Skip to main content Accessibility help
Proust and the Arts
  • Export citation
  • Recommend to librarian
  • Buy the print book

Book description

Proust and the Arts brings together expert Proustians and renowned interdisciplinary scholars in a major reconsideration of the novelist's relation to the arts. Going beyond the classic question of the models used by Proust for his fictional artists, the essays collected here explore how he learned from and integrated, in highly personal ways, the work of such creators as Wagner or Carpaccio. This volume reveals the breadth of Proust's engagement with varied art forms from different eras: from "primitive" arts to sound recordings, from medieval sculpture to Art Nouveau glassmaking, and from portrait photography to the private art of doodling. Chapters bring into focus issues of perception and detail in examining how Proust encountered and responded to works of art, and attend to the ways art shaped his complex relationship to identity, sexuality, humor, and the craft of writing.

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Send to Kindle
  • Send to Dropbox
  • Send to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.


Page 1 of 2

Page 1 of 2

Unless otherwise stated, works in French are published in Paris.

À la recherche du temps perdu, ed. Tadié, dir. J.-Y., 4 vols., Bibliothèque de la Pléiade (Gallimard, 1987–1989).
Against Sainte-Beuve, trans. Sturrock, J., Penguin Classics (Harmondsworth: Penguin, 1988).
Cahiers 1 à 75 de la Bibliothèque nationale de France, ed. Mauriac Dyer, dir. N. (Turnhout/Paris: Brepols/Bibliothèque nationale de France, 2008–).
Carnets, ed. Callu, F. and Compagnon, A. (Gallimard, 2002).
Comme Elstir Chardin…, postface Pierron, S. (Altamira, 1999).
Contre Sainte-Beuve précédé de Pastiches et mélanges et suivi de Essais et articles, ed. Clarac, P. and Sandre, Y., Bibliothèque de la Pléiade (Gallimard, 1971).
Contre Sainte-Beuve, ed. de Fallois, B. (Gallimard, 1954).
Correspondance, ed. Kolb, P., 21 vols. (Plon, 1970–1993).
Du côté de chez Swann, preface and notes by Compagnon, A. (Gallimard [folio], 1988).
Du côté de chez Swann: Combray, Premières épreuves corrigées, 1913, ed. Méla, C. (Gallimard, 2013).
In Search of Lost Time, trans. Moncrieff, C. K. Scott, Kilmartin, T., and Mayor, A., revised by Enright, D. J., 6 vols. (New York: Modern Library, 2003).
In the Shadow of Young Girls in Flower, trans. Grieves, J. (Harmondsworth and New York: Penguin, 2002).
Jean Santeuil, précédé de Les Plaisirs et les Jours, ed. Clarac, P. and Sandre, Y., Bibliothèque de la Pléiade (Gallimard, 1971).
Lettres: 1879–1922, ed. Leriche, F. with Szylowicz, C., preface and afterword by Kolb, K., biographical notes by Greene, V. (Plon, 2004).
Lettres à Reynaldo Hahn, ed. Kolb, P. (Gallimard, 1956).
Lettres à une amie: recueil de quarante-et-une lettres inédites adressées à Marie Nordlinger 1889–1908 (Manchester: Éditions du Calame, 1942).
On Art and Literature, 1896–1919, trans. Warner, Sylvia Townsend (New York: Carroll & Graf, 1997).
On Reading Ruskin: Prefaces to La Bible d'Amiens and Sésame et les Lys with Selections form the Notes to the Translated Texts, ed. and trans. Autret, J., Burford, W. and Wolfe, P. J. (New Haven, CT: Yale University Press, 1987).
Les Plaisirs et les Jours (Calmann-Lévy, 1896).
Ruskin, J., and Proust, M., Sésame et les Lys, précédé de Sur la lecture, intro. by Compagnon, A. (Editions Complexe, 1987).
Ruskin, J., La Bible d'Amiens, trans., preface and notes by Proust, M. (Mercure de France, 1926).

Manuscripts are available online at A detailed inventory is available at

Abbate, C., “Music: Drastic or Gnostic?,” Critical Inquiry 30 (2004), 505536.
Addison, J., Remarks on Several Parts of Italy, 2nd edn. (London: J. Tonson, 1718).
