Patricia, Anderson. The Printed Image and the Transformation of Popular Culture 1790–1860. Oxford: Clarendon Press, 1991
, Anon. A series of four hundred and six historical portraits to illustrate Granger’s Biographical history of England Engraved from the rare originals by Pass, Elstracke, Faithorne, Hollar, Gaywood, and others. 2 vols. London: unnamed publisher, n.d.
Anon [Felton, Samuel]. Imperfect Hints towards a new edition of Shakespeare, written chiefly in the year 1782. London: Printed at the Logographic Press, for the author, 1787: Vol. 2, 1788
Anon [Harding, Sylvester]. The whole historical dramas of William Shakespeare illustrated: By an assemblage of portraits of the royal, noble, and other persons mentioned; together with those of editors, commentators, and actors, and views of castles, towns, &c. of the respective places referred to; with short biographical and topographical accounts. In two volumes. London: Printed for Edward Jeffery, by B. McMillan. Sold by Longman, Hurst, Rees, Orme, & Brown, Gale, & Curtis, and Sherwood, Neely, & Jones, 1811
Arber, Edward, ed. A transcript of the registers of the company of stationers of London: 1554–1640 A.D. 5 vols. Birmingham: Privately printed, 1894, reprintedGloucester, MA, 1967
Ashton, Geoffrey. Shakespeare and British Art. Exhibition catalogue. New Haven: Yale Center for British Art, 1981
Ashton, Geoffrey. ‘The Boydell Shakespeare Gallery: Before and After’, in The Painted Word, ed. Cannon-Brookes, Peter. London: Heim, 1991, pp. 37–43
Avery, Emmett L. The London Stage, 1660–1800. Part 2: 1700–1729. 2 vols. Carbondale, IL: Southern Illinois University Press, 1960
Bate, Jonathan. ‘Pictorial Shakespeare: Text, Stage, Illustration’, in Book Illustrated: Text, Image, and Culture, 1770–1930, ed. Catherine, J. Golden. New Castle, DE: Oak Knoll Press, 2000.
Baxter, John. A New and Impartiall History of England from the most Early Period of Genuine Historical Evidence to the present important and alarming Crisis, A Period pregnant with the fate of Empires Kingdoms and States … Intersperesed with remarks, Observations and reflections: By which former Erros are corrected … Party Prejudices removed, and what has hitherto appeared obscure and doubtful, authenticated from the most respectable Evidence. By John Baxter … assisted by several gentlemen, distinguished friends to liberty and a Parliamentary reform. London: Printed for the proprietors [of the Society of Friends of Liberty]; and sold by H. D. Symonds, 1796
John, Bell. Dramatic Character Plates for Bell’s Edition of Shakespeare’s Plays 1775–1776. London: Cornmarket Press, 1969
Bibliothèque Royale Albert Premier. Le livre illustré en occident du haut moyen âge à nos jours. Exhibition catalogue. Bruxelles: Bibliothèque Royale Albert Premier, 1977
Charles, Blanc. Le trésor de la curiosité…. 2 vols. Paris: Renouard, 1857–8
Boase, T. S. R. ‘Illustrations of Shakespeare’s Plays in the Seventeenth and Eighteenth Centuries’, Journal of the Warburg and Courtauld Institutes X (1947), pp. 83–108
Boase, T. S. R. ‘Macklin and Bowyer’, Journal of the Warburg and Courtauld Institutes XXVI (1963), pp. 148–77
Maud, Bodkin. Archetypal Patterns in Poetry: Psychological Studies of Imagination. London: Oxford University Press, 1974
Boydell, John. A Catalogue of the Pictures in the Shakspeare Gallery, Pall-Mall. London: Sold at the Place of Exhibition, 1789
Bruntjen, Sven H. A. John Boydell, 1719–1804: A Study of Art Patronage and Publishing in Georgian London. PhD thesis, Stanford University, 1974. New York and London: Garland, 1985
Joseph, Burke. English Art 1714–1800. The Oxford History of English Art, IX. Oxford: Clarendon Press, 1976
Burnim, Kalman A. and Highfill, Philip H. John Bell, Patron of British Theatrical Portraiture: A Catalog of the Theatrical Portraits in his Editions of Bell’s Shakespeare and Bell’s British Theatre. Carbondale and Edwardsville, IL: Southern Illinois University Press, 1998
Carnegie, David. ‘Maluolio Within: Performance Perspectives on the Dark House’, Shakespeare Quarterly 52/3 (Autumn 2001), pp. 393–414
Cooper, Anthony Ashley (3rd Earl of Shaftesbury). A Notion of the Historical Draught or Tablature of the Judgement of Hercules, according to Prodicus, lib II Xen[ophon] de Mem[orabilibus] Soc[ratis]. London: A. Baldwin, 1713
Mary, Corbett and Leighton, Ronald. The Comely Frontispiece: The Emblematic Title-Page in England, 1550–1660. London: Routledge, 1979
Claudia, Corti. Shakespeare Illustrato. Rome: Bulzoni Editore (Piccola biblioteca Shakespeariana, 12), 1996
George, Dalziel and Edward, . The Brothers Dalziel: A Record of Work, 1840–1890. London: Methuen, 1901. Repr., with a foreword by Graham Reynolds. London: B. T. Batsford Ltd, 1978
Derrida, Jacques. The Truth in Painting. Translated by Bennington, G and Macleod, I. Chicago: University of Chicago Press, 1987
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Clarendon Press, 1992
William, Dodd. The Beauties of Shakespeare. London: W. Dodd, 1773
Dramatic Character Plates for Bell’s Edition of Shakespeare’s Plays 1775–1776. London: Cornmarket Press, 1969.
