Skip to main content Accessibility help
×
  • Cited by 48
    • Show more authors
    • You may already have access via personal or institutional login
    • Select format
    • Publisher:
      Cambridge University Press
      Publication date:
      June 2012
      October 2005
      ISBN:
      9780511811760
      9780521617420
      Dimensions:
      Weight & Pages:
      Dimensions:
      (247 x 175 mm)
      Weight & Pages:
      0.63kg, 342 Pages
    You may already have access via personal or institutional login
  • Selected: Digital
    Add to cart View cart Buy from Cambridge.org

    Book description

    Narrative and Media, first published in 2006, applies narrative theory to media texts, including film, television, radio, advertising, and print journalism. Drawing on research in structuralist and post-structuralist theory, as well as functional grammar and image analysis, the book explains the narrative techniques which shape media texts and offers interpretive tools for analysing meaning and ideology. Each section looks at particular media forms and shows how elements such as chronology, character, and focalization are realized in specific texts. As the boundaries between entertainment and information in the mass media continue to dissolve, understanding the ways in which modes of story-telling are seamlessly transferred from one medium to another, and the ideological implications of these strategies, is an essential aspect of media studies.

    Refine List

    Actions for selected content:

    Select all | Deselect all
    • View selected items
    • Export citations
    • Download PDF (zip)
    • Save to Kindle
    • Save to Dropbox
    • Save to Google Drive

    Save Search

    You can save your searches here and later view and run them again in "My saved searches".