Albaret, C., Monsieur Proust, trans. Bray, B. (New York: New York Review of Books, 2003).
Allen, W., dir., Annie Hall, Rollins-Joffe Productions, 1977.
Ambra, L. de, “Cronaca di Letteratura Francese,” La Rassegna Contemporanea 6(series 2):23 (December 10, 1913), 822824.
Apollinaire, G., “La vie anecdotique,” Mercure de France, April 1, 1917, no. 451, 557–561.
Apollinaire, G.Zone,” trans. Shattuck, R.. The Yale Anthology of Twentieth-Century French Poetry, ed. Caws, M. A. (New Haven: Yale University Press, 2004).
Arendt, H., Antisemitism: Part One of The Origins of Totalitarianism (New York: Harvest/HBJ, 1968).
Aristotle, , De anima, trans. Hugh Lawson-Tancred (Harmondsworth: Penguin, 1986).
Aubert, N., ed., Proust and the Visual (Cardiff: University of Wales Press, 2012).
Baldwin, T., The Picture as Spectre in Diderot, Proust, and Deleuze (London: Legenda, 2011).
Bales, R., Proust and the Middle Ages (Geneva: Droz, 1975).
Bardac, H., “Madeleine Lemaire et Marcel Proust,” La Revue de Paris 56:8 (August 1949), 137142.
Barthes, R., Œuvres complètes, ed. Marty, É., 5 vols. (Seuil, 2002).
Batchelor, J., John Ruskin: No Wealth but Life (London: Chatto & Windus, 2000).
Baudelaire, C., Œuvres complètes, ed. Pichois, C., Bibliothèque de la Pléiade (Gallimard, 1975).
Bedriomo, E., Proust, Wagner, et la coïncidence des arts (J.-M. Place, 1984).
Belting, H., An Anthropology of Images: Picture, Medium, Body, trans. Dunlap, T. (Princeton University Press, 2011).
Blanc, C., Les Beaux-Arts à l'Exposition Universelle de 1878 (Librairie Renouard, 1878).
Blanchot, M., The Book to Come, trans. Mandell, C. (Stanford University Press, 2003).
Borel, P., “Revue dramatique,” Le Journal du commerce, July 15, 1844.
Bretonne, R. de la [Lorrain, J.], “Pall Mall Semaine (Jeudi 28 janvier),” Le Journal, February 3, 1897.
Bretonne, R. de la [Lorrain, J. “Pall Mall Semaine (Lundi 22 juin),” Le Journal, July 1, 1896.
Brown, P., Venetian Narrative Painting in the Age of Carpaccio (New Haven, CT: Yale University Press, 1988).
Butler, J., “Is Kinship Always Already Heterosexual?,” Differences: A Journal of Feminist Cultural Studies 13:1 (2002), 1444.
Callu, F., with Angremy, A., eds., Catalogue des Nouvelles acquisitions françaises du département des Manuscrits, 1972–1986, nos. 16428–1875, (Bibliothèque nationale de France, 1999).
Carbone, M., “Composing Vinteuil: Proust's Unheard Music,” RES: Anthropology and Aesthetics 48 (2005), 163165.
Carter, W. C., Marcel Proust: A Life (New Haven, CT: Yale University Press, 2000).
Carter, W. C. Proust in Love (New Haven, CT: Yale University Press, 2006).
Carter, W. C. The Proustian Quest (New York University Press, 1992).
Chaleil, F., ed., Gustave Moreau par ses contemporains (Éditions de Paris, 1998).
Colette, Œuvres, ed. Pichois, C., Bibliothèque de la Pléiade (Gallimard, 1984).
Collier, P., Proust and Venice, trans. Fink, D. (Cambridge University Press, 1989).
Compagnon, A., Les Antimodernes: De Joseph de Maistre à Roland Barthes (Gallimard, 2005).
Compagnon, A.Le ‘profil assyrien’ ou l'antisémitisme qui n'ose pas dire son nom: les libéraux dans l'affaire Dreyfus,” Études de langue et littérature françaises (Université de Kyoto) 28 (1997), 133150.
Compagnon, A. Proust Between Two Centuries, trans. Goodwin, R. E. (New York: Columbia University Press, 1992).
