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The Cambridge Companion to John Cage
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  • Cited by 10
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    This book has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Venäläinen, Juhana 2018. Art and the Challenge of Markets Volume 2. p. 37.

    YANG, SERENA 2017. John Cage and George Herbert Mead: The Unknown Influence of Van Meter Ames. Journal of the Society for American Music, Vol. 11, Issue. 03, p. 354.

    COLE, ROSS 2014. ‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968. Twentieth-Century Music, Vol. 11, Issue. 02, p. 217.

    Neff, Severine 2014. Point/Counterpoint: John Cage Studies with Arnold Schoenberg. Contemporary Music Review, Vol. 33, Issue. 5-6, p. 451.

    THOMAS, PHILIP 2013. Understanding Indeterminate Music through Performance: Cage's Solo for Piano. Twentieth-Century Music, Vol. 10, Issue. 01, p. 91.

    BOUTWELL, BRETT 2012. Morton Feldman's Graphic Notation: Projections and Trajectories. Journal of the Society for American Music, Vol. 6, Issue. 04, p. 457.

    Melia, Nicholas 2011. Stille Musik—Wandelweiser and the Voices of Ontological Silence. Contemporary Music Review, Vol. 30, Issue. 6, p. 471.

    Shryane, Jennifer 2010. ‘A small Utopia’: Unterstützer not Anhänger. Einstürzende Neubauten's Supporter Initiative. Popular Music, Vol. 29, Issue. 03, p. 373.

    Thomas, Philip 2007. Determining the indeterminate1. Contemporary Music Review, Vol. 26, Issue. 2, p. 129.

    MILLER, LETA E. 2006. Henry Cowell and John Cage: Intersections and Influences, 1933–1941. Journal of the American Musicological Society, Vol. 59, Issue. 1, p. 47.

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    The Cambridge Companion to John Cage
    • Online ISBN: 9781139002271
    • Book DOI: https://doi.org/10.1017/CCOL9780521783484
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Book description

John Cage (1912–1992) was without doubt one of the most important and influential figures in twentieth-century music. Pupil of Schoenberg, Henry Cowell, Marcel Duchamp, and Daisetz Teitaro Suzuki, among others, he spent much of his career in pursuit of an unusual goal: 'giving up control so that sounds can be sounds', as he put it. This book celebrates the richness and diversity of Cage's achievements - the development of the prepared piano and of the percussion orchestra, the adoption of chance and of indeterminacy, the employment of electronic resources and of graphic notation, and the questioning of the most fundamental tenets of Western art music. Besides composing around 300 works, he was also a prolific performer, writer, poet, and visual artist. Written by a team of experts, this Companion discusses Cage's background, his work, and its performance and reception, providing in sum a fully rounded portrait of a fascinating figure.

Reviews

‘… find this collection of 14 essays an amiable and accessible companion … this delightful and informative book.’

Source: BBC Music Magazine

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