Dunning, William V. Changing Images of Pictorial Space: A History of Spatial Illusion in Painting. Syracuse, NY: Syracuse University Press, 1991
Duportal, Jeanne. Étude sur les livres à figures édités en France de 1601 à 1660. Paris: Champion, 1914
Eaves, T. C. Duncan. ‘Graphic Illustration of the Novels of Samuel Richardson, 1740–1810’, Huntington Library Quarterly 14.4 (August 1951), pp. 349–83
Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge and New York: Cambridge University Press, 2003
Felton, Samuel. An Explanation of Several of Mr Hogarth’s prints. London: Printed for the Author; and sold by J. Walter, 1785
Felton, Samuel. Testimonies to the Genius and Memory of Sir Joshua Reynolds. By the author of Imperfect Hints towards a new edition of Shakespeare. London: L[ogographic] P[ress], 1792
Fielding, Henry. The History of Tom Jones, A Foundling. With an introduction and commentary by Martin C. Battestin, the text edited by Fredson Bowers. The Wesleyan Edition of the Works of Henry Fielding. 2 vols. Oxford: Clarendon Press, 1974
Alicia, Finkel. Romantic Stages: Set and Costume Design in Victorian England. Jefferson, NC and London: McFarland, 1996
Foakes, R. A. Illustrations of the English Stage 1560–1642. Stanford, CA: Stanford University Press, 1985
Ford, H. L. Shakespeare 1700–1740. London and New York: Blom, 1935, repr. 1968
Fowler, Alastair. Renaissance Realism: Narrative Images in Literature and Art. Oxford: Oxford University Press, 2003
Franklin, Colin. Shakespeare Domesticated: The Eighteenth-Century Editions. Aldershot: Scolar Press and Brookfield, VT: Gower, c.1991
Fried, Michael. Absorption and Theatricality: Painting and the Beholder in the Age of Diderot. Chicago and London: University of Chicago Press, 1980
Gascoigne, Bamber. How to Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet. 2nd edition. London: Thames and Hudson, 2004.
