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24 results in Non-western art

Page 1 of 2

Inscriptions of the Medieval Islamic World
  • Edited by Bernard O'Kane, A. C. S. Peacock, Mark Muehlhaeusler
  • Published by:
    Edinburgh University Press
    Published online:
    13 March 2025
    Print publication:
    01 June 2023
  • This volume offers an overview of the state of the field, and shows the importance of Islamic inscriptions for disciplines such as art history, history and literature. The chapters range from surveys to detailed exploration of individual topics, providing an insight to some of the most recent cutting-edge work on Islamic inscriptions. It focuses on the period from the rise of Islam to the fifteenth century, ranging across the Islamic world from the Maghreb to India and Central Asia, and inscriptions in Arabic, Persian and Turkish.

    The five sections of the book draw together some of the principal themes: 'Royal Power' investigates the role of sultanic patronage in epigraphy, and the use of inscriptions for projecting royal power. 'Piety' examines the relationship between epigraphy and religious practice. 'Epigraphic Style and Function' explores the relationship between the use of specific epigraphic styles and scripts and the function of a monument. 'Inscribed Objects' moves from monumental inscriptions to those on objects such as ceramics and pen-cases. The final section considers the interplay between inscriptions and historical sources as well as the utility of inscriptions as historical sources.

Abundance and Fertility
  • Representations Associated with Child Protection in the Visual Culture of Ancient India
  • Agnieszka Sylwia Staszczyk
  • Published by:
    Jagiellonian University Press
    Published online:
    18 December 2024
    Print publication:
    06 September 2023
  • This work is a fascinating attempt to probe deep into the socio-cultural ramifications of the visual artefacts of ancient India, which has a rich heritage of iconographic treasures of varying sizes and styles. The art objects selected for analysis are mainly from the Mathura region of the Kushan era and belong to a period between 50 - 60 and 300 of the Common Era. This period is perceived as that of 'multicultural environment' enriched with different streams of tradition. According to the author they are directly related to the themes of abundance and fertility, its perceived cause. The author demonstrates how these distant fragments of visual imagery can yield rich insights of the world view of the communities which produced them. The work critically analyses the representation of 'spiritual deities' consisting of Ekanamsha, Hariti, Matrikas, Naigamesha, Shashthi and Skanda who were associated with the function of child protection. Understandably, they were the products of a belief in supernatural powers which could offer psychological protection to women cutting across different socio-economic classes at the times of great psychological stress like pregnancy, childbirth and puerperium. The artefacts are carved in stone. Sometimes they are projected as isolated individuals and at other times as belonging to multi-character panels. Depending on their size, they had different functions: bigger objects could be fixed at some places and smaller ones carried from place to place.

Aboriginal Rock Art and the Telling of History
  • Laura Rademaker, Sally K. May, Gabriel Maralngurra, Joakim Goldhahn
  • Published online:
    12 November 2024
    Print publication:
    05 December 2024
  • The rock art of Australia is among the oldest, most complex, and most fascinating manifestations of human creativity and imagination in the world. Aboriginal people used art to record their experiences, ceremonies, and knowledge by embedding their understanding of the world in the landscape over many generations. Indeed, rock art serves as archives and libraries for Australia's Indigenous people. It is, in effect, its repository of memory. This volume explores Indigenous perspectives on rock art. It challenges the limits and assumptions of traditional, academic ways of understanding and knowing the past by showing how history has literally been painted 'on the rocks'. Each chapter features a biography of an artist or family of artists, together with an artwork created by contemporary artist Gabriel Maralngurra. By bringing together history, archaeology, and Indigenous artistic practice, the book offers new insights into the medium of rock art and demonstrates the limits of academic methods and approaches.

The Cambridge Companion to Manga and Anime
  • Edited by Jaqueline Berndt
  • Published online:
    07 November 2024
    Print publication:
    31 October 2024
  • In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, this volume offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic.