Connelly, J., Music in Marcel Proust's À la recherche du temps perdu (Hingham, MA: Orris Publishing, 2013).
Coutts, H., The Art of Ceramics: European Ceramic Design 1500–1830 (New Haven, CT: Yale University Press, 2001).
Cusack, C. M., “Hagiography and History: The Legend of Saint Ursula,” in This Immense Panorama: Studies in Honour of Eric J. Sharpe, ed. Cusack, C. M. and Oldmeadow, P. (Sydney: School of Studies in Religion, University of Sydney, 1999).
Daudet, J., Les Archipels lumineux (Lemerre, 1913).
Dehaene, S., Reading in the Brain: The Science and Evolution of a Human Invention (London and New York: Viking, 2009).
Deleuze, G., Proust and Signs: The Complete Text, trans. Howard, R. (Minneapolis: University of Minnesota Press, 2000).
Deleuze, G., and Guattari, F., A Thousand Plateaus, Capitalism and Schizophrenia, trans. Massumi, B. (Minneapolis: University of Minnesota Press, 1987).
Derrida, J., Writing and Difference, trans. Bass, A. (University of Chicago Press, 1978).
Dias, N., Le Musée d'Ethnographie du Trocadéro, 1878–1908: anthropologie et muséologie en France (Éditions du CNRS, 1991).
Diderot, D., “Letter on the Deaf and Dumb, For the Use of Those Who Hear and Speak,” in Selected Writings, ed. and intro. by Crocker, L. G., trans. by Coltman, D. (New York: Macmillan, 1966).
Diderot, D., Salons, ed. Seznec, J. and Adhémar, J., 4 vols. (Oxford: Clarendon Press, 1963).
Diesbach, G. de, Proust (Perrin, 1991).
Disdéri, E., Essai sur l'art de la photographie, ed. Masanès, F. (Séguier, 2003).
Dreyfus, R., Souvenirs sur Marcel Proust (Grasset, 1926).
Drumont, E., La France juive: Essai d'histoire contemporaine (Beirut, Lebanon: Édition Charlemagne, 1994).
Emerson, R. W., “History,” in Essays (London: James Fraser, 1841).
Ender, E., Architexts of Memory: Literature, Science, and Autobiography (Ann Arbor: University of Michigan Press, 2005).
Finlay, R., The Pilgrim Art: Cultures of Porcelain in World History (Berkeley: University of California Press, 2010).
Flat, P., Musée Gustave Moreau: l'artiste – son oeuvre – son influence: 18 héliogravures hors texte (Société de l’Édition Artistique, 1899).
Fraisse, L., La correspondance de Proust, son statut dans l'oeuvre, l'histoire de son édition (Besançon: Annales Littéraires de l'Université de Franche-Comté, 1998).
Fraisse, L.Un témoignage rapproché sur Marcel Proust: la correspondance inédite de Reynaldo Hahn avec les dames Lemaire,” Marcel Proust Aujourd'hui 9 (2012), 929.
Freedman, J., “Coming out of the Jewish Closet with Marcel Proust,” in Queer Theory and the Jewish Question, ed. Boyarin, D., Itzkovitz, D., and Pellegrini, A. (New York: Columbia University Press, 2003).
Freeman, E., “Queer Belongings: Kinship Theory and Queer Theory,” in A Companion to Lesbian, Gay, Bisexual, Transgender, and Queer Studies, ed. Haggerty, G. E. and McGarry, M. (Malden, MA and Oxford: Blackwell, 2007).
Freud, S., “Das Unheimliche,” Imago 5 (1919).
Frizot, M., ed., Femmes peintres et salons au temps de Proust, de Madeleine Lemaire à Berthe Morisot (Hazan/Musée Marmottan Monet, 2010).
Gallo, R., Proust's Latin Americans (Baltimore: Johns Hopkins University Press, 2014).
Gamble, C. J., Proust as Interpreter of Ruskin: The Seven Lamps of Translation (Birmingham, AL: Summa Publications, 2002).
Gamble, C. J.Zipporah: A Ruskinian Enigma Appropriated by Marcel Proust,” Word & Image 15:4 (1999), 381394.
Gandelman, C., “The Drawings of Marcel Proust,” Adam International Review 40:394–396 (1976), 2157.
Garner, P., Émile Gallé (London: Academy Editions, 1976).
