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Proust and the Arts
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Book description

Proust and the Arts brings together expert Proustians and renowned interdisciplinary scholars in a major reconsideration of the novelist's relation to the arts. Going beyond the classic question of the models used by Proust for his fictional artists, the essays collected here explore how he learned from and integrated, in highly personal ways, the work of such creators as Wagner or Carpaccio. This volume reveals the breadth of Proust's engagement with varied art forms from different eras: from "primitive" arts to sound recordings, from medieval sculpture to Art Nouveau glassmaking, and from portrait photography to the private art of doodling. Chapters bring into focus issues of perception and detail in examining how Proust encountered and responded to works of art, and attend to the ways art shaped his complex relationship to identity, sexuality, humor, and the craft of writing.

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Contents


Page 1 of 2



Page 1 of 2


Unless otherwise stated, works in French are published in Paris.

À la recherche du temps perdu, ed. Tadié, dir. J.-Y., 4 vols., Bibliothèque de la Pléiade (Gallimard, 1987–1989).
Against Sainte-Beuve, trans. Sturrock, J., Penguin Classics (Harmondsworth: Penguin, 1988).
Cahiers 1 à 75 de la Bibliothèque nationale de France, ed. Mauriac Dyer, dir. N. (Turnhout/Paris: Brepols/Bibliothèque nationale de France, 2008–).
Carnets, ed. Callu, F. and Compagnon, A. (Gallimard, 2002).
Comme Elstir Chardin…, postface Pierron, S. (Altamira, 1999).
Contre Sainte-Beuve précédé de Pastiches et mélanges et suivi de Essais et articles, ed. Clarac, P. and Sandre, Y., Bibliothèque de la Pléiade (Gallimard, 1971).
Contre Sainte-Beuve, ed. de Fallois, B. (Gallimard, 1954).
Correspondance, ed. Kolb, P., 21 vols. (Plon, 1970–1993).
Du côté de chez Swann, preface and notes by Compagnon, A. (Gallimard [folio], 1988).
Du côté de chez Swann: Combray, Premières épreuves corrigées, 1913, ed. Méla, C. (Gallimard, 2013).
In Search of Lost Time, trans. Moncrieff, C. K. Scott, Kilmartin, T., and Mayor, A., revised by Enright, D. J., 6 vols. (New York: Modern Library, 2003).
In the Shadow of Young Girls in Flower, trans. Grieves, J. (Harmondsworth and New York: Penguin, 2002).
Jean Santeuil, précédé de Les Plaisirs et les Jours, ed. Clarac, P. and Sandre, Y., Bibliothèque de la Pléiade (Gallimard, 1971).
Lettres: 1879–1922, ed. Leriche, F. with Szylowicz, C., preface and afterword by Kolb, K., biographical notes by Greene, V. (Plon, 2004).
Lettres à Reynaldo Hahn, ed. Kolb, P. (Gallimard, 1956).
Lettres à une amie: recueil de quarante-et-une lettres inédites adressées à Marie Nordlinger 1889–1908 (Manchester: Éditions du Calame, 1942).
On Art and Literature, 1896–1919, trans. Warner, Sylvia Townsend (New York: Carroll & Graf, 1997).
On Reading Ruskin: Prefaces to La Bible d'Amiens and Sésame et les Lys with Selections form the Notes to the Translated Texts, ed. and trans. Autret, J., Burford, W. and Wolfe, P. J. (New Haven, CT: Yale University Press, 1987).
Les Plaisirs et les Jours (Calmann-Lévy, 1896).
Ruskin, J., and Proust, M., Sésame et les Lys, précédé de Sur la lecture, intro. by Compagnon, A. (Editions Complexe, 1987).
Ruskin, J., La Bible d'Amiens, trans., preface and notes by Proust, M. (Mercure de France, 1926).

Manuscripts are available online at gallica.bnf.fr. A detailed inventory is available at www.item.ens.fr/index.php?id=578147

