipp von
Zabern.
Burkert, W. (1996). Greek Religion. Archaic and Classical.
London: Blackwell
Publishing.
Burma, J. H. (1946). “Humor as a Technique in Race
Conflict”. American Sociological Review 11.6: 710–15.
Buschor, E. (1943). Satyrtänze und Frühes Drama.
Munich: Verlag d. Akademie der Wissenschaft.
Büsing, H. (1993). “Das ‘Attische Saltz’. Humor auf
Vasenbildern”. Antiken Welt 24: 335–46.
Callahan, T. (1991). “Devil, Trickster, and
Fool”. Mythlore 17.4: 29–34, 36.
Callisen, S. A. (1939). “The Iconography of the Cock on the
Column”. The Art Bulletin 21: 160–78.
Camille, M. (1992). Image on the Edge. The Margins of Medieval
Art. London: Reaktion
Books.
Campo, L. (1940). I Drammi Satireschi della Grecia Antica.
Milan: Libri
Antiquariato.
Carpenter, T. (1991). Art and Myth in Ancient Greece.
New York: Thames &
Hudson.
Carpenter, T. and Faraone, C. (eds.) (1993). Masks of Dionysus.
Ithaca: Cornell University
Press.
Carrière, J. C. (1979). Le Carnaval et la Politique, Une Introduction à la
Comédie Grecque Suivie d’un Choix de Fragments.
Besançon: Presses universitaires de
Franche-Comté.
Caruso, C. (1984). “Travestissements Dionysiaques”. Actes
du Colloque International de Lausanne, 8–11 fév 1984, Image et Société
en Grèce AncienneCahiers d’Archéologie Romande 36: 103–10.
Castell, P. (1977). “Social Occasions for Joking: A Cross Cultural
Society”, in It’s a Funny Thing, Humour. Chapman, H. (ed.). New York: Pergamon:
193–8.
Cèbe, J.-P. (1966). La Caricature dans le Monde Romain Antique des Rigines
à Juvénal. Paris:
Boccard.
Chambry, E. (1985). Aesopi Fabulae.
Paris: Presses Universitaires de France. Les Belles
Lettres.
Chase, G. H. (1902). “The Shield Devices of the
Greeks”. HSCP 13: 61–127.
Chiaro, D. (1992). The Language of Jokes: Analysing Verbal
Play. New York:
Routledge.
Clarke, H. (1969). “The Humor of Homer”.
Classical Journal 64: 246–52.
Clarke, J. (2007). Looking at Laughter: Humor, Power, and Transgression in
Roman Visual Culture, 100 B.C.–A.D. 250.
Berkeley: University of California
Press.
Clay, J. (1972). “The Planktai and Moly: Divine Naming and
Knowing Homer”. Hermes 100: 127–31.
Clay, J. (1997). The Wrath of Athena: Gods and Men in the
Odyssey. Lanham: Lexington
Books.
Clutton-Brock, J. (1993). Cats, Ancient and Modern.
Cambridge, MA: Harvard University
Press.
Codino, F. (1960). “Presupposti Religiosi e Tendenza
Comico-realistica nella Mitologia Omerica”.
Belfagor 15: 551–66.
Cohen, A. (1993). Masquerade Politics: Explorations in the Structure of
Urban Cultural Movements. Berkeley:
University of California Press.
Cohen, B. (1978). Attic Bilingual Vases and their Painters.
New York/London: Garland Publishing
Inc.
Cohen, B. (ed.) (2000). Not the Classical Ideal: Athens and the
Construction of the Other in Greek Art. Leiden:
Brill.
Cohen, D. (1983). Theft in Athenian Law.
Munich: Beck.
Cohen, D. (1989). “Seclusion, Separation, and the Status of Women
in Classical Athens”. Greece & Rome 36: 3–15.
Coleman, J. G. (1992). “All Seriousness Aside: The Laughing-learning
Connection”. International Journal of Instructional
Media 19(3): 269–76.
Collobert, C. (2000). “Héphaïstos, l’Artisan du Rire
Inextinguible des Dieux”, in Le Rire des Grecs. Desclos, M.-L. (ed.). Paris: Jerome
Millon: 133–41.
Connelly, J. B. (1993). “Narrative and Image in Attic Vase Painting. Ajax and
Kassandra at the Trojan Palladion”, in Narrative and Event in Ancient
Art. Holliday, P. (ed.). Cambridge, MA: Harvard University
Press: 88–129.
Cook, A. (1895). “The Bee in Greek
Mythology”. Journal of Hellenic Studies 15: 1–24.
Cormier, H. (1977). The Humour of Jesus. New
York: Alba House.
Cornford, F. M. (1993). The Origin of Attic Comedy (rev. edn.).
Henderson, J. (ed.). Michigan: Ann Arbor Paperbacks.
University of Michigan Press.
Courturier, L. C., Mansfield, R. S., and Gallagher, J. M. (1981). “Relationships between Humor, Formal
Operational Ability, and Creativity in Eighth Graders”. The
Journal of Genetic Psychology 139: 221–6.
Csapo, E. and Slater, W. (eds.) (1994). The Context of Ancient Drama.
Michigan: University of Michigan
Press.
Curtius, E. (1894). Gesammelte Abhandlungen.
Berlin: W. Hertz.
D’Agostino, F. (2000). Testi Umoristici Babilonesi e Assiri.
Brescia: Paideia
Editrice.
D’Amicis, A., Giboni, G., Lippolis, E., Maruggi, G., and Masiello, L. (1994). Catalogo del Museo Nazionale Archeologico di
Taranto. Taranto: La
Colomba.
Darwin, C. (1872). The Expression of the Emotions in Man and
Animals. London: John
Murray.
Dasen, V. (1990). “L’Image du Nain dans
l’Antiquité: Aspects Médicaux et Socio-religieux de la Représentation du
Corps”. Bulletin de la Société Fribourgeoise des
Sciences Naturelles 79: 16–43.
Dasen, V. (1993). Dwarfs in Ancient Egypt and Greece.
Oxford: Oxford University
Press.
Daumas, M. (1998). Cabiriaca. Recherches sur l’Iconographie du Culte
des Cabires. Paris: Edition de
Boccard.
David, E. (1989). “Laughter in Spartan Society”, in Classical
Sparta: Techniques Behind Her Success. Powel, A. (ed.). Norman, Oklahoma: University of
Oklahoma Press: 1–25.
Davidson, J. (1997). Courtesans and Fishcakes, The Consuming Passions of
Classical Athens. London: Harper
Collins.
Davies, C. (1982). “Ethnic Jokes, Moral Values, and Social
Boundaries”. The British Journal of Sociology 33.3: 383–403.
Davies, C. (1990). Ethnic Humor Around the World: A Comparative
Analysis. Bloomington, IN: Indiana
University Press.
Davies, C. (1998). Jokes and their Relation to Society.
New York, NY: Mouton de Gruyter
(#4).
Davies, M. I. (1990). “Asses and Rams: Dionysiac Release in
Aristophanes’ Wasps and Attic Vase-Painting”.
Metis 5: 169–81.
Davies, M. and Kathirithamby, I. (1987). Greek Insects.
London: Duckworth.
Dawe, R. D. (2000). Philogelos.
Munich: K. G. Saur.
De Waele, F. (1926). “La Représentation de la Vente
d’Huile à Athènes”. Revue
Archéologique282–95.
Decker, W. (1995). Sport in der Griechischen Antike, vom Minoischen
Wettkampf bis zu den Olympischen Spielen. Munich:
C. H. Beck.
Defays, J.-M. (1996). Le Comique: Principes, Procédés,
Processus. Paris:
Seuil.
Delatte, A. and Derchain, P. (1964). Les Intailles Magiques
Gréco-égyptiennes. Paris:
Bibliothèque Nationale.
Delavaud-Roux, M. H. (1993). Les Danses Armées en Grèce
Antique. Aix-en-Provence: Publications
de l’Université de Provence.
Delcourt, M. (1957). Héphaïstos ou la Légende du
Magicien. Paris: Société
d’Edition “Les Belles Lettres”.
Dentzer, J. M. (1982). Le Motif du Banquet Couché dans le Proche-Orient
et le Monde Grec du VIIe au IVe Siècle avant J.-C. Bibliothèque des Écoles
Francaises d’Athènes et de Rome, vol. 246.
Paris: Edition de
Boccard.
Deonna, W. (1957). “L’Âme Pupilline et Quelques
Monuments Figurés”. L’Antiquité
Classique 26: 56–90.
Deonna, W. (1965). Symbolisme de l’Oeil.
Paris: Edition de
Boccard.
Desclos, M.-L. (ed.) (2000). Le Rire des Grecs. Anthropologie du Rire en
Grèce Ancienne. Horos. Paris:
Jerome Millon.
Descoeudres, J. (1981).
“Hδιστον
δαιμων”.
Antichton 15: 8–14.
Detienne, M. and Vernant, J.-P. (1978). Cunning Intelligence in Greek Culture and
Society. Atlantic Highlands NJ:Humanities Press.
Deubner, L. (1930). “Spiele und Spielzeug der
Griechen”. Die Antike 6: 162–77.
Diehl, E. (1964). Die Hydria. Formgeschichte und Verwendung im Kult des
Altertums. Mainz am Rhein: Philipp von
Zabern.
Dietrichs, E. (1988). “Erotik in der Kunst
Griechenlands”. Antike Kunst, suppl.:
3–85.
