Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-t5pn6 Total loading time: 0 Render date: 2024-04-20T00:02:26.869Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

3 - Transforming the Body Politic: Food Reform and Feminism in Nineteenth-Century Britain

Sarah Richardson
Affiliation:
University of Warwick
Francesca Scott
Affiliation:
University of Warwick
Kate Scarth
Affiliation:
University of Warwick
Ji Won Chung
Affiliation:
University of Warwick
Get access

Summary

The idea of the state as a corporeal being – the body politic – became increasingly gendered during the nineteenth century. Two major pieces of legislation in the 1830s, the 1832 Reform Act and the 1835 Municipal Corporations Act, vested the right to vote, and therefore the right to citizenship, in ‘male persons’. This has led many historians to argue that politics was effectively ‘masculinized’ during this period. However, Victorian radical women challenged their exclusion from the public sphere and questioned if the legislative changes had created a healthier state. In arguing for a stronger, fitter state they drew on contemporary debates about alternative forms of medicine and diet. In both areas, power and control would be removed from a largely masculine political and medical establishment, and placed in the hands of women. This essay considers the contribution of two female activists in the field of dietary reform and feminist politics: Anna Kingsford and Annie Cobden-Sanderson. These women were part of a wider campaign to feminize and to democratize the body and the state.

The metaphor of the state as a body politic was appropriated and reinvented by generations of reformers. Seventeenth- and eighteenth-century political theorists, including Hobbes, Locke and Rousseau, employed the image creatively in their interpretations of the source of political authority. The famous frontispiece to Hobbes's Leviathan vividly illustrates the concept. The etching by Abraham Bosse depicts a gargantuan crowned figure emerging from the landscape; his head and hands have recognizable features, but his body is comprised of hundreds of tiny figures, representing the embodiment of the state.

Type
Chapter
Information
Publisher: Pickering & Chatto
First published in: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×