Garnier, F., Le langage de l'image au Moyen Âge: Signification et symbolique (Le Léopard d'Or, 1982).
Gastaldi, A.-L., and Ivanoff, P., eds., Marcel Proust, une vie en musiques (Archimbaud/Even & Arts/Riveneuve, 2012).
Gautier, T., Italia: Voyage en Italie, ed. Girard, M.-H. (La Boîte à Documents, 1997).
Gibbon, E., The Letters of Edward Gibbon, ed. Norton, J. E. (London: Cassell, 1956).
Gibhardt, B. R., and Ramos, J., eds., Marcel Proust et les arts décoratifs: poétique, matérialité, histoire (INHA/Classiques Garnier, 2013).
Girard, R., Deceit, Desire, and the Novel: Self and Other in Literary Structure, trans. Freccero, Y. (Baltimore: Johns Hopkins University Press, 1965).
Gleick, J., “Quiet Clay Revealed as Vibrant and Primal,” New York Times, May 5, 1987.
Goethe, J. W., Italian Journey, 1786–1788, ed. Saine, T. P. and Sammons, J. L., trans. Heitner, R. R. (New York: Suhrkamp, 1989).
Goffman, E., Stigma: Notes on the Management of Spoiled Identity (Englewood Cliffs, NJ: Prentice-Hall, 1963).
Goncourt, J., and E., Arts et artistes (Hermann, 1997).
Gordon, J. S., “The Country Club,” American Heritage 41:6 (fall 1990), 7584.
Goujon, F., “Le cryptage autobiographique dans Les Plaisirs et les Jours,” Bulletin d'informations proustiennes 30 (1999), 103126.
Goulart, R., Groucho Marx, King of the Jungle (New York: Thomas Dunne Books/St. Martin's Minotaur, 2005).
Greene, V., and Szylowicz, C., “Le miroir des images: étude de quelques dessins médiévaux de Proust,” Bulletin d'informations proustiennes 28 (1997), 729.
Gregh, F., “Les Plaisirs et les Jours, par Marcel Proust,” La Revue de Paris, July 15, 1896.
Hamilton, P., and Hargreave, R., The Beautiful and the Damned: The Creation of Identity in Nineteenth Century Photography (Burlington, VT: Lund Humphries, 2001).
Hamon, P., L'ironie littéraire: Essai sur les formes de l’écriture oblique (Hachette Supérieur, 1996).
Harkness, N., and Schmid, M., eds., Au seuil de la modernité: Proust, Literature and the Arts (Oxford and New York: Peter Lang, 2011).
Heerman, V., dir., Animal Crackers, Paramount Pictures, 1930.
Hewison, R., Ruskin On Venice: The Paradise of Cities (New Haven, CT: Yale University Press, 2009).
Hilton, T., John Ruskin: The Later Years (New Haven, CT: Yale University Press, 2000).
Hirschfeld, M., The Transvestites: The Erotic Drive to Cross-Dress, trans. Lombardi-Nash, M. A. (Amherst, MA: Prometheus Books, 1991).
Hodson, L., ed., Marcel Proust: the Critical Heritage (London: Routledge, 1997).
Hughes, E. J., “The Primitivism of Françoise,” in Marcel Proust: A Study in the Quality of Awareness (Cambridge University Press, 1983).
Hulme, F. E., The History, Principles, and Practice of Symbols in Christian Art (New York: Sonnenschein, 1910).
Ifri, P., Céline et Proust: correspondances proustiennes dans l'oeuvre de L.-F. Céline (Birmingham, AL: Summa, 1996).
Ireland, C., “Confronting Evil, Embracing Life: Two Truncated Harvard Conferences Prove Surprisingly Relevant after a Cave-dark Week,” Harvard Gazette, April 23, 2013.
James, H., What Maisie Knew (Oxford University Press, 1996).
Jankélévitch, V., Music and the Ineffable, trans. Abbate, C. (Princeton University Press, 2003).
Jarocinski, S., Debussy: Impressionism and Symbolism, trans. Myers, R. (London: Eulenburg Books, 1976).
Jaurès, J., “L'affaire Panama. Le devoir du gouvernement,” discours parlementaire, February 8, 1893.