A Unique Banchado
  • The Documentary Painting of King Jeongjo's Royal Procession to Hwaseong in 1795
  • Han Young-woo
  • Translated by Chung Eunsung
  • Published by:
    Amsterdam University Press
    Published online:
    18 November 2023
    Print publication:
    01 April 2017
  • Fully illustrated in colour, here is the first introduction in English to one of Korea's outstanding cultural assets - the banchado ('painting of the order of guests at a royal event') - relating to all those taking part (1800 people) in the eight-day royal procession to Hwaseong (Gyeonggi Province) organized by King Jeongjo in 1795 for the dual purpose of visiting his father's tomb and celebrating his mother's sixtieth birthday. The banchado is a fine example of the meticulous record-keeping of the period (known as uigwe - the subject-matter of this book being known as the Wonhaeng eulmyo jeongni uigwe) and the skills of the court artists at that time. In addition to the banchado illustrations, the Wonhaeng eulmyo jeongni uigwe contains extensive lists of all the participants in the procession, details of the workers and technicians involved, including their duties and wages. It even includes the different foods offered at meal-times, the quantity of ingredients and the costs. The author provides a full analysis of the context, planning, execution and significance of the event.

The Cultural Politics of Art in Iran
  • Modernism, Exhibitions, and Art Production
  • Katrin Nahidi
  • Published online:
    07 September 2023
    Print publication:
    21 September 2023
  • Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In this book, Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity.

The Art of Resistance in Islam
  • The Performance of Politics among Shi'i Women in the Middle East and Beyond
  • Yafa Shanneik
  • Published online:
    06 January 2022
    Print publication:
    20 January 2022
  • Based on first-hand ethnographic insights into Shi'i religious groups in the Middle East and Europe , this book examines women's resistance to state as well as communal and gender power structures. It offers a new transnational approach to understanding gender agency within contemporary Islamic movements expressed through language, ritual practices, dramatic performances , posters and banners. By looking at the aesthetic performance of the political on the female body through Shi'i ritual practices – an aspect that has previously been ignored in studies on women's acts of resistance -, Yafa Shanneik shows how women play a central role in redefining sectarian and gender power relations both in the Middle East and in the European diaspora.

Art and the Arab Spring
  • Aesthetics of Revolution and Resistance in Tunisia and Beyond
  • Siobhan Shilton
  • Published online:
    07 July 2021
    Print publication:
    08 July 2021
  • The revolutions that began to sweep across countries in North Africa and the Middle East in December 2010 – like other revolutions in diverse modern historical contexts – have often been articulated, internally and externally, in black and white terms of success or failure, liberation or constraint, for or against, friend or enemy. These internal and external clichés are perpetuated by what Jellel Gasteli has called 'icons of revolutionary exoticism'. Paying particular attention to works from the Tunisian Revolution of 2011, this book examines a diverse body of art including photography, sculpture, graffiti, performance, video and installation by over twenty-five artists. Examining how art can evoke the idea of revolution, Art and the Arab Spring reveals a new way of understanding these revolutions, their profound cultural impact, and of the meaning of the term 'revolution' itself.

Modernity in Black and White
  • Art and Image, Race and Identity in Brazil, 1890–1945
  • Rafael Cardoso
  • Published online:
    06 April 2021
    Print publication:
    15 April 2021
  • Modernity in Black and White provides a groundbreaking account of modern art and modernism in Brazil. Departing from previous accounts, mostly restricted to the elite arenas of literature, fine art and architecture, the book situates cultural debates within the wider currents of Brazilian life. From the rise of the first favelas, in the 1890s and 1900s, to the creation of samba and modern carnival, over the 1910s and 1920s, and tracking the expansion of mass media and graphic design, into the 1930s and 1940s, it foregrounds aspects of urban popular culture that have been systematically overlooked. Against this backdrop, Cardoso provides a radical re-reading of Antropofagia and other modernist currents, locating them within a broader field of cultural modernization. Combining extensive research with close readings of a range of visual cultural production, the volume brings to light a vast archive of art and images, all but unknown outside Brazil.