    Please provide a title, maximum of 40 characters.
    ×

    Contents


    Page 1 of 2



    Page 1 of 2


    Bibliography
    Abbott, H. Porter, Cambridge Introduction to Narrative, Cambridge: Cambridge University Press, 2002
    Alasuutari, Pertti (ed.), Rethinking the Media Audience, London: Sage Publications, 1999
    Allen, S., News Culture, Buckingham UK: Open University Press, 1999
    Andrew, Dudley, ‘Adaptation’, in Naremore, James (ed.), Film Adaptation, London: Athlone Press, 2000, pp. 28–37
    Bal, Mieke, ‘The narrating and the focalising: A theory of agents in narrative’, Style 17 (1983), 234–69
    Bal, Mieke, Narratology: Introduction to the Theory of Narrative, 2nd edn, Toronto and Buffalo: Toronto University Press, 1997 (1st edn, 1985)
    Baker, R., ‘Will the media be the end of us?’, Harvard International Journal of Press/Politics 4.3 (1999), 98–105
    Barnard, S., Studying Radio, London and New York: Arnold, 2000
    Barthes, Roland, Essais Critiques, Paris: Editions du Seuil, 1964
    Barthes, RolandS/Z, New York: Hill & Wang, 1974
    Barthes, RolandImage-Music-Text, London: Fontana, 1977
    Baudrillard, Jean, Simulations, New York: Semiotext(e), 1983
    Baym, G., ‘Packaging reality: Structures of form in US network news coverage of Watergate and the Clinton impeachment’, Journalism: Theory, Practice and Criticism 5.3 (2004), 279–99
    Bell, Allan, and Peter Garrett (eds), Approaches to Media Discourse, Oxford: Blackwell, 1998
    Bell, P., and Leeuwen, Theo, The Media Interview: Confession, Contest, Conversation, Sydney: UNSW Press, 1994
    Belsey, Catherine, Critical Practice, London: Methuen, 1980
    Benjamin, Walter, Illuminations, ed. Arendt, Hannah, New York: Schocken, 1969
    Bennett, T., , S. Boyd-Bowman, , C. Mercer and , J. Woollacott (eds), Popular Film and Television, London: British Film Institute, 1981
    Best, Steven, and Kellner, Douglas, Postmodern Theory: Critical Interrogations, London: Macmillan, 1991
    Bignell, Jonathan, Media Semiotics: An Introduction, Manchester: Manchester University Press, 1997
    Bordwell, David, and Thompson, Kristin, Film Art: An Introduction, Reading MA: Addison-Wesley Publishing Co., 1979
    Bordwell, David, , J. Staiger and Thompson, Kristin, The Classical Hollywood Cinema: Film Style and Mode of Production to 1960, London: Routledge, 1985
    Bourdieu, Pierre, Distinction, trans. Richard Nice, London and New York: Routledge & Kegan Paul, 1986 (first published 1979)
    Branigan, E., Narrative Comprehension and Film, London: Routledge, 1992
    Briggs, S., Those Radio Times, London: Weidenfeld & Nicolson, 1981
    Brooks, P., Reading for the Plot: Design and Intention in Narrative, Cambridge MA: Harvard University Press, 1992
    Butt, David et al., Using Functional Grammar: An Explorer's Guide, 2nd edn, Macquarie University, Sydney: National Centre for English Language Teaching and Research, 2000
    Campbell, Joseph, The Hero with a Thousand Faces, New York: Pantheon, 1949
    Cartmell, Deborah, and Whelehan, Imelda, Adaptations: From Text to Screen, Screen to Text, London and New York: Routledge, 1999
    Chandler, Daniel, Semiotics: The Basics, London: Routledge, 2002
    Chatman, Seymour, ‘The structure of narrative transmission’, in Fowler, Roger (ed.), Style and Structure in Literature, Oxford: Blackwell, 1975, pp. 213–57
    Chatman, SeymourWhat novels can do that films can't (and vice versa)’, Critical Inquiry 7 (1980), 121–40
    Chatman, SeymourStory and Discourse, Ithaca and London: Cornell University Press, 1978
    Clark, Katerina, and Holquist, Michael, Mikhail Bakhtin, Cambridge, Mass.: Belknap Press of Harvard University Press, 1984
    Clarke, Patricia, and Spender, Dale, Life Lines, Australian Women's Letters and Diaries 1788 to 1840, Sydney: Allen & Unwin, 1992
    Cobley, Paul, Narrative, London: Routledge, 2001
    Cohen, Stanley, Folk Devils and Moral Panics: The Creation of the Mods and Rockers, London: MacGibbon & Kee, 1972
    Cohen, Stanley, and Young, Jock (eds), The Manufacture of News: Social Problems, Deviance and Mass Media, London: Constable, 1973
    Cohen, StanleyCollins Dictionary of the English Language, Sydney: Collins, 1979
    Conley, D., The Daily Miracle: An Introduction to Journalism, 2nd edn, Melbourne: Oxford University Press, 2002