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Aubert, N., ed., Proust and the Visual (Cardiff: University of Wales Press, 2012).
Baldwin, T., The Picture as Spectre in Diderot, Proust, and Deleuze (London: Legenda, 2011).
Bales, R., Proust and the Middle Ages (Geneva: Droz, 1975).
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Barthes, R., Œuvres complètes, ed. Marty, É., 5 vols. (Seuil, 2002).
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Baudelaire, C., Œuvres complètes, ed. Pichois, C., Bibliothèque de la Pléiade (Gallimard, 1975).
Bedriomo, E., Proust, Wagner, et la coïncidence des arts (J.-M. Place, 1984).
Belting, H., An Anthropology of Images: Picture, Medium, Body, trans. Dunlap, T. (Princeton University Press, 2011).
Blanc, C., Les Beaux-Arts à l'Exposition Universelle de 1878 (Librairie Renouard, 1878).
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Callu, F., with Angremy, A., eds., Catalogue des Nouvelles acquisitions françaises du département des Manuscrits, 1972–1986, nos. 16428–1875, (Bibliothèque nationale de France, 1999).
Carbone, M., “Composing Vinteuil: Proust's Unheard Music,” RES: Anthropology and Aesthetics 48 (2005), 163165.
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Carter, W. C. Proust in Love (New Haven, CT: Yale University Press, 2006).
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Chaleil, F., ed., Gustave Moreau par ses contemporains (Éditions de Paris, 1998).
Colette, Œuvres, ed. Pichois, C., Bibliothèque de la Pléiade (Gallimard, 1984).
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Compagnon, A., Les Antimodernes: De Joseph de Maistre à Roland Barthes (Gallimard, 2005).
Compagnon, A.Le ‘profil assyrien’ ou l'antisémitisme qui n'ose pas dire son nom: les libéraux dans l'affaire Dreyfus,” Études de langue et littérature françaises (Université de Kyoto) 28 (1997), 133150.
Compagnon, A. Proust Between Two Centuries, trans. Goodwin, R. E. (New York: Columbia University Press, 1992).
Connelly, J., Music in Marcel Proust's À la recherche du temps perdu (Hingham, MA: Orris Publishing, 2013). www.proust-ink.com/proust_playlist.pdf
Coutts, H., The Art of Ceramics: European Ceramic Design 1500–1830 (New Haven, CT: Yale University Press, 2001).
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Daudet, J., Les Archipels lumineux (Lemerre, 1913).
Dehaene, S., Reading in the Brain: The Science and Evolution of a Human Invention (London and New York: Viking, 2009).
Deleuze, G., Proust and Signs: The Complete Text, trans. Howard, R. (Minneapolis: University of Minnesota Press, 2000).
Deleuze, G., and Guattari, F., A Thousand Plateaus, Capitalism and Schizophrenia, trans. Massumi, B. (Minneapolis: University of Minnesota Press, 1987).
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Dias, N., Le Musée d'Ethnographie du Trocadéro, 1878–1908: anthropologie et muséologie en France (Éditions du CNRS, 1991).
Diderot, D., “Letter on the Deaf and Dumb, For the Use of Those Who Hear and Speak,” in Selected Writings, ed. and intro. by Crocker, L. G., trans. by Coltman, D. (New York: Macmillan, 1966).
Diderot, D., Salons, ed. Seznec, J. and Adhémar, J., 4 vols. (Oxford: Clarendon Press, 1963).
Diesbach, G. de, Proust (Perrin, 1991).
Disdéri, E., Essai sur l'art de la photographie, ed. Masanès, F. (Séguier, 2003).
Dreyfus, R., Souvenirs sur Marcel Proust (Grasset, 1926).
Drumont, E., La France juive: Essai d'histoire contemporaine (Beirut, Lebanon: Édition Charlemagne, 1994).
Emerson, R. W., “History,” in Essays (London: James Fraser, 1841).
Ender, E., Architexts of Memory: Literature, Science, and Autobiography (Ann Arbor: University of Michigan Press, 2005).
Finlay, R., The Pilgrim Art: Cultures of Porcelain in World History (Berkeley: University of California Press, 2010).
Flat, P., Musée Gustave Moreau: l'artiste – son oeuvre – son influence: 18 héliogravures hors texte (Société de l’Édition Artistique, 1899).
Fraisse, L., La correspondance de Proust, son statut dans l'oeuvre, l'histoire de son édition (Besançon: Annales Littéraires de l'Université de Franche-Comté, 1998).
Fraisse, L.Un témoignage rapproché sur Marcel Proust: la correspondance inédite de Reynaldo Hahn avec les dames Lemaire,” Marcel Proust Aujourd'hui 9 (2012), 929.
Freedman, J., “Coming out of the Jewish Closet with Marcel Proust,” in Queer Theory and the Jewish Question, ed. Boyarin, D., Itzkovitz, D., and Pellegrini, A. (New York: Columbia University Press, 2003).