Gay, John. Fables. By the late Mr. Gay. Volume the Second. London: J. and P. Knapton and T. Cox, 1738
Gay, John. John Gay: Fables (1727, 1738). Introduction by Vinton A. Dearing. Los Angeles: William Andrews Clark Memorial Library, University of California, Los Angeles, 1967
Gilpin, William. An essay upon prints: containing remarks upon the principles of picturesque beauty; the different kinds of prints; and the characters of the most noted masters…. London: Printed by G. Scott, for J. Robson, 1768
Gilpin, William. Observations on the River Wye, and several parts of South Wales, &c. relative chiefly to picturesque beauty; made in the summer of the year 1770, By William Gilpin, Vicar of Boldre near Lymington. London: Printed for R. Blamire in the Strand. Sold by B. Law, Ave Mary Lane; and R. Faulder, New Bond Street, 1782
Gilpin, William. Remarks on forest scenery, and other woodland views, (relative chiefly to picturesque beauty) illustrated by the scenes of New-Forest in Hampshire. In three books. 2 vols. London: Printed for R. Blamire, 1791
Gilpin, William. An essay on the picturesque, as compared with the sublime and the beautiful; on the use of studying pictures, for the purpose of improving real landscape. London: Printed for J. Robson, 1794
Goncourt, E and J de. L’Art du XVIIIe siècle. 2nd edn. 2 vols. Paris: Rapilly, 1873–4
Granger, James. A biographical history of England, from Egbert the Great to the Revolution: Consisting of Characters disposed in different Classes, and adapted to a Methodical Catalogue of Engraved British Heads… With a preface, shewing the utility of a collection of engraved portraits… By the Rev. J. Granger…London: Printed for T. Davies, 1769
Graves, Algernon. ‘A New Light on Alderman Boydell and the Shakespeare Gallery’. The Magazine of Art No. 201 (July 1897), pp. 143–8
Graves, Algernon. ‘Boydell and his Engravers’, The Queen CXVI (1904), pp. 178–9, 328–9, 444–5, 524–5, 794–5, 1002–3
Graves, R. B. Lighting the Shakespearean Stage, 1567–1642. Carbondale and Edwardsville, IL: Southern Illinois University Press, 1999
Valerie, Gray. Charles Knight: Educator, Publisher, Writer. Aldershot: Ashgate, 2006
Grazia, Margreta de. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Clarendon Press, 1991
Henry, Green. Shakespeare and the Emblem Writers: An Exposition of their Similarities of Thought and Expression. London: Trübner, 1870
Halsband, Robert. ‘The Rococo in England: Book Illustrators, mainly Gravelot and Bentley’, Burlington Magazine 127 (1985), pp. 870–80
Robin, Hamlyn. ‘An Irish Shakespeare Gallery’, The Burlington Magazine Vol. 120 No. 905 (August 1978), pp. 515–29
Hamm, Robert B. Jr. ‘Rowe’s Shakespeare (1709) and the Tonson House Style’, College Literature 31/3 (Summer 2004), pp. 179–205
Hammelmann, Hans. ‘Anthony Walker: A Gifted Engraver and Illustrator’, The Connoisseur, July 1968, pp. 167–74
Hammelmann, Hans A. and Boase, T. S. R. ‘Shakespeare’s First Illustrators’, Apollo, August 1968 Supplement, ‘Notes on British Art’, pp. 1–4
Hammelmann, Hans A. and Boase, T. S. R. Book Illustrators in Eighteenth-Century England. New Haven: Yale University Press, 1977
Harvey, John. ‘Shakespeare and the Ends of Time: The Illustrations’, The Cambridge Review, May 1966, pp. 25–48
Haywood, Thomas. If you knovv not me, you know no bodie: or, The troubles of Queene Elizabeth. London: Printed [by Thomas Purfoot] for Nathaniel Butter, 1605
Hewitt, Barbara, ed. Documents of Serlio, Sabbattini and Furttenbach, translated by Nicoll, Allardyce, McDowell, John H and Kernodle, George R. Coral Gables, FL: University of Miami Press, 1958
Holland, Peter. ‘Modernizing Shakespeare: Nicholas Rowe and The Tempest’, Shakespeare Quarterly vol. 51 no. 1 (Spring 2000), pp. 24–32
Holland, Peter. ‘Performing Shakespeare in Print: Narrative in Nineteenth-century Illustrated Shakespeare’. Victorian Shakespeare, Volume 1: Theatre, Drama and Performance, ed. Marshall, Gail and Poole, Adrian. London and New York: Palgrave Macmillan, 2003, pp. 47–72
Höltgen, Karl Josef. Aspects of the Emblem: Studies in the English Emblem Tradition and the European Context. Problematica Semiotica. Kassel: Edition Reichenberger, 1986
Frank, Howard. The spirit of the plays of Shakespeare: exhibited in a series of outline plates illustrative of the story of each play drawn and engraved by Frank Howard; with quotations and descriptions. London: T. Cadell, 24 serial parts, 1827–1833 and 5 volumes, 1833
Hume, Robert D. ‘Before the Bard: “Shakespeare” in Early Eighteenth-Century London’, English Literary History64 (1997) pp. 41–75
Ireland, Samuel. Picturesque views on the Upper, or Warwickshire Avon, from its source at Naseby to its junction with the Severn at Tewkesbury: with observations on the public buildings, and other works of art in its vicinity. London: R. Faulder and T. Egerton, 1795