    Cook, David A., A History of Narrative Film, 3rd edn, New York and London: W. W. Norton & Co., 1996
    Cooke, L., ‘The police series’, in G. Creeber (ed.), The Television Genre Book, pp. 19–23
    Cooper, James Fenimore, Last of the Mohicans, A Narrative of 1757, rev. edn, Paris: Baudry's European Library, 1835
    Cooper, James FenimoreThe Pioneers (first published 1822), New York: Airmont, 1964
    Cortazzi, Martin, Narrative Analysis, London: Falmer, 1993
    Cottle, Simon, ‘Analysing visuals: Still and moving images’ in Anders Hansen et al., Mass Communication Research Methods, pp. 189–224
    Cranny-Francis, Anne, and Patricia Palmer Gillard, ‘Soap opera as gender training: Teenage girls and TV’, in Threadgold, Terry and Cranny-Francis, Anne (eds), Feminine, Masculine and Representation, Sydney: Allen & Unwin, 1990, pp. 171–89
    Creeber, G. (ed.), The Television Genre Book, London: British Film Institute, 2001
    Crisell, Andrew, Understanding Radio, 2nd edn, London and New York: Routledge, 1994
    Crisell, AndrewAn Introductory History of British Broadcasting, London and New York: Routledge, 1997
    Crisell, AndrewBetter than Magritte: How drama on the radio became radio drama’, Journal of Radio Studies 7.2 (2000), 464–73
    Culler, Jonathan, Saussure, Glasgow: Fontana, 1976
    Deely, John, Basics of Semiotics, Bloomington: Indiana University Press, 1990
    Dorsch, T. S., Classical Literary Criticism, Aristotle, Horace, Longinus, Harmondsworth: Penguin, 1965
    During, Simon (ed.), The Cultural Studies Reader, London: Routledge, 1993
    Dyer, R., ‘Kill and kill again’, in Sight and Sound 7.9 (1997), 14–17
    Eagleton, Terry, The Illusions of Postmodernism, Oxford: Blackwell, 1996
    Easthope, Antony, and McGowan, Kate (eds), A Critical and Cultural Theory Reader, London: Allen & Unwin, 1992
    Eco, Umberto, Semiotics and the Philosophy of Language, London: Macmillan, 1984
    Ellis, John, Visible Fictions: Cinema, Television, Video, rev. edn, London and New York: Routledge, 1992
    Epstein, E. J., Between Fact and Fiction: The Problem of Journalism, New York: Random House, 1975
    Epstein, E. J.News from Nowhere: Television and the News, 2nd edn, New York: Random House, 2000
    Ericson, R., , P. Baranek and , J. Chan, Visualizing Deviance: A Study of News Organization, Milton Keynes: Open University Press, 1987
    Fairclough, Norman, Language and Power, London and New York: Longman, 1989
    Fairclough, NormanMedia Discourse, London and New York: Edward Arnold, 1995
    Fiske, John, Television Culture, London: Methuen, 1987
    Fiske, John and Hartley, John, Reading Television, 2nd edn, London: Routledge, 2003
    Fowler, Roger, Language in the News: Discourse and Ideology in the Press, London and New York: Routledge, 1991
    Fowler, RogerLinguistic Criticism, 2nd edn, Oxford: Oxford University Press, 1996
    Fraser, J. T., Time, Conflict, and Human Values, Urbana: Illinois University Press, 1999
    Friel, Brian, Selected Plays, London: Faber, 1984
    Gans, H., Deciding What's News, New York: Pantheon, 1979
    Garnham, Nicholas, Capitalism and Communication, London: Sage Publications, 1990
    Genette, Gérard, Narrative Discourse: An Essay in Method, trans. Jane E. Lewin, Ithaca, NY: Cornell University Press, 1980 (first published in French in 1972)
    Goatly, Andrew, Critical Reading and Writing: An Introductory Coursebook, London and New York: Routledge, 2000
    Goffman, E., Frame Analysis, New York: Harper & Row, 1974
    Gordon, Lyndall, A Private Life of Henry James, New York and London: W. W. Norton, 1999
    Griffith, James, Adaptations as Imitations: Films from Novels, Newark: University of Delaware Press, 1997
    Hall, Stuart, ‘The narrative construction of news’, Context: A Forum for Literary Arts and Culture 10 (1983), online edition, www.centerforbookculture.org/context/no10/hall.html; viewed 12 October 2004
    Hall, Stuart et al., Policing the Crisis: Mugging, the State, and Law and Order, Basingstoke: Macmillan, 1978
    Halliday, M. A. K., Language as Social Semiotic: The Social Interpretation of Language and Meaning, London and New York: Edward Arnold, 1978
    Halliday, M. A. K. and Hasan, Ruqaiya, Language, Context and Text: Aspects of Language in a Social-Semiotic Perspective, Waurn Ponds, Vic.: Deakin University Press, 1985
