By exploring Adam Smith’s considerations of arts, this paper stresses that the philosopher establishes a profound connection between music and sympathy. In his essay “Of the Nature of that Imitation which takes place in what are called The Imitative Arts,” Smith delves into esthetic theory, dedicating a significant portion of the text to music and its role in eliciting pleasure and emotions. While previous studies have acknowledged the presence of art-related vocabulary and an esthetic dimension in The Theory of Moral Sentiments, they have not comprehensively mobilized his art essay to illuminate his moral theory. Following this unexplored path, this paper rallies the parallel Smith creates between emotions and musical aspects, such as rhythm and melody, to find a connection between his esthetic and moral ideas. In essence, it reveals how the human esthetic sensibility to look for regularities and order serves as a foundational element in Smith’s understanding of sympathy and social harmony.

Socialist Yugoslavia and Zambia became dynamic Cold War partners in the Non-Aligned Movement, with extensive cooperation in economic development, national defence, and international diplomacy. This article explores the roots of this “East–South” cooperation by looking at the pioneering contacts between North Rhodesian and Yugoslav trade unions in the late 1950s and early 1960s, showing how Yugoslav trade union officials opened up new perspectives for the Yugoslav organized labour movement as it reached out to the “global” at a time of rising decolonization and incipient non-alignment. Further, it offers a nuanced perspective on Cold War trade union internationalism and sheds new light on the politicization of the Zambian labour movement. The article shows that the national trade union federations and their officials on both sides were proactive sociopolitical actors, paving the way for future diplomatic contacts akin to “workers’ proto-diplomacy”.

This article examines the lived experiences of the older body—the embodiment of old age—from the perspective of older people. It uses letters written from 1680 to 1820 by twenty-two women and men aged between sixty and eighty-nine, selected from a corpus of over 391 letter writers. We begin by exploring the embodied experiences discussed by older people, as well as their understanding of the relationship between these experiences and their later years. The article finds that old age was experienced as highly variable and was subject to an ongoing process of recalibration. Central to that process was the corporeality of the aging body as experienced in the context of a range of social factors. The corporeality of the body was a factor for all but was not always framed negatively or even situated in the context of aging. The article then turns to the responses of older people to the life-stage of old age. The article finds them self-directed and proactive in continuing to live well. This is significant evidence for a self-consciously active, engaged, and embodied old age in early modernity. These older letter writers tended not to disavow old age but to accommodate and even embrace it.

This paper assesses a major transition in energy usage and distribution in the United Kingdom (UK) between 1953–73 as domestic coal gave way to electricity, and a centralized electricity generation and distribution system reached every home in the country. Our analysis significantly extends and reinterprets the business history of the National Grid by exploring the consequences of its completion. We argue that the National Grid facilitated the removal of the railways as an energy distribution network and enabled prototype “Net Zero” policies in the context of atmospheric pollution. We tie these themes together to conclude that the construction of the national grid was a major environmental success but removed an essential rationale for much of the rail network.

We study factors influencing individuals’ decisions to purchase Citibank stock during the 1920s. Familiarity was an important positive influence (measured outside New York by branch presence, and within New York, by network connections to existing owners). Within New York, wealth, knowledge, and one's influence within the New York City Business network also increased the probability of becoming a Citibank shareholder. The role of some network influences, like other identifiable influences, became less important during the price boom of the late 1920s, perhaps reflecting the rising importance of other means of increasing familiarity during the price boom (i.e. media coverage).

This Roundtable marks the beginning of a new era for the Journal of British Studies (JBS). Volume 63, issue 4, October 2024, was the last traditional issue printed on paper. No longer will members of the North American Conference on British Studies receive a bound volume quarterly in the mail. We fully understand that for many of our readers the end of print is emotionally wrought, and it constitutes a loss that is tangible and personal. We know that many people enjoy reading the journal from cover to cover, or dipping in and out, and then archiving it on their bookshelves for future use. In using the journal in this way, our readers have cherished JBS as a material object. As scholars born into an age of mass communication, cheap print, long distance shipping, and widespread literacy, we have taken the format of the academic journal for granted. But as historians we know better than anyone that the only thing constant is change. This Roundtable demonstrates that print—what it is, what it enables, what it means—has always been both capacious and contentious. As editors, we hope these essays spark a critical consideration of the age of print and encourage us to move forward into the new era together, innovating in the ways we produce, disseminate, and consume knowledge.