Dingwall, E. J. (1925). Male Infibulation.
London: John Bale, Sons and Danielsson,
Ltd.
Dodds, E. R. (1951). The Greeks and the Irrational.
Berkeley: University of California
Press.
Donaldson, M. D. (1999). The Domestic Cat in Roman Civilization.
Lampeter: Edward Mellon
Press.
Dover, K. J. (1973). “Classical Greek Attitudes to Sexual
Behaviour”. Arethusa 6: 59–83.
Dover, K.J. (1978). Greek Homosexuality. New
York: Vintage Books.
Driessen, H. (1997). “Humour, Laughter, and the Field: Reflections from
Anthropology”, in A Cultural History of Humour: From Antiquity to the Present
Day. Bremmer, J. (ed.). Cambridge: Polity
Press: 222–41.
Dugas, C. (1935). Les Vases Orientalisants de Style non
Mélien. Paris: Edition de
Boccard.
Dundes, A. (1991) “Bruno Bettelheim’s Uses of Enchantment
and Abuses of Scholarship”. The Journal of American
Folklore 104.411: 74–83.
Dupréel, E. (1985). “Rire d’Accueil et Rire
d’Exclusion”. Sociétés 1(3): 3–5.
Durand, J.-L. and Lissarrague, F. (1982). “Héros Cru ou Hôte Cuit: Histoire Quasi
Cannibale d’Héraklès Chez Busiris”. Image et
Céramique Grecque, Actes du Colloque de Rouen, 25–26/11 1982.
Lissarrague, F. and Thelamon, F. (eds.). Rouen: Presses Universitaires de
Rouen.
Eco, U. (1982). Il Nome della Rosa.
Milan: Fabbri-Bompiani.
Eco, U. (1984). “Frames of Comic Freedom”, in
Carnival!Sebeok, T. A. (ed.). Berlin: Mouton de
Gruyter: 1–9.
Edwards, A. (2002). “Historicizing the Popular Grotesque: Bakhtin’s
Rabelais and his World and Attic Old Comedy”, in Bakhtin and the
Classics. Branham, R. Bracht (ed.). Evanston: Springer
Netherlands: 27–55.
Ehrlic, H. J. (1979). “Observations on Ethnic and Intergroup
Humor”. Ethnicity 6: 383–98.
Eisman, M. (1972). “Are Eyes Apotropaic?”American Journal of Archaeology 76: 210.
Emelina, J. (1991). Le Comique: Essai d’Interprétation
Générale. Paris:
Sedes.
Engels, D. (1999). Classical Cats, the Rise and Fall of the Sacred
Cat. London/New York:
Routledge.
Escarpit, R. (1987). L’Humour.
Paris: Presses Universitaires de
France.
Esposito, A. M. and Tommaso, G. (1993). Museo Archeologico Nazionale di Firenze.
Florence: Giunti.
Fairbanks, A. (1928). Museum of Fine Arts Boston. Catalogue of Greek and
Etruscan Vases. Cambridge, Mass:
Harvard University Press.
Falkner, T. M. (1989). Old Age in Greek and Latin Literature.
Albany: SUNY Press.
Fenner, S. E. (1998). Satyrs in Mythological Contexts on Greek
Vases. Lincoln. Oxford: Oxford
University Press.
Ferrari, G. (1986). “Eye-cup”.
Revue Archéologique5–20.
Finley, M. I. (1976). “The Freedom of the Citizen in the Greek
World”. Talanta 7: 1–23.
Finnestad, R. B. (1970). “The Smile of the Buddha”, in The Eclipse
of Symbolism. New York: Columbia
University Press: 52–66.
Fless, F. (2002). Rotfigurige Keramik als Handelsware; Erwerb und Gebrauch
Attischer Vasen im Mediterranean und Pontishen Raum während des 4.Jhs.v.Chr.
Leidorf: Rahden.
Foley, H. P. (1985). Ritual Irony. Poetry and Sacrifice in
Euripides. Ithaca: Cornell University
Press.
Foley, H.P. (1994). The Homeric Hymn to Demeter.
Princeton: Princeton University
Press.
Foster, B. R. (1974). “Humour and Cuneiform
Literature”. Journal of Ancient Near Eastern
Society 6: 69–85.
Francis, E. D. and Vickers, M. (eds.) (1990). Image and Idea in Fifth-Century
Greece. London/New York:
Routledge.
Freud, S. (1905). Jokes and their Relation to the Unconscious. The Standard
Edition of the Complete Psychological Works of Sigmund Freud. Strachey, J. (ed.). vol. 8. London: Hogarth
Press.
Frickenhaus, A. (1912). Lenäenvasen.
Berlin: Walter de
Gruyter.
Froehner, W. (1876). Anatomie des Vases Antiques.
Paris: A. Detaille.
Froning, H., Holscher, T., and Mielsch, H. (eds.) (1992). Kotinos, Festschrift für Erika
Simon. Mainz am Rhein: Philipp von
Zabern.
Frontisi-Ducroux, F. (1982). “Idoles, Figures, Images: Autour de
Dionysos”. Revue Archéologique81–108.
Frontisi-Ducroux, F. (1989). “Le Masque du Dieu ou le Dieu-masque?” in
Dionysos: Mito e Mistero. Atti del Convegno Internazionale Comacchio 3–5 novembre
1989. Berti, F. and Gasparri, C. (eds.). Ferrara: 321–36.
Frontisi-Ducroux, F. (1995). Du Masque au Visage, Aspects de l’Identité
en Grèce Ancienne, Idées et Recherches.
Paris: Flammarion.
Frontisi-Ducroux, F. and Vernant, J.-P. (1997). Dans l’Oeil du Miroir.
Paris: Odile Jacob.
Fry, F. (ed.) (1987). Handbook of Humor and Psychotherapy: Advances in
the Clinical Use of Humor. Sarasota:
Professional Resource Press.
Furtwängler, A. and Morel, C. (eds.) (1883). Die Sammlung Sabouroff.
Berlin: A. Asher.
Furtwängler, A. and Reichhold, K. (eds.) (1904–32). Griechische Vasenmalerei: Auswahl
Hervorragender Vasenbilder. Munich: F.
Bruckmann.
Gardiner, N. (1912). “Panathenaic Amphorae”.
JHS 32: 191–2.
Garland, R. (1995). The Eye of the Beholder, Deformity and Disability in the
Graeco-Roman World. London:
Duckworth.
Giangrande, G. (1963). “The Origin of the Attic
Comedy”. Eranos 61: 1–24.
Giangrande, L. (1972). The Use of Spoudogeloion in Greek and Roman
Literature. Berlin: Mouton de
Gruyter.
Gilhus, I. S. (1990). “Carnival in Religion, The Feast of Fools in
France”. Numen 37(1): 24–52.
Gill, D. (1991). “Pots and Trade: Spacefillers or Objects
d’Art?”Journal of Hellenic Studies 111: 29–47.
Gill, D. (1994). “The Distribution of Greek Vases and Long Distance
Trade”, in Classical Greece: Ancient Histories and Modern
Archaeologies. Morris, I. (ed.). Cambridge: Cambridge University
Press: 175–85.
Gill, D. and Vickers, M. (1989). “Pots and Kettles”.
Revue Archéologique297–303.
Godel, R. (1960). Une Grèce Secrète.
Paris: Editions “Les Belles
Lettres”.
Gombrich, E. H. (1971). “The Mask and the Face”, in Art,
Perception, and Reality. Mandelbaum, M. (ed.). Baltimore: John Hopkins University
Press.
Gräf, B. and Langlotz, E. (1933). Die Antiken Vasen von der Akropolis zu
Athen. Berlin: Mouton de
Gruyter.
Grant, M. A. (1924). Ancient Rhetorical Theories of the Laughable: The Greek
Rhetoricians and Cicero. University of Wisconsin studies in Language and Literature,
no. 21. Madison.
Green, J. (1985a). “Drunk Again. A Study in the Iconography of
the Comic Theater”. AJA 89: 465–72.
Green, J. (1985b). “A Representation of the Birds of
Aristophanes”. Greek Vases in the J. Paul Getty
Museum 2: 95–118.
Green, J. (1991). “Notes on Phlyax Vases”.
NumAntCl 20: 49–56.
Green, J. and Handley, E. (1995). Images of the Greek Theatre.
London: Trustees of the British
Museum.
Greifenhagen, A. (1957). Griechische Eroten.
Berlin: Walter de
Gruyter.
Greifenhagen, A. (1966). Staatliche Museen Berlin. Antikenabteilung. Antike
Kunstwerke. Berlin: Walter de
Gruyter.
Grmek, M. D. and Gourevitch, D. (1998). Les Maladies dans l’Art Antique.
Paris: Fayard.
Grottanelli, C. (1983). “Tricksters, Scapegoats, Champions,
Saviors”. History of Religions 23.2: 117–39.
Guenther, M. (1999). Tricksters and Trancers: Bushman Religion and
Society. Bloomington, IN: Indiana
University Press.
Hafner, G. (1958). “Herakles-Geras-Ogmios”.
JbRGZM 5: 141–51.
Halliwell, S. (1991a). “Comic Satire and Freedom of Speech in
Classical Athens”. Journal of Hellenic Studies 111: 48–70.
Halliwell, S. (1991b). “The Uses of Laughter in Greek
Culture”. Classical Quarterly 41: 279–96.