Ireland, Samuel. Miscellaneous papers and legal instruments under the hand and seal of William Shakspeare: including the tragedy of King Lear, and a small fragment of Hamlet, from the original mss. in the possession of Samuel Ireland, of Norfolk Street. London: Printed by Cooper and Graham; Published by Egerton, 1796
Ireland, Samuel. A catalogue of the books, paintings, miniatures, drawings, prints, and various curiosities: the property of the late Samuel Ireland, esq. … Which will be sold by auction, by Leigh, Sotheby and Son, booksellers, at their house in York street, Covent-Garden, on Thursday, May 7, 1801; and seven following days, at 12 o’clock (Sunday excepted). London: Printed by Barker and Son, n.d. (1801)
Jackson, Mason. The Pictorial Press: Its Origin and Progress. London: Hurst and Blackett, 1885
Jaggard, William. Shakespeare Bibligraphy. Stratford-upon-Avon: The Shakespeare Press, 1911
Jameson, Anna Brownell (Murphy), Mrs. Characteristics of women, moral, poetical, and historical: with fifty vignette etchings. 2 vols. London: Saunders and Otley, Conduit Street, 1832
Jerningham, Edward. The Shakspeare Gallery, a poem by Mr Jerningham. London: J. Robson, 1791
Jestin, Loftus, The Answer to the Lyre: Richard Bentley’s Illustrations for Thomas Gray’s Poems. Philadelphia: University of Pennsylvania Press, 1990
Johns, Adrian. The Nature of the Book: Print and Knowledge in the Making. Chicago and London: University of Chicago Press, 1998
Joppien, Rüdiger. Jacques de Loutherbourg, RA 1740–1812. Exhibition catalogue. London: Greater London Council, 1973
Knight, Charles. Passages of a Working Life during Half a Century: With a Prelude of Early Reminiscences. 2 vols. London: Bradbury & Evans, 1864
Knight, Richard Payne. The Landscape, a didactic poem, in three books. Addressed to Uvedale Price, Esq. London: Printed by W. Bulmer and Co.: and sold by G. Nicol, 1794
Lathans, Edward. ‘The Dorset Garden Theatre in Pictures’, Theatre Survey VI (1965), pp. 134–46
Lawrence, W. J. Letter to The Times Literary Supplement of 11 July 1935 p. 448
Karin, Littau. Theories of Reading: Books, Bodies and Bibliomania.Cambridge: Polity Press, 2006
Lynch, Kathleen M. Jacob Tonson Kit-Kat Publisher. Knoxville, TN: University of Tennessee Press, 1971
Leah, MarcusUnediting the Renaissance. London and New York: Routledge, 1996
Martineau, Jane, et al. Shakespeare in Art. Exhibition catalogue. London: Merrell, 2003
Mauquoy-Hendrickx, Marie. ‘Les Wierix illustrateurs de la Bible dite de Natalis’. Quaerendo vol. VI no. 1 (Winter 1976), pp. 28–63
Meadows, Kenny. Heads of the People; or, Portraits of the English. Drawn by Kenny Meadows. With original essays by distinguished writers. London: Robert Tyas, 1840 (vol. 2, 1841); and Philadelphia, Carey and Hart, 1841
Merchant, W. Moelwyn. Shakespeare and the Artist. London: Oxford University Press, 1959
Millais, John Everett. The parables of our Lord and Saviour Jesus Christ with pictures by John Everett Millais … engraved by the brothers Dalziel. London: Society for Promoting Christian Knowledge, n.d. [1863]
Miller, Louise. ‘Author, Artist, Reader: “The Spirit of the Passages” and the Illustrations to Pamela’, Qwerty 4 (October 1994), pp. 121–130
Morison, Stanley. John Bell, 1745–1831: Bookseller, Printer, Publisher, Typefounder, Journalist, &c. Cambridge: Printed for the Author at the University Press, 1930
Mowat, Barbara A. ‘Nicholas Rowe and the Twentieth-Century Shakespeare Text’, in Shakespeare and Cultural Traditions, ed. Kishi, Tetsuo, Pringle, Roger and Wells, Stanley. London: Associated University Press, 1994, pp. 314–22
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003
Nadal, Jerome [also called Hieronymus Natalis S.J.]. Evangelicae historiae imagines, ex ordine Evangeliorum, quae toto anno in Missae sacrifio recitantur, in ordinem temporis vitae Christi digestae. Antwerp: Martin Nutius, 1593
Nadal, JeromeAdnotationes et meditationes in Evangelia quae in sacrosancto missae sacrificio toto anno leguntur, Antwerp: Martin Nutius, 1595
Nicoll, Allardyce. The Garrick Stage: Theatres and Audience in the Eighteenth Century. Manchester: Manchester University Press, 1980
Ogden, James. ‘Lear’s Blasted Heath’, in Lear from Study to Stage: Essays in Criticism, ed. Ogden, James and Scouten, Arthur. London: Associated University Presses; and Madison, WI: Fairleigh Dickinson University Press, 1997, pp. 135–45
Orgel, Stephen. Imagining Shakespeare. Basingstoke and New York: Palgrave, 2003
Osborne, Laurie E. The Trick of Singularity: Twelfth Night and the Performance Editions. Iowa City: University of Iowa Press, 1996
Panofsky, Erwin. ‘Introductory’, in Studies in Iconology: Humanistic Themes in the Art of the Renaissance. Oxford and New York: Oxford University Press, 1939, pp. 3–31
Panofsky, Erwin. ‘Iconography and Iconology: An Introduction to the Study of Renaissance Art’, in Meaning in the Visual Arts. Garden City, NY: Doubleday, 1955, pp. 26–54
Paquin, Nicole. ‘Le “cadre” comme lieu de paradoxe au dix-huitième siècle’, in Transactions of the Eighth International Congress on the Enlightenment. 3 vols. Oxford: Aldine Press, 1992. Vol. 3, pp. 1485–9.