    Hallin, D., We Keep America on Top of the World: Television Journalism and the Public Sphere, London and New York: Routledge, 1993
    Hansen, Anders, Cottle, Simon, Negrine, Ralph and Newbold, Chris, Mass Communication Research Methods, London: Macmillan, 1998
    Hartley, John, Understanding News, London: Routledge, 1982
    Hartley, JohnPopular Reality: Journalism, Modernity, Popular Culture, London and New York: Arnold, 1996
    Hawthorn, Jeremy (ed.), Narrative: From Malory to Motion Pictures, London: Edward Arnold, 1985
    Hodge, Robert, and Kress, Gunther, ‘Rereading as exorcism: Semiotics and the ghost of Saussure’, Southern Review 19 (1986), 38–52
    Hurd, G., ‘The television presentation of the police’, in T. Bennett et al. (eds), Popular Film and Television
    Innis, Robert E. (ed.), Semiotics: An Introductory Reader, Bloomington: Indiana University Press, 1985, and as Semiotics: An Introductory Anthology, London: Hutchinson, 1986
    Jameson, Fredric, ‘Postmodernism, or the cultural logic of late capitalism’, New Left Review 146 (July–August 1984), 53–92
    Jameson, FredricSignatures of the Visible, London: Routledge, 1992
    Kilborn, Richard, Television Soaps, London: Batsford, 1992
    Kress, Gunther, and Leeuwen, Theo, Reading Images: The Grammar of Visual Design, London and New York: Routledge, 1996
    Labov, William, Language in the Inner City, Philadelphia: Pennsylvania University Press, 1972
    Lacey, Nick, Image and Representation: Key Concepts in Media Studies, London: Macmillan, 1998
    Lacey, Nick Narrative and Genre: Key Concepts in Media Studies, London: Macmillan, 2000
    Langer, John, Tabloid Television: Popular Journalism and the ‘Other News’, London and New York: Routledge, 1998
    Lévi-Strauss, Claude, ‘The structural study of myth’, in Structural Anthropology, Harmondsworth: Penguin, 1977, pp. 206–31 (first published in French in 1958)
    Lewis, P., and , J. Booth, The Invisible Medium, Basingstoke and London: Macmillan, 1989
    Lichtenberg, Judith, ‘In defence of objectivity revisited’, in , J. Curran and , M. Gurevitch (eds), Mass Media and Society, 3rd edn, London: Arnold, 2000, pp. 238–54
    Livingstone, Sonia M. (1990a), Making Sense of Television: The Psychology of Audience Interpretation, Oxford: Pergamon, 1990
    Livingstone, Sonia M. (1990b), ‘Interpreting a television narrative: How different viewers see a story’, Journal of Communication 40 (1990), 72–85
    Livingstone, Sonia M. ‘The rise and fall of audience research: An old story with a new ending’, in Mark, R. Levy and Gurevitch, Michael (eds), Defining Media Studies: Reflections on the Future of the Field, New York: Oxford University Press, 1994, pp. 247–54
    Lowe, N. J., The Classical Plot and the Invention of Western Narrative, Cambridge: Cambridge University Press, 2000
    Lumby, Catharine, and J. O'Neil, ‘Tabloid television’, in , J. Schulz (ed.), Not Just Another Business, Sydney: Pluto Press, 1994, pp. 149–66
    Lyotard, Jean-François, The Postmodern Condition: A Report on Knowledge, Manchester: Manchester University Press; Minneapolis: University of Minnesota Press, 1984
    Marris, Paul, and Thornham, Sue (eds), Media Studies, A Reader, Edinburgh: Edinburgh University Press, 1996
    McFarlane, Brian, Novel to Film: An Introduction to the Theory of Adaptation, Oxford: Clarendon Press, 1996
    McGilligan, Patrick, Alfred Hitchcock, A Life In Darkness and Light, Chichester UK: Wiley, 2003
    McKnight, David, ‘Facts versus stories: From objective to interpretive reporting’, Media International Australia 99 (2001), 49–58
    McLuhan, Marshall, Understanding Media: The Extensions of Man, New York: Routledge & Kegan Paul, 1964
    McQuail, Denis, Media Performance: Mass Communication and the Public Interest, London: Sage Publications, 1992
    McQuillan, Martin (ed.), The Narrative Reader, London and New York: Routledge, 2000
    McRobbie, Angela, Postmodernism and Popular Culture, London and New York: Routledge, 1985
    Mead, George Herbert, ‘The nature of aesthetic experience’, International Journal of Ethics 36 (1926), 382–93
    Metz, C., The Imaginary Signifier: Psychoanalysis and the Cinema, trans. Celia Britten et al., Bloomington: Indiana University Press, 1982
    Moi, Toril (ed.), The Kristeva Reader, New York: Columbia University Press, 1986
