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The Profession of the Playwright
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  • Cited by 10
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    This (lowercase (translateProductType product.productType)) has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Laird, Karen E. 2014. “No paste-and-scissors version”:The Woman in White's Stage Debut. Nineteenth-Century Contexts, Vol. 36, Issue. 2, p. 179.

    Carlson, Marvin 2014. Theatre and Ghosts. p. 27.

    Fischler, Alan 2014. A New Companion to Victorian Literature and Culture. p. 364.

    St Clair, William and Bautz, Annika 2012. IMPERIAL DECADENCE: THE MAKING OF THE MYTHS IN EDWARD BULWER-LYTTON'S THE LAST DAYS OF POMPEII. Victorian Literature and Culture, Vol. 40, Issue. 02, p. 359.

    Law, Graham and Maunder, Andrew 2008. Wilkie Collins. p. 101.

    Newey, Katherine 2005. Women’s Theatre Writing in Victorian Britain. p. 66.

    Black, Jeremy and MacRaild, Donald M. 2003. Nineteenth-Century Britain. p. 300.

    Moody, Jane 2000. The State of the Abyss: Nineteenth Century Performance and Theatre Historiography in 1999. Journal of Victorian Culture, Vol. 5, Issue. 1, p. 112.

    Lindemann, Ruth Burridge 1997. Dramatic Disappearances: Mary Elizabeth Braddon and the Staging of Theatrical Character. Victorian Literature and Culture, Vol. 25, Issue. 02, p. 279.

    Burroughs*, Catherine B. 1995. The english romantic closet: Women theatre artists, Joanna Baillie, andBasil. Nineteenth-Century Contexts, Vol. 19, Issue. 2, p. 125.

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    The Profession of the Playwright
    • Online ISBN: 9780511597572
    • Book DOI: https://doi.org/10.1017/CBO9780511597572
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Book description

This book examines the working world of the playwright in nineteenth-century Britain. It was often a risky and financially uncertain profession, yet the magic of the theatre attracted authors from widely different backgrounds - journalists, lawyers, churchmen, civil servants, printers and actors, as well as prominent poets and novelists. In a fascinating account of the frustrations and the rewards of dramatic authorship, Stephens uncovers information on the playwright's earnings, relationships with actors, managers, publishers and audience, and offers a perspective on his growing status as a professional. Further chapters focus on the struggle for copyright reform and the complexities of dramatic publishing. A large number of major and minor authors are discussed, among them Planche, Fitzball, Boucicault, Pinero, Grundy, Gilbert, Jones and Shaw.

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