Peacock, John. The Stage Designs of Inigo Jones: The European Context. Cambridge, Cambridge University Press, 1995
Lucy, Peltz. ‘Engraved Portrait Heads and the Rise of Extra-Illustration: The Eton Correspondence of the Revd James Granger and Richard Bull, 1969–74’. The Sixty-sixth Volume of the Walpole Society. London: Maney Publishing, for the Walpole Society, 2004, pp. 1–163
Planché, James Robinson. Costume of Shakespeare’s Historical Tragedy of King John [King Henry the Fourth, As you Like it, Hamlet, Othello, and The Merchant of Venice] selected and arranged from the best authorities Expressly for the Proprietors of the Theatre Royal, Covent Garden, with biographical, critical and explanatory notices, by J. R. Planché. The figures designed and executed on stone by J. K. MeadowsLondon: John Miller, 1823–5
Podro, Michael. The Critical Historians of Art. New Haven and London: Yale University Press, 1982
Pointon, Marcia. Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England. New Haven and London: Yale University Press, 1993
Poole, Adrian. Shakespeare and the Victorians. The Arden Critical Companions. London: Thomson Learning, 2004
Portalis, Baron Roger. Les dessinateurs d’illustrations au dix-huitième siècle. 2 vols. Paris, D. Morgand et C. Fatout, 1877
Raynie, Stephen A. ‘Hayman and Gravelot’s Anti-Pamela Designs for Richardson’s Octavo Edition of Pamela I and II’, Eighteenth-Century Life 23/3 (1999), pp. 77–93
Ripa, Cesare. Iconologia: or, moral emblems, by Caesar Ripa.… Newly design’d, and engraven on Copper, by I. Fuller, Painter … By the care and at the charge of P. Tempest. London: Benj. Motte, 1709
Rose, William. The History of Joseph: A Poem. In Six Books. With Cuts proper to each Book. London: Printed for James Knapton at the Crown in St Paul’s Church-Yard, 1712
Rosenberg, Marvin. The Masks of Othello: The Search for the Identity of Othello, Iago, and Desdemona by Three Centuries of Actors and Critics. Berkeley and Los Angeles: University of California Press, 1961
St Clair, William. The Reading Nation in the Romantic Period. Cambridge: Cambridge University Press, 2004
Salamon, M. C. Shakespeare in Pictorial Art. The Studio special number. London: The Studio, 1916
Scott, Grant. ‘To Play the King: Illustrations of The Tempest in the Boydell Shakespeare Gallery’, in The Boydell Shakespeare Gallery, ed. Walter Pape and Frederick Burwick. Bottrop: Pomp, 1996, pp. 113–22
Serlio, Sebastiano. The Second Booke of Architecture, made by Sebastian Serly. London: Printed for Robert Peake, 1611. In Sebastiano Serlio. The Five Books of Architecture: An Unabridged Reprint of the English Edition of 1611. New York: Dover, 1982
Settle, Elkanah. The Empress of Morocco. A tragedy. With sculptures. As it is acted at the Duke’s Theatre. Written by Elkanah Settle, servant to his Majesty. London: Printed for William Cademan at the Popes-head in the Lower Walk of the New Exchange in the Strand, 1673
Shadwell, Thomas. The Tempest, or The Enchanted Island. The Complete Works of Thomas Shadwell, ed. Montague Summers. 5 vols. London: The Fortune Press, 1927, vol. II
Shakespeare, William. Hamlet. Edited by Jennens, Charles. London: W. Bowyer and J. Nichols, 1773
Shakespeare, William. Julius Caesar. Edited by Jennens, Charles. London: W. Bowyer and J. Nichols, 1774
Shakespeare, William. King Lear. Edited by Jennens, Charles. London: W. Bowyer and J. Nichols, 1770
Shakespeare, William. Macbeth. Edited by Jennens, Charles. London: W. Bowyer and J. Nichols, 1773
Shakespeare, William. The Merry Wives of Windsor, a Comedy by William Shakespeare. Illustrated by J. Finnemore and F. L. Emanuel. London, Paris and New York: Raphael Tuck and Sons, 1897