    Mulvey, Laura, ‘Visual pleasure and narrative cinema’, in Harrison, Charles and Wood, Paul (eds), Art in Theory 1900–1990: An Anthology of Changing Ideas, Oxford: Blackwell, 1992
    Neale, S., ‘Studying genre’ in G. Creeber (ed.), The Television Genre Book, pp. 1–3
    Nelmes, Jill (ed.), An Introduction to Film Studies, London and New York: Routledge, 1996
    O'Shaughnessy, Michael, and Stadler, Jane, Media and Society: An Introduction, 2nd edn, Melbourne: Oxford University Press, 2002
    O'Sullivan, T., , J. Hartley, , D. Saunders, , M. Montgomery and , J. Fiske, Key Concepts in Communication and Cultural Studies, London: Routledge, 1994
    O'Toole, Michael, The Language of Displayed Art, London: Leicester University Press, 1994
    Perloff, Marjorie, Radical Artifice: Writing Poetry in the Age of Media, Chicago: University of Chicago Press, 1991
    Phillips, G., and , M. Lindgren (eds), The Australian Broadcast Journalism Manual, Melbourne: Oxford University Press, 2002
    Poster, Mark, Critical Theory and Poststructuralism: In Search of a Context, Ithaca and London: Cornell University Press, 1989
    Postman, Neil, Amusing Ourselves to Death, New York: Viking, 1985
    Pöttker, H., ‘News and its communicative quality: The inverted pyramid – when and why did it appear?’, Journalism Series 4.4 (2003), 501–11
    Potts, James, Radio in Australia, Sydney: Allen & Unwin, 1989
    Propp, Vladimir, Morphology of the Folktale, 2nd edn, Austin: Texas University Press, 1968
    Putnis, P., Displaced, Recut and Recycled: File-tape in Television News, Centre for Journalism Research and Education, Bond University, Qld, 1994
    Pynchon, Thomas, The Crying of Lot 49, New York: Harper & Row, 1986
    Ray, Robert B., ‘The field of “literature and film”’, in Naremore, James (ed.), Film Adaptation, London: Athlone Press, 2000, pp. 38–53
    Reddy, Michael, ‘The conduit metaphor – A case of frame conflict in our language about language’, in Ortony, Andrew (ed.), Metaphor and Thought, Cambridge: Cambridge University Press, 1979, pp. 284–324
    Ricketson, M., ‘True stories: The power and the pitfalls of literary journalism’, in , S. Tapsall and , C. Varley (eds), Journalism Theory in Practice, Melbourne: Oxford University Press, 2000
    Ricoeur, Paul, Time and Narrative, 3 vols, Chicago: University of Chicago Press, 1984–88
    Rimmon-Kenan, Shlomith, Narrative Fiction: Contemporary Poetics, London and New York: Methuen, 1983
    Salinger, J. D., The Catcher in the Rye, London: Penguin, 1994
    Saussure, Ferdinand, Course in General Linguistics, New York: McGraw-Hill, 1966
    Schudson, Michael, Discovering the News: A Social History of American Newspapers, Basic Books: New York, 1978
    Schulz, Julianne, Reviving the Fourth Estate: Democracy, Accountability and the Media, Cambridge: Cambridge University Press, 1998
    Selby, Keith, and Cowdery, Ron, How to Study Television, London: Macmillan, 1995
    Shingler, M., and , C. Wieringa, On Air: Methods and Meanings of Radio, London and New York: Arnold, 1998
    Silverman, Kaja, The Subject of Semiotics, New York and Oxford: Oxford University Press, 1983
    Smith, Barbara Hernstein, ‘Narrative versions, narrative theories’, Critical Inquiry 7 (1980), 209–18
    Smith, Jen, ‘Tabloid television’, Polemic 3.2 (1992), 120–3
    Sperry, Sharon, ‘Television News as Narrative’, in , R. Adler (ed.), Understanding Television: Essays on Television as a Social and Cultural Force, New York: Praeger, 1981
    Spivak, Gayatri Chakravorty, ‘Translator's preface’, in Derrida, Jacques, Of Grammatology, Baltimore: Johns Hopkins University Press, 1976
    Swingewood, Alan, Cultural Theory and the Problem of Modernity, London: Macmillan, 1998
    Tarkovsky, A., Sculpting in Time: Reflections on the Cinema, trans. Kitty Hunter Blair, London: Bodley Head, 1986
    Thomas, Bronwen, ‘“Piecing together a mirage”: Adapting The English Patient for the screen’, in Giddings, Robert and Sheen, Erica (eds), The Classic Novel: From Page to Screen, Manchester and New York: Manchester University Press, 2000, pp. 197–232
    Thompson, Geoff, Introducing Functional Grammar, London and New York: Edward Arnold, 1996
    Todorov, T., The Poetics of Prose, trans. Richard Howard, Ithaca, NY: Cornell University Press, 1977
    Toolan, Michael, Narrative: A Critical Linguistic Introduction, London and New York: Routledge, 1991 (first published 1988)