Freeman, E., “Queer Belongings: Kinship Theory and Queer Theory,” in A Companion to Lesbian, Gay, Bisexual, Transgender, and Queer Studies, ed. Haggerty, G. E. and McGarry, M. (Malden, MA and Oxford: Blackwell, 2007).
Freud, S., “Das Unheimliche,” Imago 5 (1919).
Frizot, M., ed., Femmes peintres et salons au temps de Proust, de Madeleine Lemaire à Berthe Morisot (Hazan/Musée Marmottan Monet, 2010).
Gallo, R., Proust's Latin Americans (Baltimore: Johns Hopkins University Press, 2014).
Gamble, C. J., Proust as Interpreter of Ruskin: The Seven Lamps of Translation (Birmingham, AL: Summa Publications, 2002).
Gamble, C. J.Zipporah: A Ruskinian Enigma Appropriated by Marcel Proust,” Word & Image 15:4 (1999), 381394.
Gandelman, C., “The Drawings of Marcel Proust,” Adam International Review 40:394–396 (1976), 2157.
Garner, P., Émile Gallé (London: Academy Editions, 1976).
Garnier, F., Le langage de l'image au Moyen Âge: Signification et symbolique (Le Léopard d'Or, 1982).
Gastaldi, A.-L., and Ivanoff, P., eds., Marcel Proust, une vie en musiques (Archimbaud/Even & Arts/Riveneuve, 2012).
Gautier, T., Italia: Voyage en Italie, ed. Girard, M.-H. (La Boîte à Documents, 1997).
Gibbon, E., The Letters of Edward Gibbon, ed. Norton, J. E. (London: Cassell, 1956).
Gibhardt, B. R., and Ramos, J., eds., Marcel Proust et les arts décoratifs: poétique, matérialité, histoire (INHA/Classiques Garnier, 2013).
Girard, R., Deceit, Desire, and the Novel: Self and Other in Literary Structure, trans. Freccero, Y. (Baltimore: Johns Hopkins University Press, 1965).
Gleick, J., “Quiet Clay Revealed as Vibrant and Primal,” New York Times, May 5, 1987.
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Goncourt, J., and E., Arts et artistes (Hermann, 1997).
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Goujon, F., “Le cryptage autobiographique dans Les Plaisirs et les Jours,” Bulletin d'informations proustiennes 30 (1999), 103126.
Goulart, R., Groucho Marx, King of the Jungle (New York: Thomas Dunne Books/St. Martin's Minotaur, 2005).
Greene, V., and Szylowicz, C., “Le miroir des images: étude de quelques dessins médiévaux de Proust,” Bulletin d'informations proustiennes 28 (1997), 729.
Gregh, F., “Les Plaisirs et les Jours, par Marcel Proust,” La Revue de Paris, July 15, 1896.
Hamilton, P., and Hargreave, R., The Beautiful and the Damned: The Creation of Identity in Nineteenth Century Photography (Burlington, VT: Lund Humphries, 2001).
Hamon, P., L'ironie littéraire: Essai sur les formes de l’écriture oblique (Hachette Supérieur, 1996).
Harkness, N., and Schmid, M., eds., Au seuil de la modernité: Proust, Literature and the Arts (Oxford and New York: Peter Lang, 2011).
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Hewison, R., Ruskin On Venice: The Paradise of Cities (New Haven, CT: Yale University Press, 2009).
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Hirschfeld, M., The Transvestites: The Erotic Drive to Cross-Dress, trans. Lombardi-Nash, M. A. (Amherst, MA: Prometheus Books, 1991).
Hodson, L., ed., Marcel Proust: the Critical Heritage (London: Routledge, 1997).
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Hulme, F. E., The History, Principles, and Practice of Symbols in Christian Art (New York: Sonnenschein, 1910).
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Perley, N., “The Language of an Unknown Country: Intratextuality in Proust's In Search of Lost Time,” Nineteenth-Century Music 36 (2012), 136145.
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Proulx, F., “Quatre lettres de Reynaldo Hahn à Madeleine Lemaire,” Bulletin d'informations proustiennes 43 (2013), 2326.
Proulx, F.Six lettres de Reynaldo Hahn à Suzette Lemaire,” Bulletin d'informations proustiennes 44 (2014), 3746.
Pugh, A. R., The Growth of À la recherche du temps perdu: A Chronological Examination of Proust's Manuscripts from 1909 to 1914, 2 vols. (University of Toronto Press, 2004).
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Rubin, W., ed., “Primitivism” in 20th Century Art: Affinity of the Tribal and the Modern (New York: Museum of Modern Art, 1984).
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Saint-Simon, L. de R., duc de, Mémoires complets et authentiques du duc de Saint-Simon, sur le siècle de Louis XIV et la Régence (H.L. Delloye, 1840).
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