Shakespeare, William. A Midsummer Night’s Dream with illustrations by Arthur Rackham. London: Heinemann, 1908
Shakespeare, William. A Midsummer Night’s Dream with illustrations by W. Heath Robinson. London: Constable, 1914
Shakespeare, William. The Play of A Midsummer Night’s Dream. Illustrated by Lorna Burgoyne. London: Simpkin, Marshall, Hamilton and Kent, 1919
Shakespeare, William. Othello. Edited by Jennens, Charles. London: W. Bowyer and J. Nichols, 1793
Shakespeare, William. Richard the Second: the text of the First Folio, with Quarto insertions edited and amended where obscure by Herbert Farjeon; illustrated with wood-engravings by Agnes Miller Parker. New York: The Limited Editions Club, 1940
Shakespeare, William. Le songe d’une nuit d’été; féerie d’après W. Shakespeare. Translated by Meurice, Paul. Paris: Librairie L. Conquet, 1886. Unique copy with gouache and watercolour decorations by Pinckney Marcius-Simons, 1908. Folger Shakespeare Library, catalogue number ART Vol. a71
Shakespeare, William. The Life of Timon of Athens, edited by Jowett, John. The Oxford Shakespeare. Oxford and New York: Oxford University Press, 2004
Shakespeare, William. The works of Mr. William Shakespear; in six volumes. Adorn’d with Cuts. Revis’d and Corrected, with an Account of the Life and Writings of the Author. By N. Rowe, Esq. London: Jacob Tonson, 1709
Shakespeare, William. The works of Mr. William Shakespear; in nine volumes, with his life, by N. Rowe Esq. Adorn’d with Cuts. London: Jacob Tonson, 1714
Shakespeare, William. The Works of Shakespeare: in eight volumes … With notes, explanatory, and critical: by Mr. Theobald. The second edition. 12 vols. London: H. Lintott, C. Hitch, J. and R. Tonson, C. Corbet, R. and B. Wellington, J. Brindley, and E. New, 1740
Shakespeare, William. The works of Shakespear. In six volumes. Carefully rev. and cor. by the former editions, and adorned with sculptures designed and executed by the best hands. 6 vols. Oxford: Printed at the Theatre for the University Press, 1744
Shakespeare, William. Bell’s Edition of Shakespeare’s Plays, as they are now performed at the Theatres Royal in London, regulated from the prompt books in each house. With notes critical and illustrative by the authors of the ‘Dramatic Censor’. 5 vols, with 4 volume ‘continuance’ (1774). London: John Bell, 1773–4
Shakespeare, William. Bell’s Edition: Dramatic writings of Will Shakespeare, With the Notes of all the various Commentators; printed complete from the best editions of Sam. Johnson and Geo. Steevens. 20 vols. London: J. Bell, 1785–8
Shakespeare, William. The Plays of William Shakespeare, complete in eight volumes. London: Bellamy and Robarts, 1788–91
Shakespeare, William. The Plays of William Shakespeare. 12 vols. London: E. Harding, 1798–1800
Shakespeare, William. The dramatic works of Shakspeare revised by George Steevens. 9 vols. London: Printed by W. Bulmer and Co. Shakspeare Printing-Office, for John and Josiah Boydell, George and W. Nicol: from the types of W. Martin, MDCCCII [actual publication date 1803]
Shakespeare, William. The plays of William Shakspeare accurately printed from the text of the corrected copy left by the late George Steevens; with a series of engravings, from original designs of Henry Fuseli; and a selection of explanatory and historical notes, from the most eminent commentators; A history of the stage, a Life of Shakspeare, &c. by Alexander Chalmers. In nine volumes. London: Printed for F. C. and J. Rivington [et al.], 1805
Shakespeare, William. The Plays of William Shakespeare. Edited by Chalmers, A. C. 9 vols. London: Printed for F. C. and J. Rivington; J. Johnson; R. Baldwin; H. L. Gardner, etc. 1805.
