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Wagner's Musical Prose
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  • Cited by 7
  • Cited by
    This book has been cited by the following publications. This list is generated based on data provided by CrossRef.

    BURGSTALLER, GEORG 2015. Schenker's Theory of Criticism, circa 1911. Music Analysis, Vol. 34, Issue. 2, p. 200.

    Rasula, Jed 2013. Endless Melody. Texas Studies in Literature and Language, Vol. 55, Issue. 1, p. 36.

    2012. Monumentale Erinnerung - ästhetische Erneuerung.

    Bribitzer-Stull, Matthew 2007. Richard Wagner for the New Millennium.

    Rehding, Alexander 2000. The Quest for the Origins of Music in Germany Circa 1900. Journal of the American Musicological Society, Vol. 53, Issue. 2, p. 345.

    Christensen, Thomas 1999. Four-Hand Piano Transcription and Geographies of Nineteenth-Century Musical Reception. Journal of the American Musicological Society, Vol. 52, Issue. 2, p. 255.

    Hinton, Stephen 1998. Not "Which" Tones? The Crux of Beethoven's Ninth. 19th-Century Music, Vol. 22, Issue. 1, p. 61.

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    Wagner's Musical Prose
    • Online ISBN: 9780511470301
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Book description

This book is a study of the prose writings of Richard Wagner and their relevance to an understanding of his music and drama, as well as their relation to music criticism and aesthetics in the nineteenth century in general. As a by-product of Wagner's many-faceted career as musician, conductor, cultural critic and controversial ideologue, the writings are documents of undisputed interpretative value. This study focuses on Wagner's words on music, and interprets them in the light of the musical, aesthetic and critical contexts that generated them. Professor Grey considers Wagner's ambivalence concerning the idea of 'absolute music' and the capacity of music to project meaning or drama from within its own system of referents. Particularly relevant are Wagner's appropriation of a Beethoven legacy, the metaphors of musical 'gender' and 'biology' in Opera and Drama and the critical background to ideas of 'motive' and 'leitmotif' in theory and practice.


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