    Truffaut, François, Hitchcock, rev. edn, New York: Touchstone, 1985
    Tulloch, J., Watching Television Audiences: Cultural Theories and Methods, London: Arnold, 2000
    Tunstall, Jeremy, Journalists at Work, London: Constable, 1971
    Turner, G., ‘The uses and limitations of genre’, ‘Genre, hybridity and mutations’, ‘Genre, format and “live” television’, in G. Creeber (ed.), The Television Genre Book, pp. 4–7
    Turow, Joseph, Media Today: An Introduction to Mass Communication, Boston and New York: Houghton Mifflin, 2003
    Uspensky, Boris, A Poetics of Composition, The Structure of the Artistic Text and Typology of a Compositional Form, Berkeley: University of California Press, 1973
    Vertov, D., Kino-Eye: The Writings of Dziga Vertov, ed. Michelson, Annette, trans. Kevin O'Brien, London and Sydney: Pluto Press, 1984
    Vinaver, Eugene (ed.), Malory: Works, 2nd edn, London: Oxford University Press, 1977
    Watson, James, Media Communication: An Introduction to Theory and Process, 2nd edn, Basingstoke and New York: Palgrave Macmillan, 2003
    Whitaker, Brian, News Limited, London: Minority Press Group, 1981
    Wilkes, G. A., A Dictionary of Australian Colloquialisms, Sydney: Sydney University Press, 1978
    Williams, Kevin, Understanding Media Theory, London: Arnold, 2003
    Williams, Raymond, Problems in Materialism and Culture: Selected Essays, London: Verso, 1980
    Williams, RaymondTelevision: Technology and Cultural Form, 2nd edn, London: Routledge, 1990
    Ytreberg, Espen, ‘Moving out of the inverted pyramid: Narratives and descriptions in television news’, Journalism Studies 2.3 (2001), 357–71
    Žižek, Slavoj, ‘The obscene object of postmodernity’, in Wright, Elizabeth and Wright, Edmond (eds), The Žižek Reader, Oxford: Blackwell, 1999, pp. 37–52
    Websites
    Archival Moving Image Materials of the United States Library of Congress: www.itsmarc.com/crs/arch0391.htm; viewed 6 November 2004
    Australian Broadcasting Corporation, Radio National: www.abc.net.au/rn/arts/airplay/s350575.htm; viewed 9 November 2004
    British Broadcasting Corporation: www.bbc.co.uk/writersroom/writing/tvcomedy.shtml; viewed 13 October 2004
    British sit-coms: www.wordiq.com/definition/Britcom; viewed 19 October 2004
    Brown, Mary Ellen and Barwick, Linda, ‘Fables and endless genealogies: Soap opera and women's culture’, Continuum: The Australian Journal of Media and Culture 1.2 (1987), wwwmcc.murdoch.edu.au/ReadingRoom/1.2/Brown.html; viewed 19 October 2004
    Brown University media courses: www.brown.edu/Departments/MCM/courses/MC11/outline/TV_narrative_outline.htm; viewed 14 October 2004
    Chandler, Daniel: www.aber.ac.uk/media/modules/TF33120; viewed 4 September 2002
    Gough, L. (2000). The Mermaid's Tail: www.lucy.gough.care4free.net/TheMermaidsMonologue.htm; viewed 9 November 2004
    Grossberg, Josh: http://primetimetv.about.com; viewed 26 October 2004
    Massachusetts Institute of Technology: http://web.mit.edu/mr_mole_www/seinfeld.pdf; viewed 19 October 2004
    Playwriting: www.vcu.edu/artweb/playwriting; viewed 6 September 2002
    Sheehan, Helena: www.comms.dcu.ie/sheehanh/itvsoap.htm; viewed 2 September 2002
    Taflinger, Richard F.: www.wsu.edu:8080/~taflinge/sitcom.html; viewed 19 October 2004
    Television history: www.tvhistory.tv; viewed 12 October 2004; www.museum.tv/archives/etv/S/htmlS/soapopera/soapopera.htm; viewed 19 October 2004
    Warhol, Robyn R., ‘Feminine intensities: Soap-opera viewing as a technology of gender’, Genders 28 (1998); www.genders.org/g28/g28_intensities.html; viewed 18 October 2004
    Wikipedia: http://en.wikipedia.org/wiki/Television_series; viewed 12 October 2004; http://en.wikipedia.org/wiki/Situation_comedy; viewed 12 September 2004

    Metrics

    Full text views

    Total number of HTML views: 0
    Total number of PDF views: 0 *
    Loading metrics...

    Book summary page views

    Total views: 0 *
    Loading metrics...

    * Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

    Usage data cannot currently be displayed.

    Accessibility standard: Unknown

    Why this information is here

    This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

    Accessibility Information

    Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.