Halm-Tisserant, M. (1986). “La Représentation du Retour
d’Héphaïstos dans l’Olympe: Iconographie Traditionnelle et Innovations
Formelles dans l’Atelier de Polygnotos (440/430)”.
Antike Kunst 29: 8–22.
Halm-Tisserant, M. (1993). Cannibalisme et Immortalité.
Paris: Presses Universitaires de France, Les
Belles-Lettres.
Halperin, D. (1990). “The Democratic Body: Prostitution and Citizenship in
Classical Athens”, in One Hundred Years of Homosexuality and Other Essays on
Greek Love. Halperin, D. (ed.). New York:
Routledge: 107–12.
Hamilton, R. (1992). Choes and Anthesteria. Athenian Iconography and
Ritual. Michigan: University of Michigan
Press.
Hansen, P. A. (1976). “Pithecusan Humor. The Interpretation of the
‘Nestor’s cup’ Reconsidered”.
Glotta 54: 25–43.
Hanson, V. D. (1995). The Other Greeks: The Family Farm and the Agrarian Roots
of Western Civilization. New York: The
Free Press.
Harbsmeier, C. (1986). Some Preliminary Notes on Chinese Jokes and Cartoons.
China in the 1980s – and Beyond. Brodsgaard, K. and Arendrup, B. (eds.). London: Curzon
Press.
Harvey, D. (1988). “Painted Ladies: Fact, Fiction and Fantasy”, in
Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery Copenhagen
31.8.–4.9.87. Christiansen, J. and Melander, T. (eds.). Copenhagen: Ny Carlsberg
Glyptoteck, Thorvaldsens Museum: 242–54.
Hedreen, G. (1992). Silens in Attic Black-figure Vase-painting: Myth and
Performance. Michigan: University of
Michigan Press.
Hedreen, G. (2002). Capturing Troy: The Narrative Functions of Landscape in
Archaic and Early Classical Greek Art. Michigan:
University of Michigan Press.
Hedreen, G. (2006). “‘I Let Go My Force Just Touching Her
Hair’: Male Sexuality in Athenian Vase-Paintings of Silens and Iambic
Poetry”. Classical Antiquity 25: 277–325.
Hegmon, M. (1992). “Archaeological Research on
Style”. Annual Review of Anthropology 21: 517–36.
Hemberg, B. (1950). Die Kabiren. Dissertation, University of
Uppsala. Uppsala: Almqvist & Wiksells
Boktryckeri AB.
Henderson, J. (1975). The Maculate Muse: Obscene Language in Attic
Comedy. New Haven/London: Yale
University Press.
Henderson, J. (1987). “Older Women in Attic Old
Comedy”. TAPA 117: 105–29.
Hendrickson, R. (1983). More Cunning than Man: A Social History of Rats and
Men. New York:
Kensington.
Hewitt, J. (1927). “Homeric Laughter”.
Classical Journal 23: 436–47.
Heydemann, H. (1870). “Humoristische Vasenbilder aus
Unteritalien”. BWPr 30: 3–14.
Hill, C. (1993). The Soul of Wit. Joke Theory from Grimm to
Freud. Lincoln/London: University
of Nebraska Press.
Himmelmann, N. (1971). “Archäologisches zum Problem der
Griechischen Sklaverei”. Abh. Mainz 13: 614–57.
Himmelmann, N. (1980). Über Hirten-Genre in der Antiken
Kunst. Opladen: Westdeutscher
Verlag.
Hobbes, T. (1999, 1st edn. 1640). The Elements of Law, Natural and Politic:
Part I, Human Nature, Part II, De Corpore Politico; with Three Lives.
Oxford: Oxford University
Press.
Hodges, F. M. (2001). “The Ideal Prepuce in Ancient Greece and Rome:
Male Genital Athletics and Their Relation to Lipodermos, Circumcision, Foreskin Restoration and the
Kynodesme”. The Bulletin of the History of
Medicine 75: 375–405.
Hoepfner, W. and Schwardner, E. L. (1994). Haus und Stadt im Klassischen Griechland.
Munich: Deutscher
Kunstverlag.
Hoffmann, H. (1962). Attic Red-Figured Rhyta.
Mainz am Rhein: Philipp von
Zabern.
Hoffmann, H. (1977). Sexual and Asexual Pursuit: A Structuralist Approach to
Greek Vase Painting. London: Royal
Anthropological Institute.
Hofstetter-Dolega, E. (1990). Sirenen im Archaischen und Klassischen
Griechland. Würzburg:
Triltsch.
Hölscher, T. (1974). “Ein Kelchkrater mit
Perserkampf”. Antike Kunst 17: 78–85.
Houlihan, P. F. (1991). “A Figured Ostracon with a Humorous Scene of
Judgement”. MVSE: Annual of the Museum of Art and Archaeology,
University of Missouri – Columbia 25: 30–5.
Houlihan, P.F. (1996). The Animal World of the Pharaohs.
Cairo: American University in Cairo
Press.
Houlihan, P.F. (2001). Wit and Humour in Ancient Egypt.
London: Rubicon.
Hubbard, T. K. (1991). The Mask of Comedy. Aristophanes and the Intertextual
Parabasis. Ithaca: Cornell University
Press.
Huber, K. (1999). Gravisca, Scavi nel Santuario Greco, La Ceramiche Attiche
a Figure Rosse. Bari:
Edipuglia.
Hull, D. B. (1964). Hounds and Hunting in Ancient Greece.
Chicago: The University of Chicago
Press.
Hunter, V. J. (1994). Policing Athens: Social Control in the Attic Lawsuits,
420–320 BC. Princeton: Princeton
University Press.
Husband, C. (1988). “Racist Humour and Racist Ideology in British Television, or I
Laughed Till You Cried”, in Humour in Society: Resistance and
Control. Powell, C. and Paton, G. (eds.). NY: St.
Martin’s: 149–78.
Hutcheon, L. (1985). A Theory of Parody: The Teachings of Twentieth-Century
Art Forms. New York:
Methuen.
Hyers, C. (1974). Zen and the Comic Spirit.
London: Barnes &
Noble.
Hynes, W. J. (1993). “Mapping the Characteristics of Mythic Tricksters: A Heuristic
Guide”, in Mythical Trickster Figures: Contours, Contexts, and
Criticisms. Hynes, W. J. and Doty, W. G. (eds.). Tuscaloosa, AL: University of
Alabama Press: 33–45.
Hynes, W. J. and Doty, W. G. (eds.) (1993). Mythical Trickster Figures: Contours, Contexts,
and Criticisms. Tuscaloosa, AL:
University of Alabama Press.
Immerwahr, H. R. (1990). Attic Script: A Survey.
Oxford: Oxford University
Press.
Immerwahr, H.R. (1992). “New Wine in Ancient Wineskins: The Evidence
from Attic Vases”. Hesperia 61: 121–32.
Iozzo, M. (1994). Ceramica ‘Calcidese’: Nuovi Documenti e
Problemi Riproposti. Rome:
Società Magna Grecia.
Iozzo, M. (1996). Vasi ‘Calcidesi’ del Museo Archeologico
Nazionale di Firenze. Pontedera:
Bandecchi & Vivaldi.
Jackson, D. A. (1976). “East Greek Influence on Attic
vases”. Journal of Hellenic Studies
(Supplementary Paper 13): 60–8.
Jahn, O. (1843). Archaeologische Beiträge.
Berlin: G. Reimer.
Jahn, O. (1868). “Perseus, Herakles, Satyrn und Vasenbildern das
Satyrdrama”. Philologus 27: 1–27.
Janko, R. (1992, 1st edn 1984). Aristotle on Comedy: Towards a
Reconstruction of Poetics II. London:
Duckworth.
Janik, V. K. (ed.) (1998). Fools and Jesters in Literature, Art, and History:
A Bio-Bibliographical Sourcebook. Westport,
CT: Greenwood Press.
Janni, P. (1978). Etnografia e Mito. La Storia dei Pigmei.
Rome: Edizione
dell’Ateneo.
Jardon, D. (1988). Du Comique dans le Texte Littéraire.
Brussels: De Boeck.
Jennings, V. (2001). “Review of R. D. Dawe’s Philogelos
(Munich 2000)”. Bryn Mawr Classical Review
04.05.2001 (online: ).
Johnston, A. (1979). Trademarks on Greek Vases.
Warminster: Aris and
Phillips.
Jordan, J. A. (1988). Attic Black-figured Eye-cups.
Ann Arbor, Michigan: University Microfilms
International.
Jung, C. G. (1956). “On the Psychology of the Trickster Figure”, in
The Trickster: A Study in American Indian Mythology. Radin, P. (ed.). New York, NY: Philosophical
Library: 195–211
Jung, C.G. (1959). Four Archetypes: Mother, Rebirth, Spirit,
Trickster. Princeton, NJ: Princeton
University Press.
Kant, I. (2005, 1st edn 1781). Critique of Judgment.
Mineola, NY: Dover Publications
Inc.
Karouzou, S. P. (1936). “Herakles Satyricos”.
Bulletin de Correspondance Hellénique 60: 152–7; pls. XVII–XXI.
Karouzou, S.P. (1946). “Choes”.
American Journal of Archaeology 50: 122–39.
Katz, J. and Volk, K. (2000). “‘Mere Bellies’?: A New Look at
Theogony 26–8”. Journal of Hellenic
Studies 120: 122–31.
Keck, J. (1990). Zur Lokalisierung der Chalkidischen Vasen. Symposion des
Deutschen Archäologen – Verbandes, Mönchengladbach
8–10.1.1988. Schriften des Deutschen Archäologen –
Verbandes XI.
