- Cited by 10
-
Cited by×Crossref Citations
This (lowercase (translateProductType product.productType)) has been cited by the following publications. This list is generated based on data provided by CrossRef.
Laird, Karen E. 2014. “No paste-and-scissors version”:The Woman in White's Stage Debut. Nineteenth-Century Contexts, Vol. 36, Issue. 2, p. 179.
Carlson, Marvin 2014. Theatre and Ghosts. p. 27.
Fischler, Alan 2014. A New Companion to Victorian Literature and Culture. p. 364.
St Clair, William and Bautz, Annika 2012. IMPERIAL DECADENCE: THE MAKING OF THE MYTHS IN EDWARD BULWER-LYTTON'S THE LAST DAYS OF POMPEII. Victorian Literature and Culture, Vol. 40, Issue. 02, p. 359.
Law, Graham and Maunder, Andrew 2008. Wilkie Collins. p. 101.
Newey, Katherine 2005. Women’s Theatre Writing in Victorian Britain. p. 66.
Black, Jeremy and MacRaild, Donald M. 2003. Nineteenth-Century Britain. p. 300.
Moody, Jane 2000. The State of the Abyss: Nineteenth Century Performance and Theatre Historiography in 1999. Journal of Victorian Culture, Vol. 5, Issue. 1, p. 112.
Lindemann, Ruth Burridge 1997. Dramatic Disappearances: Mary Elizabeth Braddon and the Staging of Theatrical Character. Victorian Literature and Culture, Vol. 25, Issue. 02, p. 279.
Burroughs*, Catherine B. 1995. The english romantic closet: Women theatre artists, Joanna Baillie, andBasil. Nineteenth-Century Contexts, Vol. 19, Issue. 2, p. 125.