Shakespeare, William. Dramatic Works … from the corrected text of Johnson and Steevens. Embellished with Plates. 6 vols London: J. Stockdale, 1807
Shakespeare, William. The Dramatic Works of William Shakespeare. 12 vols. London: Thomas Tegg, 1812–15
Shakespeare, William.Whittingham’s Edition, with Remarks on the Life and Writings of William Shakespeare … by J. Britton. 7 vols. Chiswick: J. Whittingham, 1813–14
Shakespeare, William.Stockdale’s Edition of SHAKESPEARE: London: Printed for John Stockdale, opposite Burlington House, Piccadilly, 1834
Shakespeare, William.The Dramatic Works of William Shakespeare. With a Life and a Glossary and Fifty-three illustrations. London: Charles Tilt, Fleet Street, 1838
Shakespeare, William. The Pictorial Edition of the Works of Shakspere. Edited by Charles Knight. 56 parts. London: Charles Knight and Co., 56 monthly parts, 1838–43. Issued as 7 volumes, with an additional supplementary volume containing the life of Shakespeare. Subsequent versions included ‘The National Edition.’ 3 vols. London: Routledge, 1858
Shakespeare, William. The Works of Shakspere revised from the best authorities with a memoir, and essay on his genius, by Barry Cornwall: and, annotations and introductory remarks on the plays, by distinguished writers: illustrated with engravings on wood, from designs by Kenny Meadows. London: R. Tyas, 1838–43
Shakespeare, William. The Plays of Shakespeare. Edited by Howard Staunton; the illustrations by John Gilbert; engraved by the Brothers DalzielLondon: G. Routledge & Co., 1856–60
Shakespeare, William. The Works of William Shakespeare. The Text Revised by the Rev. Alexander Dyce. London: Edward Moxon, 1857. Extra-illustrated edition, 6 volumes extended to 21. Folger Shakespeare Library, catalogue Art Vol. a 34
Shakespeare, William. Cassell’s Illustrated Shakespeare. The Plays of Shakespeare. Edited and Annotated by Charles and Mary Cowden Clarke, authors of “Shakespeare Characters”, “Complete Concordance to Shakespeare”, “Girlhood of Shakespeare’s Heroines”, &c. 3 vols. London: Cassell, Petter, and Galpin, 1864
Shakespeare, William. The Complete Works of Shakspere with a Memoir. London: John Dicks, 1864
Shakespeare, William. The Library Shakespeare Illustrated by Sir John Gilbert, George Cruikshank and R. Dudley. 3 vols. London: William Mackenzie, 1873–5
Shakespeare, William. The Works of Shakespeare with Notes by Charles Knight. London: Virtue and Co., n.d. [1873–6?]
Shakespeare, William. The Complete Works of Shakespeare, with Glossary and a Critical Biography. London: Ward Lock and Co., n.d. [1880?]
Shakespeare, William. The works of William Shakespeare: in fifteen volumes edited by Howard Staunton; with illustrations by Sir John Gilbert … One thousand copies only of this edition de luxe of the Works of William Shakespeare have been printed for sale, each of which is numbered. London and New York: George Routledge and Sons, 1881
Shakespeare, William. Sir John Gilbert’s Shakespeare. The Works of Shakespeare, edited by H. Staunton, with … illustrations by Sir John Gilbert. Routledge’s Sixpenny Series. London: Routledge & Sons, 1882
Shakespeare, William. The Works of William Shakespeare edited by Henry Irving and Frank A. Marshall. 8 vols. London, Glasgow, Edinburgh and Dublin: Blackie and Son, 1888–90
Shakespeare, William. The New Temple Shakespeare. Edited by M. R. Ridley. London:J. M. Dent and New York: E. P. Dutton, 1934–6
Shakespeare, William. The Works of Mr. William Shakespear, [By N. Rowe, Esq.] with introduction by Peter Holland. 9 vols. London: Pickering and Chatto, 1999
Sillars, Stuart. Visualisation in Popular Fiction 1860–1960: Graphic Narratives, Fictional Images. London and New York: Routledge, 1995.