Tübingen.
Kenner, H. (1960). Weinen und Lachen in der Griechischen Kunst.
Vienna: Rohrer.
Kerényi, K. (1956). “The Trickster in Relation to Greek Mythology”, in
The Trickster: A Study in American Indian Mythology. Radin (ed, P..). New York, NY: Philosophical
Library: 171–91.
Keuls, E. (1988). “The Social Position of Attic Vase Painters and the Birth of
Caricature”, in Proceedings of the 3rd Symposium on Ancient Greek and Related
Pottery Copenhagen 31.8.–4.9.87. Christiansen, J. and Melander, T. (eds.). Copenhagen: Ny Carlsberg
Glyptoteck, Thorvaldsens Museum: 300–13.
Keuls, E. (1993). The Reign of the Phallus: Sexual Politics in Ancient
Athens. Berkeley: University of
California Press.
Kilinski, K. (1990). Boeotian Black Figure Vase Painting of the Archaic
Period. Mainz am Rhein: Philipp von
Zabern.
Kilmer, M. F. (1993). Greek Erotica on Attic Red-Figure Vases.
London: Duckworth.
King, C. (1983). “Who is that Cloaked Man? Observations on Early
Fifth Century B.C. Pictures of the Golden Fleece”. American
Journal of Archaeology 87: 385–7.
Kirkpatrick, J. and Dunn, F. (2002). “Herakles, Cercopes and
Paracomedy”. Transactions of the American Philological
Association 132: 29–61.
Klein, A. (1998). The Courage to Laugh: Humor, Hope, and Healing in the
Face of Death and Dying. New York:
Tarcher/Putnam.
Knauer, E. R. (1986). “OY ΓAP HN AMIΣ: A Chous by the
Oionokles Painter”. Greek Vases in the J. Paul Getty
Museum 3: 91–100.
Knight, W. F. (1970). Elysion: On Ancient Greek and Roman Beliefs Concerning a
Life After Death. New York: Barnes and
Noble.
Koch, H. (1992). Es Kundet Dareios der Konig, Vom Leben im Persischen
Grossreich. Mainz am Rhein: Philipp von
Zabern.
Koch-Harnach, G. (1989). Erotische Symbole: Lotusblüte und Gemeinsamer
Mantel auf Antiken Vasen. Berlin:
Mann.
Konstan, D. (1995). Greek Comedy and Ideology.
Oxford: Oxford University
Press.
Korkhonen, A. (1995). “Fools’ Tools and Carnivals – Interpreting the
World through Inversion and Misrule in Early Modern England”, in Laughter down
the Centuries. Jakel, S. and Timonen, A. (eds.). Turkey: Turun Yliopisto
2: 193–203.
Korshak, Y. (1977). Frontal Faces in Attic Vase Painting of the Archaic
Period. Chicago: Ares
Publishers.
Kotsidu, H. (1991). Die Musischen Agone der Panathenäen in Archaischer
und Klassischer Zeit: Eine Historisch-archäologische Untersuchung.
Munich: Tuduv.
Kraiker, W. (1930). “Pheidippos”.
AM 55: 167–80; pls. X–XI.
Kunisch, N. (1990). “Die Augen der
Augenschalen”. Antike Kunst 33: 20–7.
Kunisch, N., Parakenings, B., and Peifer, U. (1989). Symposion, Griechische Vasen aus dem Antikenmuseum der
Ruhr – Universität Bochum. Cologne:
Rheinland-Verlag.
Kurke, L. (1997). “Inventing the Hetaira: Sex, Politics and
Discursive Conflict in Archaic Greece”. Classical
Antiquity 16: 106–50.
Kurtz, D. C. (1983). The Berlin Painter.
Oxford: Oxford University
Press.
Lambourne, L. (ed.) (1992). The Art of Laughter. Cartoonists’ and
Collectors’ Choice. Oxford:
Ashmolean Museum.
Lapalus, E. (1930). “Sur le Sens des Parodies de Thèmes
Héroïques dans la Peinture des Vases du Cabirion
Thébain”. Revue Archéologique 2: 65–88.
Lateiner, D. (1977). “No Laughing Matter”.
Transactions of the American Philological Association 107: 173–82.
Lateiner, D. (1995). Sardonic Smile, Nonverbal Behaviour in Homeric
Epic. Michigan: University of Michigan
Press.
Lawler, L. B. (1964). The Dance in Ancient Greece.
London: A&C Black.
Leacock, S. (1937). Humour and Humanity, An Introduction to the Study of
Humour. London: T.
Butterworth.
Leclercq, E. (1995). La Cérémonie du Rire: Pour une
Socio-anthropologie de la Théâtralité des Rapports Sociaux et des
Rites. Doctoral Dissertation.
Paris.
Lefcourt, H. (1986). Humor and Life Stress: Antidote to
Adversity. New York:
Springer-Verlag.
Lehmann, K. (1960). Samothrace. The Inscriptions on Ceramics and Minor
Objects. London: Routledge and Kegan
Paul.
Lent, J. A. (1994). Comic Art of Europe: An International Comprehensive
Bibliography. Westport CT: Greenwood
Press.
Lent, J.A. (1996). Comic Art in Africa, Asia, Australia, and Latin America:
A Comprehensive, International Bibliography. Westport
CT: Greenwood Press.
Lent, J.A. (1999a). “The Horrors of Cartooning in Slim’s
Algeria”. The International Journal of Comic
Art 1(1): 150–6.
Lent, J.A. (1999b). “Poland’s Malgorzata Tabaka: Frawer of
Lyrical Satirical Cartoons”. International Journal of Comic
Art 1(2): 66–75.
Lent, J.A. (2002a). “Fear [of] and Loafing [with] Ralph Steadman
in Turkey”. International Journal of Comic Art 4(2): 84–123.
Lent, J.A. (2002b). “Larry Alcala and the Depiction of Filipinos
As They Are”. International Journal of Comic
Art 4(2): 287–91.
Lent, J.A. (2003a). “Cartooning in Malaysia and Singapore: The
Same, but Different”. International Journal of Comic
Art 5(1): 256–89.
Lent, J.A. (2003b). “Chinese Women Cartoonists: Historical and
Contemporary Perspectives”. International Journal of Comic
Art 5(2): 351–66.
Lent, J.A. (2004). “India’s Amar Chitra Katha:
‘Fictionalized’ History or the Real Story?”.
International Journal of Comic Art 6(1): 56–76.
Lent, J.A. (2005). “Cartooning in Réunion, with Special
Reference to the Work of Serge and Appollo”. International
Journal of Comic Art 7(1): 462–72.
Lesky, A. (1961). “Griechen Lachen über ihre
Götter”. Wiener humanistiche
Blätter 4: 30–40.
Levine, D. (1983). “Homeric Laughter and the Unsmiling
Suitors”. Classical Journal 78(2): 97–104.
Lévi-Strauss, C. (1966). The Raw and the Cooked. Introduction to a Science of
Mythology. London:
Penguin.
Lévy, E. (1976). “Les Femmes chez
Aristophane”. Ktema 1: 99–112.
Lewis, S. (2002). The Athenian Woman: An Iconographic
Handbook. London:
Routledge.
Lilja, S. (1976). Dogs in Ancient Greek Poetry.
Helsinki: Societas Scientiarum
Fennica.
Lissarrague, F. (1984). “Dionysos s’en va-t-en Guerre (Actes du
Colloque International de Lausanne, 8–11 fév 1984, Image et Société en
Grèce Ancienne)”. Cahiers d’Archéologie
Romande 36: 111–20.
Lissarrague, F. (1987). “De la Sexualité des
Satyres”. Metis 2: 63–90.
Lissarrague, F. (1988a). “Héraklès et les Satyres”, in
Les Vases à Memoire, les Collections de Céramique Grecque dans le Midi de
la France. Dally, E., Landes, C., and Laurens, A.-F. (eds.). Paris: Imago:
142–3; fig. 95.
Lissarrague, F. (1988b), “Les Satyres et le Monde Animal”, in
Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery Copenhagen
31.8.–4.9.87. Christiansen, J. and Melander, T. (eds.). Copenhagen: Nationalmuseet, Ny
Carlsberg Glyptotek, and Thorvaldsens Museum.
Lissarrague, F. (1989). Un Peintre de Dionysos: Le Peintre de Kléophradès.
Dionysos: Mito e Mistero. Atti del Convegno Internazionale Comacchio 3–5 novembre
1989. Berti, F. and Gasparri, C. (eds.). Ferrara.
Lissarrague, F. (1990a). The Aesthetics of the Greek Banquet: Images of Wine and
Ritual (Un Flot d’Images). Princeton:
Princeton University Press.
Lissarrague, F. (1990b). L’Autre Guerrier, Archers, Peltastes, Cavaliers
dans l’Imagerie Attique. Paris-Rome:
La découverte/Ecole Française de
Rome.
Lissarrague, F. (1992). “Graphein: Ecrire et Dessiner”, in
L’Image en Jeu: de l’Antiquité à Paul Klee,
Bron, C. and Kassapoglou, E. (eds.). Paris: Editions
Cabedita.
Lissarrague, F. (1993). “On the Wildness of Satyrs”, in Masks of
Dionysus. Carpenter, T. and Faraone, C. (eds.). London/Ithaca: Cornell
University Press: 209–20.
