This paper summarises and interprets data from the Neolithic site ot Çatalhöyük East collected between 2000 and 2008, while at the same time integrating data from earlier and more recent excavation seasons. The paper focuses on evidence for change during the occupation of the site, arguing for an increase in the size and density of occupation into the middle levels associated with symbolic and ritual elaboration within an aggressively egalitarian community. The middle ‘classic’ levels at Çatalhöyük were associated with increased workload, physical stresses and illness. The pressures were relieved in the upper levels after 6500 BC by shifts to greater mobility, increased economic independence of houses and dispersal of population. This shift in the upper levels may be of relevance to the spread of farming populations into northwestern Anatolia and Europe.

In this paper the results of X-ray fluorescence and neutron activation analyses for 18 obsidian tools from the archaeo¬logical sites of Eastern Chia Sabz and Chogha Ahovan in western Iran are presented. The archaeological sites have materials dating from the Pre-pottery Neolithic and Chalcolithic to Uruk periods. The evidence supports our conclusion that most of the obsidian found on western Iranian sites came from sources located near Lake Van in southeastern Turkey. These results suggest that the trade route for obsidian originated in southeastern Anatolia and moved southward along the western slopes of the Zagros Mountains into the central Zagros region.

More than 50 years of archaeological survey work carried out in Cappadocia in central Turkey has produced a number of important contributions to the understanding of long-term settlement histories. This article synthesises and critically evaluates the results of three field surveys conducted in Cappadocia which recorded material remains dating from the Early Holocene through to the establishment of the Republic of Turkey. Results from the combined Cappadocia surveys reveal temporal patterns over the longue durée that include a lack of detectable pre-Neolithic occupation and important exploitation of obsidian as a raw material during the Neolithic. There was growth and expansion of settlement during the later Chalcolithic and Early Bronze Age, a steady continuation of settlement during the Middle and Late Bronze Ages, followed by rupture in settlement at the end of the Bronze Age. A new phase of settlement expansion began during the Iron Age and continued through Hellenistic and Roman times. This in turn was disrupted during the Byzantine period, which is associated with increased numbers of fortified sites. The succeeding long cycle of settlement began in Seljuk times and continued through to the end of the Ottoman period. Comparison with systematic archaeological site surveys in the adjacent regions of Paphlagonia and Konya shows some differences in settlement patterns, but overall broad sim¬ilarities indicate a coherent trajectory of settlement across central Anatolia over the last ten millennia.

In this article, 13 cylinder and stamp seals are examined. They were found at Tatarlı Höyük during the 2008–2012 excavations. The interesting and significant collection of cylinder and stamp seals of the second millennium BC reveals the importance of Tatarlı Höyük in the archaeology of Kizzuwatna. Stamp seals from earlier periods were found out of context and shed light on prehistoric Tatarlı Höyük. We believe that Tatarlı Höyük is ancient Lawazantiya – the famous ‘lost’ city of the Hittites and of Kizzuwatna.

This paper focuses on the analysis of the cemetery of Demircihöyük-Sarıket, for which exists one of the largest Early Bronze Age funerary datasets published to date in Anatolia. The size and quality of the sample allow the dataset to be approached quantitatively, to determine both normative and anomalous funerary practices, and to detect distinct patterns of burial treatment for different segments of the population represented in the cemetery. Despite the small size of the community (ca 100–130 people), the results suggest a rather complex picture, in which the choice of specific burial containers, the relative wealth of grave assemblages and the selection of particular sets of items were dependent on differences in the age, gender, occupation and achieved status of the deceased. Comparison with other contemporary funerary assemblages helps to place Demircihöyük-Sarıket and these community-scale observations within their wider cultural context in central Anatolia.

The excavations at Kilise Tepe in the 1990s inevitably left a range of research questions unanswered, and our second spell of work at the site from 2007 to 2011 sought to address some of these, relating to the later second and early first millennia. This article gathers the architectural and stratigraphie results of the renewed excavations, presenting the fresh information about the layout and character of the Late Bronze Age North-West Building and the initial phases of the Stele Building which succeeded it, including probable symbolic practices, and describing the complex stratigraphic sequence in the Central Strip sounding which covers the lapse of time from the 12th down to the seventh century. There follow short reports on the analyses of the botanical and faunal materials recovered, a summary of the results from the relevant radiocarbon dating samples and separate studies addressing issues resulting from the continuing study of the ceramics from the different contexts. Taken together, a complex picture emerges of changes in settlement layout, archi¬tectural traditions, use of external space, artefact production and subsistence strategies during the centuries which separate the Level III Late Bronze Age settlement from the latest Iron Age occupation around 700 BC.

Of the increasing number of Roman gemstones from Turkey published from museum and private collections, nearly all lack a secure archaeological context. Consequentially, it has been difficult to discuss the origin, production or dissemi¬nation of gemstones in Anatolia during the imperial period. Excavations in the cemeteries at Gordion have yielded over a dozen carved intaglios typical of the first to the fourth century AD. Three of the gems are cut in a relatively rare octagonal form, an eight-sided shape which achieved limited popularity during the late imperial period but has yet to receive scholarly treatment. The recent recovery of similar late Roman octagonals from other central Anatolian sites has indicated strongly that this particular gemstone type was popular and possibly produced locally in central Turkey. Examination of octagonals as a distinct group, via analyses of gem type, dimension, provenance, date and iconographic representation as evident in a newly-constructed corpus of 185 examples, appears to provide additional support for this theory. It is suggested here that the octagonal shape held numeric and symbolic significance among the military and early Christian communities of central Turkey, where a permanent workshop catering to that mixed clientele possibly existed in at least one of the principal urban centres, at Ancyra and/or Caesarea.

Black line is a polychrome overglaze painting technique that was developed in Central Asia in the late 14th century. Black-line tilework is also found in 15th- and 16th-century Anatolia, yet it is unclear how the tradition emerged in this region. This paper investigates the appearance of the technique in Anatolia and situates it in the context of Timurid (1370–1501) tilework as well as the development of Anatolian traditions of the Rum Seljuk (1077–1307) and Beylik (1071–1453) periods. The analysis is conducted by tracing the history of two tiles from the collection of the Metropolitan Museum of Art and by stylistic, technological and contextual comparisons with Seljuk, Timurid and Ottoman examples. I suggest that the introduction of the black-line technique to Anatolia was concurrent with the introduction of yellow pigment in the 15th century. I also propose that the Metropolitan Museum tiles should be redated to the second half of the 15th century on the basis that they were produced in Anatolia by craftsmen trained in Transoxiana who were also familiar with local Rum Seljuk and Karamanid traditions. These artists introduced new eastern styles which, together with local traditions, created an exciting experimental period in Anatolian tilework production and contributed to the emergence of Ottoman tile art.