Johnson, T., “Marcel Proust et Gustave Moreau,” Bulletin de la Société des Amis de Marcel Proust 28 (1978).
Johnson, T. “The Painter and his Art in the Works of Marcel Proust,” Ph.D. thesis, University of Wisconsin, 1964.
Johnson, T.Proust and Giotto: Foundations for an Allegorical Interpretation of À la recherche du temps perdu,” in Marcel Proust: A Critical Panorama, ed. Price, L. B. (Urbana: University of Illinois Press, 1973).
Karpeles, E., Paintings in Proust: A Visual Companion to In Search of Lost Time (London and New York: Thames & Hudson, 2008).
Kato, Y., Étude génétique des épisodes d'Elstir dans À la recherche du temps perdu (Tokyo: Surugadai-Shuppansha, 1998).
Kato, Y.Proust et Manet: à propos des ‘Notes sur Manet’ de Jacques-Émile Blanche,” Gallia: Bulletin de la Société de Langue et Littérature Françaises de l'Université d'Osaka 39 (1999), 18.
Kittler, F., Discourse Networks 1800/1900, trans. Metteer, M. with Cullens, C. (Stanford University Press, 1990).
Kittler, F. Gramophone, Film, Typewriter, trans. Winthrop-Young, G. and Wutz, M. (Stanford University Press, 1999).
Kivy, P., Authenticities: Philosophical Reflections on Musical Performance (Ithaca, NY: Cornell University Press, 1995).
Kleeblatt, N. L., ed., The Dreyfus Affair: Art, Truth, and Justice (Berkeley: University of California Press, 1987).
Klibansky, R., Panofsky, E., and Saxl, F., Saturn and Melancholy (London: Nelson, 1964).
Kolb, P., “Marcel Proust et les dames Lemaire,” Bulletin de la Société des Amis de Marcel Proust et des Amis de Combray 14 (1964), 114151.
Kristeva, J., Time and Sense: Proust and the Experience of Literature, trans. Guberman, R. (New York: Columbia University Press, 1996).
Kugler, F., A Hand-book of the History of Painting (London: John Murray, 1842).
La Fontaine, J. de, “Le Geai paré des plumes du Paon,” in Œuvres complètes, ed. Collinet, J.-P., Bibliothèque de la Pléiade (Gallimard, 1991).
Landes-Ferrali, S., Proust et le Grand Siècle (Tübingen: Gunter Narr Verlag, 2004).
Lassels, R., The Voyage of Italy (Vincent du Moutier, 1670).
Leonard, D. R., “Proust et Ruskin: réincarnations intertextuelles,” Bulletin d'informations proustiennes 24 (1993), 6782.
Le Pichon, Y., Le Musée retrouvé de Marcel Proust (Stock, 1990).
Leroy-Beaulieu, A., Israël chez les nations (Calmann-Lévy, 1893).
Levitin, D., “Hit the Reset Button in Your Brain,” New York Times, August 9, 2014.
Lhéritier, G., ed., Proust: du temps perdu au temps retrouvé (Aristophil/Équateurs/Musée des Lettres et Manuscrits, 2010).
Mâle, É. Ľart religieux du XIIIe siècle en France. Étude sur ľiconographie du Moyen Âge et ses sources ďinscription, new edition, revised and augmented (Armand Colin, 1902).
Mâle, É., Religious Art in France of the Thirteenth Century, trans. Nussey, Dora (London: J. M. Dent and New York: E. P. Dutton, 1913).
Malraux, A., Picasso's Mask, trans. Guicharnaud, J. (New York: Holt, Rinehart & Winston, 1976).
Marx, G., Groucho and Me (New York: Random House, 1959).
Maspero, G., Guide to the Cairo Museum, trans. , J. E. and Quibell, A. A. (Cairo: Printing-office of the French Institute of Oriental Archaeology, 1910).
Maspero, G. Life in Ancient Egypt and Assyria, [no translator credited] (New York: Appleton, 1892).
Mauriac Dyer, N., “Dessins,” in Dictionnaire Marcel Proust, ed. Bouillaguet, A. and Rogers, B. G., (Champion, 2004), 297298.
Mauriac Dyer, N., and Yoshikawa, K., eds., Proust aux brouillons (Turnhout: Brepols, 2011).