Lissarrague, F. (1995). “Frauen, Kästchen, Gefässe: Einige Zeichen und
Metaphern”, in Pandora, Frauen im Klassischen Griechenland. Reeder, E. D.. (ed.). Mainz am Rhein: Philipp von
Zabern.
Lissarrague, F. (1998). “Intrusions au Gynécée”, in
Les Mystères du Gynécée. Veyne, P. (ed.). Paris: Gallimard:
155–98.
Lissarrague, F. (2000a). “Aesop, Between Man and Beast: Ancient Portraits and
Illustrations”, in Not the Classical Ideal: Athens and the Construction of the
Other in Greek Art. Cohen, B. (ed.). Leiden: Brill:
132–49.
Lissarrague, F. (2000b). “Satyres, Sérieux s’Abstenir”, in
Le Rire des Grecs. Anthropologie du Rire en Grèce Ancienne. Desclos, M.-L. (ed.). Paris: J. Millon:
109–22.
Loffler-Laurian, A.-M. (1990). Humoresques: Humour, Science et Langage.
Paris: Éditions de la Maison des Sciences de
l’Homme.
Louis, P. (1975). “Monstres et Monstruosités dans la Biologie
d’Aristote”, in Le Monde Grec: Pensée, Littérature,
Histoire, Documents. Hommage à Claire Préaux. Bingen, J. (ed.). Bruxelles: Éditions de
l’Université de Bruxelles: 277–84.
Loveday, T. and Forster, E. S. (1984). Physiognomonics. The Complete Works of
Aristotle. Barnes, J. (ed.). Princeton: Princeton University
Press: 1237–50.
Luce, S. (1924). “Studies of the Exploits of Herakles on
Vases”. American Journal of Archaeology 28: 296–325.
Lullies, R. (1940). “Zur Boiotisch Rotfigurigen
Vasenmalerei”. AM 65: 1–27.
Maas, P. (1912).
“Γελοτοποιοι”.
RE 7: coll. 1019–21.
Macdowell, D. M. (1995). Aristophanes and Athens, an Introduction to the
Plays. Oxford: Oxford University
Press.
Maffre, J.-J. (1975). “Collection Paul Canellopoulos VIII: Vases
Béotiens”. Bulletin de Correspondance
Hellénique 99: 409–520.
Magnien, V. (1938). Les Mystères d’Eleusis, leur Origine, le
Rituel de leurs Initiations. Paris:
Payot.
Mainoldi, C. (1984). L’Image du Loup et du Chien dans la Grèce
Ancienne d’Homère à Platon. Paris:
Ophrys.
Manfrini-Aragno, I. (1992). “Femmes à la Fontaine, Réalité et
Imaginaire”, in L’Image en Jeu: De l’Antiquité à Paul
Klee, Bron, C. and Kassapoglou, E. (eds.). Paris: Editions
Cabedita: 127–48.
Marconi, C. (1994). Selinunte, Le Metope dell’Heraion.
Modena: F. C. Panini
Editore.
Martens, D. (1992). Une Esthétique de la Transgression, Le Vase Grec
de la Fin de l’Époque Géométrique au Début de
l’Époque Classique. Brussels:
Académie Royale de Belgique.
Mason, P. (1998). Bacchanal! The Carnival Culture of Trinidad.
Philadelphia, PA: Temple University
Press.
Mauron, C. (1964). Psychocritique du Genre Comique: Aristophane, Plaute,
Térence, Molière. Paris:
Editions José Corti.
McDermott, W. C. (1938). The Ape in Antiquity.
Baltimore: John Hopkins
Press.
McGlew, J. F. (2002). Citizens on Stage: Comedy and Political Culture in the
Athenian Democracy. Michigan: University
of Michigan Press.
McNiven, T. (2000). “Behaving Like an Other: Telltale Gestures in Athenian Vase
Painting”, in Not the Classical Ideal: Athens and the Construction of the Other
in Greek Art. Cohen, B. (ed.). Leiden: Brill:
71–98.
McPhee, I. (1979). “An Apulian Oinochoe and the Robbery of
Herakles”. Antike Kunst 22: 38–42.
Mele, A. (1998). “Calcidica e Calcidesi. Considerazioni sulla
tradizione”, in Euboica, L’Eubea e la Presenza Euboica in Calcidica e in
Occidente. Bats, M. and d’Agostino, B. (eds.). Naples: Centre Jean
Bérard: 217–28.
Melot, M. (1975). L’Oeil qui Rit. Le Pouvoir Comique des
Images. Fribourg: Office du
Livre.
Mette, H. J. (1959). Die Fragmente der Tragödien des
Aischylos. Berlin: Akademie
Verlag.
Metzler, D. (1971). Porträt. Und Gesellschaft. Über die
Entstehung des Griechischen. Porträts in der Klassik.
Münster: privately
published.
Miller, D. (1982). “Structures and Strategies: An Aspect of the Relationship
between Social Hierarchy and Cultural Change”, in Symbolic and Structural
Archaeology. Hodder, I. (ed.). Cambridge: Cambridge University
Press: 89–98.
Miller, M. C. (1991). “Foreigners at the Greek Symposium?”, in
Dining in a Classical Context. Slater, W. J. (ed.). Michigan: Ann
Arbor: 59–81.
Miller, M.C. (1997). Athens and Persia in the Fifth Century BC. A Study in
Cultural Receptivity. Cambridge:
Cambridge University Press.
Miller, M.C. (2000). “The Myth of Bousiris: Ethnicity and Art”, in
Not the Classical Ideal: Athens and the Construction of the Other in Greek
Art. Cohen, B. (ed.). Leiden: Brill:
412–42.
Miller, S. G. (2004). Ancient Greek Athletics. New
Haven: Yale University Press.
Mills, L. (2002). “Laughter is the Best
Medecine”. Active Years 14: 74–77.
Milman, M. (1983). Trompe-l’œil: Painted
Architecture. Geneva: A.
Skira.
Milne, M. J. (1946–7). “Peleus and
Akastos”. Bulletin of the Metropolitan Museum of
Art 5: 255–60.
Milner, D. J. (2005). Understanding Humor in Japan.
Wayne State University Press.
Milner, G. B. (1972). “Homo Ridens: Towards a Semiotic Theory of
Humour and Laughter”. Semiotica 5: 1–28.
Mingazzini, P. (1971). Vasi della Collezione Castellani.
Rome: L’Erma di
Bretschneider.
Miralles, C. (1987). “Le Rire Sardonique”.
Métis 2(2): 31–43.
Mitchell, A. G. (2000). “Une Outre Outrée: Parodie et Jeu
Iconographique à Propos d’une Coupe de Leipzig”.
KTEMA 25: 115–22.
Mitchell, A.G. (2002). Comic Pictures in Greek Vase-painting: Humour in the
Polis and the Dionysian World, in the Sixth and the Fifth Centuries B.C. Division of Life and
Environmental Sciences, School of Archaeology, Wolfson College.
Oxford, University of Oxford: 2 v.
(xiii, 287; xix, 98 leaves).
Mitchell, A.G. (2004). “Humour in Greek
Vase-painting”. Revue Archéologique 3–32.
Mitchell, A.G. (2007). “Ancient Greek Visual Puns: A Case Study in Visual
Humor”, in New Approaches to the Linguistics of Humor. Attardo, S. and Popa, D. (eds.). Academic Printing House of Dunarea de Jos, University of
Galati (Romania): 197–216.
Mitchell, A.G. (2008a). “Greek and Roman Art”, in In Our Own
Image. Gods and Mortals in Ancient Art. Wace, R. (ed.). Norwich: Balding and
Mansell.
Mitchell, A.G. (2008b). Bryn Mawr Classical Review, September, n.55
(online version: ).
Möllendorff, P. von. 1995. Grundlagen einer Ästhetik der Alten Komödie.
Untersuchungen zu Aristophanes und Michail Bachtin. Classica Monacensia, Band 9.
Tübingen: Gunter Narr
Verlag.
Moon, W. (ed.) (1983). Ancient Greek Art and Iconography.
Madison: The University of Wisconsin
Press.
Moreau, R. E. (1944). “Joking Relationships in
Tanganyika”. Africa 14: 386–400.
Moret, J.-M. (1975). L’Ilioupersis dans la Céramique Italiote.
Les Mythes et leur Expression Figurée au IVe Siècle.
Geneva: Institut Suisse de
Rome.
Moret, J.-M. (1984). Oedipe, La Sphinx et les Thébains, Essai de
Mythologie Iconographique. Geneva:
Institut Suisse de Rome.
Moret, J.-M. (1991). “Circé Tisseuse sur les Vases du
Cabirion”. Revue Archéologique 227–66.
Morreal, J. (1983). Taking Laughter Seriously.
Albany: State University of New York
Press.
Morreal, J. (ed.) (1987). The Philosophy of Laughter and Humor.
Albany: State University of New York
Press.
Morris, C. (1744). An Essay Towards Fixing the True Standards of Wit,
Humour, Raillery, Satire and Ridicule. London:
J. Roberts, at the Oxford Arms, in Warwick Lane; and W. Bickerton,
in the Temple Exchange, near the Inner Temple Gate, Fleet Street.
Morrison, J. S. (1968). Greek Oared Ships, 900–322.
Cambridge: Cambridge University
Press.
Motte, A. (1996). “Le Thème des Enfances Divines dans le
Mythe Grec”. Les Etudes Classiques 64: 109–25.
Murray, O. (ed.) (1990). Sympotica, A Symposium on the
Symposion. Oxford: Oxford University
Press.