Shakespeare, William. ‘King Lear: Toward a Visual History’, in Lear from Study to Stage: Essays in Criticism, ed. Ogden, James and Scouten, Arthur. London: Associated University Presses; and Madison, WI: Fairleigh Dickinson University Press, 1997, pp. 278–96
Shakespeare, William. ‘The Illustrated Short Story: Towards a Typology’, in The Art of Brevity: Excursions in Short Fiction Theory and Analysis, ed. Winther, Per, Lothe, Jakob and Skei, Hans H. Columbia, SC: University of South Carolina Press, 2004
Shakespeare, William. ‘Seeing, Studying, Performing: Bell’s Edition of Shakespeare and Performative Reading’, Performance Research 10:3.‘On Shakespeare’ (September 2005), ed. Holland, Peter and Sherman, William, pp.18–27.
Shakespeare, William. Painting Shakespeare: The Artist as Critic, 1720–1820. Cambridge: Cambridge University Press, 2006
Shakespeare, William. ‘Image, Genre, Interpretation: The Visual Identities of The Comedy of Errors’, Interfaces: Image, Text, Langage 26 (December 2006), pp. 7–30
Shakespeare, William. ‘“Howsoever, strange and admirable”: A Midsummer Night’s Dream as via stultitiae’, Archiv für das Studium der neueren Sprachen und Literaturen244 (2007), pp. 27–39
Caroline, Spurgeon. Shakespeare’s Imagery, and What it Tells Us. Cambridge: Cambridge University Press and New York: Macmillan, 1936.
Stewart, Philip. Engraven Desire: Eros, Image and Text in the French Eighteenth Century. Durham, NC: Duke University Press, 1992.
Summers, David. ‘Meaning in the Visual Arts as a Humanist Discipline’, in Meaning in the Visual Arts: Views form the Outside. A Centennial Commemoration of Erwin Panofsky (1892–1968), ed. Lavin, Irvin. Princeton, NJ: Institute for Advanced Study, 1995, pp. 9–24
Summers, Montague. ‘The First Illustrated Shakespeare’, The Connoisseur CII (July–December 1938), pp. 305–9
Taylor, Gary. Reinventing Shakespeare: A Cultural History, from the Restoration to the Present. London and New York: Weidenfeld and Nicolson, 1989
Taylor, Susan B. ‘Gravelot’s Working Method’, in Eighteenth-Century French Book Illustration: Drawings by Fragonard and Gravelot from the Rosenbach Museum and Library. Philadelphia, PA: Rosenbach Museum and Library, 1985
Thurston, John. Illustrations of Shakespeare: comprised in two hundred and thirty vignette engravings by Thompson, from designs by Thurston: adapted to all editions. London: Printed for Sherwood, Gilbert, and Piper, and Leipzig: Ernest Fleischer, 1825
Tieck, Ludwig. ‘Die Kupferstiche nach der Shakspeare-Gallerie in London. Briefe an einen Freund’. 1793. Kritische Schriften, vol. I, pp. 3–34
Tredwell, Daniel M. (Melancthon, Daniel), 1826–1921. A Monograph on Privately Illustrated Books: A Plea for Bibliomania. Lincoln Road, Flatbush, Long Island, Priv. Print. [New York, The De Vinne Press] 1892. Revised and enlarged version of 1881 edition
Wadell, Maj-Brit. ‘The Evangelicae Historiae Imagines: The Designs and their Artists’, Quaerendo vol. x no. 4 (Autumn 1980), pp. 279–92
Wagner, Peter. Reading Iconotexts: From Swift to the French Revolution. London: Reaktion Books, 1995
Wark, Robert R. Drawings from the Turner Shakespeare. San Marino: Huntington Library, 1973
Waterhouse, Ellis. ‘English Painting and France in the Eighteenth Century’, Journal of the Warburg and Courtauld Institutes XV (1952), pp. 122–35
Weinglass, D. H. Prints and Engraved Illustrations by and after Henry Fuseli: A Catalogue Raisonné. Aldershot, Hants and Brookfield, VT: Scolar Press, 1994
West, Anthony James. ‘The Life of the First Folio in the Seventeenth and Eighteenth Centuries’, in A Concise Companion to Shakespeare and the Text, ed. Murphy, Andrew. Oxford: Blackwell, 2007
West, Shearer. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter, 1991
Whiter, Walter. A Specimen of a Commentary on Shakespeare, containing [I] Notes on As You Like It [II] An Attempt to Explain and Illustrate Various Passages of Shakespeare on a New Principle of Criticism, derived from Mr. Locke’s Doctrine of the Association of Ideas. London: Printed for T. Cadell, 1794
Young, Alan R. Hamlet and the Visual Arts, 1709–1900. Newark, NJ: University of Delaware Press and London: Associated University Presses, 2002
Ziegler, Georgianna. Shakespeare’s Unruly Women. Washington DC: The Folger Shakespeare Library, 1997