Patrick van Rensburg
  • Rebel, Visionary and Radical Educationist, a Biography
  • Kevin Shillington
  • Published by:
    Wits University Press
    Published online:
    10 September 2020
    Print publication:
    01 July 2020
  • Patrick van Rensburg (1931–2017) was an anti-apartheid activist and self-made 'alternative educationist' whose work received international recognition with the Right Livelihood Award in 1981. Born in KwaZulu-Natal into what he described as a 'very ordinary South African family that believed in the virtue of racism', Van Rensburg became a self-styled rebel who tirelessly pursued his own vision of a brighter future for emerging societies in post-colonial southern Africa. His emotional and intellectual struggle against his upbringing and cultural roots led him to reject his life of white privilege in South Africa. Determined to prevent the emergence of a privileged black elite in post-colonial society, he devoted his life to implementing an alternative, egalitarian approach to education, focusing on quality and functional schooling for the majority. Rewarded with the internationally prestigious Right Livelihood Award for his unique contribution to education, he saw this work as a 'necessary tool of development'. Exiled from South Africa in 1960 because of his involvement in the London boycott campaign that gave birth to the Anti-Apartheid Movement, Van Rensburg moved to Botswana (then Bechuanaland). There he founded cooperatives, provided vocational training and was among the earliest educationists to espouse the discipline of development studies. Perhaps his best-known legacy is the Swaneng Hill School, which he founded to provide an educational home for primary school 'dropouts' through a curriculum that combined theory and practice, and academic and manual labour. He involved his pupils in building their school, running it, providing their own food, and making their own equipment and furniture. Van Rensburg was an innovative and charismatic visionary who captured the zeitgeist of the late twentieth century, and whose work and vision still have resonance for debates in educational policy today.

Cosmopolitan Radicalism
  • The Visual Politics of Beirut's Global Sixties
  • Zeina Maasri
  • Published online:
    20 July 2020
    Print publication:
    06 August 2020
  • Exploring the intersections of visual culture, design and politics in Beirut from the late 1950s to the mid-1970s, this compelling interdisciplinary study critically examines a global conjuncture in Lebanon's history, marked by anticolonial struggle and complicated by a Cold War order. Against a celebratory reminiscence of the 'golden years', Beirut's long 1960s is conceived of as a liminal juncture, an anxious time and space when the city held out promises at once politically radical and radically cosmopolitan. Zeina Maasri examines the transnational circuits that animated Arab modernist pursuits, shedding light on key cultural transformations that saw Beirut develop as a Mediterranean site of tourism and leisure, a nexus between modern art and pan-Arab publishing and, through the rise of the Palestinian Resistance, a node in revolutionary anti-imperialism. Drawing on uncharted archives of printed media this book expands the scope of historical analysis of the postcolonial Arab East.

The City of Blue and White
  • Chinese Porcelain and the Early Modern World
  • Anne Gerritsen
  • Published online:
    24 February 2020
    Print publication:
    07 May 2020
  • We think of blue and white porcelain as the ultimate global commodity: throughout East and Southeast Asia, the Indian Ocean including the African coasts, the Americas and Europe, consumers desired Chinese porcelains. Many of these were made in the kilns in and surrounding Jingdezhen. Found in almost every part of the world, Jingdezhen's porcelains had a far-reaching impact on global consumption, which in turn shaped the local manufacturing processes. The imperial kilns of Jingdezhen produced ceramics for the court, while nearby private kilns manufactured for the global market. In this beautifully illustrated study, Anne Gerritsen asks how this kiln complex could manufacture such quality, quantity and variety. She explores how objects tell the story of the past, connecting texts with objects, objects with natural resources, and skilled hands with the shapes and designs they produced. Through the manufacture and consumption of Jingdezhen's porcelains, she argues, China participated in the early modern world.

What is 'Islamic' Art?
  • Between Religion and Perception
  • Wendy M. K. Shaw
  • Published online:
    27 September 2019
    Print publication:
    10 October 2019
  • Revealing what is 'Islamic' in Islamic art, Shaw explores the perception of arts, including painting, music, and geometry through the discursive sphere of historical Islam including the Qur'an, Hadith, Sufism, ancient philosophy, and poetry. Emphasis on the experience of reception over the context of production enables a new approach, not only to Islam and its arts, but also as a decolonizing model for global approaches to art history. Shaw combines a concise introduction to Islamic intellectual history with a critique of the modern, secular, and European premises of disciplinary art history. Her meticulous interpretations of intertextual themes span antique philosophies, core religious and theological texts, and prominent prose and poetry in Arabic, Persian, Turkish, and Urdu that circulated across regions of Islamic hegemony from the eleventh century to the colonial and post-colonial contexts of the modern Middle East.