Narcy, M. (2000). “Le Comique, l’Ironie, Socrate”, in
Le Rire des Grecs. Anthropologie du Rire en Grèce Ancienne. Desclos, M.-L. (ed.). Paris: Jerome
Millon: 289–92.
Nash, W. (1985). The Language of Humor: Style and Technique in
Discourse. London/New York:
Longman.
Neumann, G. (1965). Gesten und Gebärden in der Griechischen
Kunst. Berlin: Walter de Gruyter
& Co.
Nezlek, J. B. (2001). “Use of Humor as a Coping Mechanism:
Psychological Adjustment, and Social Interaction”. HUMOR:
International Journal of Humor Research 14(4): 395–414.
Nicholls, R. (1982). “The Drunken Herakles; A New Angle on an
Unstable Subject”. Hesperia 51: 321–8.
Nilsen, D. L. F. (1983). “Stereotypical Humor”.
American Humor 10.2: 5–11.
Nilsen, D.L.F. (1993). “Ethnic Humor”, in Humor Scholarship: A
Research Bibliography. Nilsen, D. L. F. (ed.). Westport, CT:Greenwood Press: 219–32.
Noël, D. (1982). “Du Vin pour Héraklès!” Image
et Céramique Grecque, Actes du Colloque de Rouen, 25–26/11 1982.
Lissarrague, F. and Thelamon, F. (eds.). Rouen: Presses Universitaires de
Rouen: 141–50.
Nohain, J. (1965). Histoire du Rire à Travers le Monde.
Paris: Hachette.
Oakley, J. H. (ed.) (1997). Athenian Potters and Painters, The Conference
Proceedings. Oxford: Oxford University
Press.
Oakley, J.H. (2000). “Some ‘other’ members of the Athenian Household:
Maids and their Mistresses in Fifth-century Athenian Art”, in Not the Classical
Ideal: Athens and the Construction of the Other in Greek Art. Cohen, B. (ed.). Leiden: Brill:
227–48.
O’Higgins, L. (2003). Women and Humor in Classical Greece.
Cambridge: Cambridge University
Press.
Olbrechts-Tyteca, L. (1974). Le Comique du Discours.
Brussels: Edition de l’Université de
Bruxelles.
Ollivier-Beauregard, R. (1894). La Caricature Égyptienne, Historique, Politique et
Morale. Paris:
Thorin.
Olmos, R. and Balmaseda, L.-J. (1977–8). “El Tema de “Las Muchachas en
la fuente” en unas Hidrias Aticas del Museo Arqueologico Nacional”.
AEA 50–1: 15–32.
Orellana, B. (1985). A Philosophy of Humour. Faculty of
Philosophy. Oxford: Oxford University
Press.
Osborne, R. (1985). “The Erection and Mutilation of the
Hermai”. Proceedings of the Cambridge Philosophical
Society 211: 48–73.
Osborne, R. (1998). Archaic and Classical Greek Art.
Oxford: Oxford University
Press.
Padgett, J. (2000). “The Stable Hands of Dionysos: Satyrs and Donkeys as Symbols
of Social Marginalization in Attic Vase Painting”, in Not the Classical Ideal:
Athens and the Construction of the Other in Greek Art. Cohen, B. (ed.). Leiden: Brill:
43–70.
Papastamos, D. (1970). Die Melischen Amphoren.
Münster: Verlag
Aschendorff.
Parkin, J. (1997). Humour Theorists of the Twentieth Century.
Lampeter (UK): Edwin Mellen
Press.
Paspalas, S. A. (2000). “A Persianizing Cup from
Lydia”. Oxford Journal of Archaeology 19(2): 135–74.
Paton, G. (1988). Humour in Society: Resistance and Control.
New York: St. Martin’s
Press.
Paton, G., Powell, C., and Wagg, S. (1996). The Social Faces of Humour: Practices and
Issues. Aldershot (UK):
Arena.
Pelton, R. D. (1980). The Trickster in West Africa: A Study of Mythic Irony and
Sacred Delight. Berkeley: University of
California Press.
Perry, B. E. (1952). Aesopica.
Urbana: University of Illinois
Press.
Peschel, I. (1987). Die Hetäre bei Symposion und Komos, in der
Attisch-rotfigurigen Vasenmalerei. Frankfurt am
Main.
Pfisterer-Haas, S. (1993). Staatliche Antikensammlungen am Königsplatz
München (trad. A. Shapiro). Munich.
Pfuhl, E. (1923). Malerei und Zeichnung der Griechen.
München: F.
Bruckmann.
Pfuhl, E. (1924). Meisterwerke griechischer Zeichnung und
Malerei. München: F.
Bruckmann.
Picard, C. (1964). “Humour Chypriote”.
Revue Archéologique 1: 58–60.
Pickard-Cambridge, A. (1962). Dithyramb, Tragedy and Comedy. 2nd edn.
revised Webster, T. B. L.. Oxford: Oxford University
Press.
Pickard-Cambridge, A. (1968). The Dramatic Festivals of Athens. 2nd edn.
revised Gould, J. and Lewis, D. M.. Oxford: Oxford University
Press.
Piddington, R. (1933). The Psychology of Laughter: A Study in Social
Adaptation. London:
Figurehead.
Plebe, A. (1952). La Teoria del Comico da Aristotele a
Plutarco. Turin: Pubblicazioni della
Facoltà di lettere e filosofia, Università di Torino.
Pomeroy, S. (1975). Goddesses, Whores, Wives and Slaves.
New York: Schocken.
Pontius, A. (1983). “Icono-diagnosis, A Medical-humanistic
Approach. Detecting Crouzon’s Malformation in Cook Islands’ Prehistoric
Art”. Perspectives in Biology and Medecine 27: 107–20.
Pottier, E. (1897–1922). Vases Antiques du Louvre.
Paris: Hachette.
Powell, J. E. (1937). “Puns in Herodotus”.
Classical Review 51: 103–5.
Raaflaub, K. A., Ober, J., and Wallace, R. W. (2007). Origins of Democracy in Ancient Greece. With Chapters by
Paul Cartledge and Cynthia Farrar. Berkeley:
University of California Press.
Radermacher, L. (1947). Weinen und Lachen, Studien über antikes
Lebensgefühl. Vienna: R. M.
Rohrer.
Rao, A. (1995). “Immortal Picture-Stories: Comic Art in Early Indian
Art”, in Asian Popular Culture. Lent, J. A. (ed.). Boulder, CO: Westview
Press: 159–74.
Rapp, A. (1951). “A Greek Joe Miller”.
Classical Journal 46: 286–90 and 318.
Raubitschek, I. K. (1972). “The Eye Cup”.
American Journal of Archaeology 76: 217.
Razeto, F. (1985). Archaeological Museum Florence.
Florence: Becocci.
Reckford, K. (1987). Aristophanes’ Old-and-New Comedy.
Chapel Hill and London: University of North Carolina
Press.
Reins, C. W. (1972). “Laughter in Biblical and Rabbinic
Literature”. Judaism 21: 176–83.
Reinsberg, C. (1989). Ehe, Hetarentum und Knabenliebe im antiken
Griechenland. Munich:
Beck.
Resnick, C. W. (1987). “‘Risus Monasticus’; Laughter and
Medieval Monastic Culture”. Revue
Bénédictine 97(1–2): 90–100.
Reusser, C. (2003a). “La Céramique Attique dans les Habitats
Étrusques”, in Le Vase Grec et ses Destins. Rouillard, P. and Verbanck-Piérard, A. (eds.). Munich: Biering &
Brinkmann: 157–60.
Reusser, C. (2003b). “La Céramique Attique dans les Sanctuaires
Étrusques”, in Le Vase Grec et ses Destins. Rouillard, P. and Verbanck-Piérard, A. (eds.). Munich: Biering &
Brinkmann: 161–6.
Reusser, C. (2003c). “La Céramique Attique dans les Tombes
Étrusques”, in Le Vase Grec et ses Destins. Rouillard, P. and Verbanck-Piérard, A. (eds.). Munich: Biering &
Brinkmann: 167–78.
Rhodes, P. J. (2003). “Nothing to Do with Democracy: Athenian Drama
and the Polis”. Journal of Hellenic Studies 123: 104–19.
Richardson, E. (1933). Old Age among the Ancient Greeks.
Baltimore: John Hopkins University
Press.
Richlin, A. (1992). The Garden of Priapus. Sexuality and Aggression in Roman
Humor. Oxford: Oxford University Press
Inc., US.
Richter, G. (1935). “Jason and the Golden
Fleece”. American Journal of Archaeology 39: 182–4.
Richter, G. and Milne, M. (1935). Shapes and Names of Athenian Vases.
New York: Metropolitan Museum of
Art.
Richter, G. M. A. and Hall, F. (1936). Red-figured Athenian Vases in the Metropolitan Museum of
Art. New Haven: Yale University
Press.
Robertson, M. (1980). “An Unrecognized Cup by the Kleophrades Painter”, in
Stele. Tomos eis Mnemen Nikolaou Kontoleontos. Schefold, K. and Pouilloux, J. (eds.). Athens: 127–8.
Robertson, M. (1985). Beazley and Attic Vase-painting. Beazley and
Oxford. Kurtz, D.. Oxford: Oxford University
Press: 19–30.
Robertson, M. (1992). The Art of Vase-painting in Classical
Athens. Cambridge: Cambridge University
Press.
