Books and Articles
Bernhardt, G. B. and Yampolsky, I. M., Кто писпл о музыке [Who Wrote about Music] (Leningrad: All Union Publishers Sovetskiy Kompozitor, 1974).
Braginskaya, Natalia (ed.), Nikolai Andreyevich Rimsky-Korsakov (1844–1908): The St Petersburg Conservatory – Documents and Materials, vol. 3 (St Petersburg: Blagovest, 2019).
Cui, César. A., Изьранные письма [Selected Letters], ed. I. L. Gusin (Leningrad: State Music Publishers, 1955).
Cui, César. A., Изьранные статьи об исполнителях [Selected Concert Reviews] (Moscow: State Music Publishers, 1957).
Droucker, Sandra, Erinnerungen an Anton Rubinstein: Bemerkungen, Andeutungen and Besprechungen in seinen Klassen in St-Petersburger Konservatorium [Memories of Anton Rubinstein: Observations, Recommendations and Reviews of His Teaching at the St Petersburg Conservatoire] (Leipzig: B. Senff, 1904).
Dyachkova, L. S. and Yarustovsky, Boris (eds.), I. F. Stravinskiy: stat’i i material’I [I. F. Stravinsky: Articles and Documents] (Moscow: Sovetskiy Kompozitor, 1973).
Griffiths, Graham, ‘Leokadiya Kashperova and Stravinsky: the Making of a Concert Pianist’, in Griffiths, Graham (ed.), Stravinsky in Context (Cambridge: Cambridge University Press, 2021), pp. 24–33
Griffiths, Graham, Stravinsky’s Piano: Genesis of a Musical Language (Cambridge: Cambridge University Press, 2013).
Horgan, Paul, Encounters with Stravinsky (Middletown: Wesleyan University Press, 1989).
Hunnius, Monika, Mein Weg zur Kunst [My Path to Art] (Hamburg: Verlag tradition-GmbH, 1925).
Korabelnikova, Ludmila, Alexander Tcherepnin: The Saga of a Russian Emigré Composer (Bloomington: Indiana University Press, 2008).
Kuzina, Olga, ‘Unknown Tchaikovsky manuscripts in the Odoyevsky Archive’, in Almanac, no. 2, ed. Rakhmanova, M. P. (Moscow: Glinka State Consortium of Musical Culture, 2003).
McArthur, Alexander, Anton Rubinstein: A Biographical Sketch (Edinburgh: Adam & Charles Black, 1889).
McArthur, Alexander, Rubinstein: The Man and the Music (n.p., 1895).
Novikov, V. I., Ленин и деятельность искровских групп в России (1900–1903) [Lenin and the Activities of the Iskra Groups in Russia (1900–1903)] (Moscow: Thought Press, 1984).
Rittermann, Janet, ‘On Teaching Performance’ in Rink, John (ed.), Musical Performance (Cambridge: Cambridge University Press, 2002), pp. 75–88.
Rubinstein, Anton G., Музыка и ее представатели: Разговорь о музыке [Music and Its Representatives: A Musical Conversation] (St Petersburg: Artists Union Press, 2005 [1891]).
Schonberg, Harold C., The Great Pianists (London: Victor Gollancz, 1964).
Stravinsky, Igor, An Autobiography (1903–1934) (London: Marion Boyars, 1990).
Stravinsky, Igor and Craft, Robert, Memories and Commentaries (London: Faber and Faber, 2002 [1960]).
Taruskin, Richard, Stravinsky and the Russian Traditions. A Biography of the Works Through Mavra, vol. 1 (Oxford: Oxford University Press, 1996).
Varunts, Viktor, I. F. Stravinsky: Perepiska s russkimi korrespondentami – Materialy k biographii [I. F. Stravinsky: Russian Correspondence – Documents and Biographies], vol. 1 (Moscow: Sovetskiy Kompozitor, 1988 [1977])
Walsh, Stephen, Stravinsky: A Creative Spring: Russia and France 1882–1934 (London: Pimlico, 2002).
Zaytseva, Tatyana A. (ed.), Наше святое ремесло: памяти В.В. Нильсена, 1910–98 [Our Hallowed Craft: A Memorial to V. V. Nilsen, 1910–98] (St Petersburg: Sudarynia Press, 2004).