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Introduction: the figure a “person” makes: on the aesthetics of liberalism

Published online by Cambridge University Press:  22 September 2009

Arthur Riss
Affiliation:
Salem State College, Massachusetts
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Summary

It is often asserted that the egalitarian rhetoric of the American Revolution, a rhetoric crystallized by the Declaration of Independence's claim that “all men are created equal,” necessarily doomed US slavery. The values of the Declaration, as Winthrop Jordan has stated, are logically and morally incompatible with the institution of slavery and thus inexorably “require the complete abolition of slavery.” According to this account, the only reason the birth of America and the death of race-based slavery was not immediate is that this nation's founding principles failed to be “taken at face value,” their obvious meaning misunderstood, distorted, or disavowed (p. 341).

Given the assumption that slavery obviously distorts the ideals of America, it is not surprising that the history of the United States is often imagined in terms of the progressive revelation of the clear and explicit meaning of this declaration. In his magisterial study of US citizenship, Rogers Smith, for example, has explored the extent to which an ascriptive political tradition, one that establishes political identities on the basis of race, gender, and religion, has competed with this nation's liberal tradition and worked to block the expression of the Declaration's ideals of freedom and equality. Similarly, Garry Wills has argued that Lincoln's genius was to promote the Declaration of Independence rather than the more ambivalent Constitution as this nation's foundational document. Lincoln did so, according to Wills, because “[p]ut the claims of the Declaration as mildly as possible, and it still cannot be reconciled with slavery.”

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Publisher: Cambridge University Press
Print publication year: 2006

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