Mauriac Dyer, N., Yoshikawa, K., and Robert, P.-E., eds., Proust face à l'héritage du XIXe siècle: tradition et métamorphose (Presses Sorbonne Nouvelle, 2012).
Maurois, A., Les Trois Dumas (Hachette, 1957).
Maurois, M., Les Cendres brûlantes (Flammarion, 1986).
Mauss, M., The Gift: The Form and Reason for Exchange in Archaic Societies, trans. Halls, W. D. (New York: W. W. Norton, 2000).
May, G., “Chardin vu par Diderot et par Proust,” PMLA 72:3 (June 1957), 403418.
McCauley, E. A., A.A.E. Disdéri and the Carte de visite Portrait Photograph (New Haven, CT: Yale University Press, 1985).
McDonald, C., The Proustian Fabric: Associations of Memory (Lincoln: University of Nebraska Press, 1991).
Melnick, D., “Proust, Music, and the Reader,” Modern Language Quarterly 41 (1980).
Merleau-Ponty, M., The Visible and the Invisible: Studies in Phenomenology and Existential Philosophy, trans. Lingis, A. (Chicago, IL: Northwestern University Press, 1969).
Migeon, G., Le Caire (Laurens, 1909).
Miguet-Ollagnier, M., La Mythologie de Marcel Proust (Besançon: Presses Universitaires de Franche-Comté, 1982).
Molmenti, P., and Ludwig, G., The Life and Works of Vittorio Carpaccio, trans. Cust, R. H. Hobart (London: John Murray, 1907).
Montaigne, M. de, The Complete Works: Essays, Travel Journals, Letters, trans. Frame, D. M., Everyman's Library (New York: Alfred A. Knopf, 2003).
Montesquiou, R. de, Les Quarante Bergères, portraits satiriques en vers inédits (Librairie de France, 1925).
Montesquiou, R. de Roseaux pensants (Bibliothèque-Charpentier, 1897).
Mortimer, A. K., and Kolb, K., eds., Proust in Perspective: Visions and Revisions (Urbana and Chicago: University of Illinois Press, 2002).
Murakami, Y., “Gomorrhe 1913–1915: survivance de l'affaire Dreyfus dans le Cahier 54,” Genesis 36 (2013) 7988.
Murat, L., “Les souliers rouges de la duchesse, ou la vulgarité de l'aristocratie française,” in D'Après Proust, ed. Forest, P. and Audeguy, S. (Gallimard/NRF, 2013).
Naccache, L., Le nouvel inconscient: Freud, Christophe Colomb des neurosciences (Odile Jacob, 2006).
Nancy, J.-L., On the Commerce of Thinking: Of Books and Bookstores, trans. Wills, D. (New York: Fordham University Press, 2009).
Nattiez, J.-J., Proust as Musician, trans. Puffett, D. (Cambridge University Press, 1989).
Naturel, M., ed., Marcel Proust: L'arche et la colombe, (Neuilly-sur-Seine: Michel Lafon, 2012).
Newark, C., and Wassenaar, I., “Proust and Music: The Anxiety of Competence,” Cambridge Opera Journal 9 (1997), 163183.
Newark, T., Émile Gallé (Secaucus, NJ: Chartwell, 1989).
Norton, C. E., and Ruskin, J., The Correspondence of John Ruskin and Charles Eliot Norton, ed. Bradley, J. L. and Ousby, I. (Cambridge University Press, 1987).
Nugent, T., The Grand Tour, 3rd edn. (London: J. Rivington, 1778).
Nye, R. A., Masculinity and Male Codes of Honor in Modern France (Oxford University Press, 1993).
O'Brian, J., Degas to Matisse: The Maurice Wertheim Collection (New York: Harry N. Abrams/Harvard University Art Museums, 1988).
O'Daley, G., Augustine's City of God (Oxford University Press, 1999).
Oriol, J., Femmes Proustiennes (EST, 2009).
Orledge, R., Debussy and the Theatre (Cambridge University Press, 1982).
Ortel, P., La Littérature à l’ère de la photographie: enquête sur une révolution invisible (Nîmes: Chambon, 2002).
Osma, G. de, Mariano Fortuny: His Life and His Work (New York: Rizzoli, 1985).
Painter, G., Marcel Proust: A Biography (London: Chatto & Windus, 1959).