Robinson, D. M. and Fluck, E. J. (1937). A Study of the Greek Love-Names Including a Discussion of
Paederasty and a Prosopographia. Baltimore:
John Hopkins University Press.
Rodenwaldt, G. (1932). “Spinnen
Hetären”. Archäologischer
Anzeiger7–22.
Rothbart, M. K. (1976). “Incongruity, Problem-solving and Laughter” in
Humour and Laughter: Theory, Research and Applications. Chapman, A., , A. and Foot, H. (eds.). Chichester, England:
Wiley: 37–54.
Rouillard, P. and Verbanck-Piérard, A. (eds.) (2003). Le Vase Grec et ses Destins.
Munich: Biering &
Brinkmann.
Roux, G. (1981). “Samothrace, le Sanctuaire des Grands Dieux et ses
Mystères”, in Bulletin de l’Association
Guillaume-Budé. Paris: Presses
Universitaires de France: 2–23.
Rumpf, A. (1927). Chalkidische Vasen.
Berlin: Walter de
Gruyter.
Rumpf, A. (1953). Malerei und Zeichnung.
Munich: C.H. Beck’sche
Verlagsbuchhandlung.
Sanders, B. (1996). Sudden Glory. Laughter as Subversive
History. Boston: Beacon
Press.
Sangsue, D. (1994). La Parodie.
Paris: Hachette.
Santarcangeli, P. (1989). Homo Ridens, Estetica, Filologia, Psicologia, Storia del
Comico. Florence:
Olschki.
Schachter, A. (1986). Cults of Boiotia. Herakels to Poseidon, British Institute
of Classical Studies 38.2. London:
66–110.
Schachter, A. (2003). “Evolutions of a Mystery Cult: The Theban Kabiroi”, in
Greek Mysteries: The Archaeology and Ritual of Ancient Greek Secret Cults.
Cosmopoulos, M. (ed.). London:
Routledge.
Schäfer, A. (1997). Unterhaltung beim Griechischen Symposion.
Mainz am Rhein: Philipp von
Zabern.
Schauenburg, K. (1975). “EYPYMEΔON EIMI”.
AM 90: 97–121; pls. 25(–42).
Schilardi, D. U. (1977). The Thespian Polyandrion (424 B.C.): The Excavations and
Finds from a Thespian State Burial. Dissertation Princeton
University. Princeton. 3 vols.
Schmidt, M. (2000). “Medea at Work”, in Periplous: Papers on
Classical Art and Archaeology Presented to Sir John Boardman. Tsetskhladze, G., Prag, J., and Snodgrass, A. (eds.). London: Thames &
Hudson: 263–70.
Schmidt, S. R. (1994). “Effects of Humor on Sentence
Memory”. Journal of Experimental Psychology: Learning, Memory
and Cognition 20(4): 953–67.
Schmitt-Pantel, P. (1992). La Cité au Banquet: Histoire des Repas Publics
dans les Cités Grecques. Rome:
Ecole Française de Rome.
Seeberg, A. (1965). “Hephaistos Rides
Again”. JHS 85: 102–9.
Seidensticker, B. (1989). Satyrspiele.
Darmstadt: Wissenschaftliche
Buchgesellschaft.
Seidensticker, B., Krumeich, R., and Pechstein, N. (eds.) (1999). Das Griechische Satyrspiel.
Darmstadt: Wissenschaftliche
Buchgesellschaft.
Shapiro, H. A. (1989). Art and Cult under the Tyrants in Athens.
Mainz am Rhein: Philipp von
Zabern.
Shapiro, H.A. (1992a). “Eros in Love. Pederasty and Pornography in Greece”,
in Pornography and Representation in Greece and Rome. Richlin, A. (ed.). Oxford: Oxford University
Press: 53–72.
Shapiro, H.A. (1992b). “The Panathenaic Festival in Ancient Athens”, in
Goddess and Polis. The Panathenaic Festival in Ancient Athens. Neils, J. (ed.). Princeton: Princeton University
Press: 53–75.
Shapiro, H.A. (1993). Personifications in Greek Art, The Representation of
Abstract Concepts 600–400 BC. Zurich:
Akanthus.
Shapiro, H.A. (1997). “Correlating Shape and Subject: The Case of the Archaic
Pelike”, in Athenian Potters and Painters. Oakley, J. (ed.). Oxford: Oxford University
Press.
Sichterman, H. and Koch, G. (1975). Griechische Mythen auf Römischen
Sarkophagen. Tübingen:
Wasmuth.
Sifakis, G. M. (1971). Parabasis and Animal Choruses, A Contribution to the
History of Attic Comedy. London: Athlone
Press.
Simon, E. (1975). Führer durch die Antikenabteilung des Martin von
Wagner-Museums. Mainz am Rhein: Philipp
von Zabern.
Simon, E. (1976). Die Griechischen Vasen.
Munich: Hirmer Verlag.
Simon, E. (1982). “Satyr-plays on Vases in the Time of Aeschylus”, in
The Eye of Greece. Kurtz, D. C. and Sparkes, K. (eds.). Oxford: Oxford University
Press: 123–48.
Slater, W. J. (1991). Dining in a Classical Context.
Michigan: University of Michigan
Press.
Sluiter, R. and Rosen, M. (eds.) (2004). Free Speech in Classical Antiquity.
Mnemosyne. Leiden: Brill.
Smadja, E. (1993). Le Rire.
Paris: Presses Universitaires de
France.
Smith, A. C. (1999). “Eurymedon and the Evolution of Political
Personifications in the Early Classical Period”. Journal of
Hellenic Studies 119: 128–41.
Smith, C. (1883). “Vase with Representation of Herakles and
Geras”. Journal of Hellenic Studies 4: 96–110.
Snowden, F. (1970). Blacks in Antiquity: Ethiopians in the Greco-Roman
Experience. Cambridge, MA: Harvard
University Press.
Snowden, F. (1976). “Iconographical Evidence on the Black Populations in
Greco-Roman Antiquity”, in The Image of the Black in Western Art.
Bugner, L. (ed.). Houston: Menil
Foundation: 133–246.
Solomon, J. C. (1996). “Humor and Aging Well: A Laughing Matter or a
Matter of Laughing?”American Behavioral Scientist 39(3): 249–71.
Sommerstein, A. (1986). “The Decree of
Syrakosios”. Classical Quarterly 36: 101–8.
Sourvinou-Inwood, C. (1996). “Reading” Greek Death: To the End of the
Classical Period. Oxford: Oxford
University Press.
Sparkes, B. (1975). “Illustrating
Aristophanes”. Journal of Hellenic Studies 95: 122–35.
Sparkes, B. (1976). “Treading the Grapes”.
BABesch 51: 47–64; figs. 1–27.
Sparkes, B. (1977). Pots and Pans of Classical Athens (6th edn).
Princeton: American School of Classical Studies at
Athens.
Sparkes, B. (1996). The Red and the Black: Studies in Greek
Pottery. London:
Routledge.
Stanford, W. (1958). The Odyssey of Homer.
London: Macmillan.
Steinhart, M. (1995). Das Motiv des Auges in der Griechischen
Bildkunst. Mainz am Rhein: Philipp von
Zabern.
Steinrueck, M. (2000). “Comparaison du Sublime chez Pseudo-Longin et du Ridicule chez
Archiloque”, in Le Rire des Grecs. Anthropologie du Rire en Grèce
Ancienne. Desclos, M.-L. (ed.). Paris: Jerome
Millon: 57–63.
Stewart, A. (1997). Art, Desire, and the Body in Ancient Greece.
Cambridge: Cambridge University
Press.
Stopsky, F. (1992). Humor in the Classroom: A New Approach to Critical
Thinking. Lowell, MA: Discovery
Enterprises.
Sutton, D. F. (1980). The Greek Satyr Play.
Meisenheim am Glan: Hain.
Sutton, D.F. (1984). “Scenes from the Greek Satyr Plays Illustrated
in Greek Vase-painting”. Ancient World 9: 119–26.
Sutton, D.F. (1994). The Catharsis of Comedy.
Lanham, MD: Rowman & Littlefield Publishers,
Inc.
Sutton, R. F.. (1981). The Interaction between Men and Women Portrayed on Attic
Red-figure Pottery. University of North Carolina at Chapel
Hill. UMI.
Swabey, M. C. (1961). Comic Laughter: A Philosophical Survey.
New Haven: Yale University
Press.
Swaddling, J. (1999). The Ancient Olympic Games.
London: British Museum
Press.
Sweet, W. E. (1987). Sport and Recreation in Ancient Greece, A Source Book
with Translations. Oxford: Oxford
University Press.
Sykes, A. J. M. (1966). “Joking Relationships in an Industrial
Setting”. American Anthropologist 68(1): 189–93.
Szafran, A. W. (1994). Freud et le Rire.
Paris:
Métailié.
Taaffe, L. (1993). Aristophanes and Women.
London: Routledge.
Taillardat, J. (1965). Les Images d’Aristophane: Etudes de Langue et de
Style. Paris: Les Belles
Lettres.
Taplin, O. (1987). “Classical Phallology, Iconographic Parody and
Potted Aristophanes”. Dioniso 57: 95–108.
Taplin, O. (1991a). “Auletai and Auletrides in Greek Comedy and
Comic Vase-paintings”. NumAntCl 20: 31–48.