Penny Siopis
  • Time and Again
  • Edited by Gerrit Olivier
  • Published by:
    Wits University Press
    Published online:
    05 June 2019
    Print publication:
    01 December 2014
  • With her earliest work, Penny Siopis established herself as one of the most talented and challenging visual artists in and beyond South Africa. Penny Siopis: Time and Again engages in a variety of ways with her work of the past thirty-five years. A conversation between the artist and the editor, Gerrit Olivier, unfolds throughout the book, giving the reader fascinating insights into her working methods, her strong interest in form and different genres, her theoretical concerns and her views on the position of art in a sociopolitical context. The first chapter by Achille Mbembe, on her latest work, considers how creation takes hold in the wake of loss. Siopis’s abiding interest in what she calls ‘the poetics of vulnerability’ - manifest in a tension between materiality and image - coalesces with her explorations of history, sexuality, race, memory, estrangement and violence in her paintings, installations and films. With reference to works such as Patience on a Monument, Pinky Pinky, Shame, My Lovely Day, ObscureWhite Messenger and Communion, these themes are explored in commentaries by TJ Demos, Jennifer Law, Njabulo Ndebele, Sarah Nuttall, Griselda Pollock and Colin Richards. A conversation between Siopis and William Kentridge illuminates the trajectory of their own work and that of South African art. The elegant design of the book showcases what Alessandra De Angelis calls the ‘incredible beauty’ of Siopis’s work. The vibrant imagery is testimony to Siopis’s ability to combine profound ideas with forms that have a visceral impact on the viewer. As suggested by the title, this book is a stitching together of memory and the promise of return, of loss and creation in a process of perpetual renewal.

The Kongo Kingdom
  • The Origins, Dynamics and Cosmopolitan Culture of an African Polity
  • Edited by Koen Bostoen, Inge Brinkman
  • Published online:
    12 November 2018
    Print publication:
    15 November 2018
  • The Kongo kingdom, which arose in the Atlantic Coast region of West-Central Africa, is a famous emblem of Africa's past yet little is still known of its origins and early history. This book sheds new light on that all important period and goes on to explain the significance of its cosmopolitan culture in the wider world. Bringing together different new strands of historical evidence as well as scholars from disciplines as diverse as anthropology, archaeology, art history, history and linguistics, it is the first book to approach the history of this famous Central African kingdom from a cross-disciplinary perspective. All chapters are written by distinguished and/or upcoming experts of Kongo history with a focus on political space, taking us through processes of centralisation and decentralisation, the historical politics of extraversion and internal dynamics, and the geographical distribution of aspects of material and immaterial Kongo culture.

Nine Years in Nipon
  • Sketches of Japanese Life and Manners
  • Henry Faulds
  • Published online:
    05 June 2016
    Print publication:
    02 July 2015
    First published in:
    1885
  • The Scottish doctor Henry Faulds (1843–1930) is best remembered for his role in the history of fingerprinting. His strong religious faith had first led him to missionary work in India and then, from 1874, in Japan. He worked there as a surgeon in the mission hospital at Tsukiji, near Tokyo, where he also established a medical school and a school for the blind. It was his discovery of the impressions of thumbprints on ancient Japanese pottery which led to his development of a fingerprinting system and his championing of it as a forensic tool. The present work, part-travelogue, part-journal, was first published in 1885. It remains an engaging account of Japanese life, customs, geography and natural history, interwoven with discussions of topics such as education, language, and the future of the country. There are characterful line drawings throughout. Faulds' Dactylography (1912) is also reissued in the Cambridge Library Collection.