Paredes, L., Sèvres Then and Now: Tradition and Innovation in Porcelain, 1750–2000 (London: Hillwood Museum, 2009).
Pauset, E. N., “Proust musicologue? Le positivisme ambigu ou: de sentir pour écrire à sentir est écrire,” International Review of the Aesthetics and Sociology of Music 40 (2009), 6379.
Pemble, J., The Mediterranean Passion: Victorians and Edwardians in the South (Oxford: Clarendon Press, 1987).
Perley, N., “The Language of an Unknown Country: Intratextuality in Proust's In Search of Lost Time,” Nineteenth-Century Music 36 (2012), 136145.
Piperno, A., Proust antijuif, trans. Batlle, F. Gonzalez (Liana Levi, 2007).
Posner, M. I., Peterson, S. E., Fox, P. T., and Raichle, M. E., “Localization of Cognitive Operations in the Human Brain,” Science, n.s. 240:4859 (June 17, 1988), 16271631.
Prestwich, P. F., The Translation of Memories: Recollections of the Young Proust (London: Peter Owen, 1999).
Prieto, E., Listening In: Music, Mind, and the Modernist Narrative (Lincoln: University of Nebraska Press, 2002).
Proulx, F., “Quatre lettres de Reynaldo Hahn à Madeleine Lemaire,” Bulletin d'informations proustiennes 43 (2013), 2326.
Proulx, F.Six lettres de Reynaldo Hahn à Suzette Lemaire,” Bulletin d'informations proustiennes 44 (2014), 3746.
Pugh, A. R., The Growth of À la recherche du temps perdu: A Chronological Examination of Proust's Manuscripts from 1909 to 1914, 2 vols. (University of Toronto Press, 2004).
Rhodes, D., and Hopper, R., Clay and Glazes for the Potter (Iola, WI: Krause Publications, 2000).
Richard, G. L., ed., “Priming,” in The Oxford Companion to the Mind (Oxford University Press, 2004).
Ripa, C., Iconologia (1593–1603), ed. Buscaroli, P., preface by Praz, M. (Milan: TEA Arte, 1992).
Robert, L. de, Comment débuta Marcel Proust (Gallimard, 1969).
Roddick, A., and Klarich, E., “Arcillas and Alfareros: Clay and Temper Mining Practices in the Lake Titicaca Basin,” in Mining and Quarrying in the Ancient Andes: Sociopolitical, Economic, and Symbolic Dimensions, ed. Tripcevich, N. and Vaughn, K. J. (New York: Springer Verlag, 2012).
Roscoe, W., Queer Spirits: A Gay Men's Myth Book (Boston, MA: Beacon Press, 1995).
Rouillé, A., La Photographie: entre document et art contemporain (Gallimard, 2005).
Rubin, W., ed., “Primitivism” in 20th Century Art: Affinity of the Tribal and the Modern (New York: Museum of Modern Art, 1984).
Rudorff, R., The Belle Époque: Paris in the Nineties (New York: Saturday Review Press, 1973).
Ruskin, J., The Works of John Ruskin, 39 vols., Library Edition, ed. Cook, E. T. and Wedderburn, A. (London: George Allen, 1903–1912).
Saint-Simon, L. de R., duc de, Mémoires complets et authentiques du duc de Saint-Simon, sur le siècle de Louis XIV et la Régence (H.L. Delloye, 1840).
Sand, G., Lettres d'un Voyageur (Brussels: Meline, Cans, 1838).
Sartre, J.-P., Anti-Semite and Jew, trans. Becker, G. J. (New York: Schocken, 1948).
Scarry, E., Dreaming by the Book (New York: Farrar, Straus & Giroux, 1999).
Schéfer, G., Chardin: biographie critique (Laurens, 1904).
Schlicht, M., La Cathédrale de Rouen vers 1300: Portail des Libraires, portail de la Calende, chapelle de la Vierge (Caen: Société des Antiquaires de Normandie, 2005).
Schulz, J., The New Palaces of Medieval Venice (University Park: Penn State University Press, 2004).
Schwenger, P., “Writing Hypnagogia,” in At the Borders of Sleep: On Liminal Literature (Minneapolis: University of Minnesota Press, 2012).