Taplin, O. (1991b). Paratragedy in Comedy and in Comic
Vase-paintings. Griechische Klassik. Vorträge bei der Interdisziplinären
Tagung des Deutschen Archäologenverbandes und der Mommsengesellschaft vom
24.–27.10.1991 in Blaubeuren, Blauberen.
Taplin, O. (1993). Comic Angels, and Other Approaches to Greek Drama through
Vase-paintings. Oxford: Clarendon
Press.
Taplin, O. (1994). “Paratragedy in Comedy and in Comic Vase-paintings”, in
Griechische Klassik. Pöhlmann, E. and Gauer, W. (eds.). Tübingen: 111–14.
Taplin, O. (2007). Pots and Plays. Interactions between Tragedy and Greek
Vase-painting of the Fourth Century B.C. Los Angeles:
Getty Publications.
Tarin, A. (1991). “Les Divertissements en Grèce et à Rome”,
in Jouer dans l’Antiquité. May, R., Néraudau, J.-P., and Manson, M. (eds.). Marseille: Musées de
Marseille: 110–22.
Thierfelder, A. (1968). Philogelos. Der Lachfreund von Hierokles und
Philagrios. Munich:
Heimeran.
Thompson, D. (1971). An Ancient Shopping Center, The Athenian
Agora. Princeton: Princeton University
Press.
Thompson, D. A. (1895). A Glossary of Greek Birds.
Oxford: Oxford University
Press.
Threatte, L. (1980). The Grammar of Attic Inscriptions.
New York: Walter de
Gruyter.
Tietze-Conrat, E. (1957). Dwarfs and Jesters in Art.
New York: Phaidon.
Tiverios, M. A. (1974). “ΠANATHNAIKA”.
ArchD 29A: 142–51.
Todorov, T. (1978). Les Genres du Discours.
Paris: Seuil.
Tosto, V. (1999). The Black-figure Pottery Signed “Nikosthenes
Epoiesen”. Amsterdam: Allard
Pierson Museum.
Tottenham, C. (1927). The Psychology of Laughter.
Liverpool: Liverpool University
Press.
Trendall, A. (1967). Phlyax Vases.
London: Institute of Classical
Studies.
Ure, A. D. (1953). “Boeotian Vases with Women’s
Heads”. American Journal of Archaeology 57: 245–9.
Ure, P. (1927). Sixth and Fifth Century Pottery from Excavations Made at
Rhitsona. Oxford: Oxford University
Press.
Vallet, G. (1958). Rhégion et Zancle. Histoire, Commerce et
Civilisation des Cités Chalcidiennes du Détroit de Messine.
Paris: Bibliothèque des Ecoles
Françaises d’Athènes et de Rome.
van de Walle, B. (1967). L’Humour dans la Littérature et
l’Art de l’Ancienne Egypte. Leiden:
Brill.
van Hoorn, G. (1951). Choes and Anthesteria.
Leiden: Brill.
van Straten, F. T. (1995). Hiera Kala: Images of Animal Sacrifice in Archaic and
Classical Greece. Leiden:
Brill.
Vermeule, E. (1969). “Some Erotica in
Boston”. Antike Kunst 12: 9–15; pls. 4–12.
Vermeule, E. (1979). Aspects of Death in Early Greek Art and
Poetry. Berkeley/Los Angeles/London:University of California Press.
Veyne, P. (1983). Les Grecs ont-ils Cru à leurs Mythes, Essai sur
l’Imagination Constituante. Paris:
Seuil.
Vian, F. (1951). Répertoire des Gigantomachies Figurées dans
l’Art Grec et Romain. Paris:
Klincksieck.
Vian, F. (1952). La Guerre des Géants.
Paris: Klincksieck.
Vickers, M. (1978). Greek Symposia.
London: Joint Association of Classical
Teachers.
Vickers, M. (1985). “Artful Crafts: The Influence of Metalwork on
Athenian Painted Pottery”. Journal of Hellenic
Studies 105: 108–28.
Vickers, M. and Gill, D. (1994). Artful Crafts: Ancient Greek Silverware and
Pottery. Oxford: Oxford University
Press.
Vickers, M. and Gill, D. (1999). Ancient Greek Pottery.
Oxford: Oxford University
Press.
Vierneisel, K. (ed.) (1990). Kunst der Schale, Kultur des Trinkens.
Munich: Staatliche Antikensammlungen und Glyptothek
München.
Viljamaa, T. (1997). “Quintillian’s Theory of Wit”, in
Laughter Down the Centuries. Jakel, S., Timonen, A., and Rissanen, V.-M. (eds.). Turkey: Turun
Yliopisto 3: 85–93.
Vollkommer, R. (1988). Herakles in the Art of Classical Greece.
Oxford: Oxford University
Press.
Vorberg, G. (1965). Glossarium Eroticum.
Rome: L’Erma di
Bretschneider.
Vos, M. F. (1963). Scythian Archers in Archaic Vase-painting.
Groningen: J. B. Wolters.
Vos, M.F. (1983). CVA, Leiden, Rijksmuseum van Oudheden 1.
Leiden: Brill.
Vos, M.F. (1986). Aulodic and Auletic Contests. Enthousiamos, Festschrift
für M. J. Hemelrijk. Amsterdam:
Allard Pierson Museum.
Voutiras, E. (1980). Studien zu Interpretation und Stil Griechischer
Porträts des 5. und frühen 4. Jahrhunderts.
Bonn.
Voutiras, E. (2000). Gab es das Griechische Wunder? Das 16 Fachsymposiums der
Alexander von Humboldt-Stiftung Veranstaltet vom 5. bis 9. April 1999 in Freiburg im
Breisgau. Papenfuß, D., Strocka, V. Mainz am Rhein: Philipp von Zabern:
21–37.
Waldhauer, O. (1914). Antichniya Raspisniya Vazi v Imperatorskom
Ermitazh. St. Petersburg.
Walter-Karydi, W. (1973). Samische Gefässe des 6. Jahrunderts v.
Chr. Samos.
Wannagat, D. (2001). “Eurymedon Eimi”, in Konstruktionen von Wirklichkeit.
Bilder im Griechenland des 5. und 4. Jahrhunderts v. Chr. von den Hoff, R. and Schmidt, S. (eds.). Stuttgart: Franz Steiner
Verlag: 51–71.
Watanabe, K. (2001). “Forbidden Zones – China and Japan”, in
Sexualia. From Prehistory to Cyberspace. Bishop, C. and Osthelder, X. (eds.). Cologne: Konemann:
450–89.
Watzinger, C. (1924). Griechische Vasen in Tübingen.
Reutlingen:
Gryphius-verlag.
Webster, T. B. L. (1950). Journal of Hellenic Studies 70: 85–6.
Webster, T.B.L. (1960). Monuments Illustrating Old and Middle
Comedy. London: Institute of Classical
Studies.
Webster, T.B.L. (1967). Monuments Illustrating Tragedy and Satyr
Play. London: Institute of Classical
Studies.
Webster, T.B.L. (1970). The Greek Chorus.
London: Methuen & Co.
Ltd.
Webster, T.B.L. (1972). Potter and Patron in Classical Athens.
London: Methuen & Co.
Ltd.
Wehgartner, I. (1989). “Man Leaning on his Stick: Zu Bild und
Inschrift eines Attischen Salbgefässes”.
Würzburger Jahrbücher 15: 223–34.
Wells, M. (1995). Japanese Humour.
London/New York:
Macmillan.
Wiencke, M. I. (1954). “An Epic Theme in Greek
Art”. American Journal of Archaeology 58/4: 285–306; pls. 55–64.
Willetts, E. D. (ed.) (1967). The Law Code of Gortyn. Kadmos
supplement. Berlin: Walter de
Gruyter.
Williams, D. (1993). “Women on Athenian Vases: Problems of Interpretation”.
Images of Women in Antiquity. Cameron, A. and Kuhrt, A. (eds.). London: Routledge:
92–106.
Williams, H. (1986). “Humor and Healing: Therapeutic Effects in
Geriatrics”. Gerontion 1(3): 14–17.
Wilson, C. P. (1979). Jokes: Form, Content, Use and Function.
London: Academic Press.
Wilson, P. (1999). “The Aulos in Athens”, in Performance
Culture and Athenian Democracy. Goldhill, S. and Osborne, R. (eds.). Cambridge: Cambridge University
Press.
Wilson, P. L. (1991). “The Green Man: The Trickster Figure in
Sufism”. Gnosis 19: 22ff.
Wolters, P. (1915). “Peleus auf dem Pelion”.
Archäologische Bemerkungen 2.
Wrede, W. (1928). “Der Maskengott”.
AM 53: 66–95.
Wright, B. (1994). Clowns of the Hopi.
Flagstaff, AZ: Northland
Publishing.
Zanker, P. (1995). Socrates, The Image of the Intellectual in
Antiquity. Berkeley: University of
California Press.
Zenner, W. P. (1970). “Jokes and Ethnic
Stereotyping”. Anthopological Quarterly 43: 93–113.
Zimmermann, K. (1980). “Tätowierte Thrakerinnen auf
Griechischen Vasenbildern”. JdI 95: 163–96.
Zinserling, V. (1967). “Physiognomische Studien in der
Spätarchaischen und Klassichen Vasenmalerei”.
WZRostock 16: 571–5.
Ziomecki, J. (1975). Les Représentations d’Artisans sur les
Vases Attiques. Wrocław:
Ossolineum.
Ziv, A. (1976). “Facilitating Effects of Humor on
Creativity”. Journal of Educational Psychology 68(3): 318–22.
