Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-cfpbc Total loading time: 0 Render date: 2024-04-23T18:41:07.883Z Has data issue: false hasContentIssue false

12 - "A tale of possessors self-dispossessed"

Published online by Cambridge University Press:  28 May 2006

Michael Manheim
Affiliation:
University of Toledo, Ohio
Get access

Summary

That Eugene O'Neill could not complete the historical cycle as it was designed is one of the greatest losses the drama in any time has sustained. Goethe's comment on Marlowe's Dr. Faustus, “How greatly it was planned,” has more relevance to A Tale of Possessors, Self-dispossessed. It was a work of astonishing scope and scale. Theresa Helburn rightly called it a comédie humaine. Nothing in the drama, except Shakespeare's two cycles on British history, could have been set beside it. The two plays that have survived reveal something of the power of life that beat in it, but they show only vestiges of what its full plan realized would have provided: a prophetic epitome for the course of American destiny.

(Travis Bogard, Contour in Time, p. 369)

O'Neill's own detailed record of his living and writing from 1924 to 1943, the Work Diary, now part of the O'Neill collection at Yale, makes possible the following account of the vast Cycle project: how it was conceived and developed, and how it eventually ended. Although much manuscript material relating to the plays was destroyed, their plots can be reconstructed from scenarios and other notes also preserved at Yale. Outlines of all the plays in the nine-play Cycle are given here in the sequence of their conception as part of the series. They are followed by a summary of the four plays outlined by O'Neill in October and November 1940 to replace plays one and two, actually written between 1935 and 1937, but later destroyed. The four gave the plan its final form - a Cycle of eleven plays.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 1998

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×