Skip to main content
×
×
Home
  • Print publication year: 2016
  • Online publication date: March 2016

28 - Breaking the pact: Contemporary autobiographical diversions

from PART 5 - KINDS OF COMMUNITY (CA. 1930-CONTEMPORARY)
Summary

In late 1971, an extraordinary publishing event was announced. After fifteen years as a recluse, communicating nothing to the outside world, the billionaire Howard Hughes, maverick aircraft and movie mogul, inventor, and designer of a cantilevered brassiere for Jane Russell, had decided to publish his autobiography. It would correct the rumours about his bizarre, obsessive-compulsive behaviours, the sealed world of his Las Vegas penthouse. ‘It would not suit me to die without having certain misconceptions cleared up and without having stated the truth about myself’, Hughes explained (Irving 2008, 5). The publishers McGraw-Hill paid a $750,000 advance to Hughes and his co-writer, the journalist and novelist Clifford Irving. Irving had been chosen by Hughes because of his recent biography of the notorious art forger Elmyr de Hory called Fake! Irving first telephoned and then organised several clandestine meetings with Hughes in Mexico and Puerto Rico, where he recorded many hours of interviews.

Irving's editors read the transcripts amazed at the revelations. The authenticity of the details was confirmed by Noah Dietrich who had served as Hughes's assistant for years. At a certain point in the writing process it was agreed that the biographical interview would be lightly re-edited into a continuous first-person account with minimal interventions: it became a ghosted autobiography. This was scrupulously explained in Irving's introduction: ‘I have related my part of the tale in the interests of clearing up the mystery of how the autobiography came to be and dispelling the inevitable gossip concerning authenticity’ (Ibid., 24). Serialisation was internationally syndicated.

Immediately upon publication another extraordinary event took place: someone claiming to be long-silent and elusive Howard Hughes began to place phone calls to prominent journalists denouncing the book as a fraud. This person eventually persuaded a conference call of journalists that he was the real Hughes. Irving convincingly defended the book for weeks, since he had accumulated a vast archive of unpublished sources on the life of his subject. Quite quickly, however, a Swiss bank informed his publishers that the account of ‘H. R. Hughes’, opened to pay Hughes his advance, was being accessed by Irving's wife. The Irvings confessed to the fraud at the end of January 1972. Irving was sentenced to thirty months in jail; his wife received six months.

Recommend this book

Email your librarian or administrator to recommend adding this book to your organisation's collection.

A History of English Autobiography
  • Online ISBN: 9781139939799
  • Book DOI: https://doi.org/10.1017/CBO9781139939799
Please enter your name
Please enter a valid email address
Who would you like to send this to *
×
Amis, Martin. 1999. Experience. London: Jonathan Cape.
Barthes, Roland. 1977. Roland Barthes. Translated by Howard, R.. Basingstoke: Macmillan.
Barthes, Roland. 1977. ‘The Death of the Author’. In Image Music Text, 142–8. Translated by Heath, S.. New York: Farrar.
Benstock, Shari, ed. 1988. The Private Self: Theory and Practice of Women's Autobiographical Writings. London: Routledge.
Chambers, Ross. 1997. ‘The Unexamined’. In Whiteness: A Critical Reader, 187–203. Edited by Hill, M.. New York: New York University Press.
Chambers, Ross. 1998. Facing It: AIDS Dairies and the Death of the Author. Ann Arbor, MI: University of Michigan Press.
Couser, G. T. 2012. Memoir: An Introduction. Oxford: Oxford University Press.
Derrida, Jacques. 1984. The Ear of the Other: Otobiography, Transference, Translation. Edited by McDonald, C.. Translated by Kamuf, P.. Lincoln: University of Nebraska Press.
Derrida, Jacques. 1993. ‘Circumfession’. In Bennington, G. and Derrida, J., Jacques Derrida. Chicago: University of Chicago Press.
Des Pres, Terence. 1980. The Survivor: An Anatomy of Life in the Death Camps. Oxford: Oxford University Press.
Foucault, Michel. 1981. The History of Sexuality: An Introduction. Translated by Howard, R.. London: Penguin.
Foucault, Michel. 1984. ‘What Is an Author?’ In The Foucault Reader, 101–20. Edited by Rabinow, P.. London: Penguin.
Fraser, Sylvia. 1989. My Father's House: A Memoir of Incest and of Healing. London: Virago.
Gilmore, Leigh. 2001. The Limits of Autobiography: Trauma and Testimony. Ithaca: Cornell University Press.
Gourevitch, P. 1999. ‘The Memory Thief’, The New Yorker 14 June, 48–64.
Herman, Judith. 1994. Trauma and Recovery: From Domestic Abuse to Political Terror. London: HarperCollins.
Illouz, Eva. 2003. Oprah Winfrey and the Glamor of Misery. New York: Columbia University Press.
Irving, Clifford. 2007. The Hoax (reissue of Project Octavio, 1977). London: Corgi.
Irving, Clifford. 2008. Howard Hughes: The Autobiography (1972). London: John Blake.
Kauffman, L. A. 2001. ‘Identity Politics: The Past, the Present, and the Future’. In Identity Politics in the Women's Movement, 23–34. Edited by Ryan, B., New York: New York University Press.
Langer, Lawrence. 1991. Holocaust Testimonies: The Ruins of Memory. New Haven: Yale University Press.
Lappin, E. 1999. ‘The Man with Two Heads’. Granta 66: 7–65.
Lasch, Christopher. 1979. The Culture of Narcissism: American Life in the Age of Diminishing Expectations. New York: Warner Books.
Lejeune, Philippe. 1989. On Autobiography. Edited by Eakin, John Paul. Minneapolis: University of Minnesota Press.
Lifton, Robert Jay. 1968. Death in Life: The Survivors of Hiroshima. London: Weidenfeld and Nicholson.
Lifton, Robert Jay. 1973. Home from the War: Vietnam Veterans: Neither Victims Nor Executioners. New York: Simon and Schuster.
Loftus, E. and Ketcham, K.. 1996. The Myth of Repressed Memories: False Memories and Allegations of Sexual Abuse. New York: St Martin's.
Luckhurst, Roger. 2008. The Trauma Question. London: Routledge.
Niederland, William. 1968. ‘The Psychiatric Evaluation of Emotional Disorders in Survivors of Nazi Persecution.’ In Massive Psychic Trauma, 8–22. Edited by Krystal, H.. New York: International Universities Press.
Olney, James. 1972. Metaphors of Self: The Meaning of Autobiography. Princeton: Princeton University Press.
Parker, D. 2002. ‘Counter-Transference in Reading Autobiography: The Case of Kathryn Harrison's The Kiss’. Biography 25: 493–504.
Rosenthal, C. and Schäfer, S.. 2014. Fake Identity? Impostor Narrative in North American Culture. Chicago: University of Chicago Press.
Self, Will. 1995. ‘Conversations: J. G. Ballard’. In Junk Mail, 329–71. London: Penguin.
Vice, Sue. 2010. ‘False Testimony’. In The Future of Memory, 155–63. Edited by Crownshaw, R., Kilby, Jane, and Rowland, Antony. New York: Berghahn Books.
Vice, Sue. 2014. Textual Deceptions: False Memoirs and Literary Hoaxes in the Contemporary Era. Edinburgh: Edinburgh University Press.
Wilkomirski, Binjamin. 1996. Fragments: Memories of a Childhood, 1939–48. London: Macmillan.