Japan
  • Its Architecture, Art, and Art Manufactures
  • Christopher Dresser
  • Published online:
    05 June 2016
    Print publication:
    21 May 2015
    First published in:
    1882
  • Educated at the Government School of Design (predecessor of the Royal College of Art), Christopher Dresser (1834–1904) became arguably the first industrial designer, identified by his name on his work. He was an early proponent of oriental art: as a leading figure in the Aesthetic Movement, he promoted Japonism in art and decoration. In 1876–7 he toured Japan at the Japanese government's invitation, investigating local manufacturing and design. This beautifully illustrated 1882 work is the result. The first half is a travelogue of Dresser's time in Japan, written with a designer's eye for the architecture and decoration around him. The second half, covering the various ways in which design and decoration were used in the manufacturing industries, includes consideration of architectural motifs, the importance of symbols, lacquerware, ceramics, metalware, and fabric production. This remains an invaluable resource for the student of Japanese art and design.

Things Japanese
  • Being Notes on Various Subjects Connected with Japan
  • Basil Hall Chamberlain
  • Published online:
    05 January 2015
    Print publication:
    17 July 2014
    First published in:
    1890
  • Basil Hall Chamberlain (1850–1935) first encountered Japan on a journey intended to promote the recovery of his health: he had suffered a nervous breakdown while working for Barings Bank. In May 1873, he arrived in Yokohama, and was immediately fascinated by traditional Japanese culture. The drive for modernisation had created a need for teachers of English, and Chamberlain was taken on as a tutor in the naval academy, at the same time studying the Japanese language to such good effect that in 1886 he was made professor of Japanese and philology of the Imperial University (later Tokyo University). This book, first published in 1890, and going into six editions over the next fifty years, is in the form of an encyclopaedia, with topics from 'abacus' to 'zoology'. It gives an affectionate account of aspects of Japanese culture which Chamberlain realised were disappearing under the relentless impact of Western influence.

Visual Culture in Contemporary China
  • Paradigms and Shifts
  • Xiaobing Tang
  • Published online:
    05 January 2015
    Print publication:
    08 January 2015
  • Exploring a wealth of images ranging from woodblock prints to oil paintings, this beautifully illustrated full-color study takes up key elements of the visual culture produced in the People's Republic of China from its founding in 1949 to the present day. In a challenge to prevailing perceptions, Xiaobing Tang argues that contemporary Chinese visual culture is too complex to be understood in terms of a simple binary of government propaganda and dissident art, and that new ways must be sought to explain as well as appreciate its multiple sources and enduring visions. Drawing on rich artistic, literary, and sociopolitical backgrounds, Tang presents a series of insightful readings of paradigmatic works in contemporary Chinese visual arts and cinema. Lucidly written and organized to address provocative questions, this compelling study underscores the global and historical context of Chinese visual culture and offers a timely new perspective on our understanding of China today.

Stelae from Egypt and Nubia in the Fitzwilliam Museum, Cambridge, c.3000 BC–AD 1150
  • Geoffrey Thorndike Martin
  • With contributions by S. J. Clackson , S. G. J. Quirke , J. D. Ray , J. Reynolds , J. van der Vliet and G. J. van Gelder
  • Photographs by Andrew Norman
  • Published online:
    05 June 2012
    Print publication:
    10 March 2005
  • The volume provides a detailed catalogue of 127 stelae (many funerary) deriving from the Nile Valley, now part of the Egyptian collection in the Fitzwilliam Museum, Cambridge. The stelae are written in various scripts – Egyptian hieroglyphic, hieratic and demotic, Carian, Greek, Coptic and early Arabic – and cover a date-range of over 4000 years. Few museums have published their complete holdings of such material, and the carefully described and translated information from these stelae throws a flood of light on the history, religion, funerary customs, art and iconography, daily life and administrative systems of ancient Egypt and Nubia. Each entry has a photograph of the stela as well as a meticulous line-drawing which enables the texts and iconography to be understood and interpreted. Full museological details such as material, precise measurements, provenance (where known), mode of acquisition and dating are provided. The volume will interest specialists as well as a wider public concerned with Egyptology.

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