Sedgwick, E. K., Epistemology of the Closet (Berkeley: University of California Press, 1990).
Simmel, G., The Philosophy of Money, ed. Frisby, D., trans. Bottomore, T. and Frisby, D. (London and New York: Routledge, 2004).
Small, C., Musicking: The Meanings of Performing and Listening (Middletown, CT: Wesleyan University Press, 1998).
Sollers, P., L’Œil de Proust (Stock, 1999).
Souday, P., Marcel Proust (Simon Kra, 1927).
Spottiswood Mackin, S., A Society Woman on Two Continents (London: Transatlantic, 1896).
Steele, V., Paris Fashion: A Cultural History (New York: Berg, 2001).
Steiner, G., Real Presences (University of Chicago Press, 1991).
Stendhal, , Life of Rossini, trans. Coe, R. N. (New York: Criterion Books, 1957).
Stewart, G., The Look of Reading: Book, Painting, Text (University of Chicago Press, 2006).
Strickland, D. H., Saracens, Demons and Jews: Making Monsters in Medieval Art (Princeton University Press, 2003).
Sullivan, C. A., “Classification, Containment, Contamination, and the Courtesan: The Grisette, Lorette, and Demi-Mondaine in Nineteenth-Century French Fiction,” Ph.D. thesis, University of Texas at Austin, 2003.
Szylowicz, C., “Les dessins dans les lettres de Marcel Proust à Reynaldo Hahn,” in Cher ami…Votre Marcel Proust: Marcel Proust im Spiegel seiner Korrespondenz: Briefe und Autographen aus der Bibliotheca Proustiana Reiner Speck, ed. Ritter, J. and Speck, R. (Cologne: Snoek, 2009), 4457.
Tacou, L., ed., L'Herne: Colette (Éditions de L'Herne, 2011).
Tadié, J.-Y., Marcel Proust, trans. Camercon, E. (New York: Viking, 2000).
Tadié, J.-Y. Proust et le roman (Gallimard: 1971).
Tadié, J.-Y.L'univers musical de Marcel Proust,” Revue de Littérature Comparée 67 (1993).
Tadié, J.-Y., with Callu, F., eds., Marcel Proust, l’écriture et les arts (Gallimard/Bibliothèque nationale de France/Réunion des Musées Nationaux, 1999).
Tarde, G., The Laws of Imitation, trans. Parson, E. C. (New York: Henry Holt, 1903).
Thédenat, H., Pompéi: Histoire – Vie privée (Laurens, 1910).
Uro, Y., “Les Peintres de salon amis de Marcel Proust et leurs rapports avec son œuvre,” doctoral thesis, Université de Paris Sorbonne I, 2004.
Uzanne, O., Jean Lorrain, l'artiste – l'ami: souvenirs intimes, lettres inédites ([E. Champion], 1913).
Valazza, N., Crise de plume et souveraineté du pinceau: écrire la peinture de Diderot à Proust (Classiques Garnier, 2013).
Vasari, G., Lives of Seventy of the Most Eminent Painters, Sculptors, and Architects, ed. Blashfield, E. and Hopkins, A. (New York: Charles Scribner's Sons, 1896).
Wagner, R., Prose Works, trans. Ellis, W. A. (London: Kegan Paul, 1907).
Warmus, W., Émile Gallé: Dreams into Glass (Corning, NY: Corning Museum of Glass, 1984).
Watt, A., ed., Marcel Proust in Context (Cambridge University Press, 2013).
Watt, A. Reading in Proust's À la recherche: ‘le délire de la lecture’ (Oxford: Clarendon Press, 2009).
Wilson, E., Axel's Castle: A Study in the Imaginative Literature of 1870–1930 (New York: Scribner's, 1969).
Wolf, M., Proust and the Squid: The Story and Science of the Reading Brain (New York: Harper Perennial, 2008).
Wolitz, S., The Proustian Community (New York University Press, 1971).
Yoshikawa, K., “Proust aux expositions,” in Proust et les moyens de la connaissance, ed. Bouillaguet, A. (Presses Universitaires de Strasbourg, 2009), 207218.
Yoshikawa, K. Proust et l'art pictural (Champion, 2010).
Vinteuil ou la genèse du septuor,” in Études proustiennes, 3 (Gallimard, 1979), 289334.


Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed