Alexander, J 1990. ‘Ideological representations of medieval peasant labour’, Art Bulletin, 72, 436–52
Anderson, M D 1963. Drama and Imagery in English Medieval Churches, Cambridge
Armfield, H T 1873. ‘A note on the choir vault paintings’, Proc Soc Antiq, VI, 2nd ser, 477–9
Armfield, H T 1877-1878. ‘The ancient roof painting in Salisbury Cathedral’, Wiltshire Archaeol Natur Hist Mag, 17, 129–35
J, Backhouse (ed) 2004. The English Medieval Cathedral: Essays in Honour of Pamela Tudor Craig, Harlaxton
Bailey, T 1971. The Processions of Sarum and the Western Church, Toronto
Baldwin, J W 1970. Masters, Princes and Merchants: The Social Views of Peter the Chanter and his Circle, Princeton
Binski, P 1995. Westminster Abbey and the Plantagenets: Kingship and the Representation of Power 1200-1400, New Haven
Binski, P 1997. ‘The Angel Choir at Lincoln and the poetics of the Gothic smile’, Art History, 20, 350–74
Binski, P 1999. ‘The English parish church and its art in the later Middle Ages: a review of the problem’, Studies in Iconography, 20, 1–25
Binski, P 2004. ‘The painted nave ceiling of Peterborough Abbey’, in Backhouse, (ed) 2004, 41–62
Blum, P Z 1991. ‘The sequence of the building campaigns at Salisbury’, Art Bulletin, 73, 6–38
Bolton, B 1999. ‘Message, celebration, offering: the place of twelfth- and early thirteenthcentury liturgical drama as “Missionary Theatre”’, in Continuity and Change in Christian Worship (ed Swanson, R N), 89–103, Woodbridge
Borenius, T 1932. ‘A destroyed cycle of wallpaintings in a church in Wiltshire’, Antiq J, 12, 393–406
Boynton, S 2000. ‘Work and play in sacred music and its social context, c 1050-1250’, in The Use and Abuse of Time in Christian History (ed Swanson, R N), 57–79, Stamford
Brenk, B 1995. ‘The Sainte-Chapelle as a Capetian political program’, in Raguin, et al 1995, 195–213
Brockett, C 1993. ‘A previously unknown Ordo Prophetarum in a manuscript fragment from Zagreb’, Comparative Drama, 27, 114–27
Brown, S 1999. Sumptuous and Richly Adorn'd: The Decoration of Salisbury Cathedral, London
Caiger-Smith, A 1963. English Medieval Wall Paintings, Oxford
Cahn, W 1976. ‘Architectural draftsmanship in twelfth-century Paris: the illustrations of Hugh of Saint-Victor's Commentary on Ezekiel's Temple Vision’, Gesta, 15, 247–54
Cahn, W 1994. ‘Architecture and exegesis: Richard of St.Victor's Ezekiel Commentary and its illustrations’, Art Bulletin, 76, 53–68
Camille, M 1987. ‘Labouring for the Lord: the ploughman and the social order in the Luttrell Psalter’, Art History, 10, 423–54
Carruthers, M 2000. The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400-1200, Cambridge
Cather, S, Park, D and Pender, R 2000. ‘Henry III's wall paintings at Chester Castle’, in Medieval Archaeology, Art and Architecture at Chester, Brit Archaeol Ass Conference Trans, 22, 170–89, Leeds
Cave, C J P 1934. ‘The roof bosses of Worcester Cathedral’, Trans Worcestershire Archaeol Soc, II, 75–86
Cave, C J P and Tanner, L E 1934. ‘A thirteenthcentury choir of angels in the north transept of Westminster Abbey and the adjacent figures of two kings’, Archaeologia, 84, 63–7
Caviness, M H 1974. ‘A lost cycle of Canterbury paintings of 1220’, Antiq J, 54, 66–74
Caviness, M H 1995. ‘Artistic integration in Gothic buildings: a post-modern construct?’, in Raguin, et al 1995, 249–61
Chailley, J 1966. ‘Du drame liturgique aux prophetes de Notre-Dame-la-Grande’, in Melanges offerts a Rene Crozet (eds Gallais, P and Riou, Y), 835–41, Poitiers
Chatillon, J 1949. ‘Une ecclesiologie medievale: l'ldee de l'Eglise dans le theologie de l'ecole de Saint-Victor au XXIIE siécle’, Ire'nikon, 22, 5-38, 395–444
Cocke, T and Kidson, P 1993. Salisbury Cathedral: Perspectives on the Architectural History, London
Crossley, P 1998. ‘The man from inner space: architecture and meditation in the choir of St Laurence in Nuremburg’, in Medieval Art: Recent Perspectives: A Memorial Tribute to Reginald Dodwell (eds Owen-Crocker, G R and Graham, T), 165–82, Manchester
Crossnoe, M E 1999. ‘Education and the care of souls: Pope Gregory IX, the order of St Victor, and the University of Paris in 1237’, Mediaeval Stud, 61, 137–72
Davidson, C 1994. ‘Of saints and angels’, in The Iconography of Heaven, Early Drama, Art, and Music Monograph Series, 21 (ed Davidson, C), 1–39, Kalamazoo
Davis, M T and Neagley, L 2000. ‘Mechanics and meaning: plan and design at Saint-Urbain, Troyes and Saint-Ouen, Rouen’, Gesta, 39, 161–82
Deferrari, R J 1951. Hugh of St Victor on the Sacraments of the Christian Faith, Cambridge, Mass
Dodsworth, W 1792. A Guide to the Cathedral Church of Salisbury with a Particular Account of the Late, Great Improvements Made Therein under the Direction of James Wyatt, Salisbury
Draper, P 1987. ‘Architecture and liturgy’, in Age of Chivalry: Art in Plantagenet England 1200–1400 (eds Alexander, J and Binski, P), 83–91, London
Draper, P 1996. ‘Salisbury Cathedral: paradigm or maverick?’, in Medieval Art and Architecture at Salisbury Cathedral, Brit Archaeol Ass Conference Trans, 17, 21–31, London
Draper, P 2004. ‘Enclosures and entrances in medieval cathedrals’, in Backhouse, (ed) 2004, 76–88
Duranti, G 1995. Rationale Divinorum Officiorum I–IV, Corpus Christianorum, CXL, Turnhout
Eames, E 1982. ‘Notes on the decorated stone roundels in the Corona and Trinity Chapel in Canterbury Cathedral’, in Medieval An and Architecture at Canterbury before 1220, Brit Archaeol Ass Conference Trans, 5, 67–70, Leeds
Evans, G R 1983. ‘Hugh of Saint Victor on history and the meaning of things’, Studia Monastica, 25, 223–34
Evans, G R 1985, ‘Thomas of Chobham on preaching and exegesis’, Recherches de Theologie Ancienne et Medievale, 52, 159–70 1400
Evans, M 1994. ‘Fictive painting in twelfthcentury Paris’, in Sight and Insight: Essays on Art and Culture in honour of E. H. Gombrich at 85 (ed Onians, J), 73–88, London
Fassler, M 1992. ‘The Feast of Fools and Danielis Ludus: popular tradition in medieval cathedral play’, in Plainsong in the Age of Polyphony (ed Kelly, T Forrest), 65–99, Cambridge
Fassler, M 1993. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-century Paris, Cambridge
Fassler, M 1994. ‘Liturgy and sacred history in the twelfth-century tympana at Chartres’, Art Bulletin, 75, 499–520
Fiennes, C 1949. The Journeys of Celia Fiennes, 2nd rev edn, London
Fliche, A 1994. ‘The advocate of Church reform’, in Innocent III: Vicar of Christ or Lord of the World? (ed Powell, J M), 55–72, Washington
Flint, V J 1981. ‘World history in the early twelfth century: the ‘Imago Mundi’ of Honorius Augustodunensis’, in The Writing of History in the Middle Ages: Essays Presented to Richard William Southern (ed Flint, V J), 211–38, Oxford
Fowler, J 1873. ‘On medieval representations of the months and seasons’, Archaeologia, 44, 137–89
Fry, T 1981. The Rule of St Benedict in Latin and English, New Mexico
Gaillard, G 1944. The Frescoes of Saint-Savin: The Nave, New York
Gardner, A 1956. Wells Capitals, Wells Cathedral pamphlet, Wells
Gardner, E 1911. The Dialogues of Gregory the Great, London
Gardner, J 1994. ‘Altars, altarpieces, and art history: legislation and usage’, in Italian Altarpieces 1250-1550: Function and Design (eds Borsook, E and Gioffredi, F S), 5–19, Oxford
Gauthier, M M 1966. ‘L'art de l'email champleve en Italie a l'epoque primitive du Gothique’, in II Gotico a Pistoia Nei Suoi Rapporti Con L'Atre Gotica Italiana, 271–93, Pistoia
Gauthier, M M 1968. ‘La cloture emaillee la confession de Saint Pierre au Vatican, lors du Conceile de Latran, IV, 1215’, in Synthronon: Art et Archeologie de la fin de I'Antiquite et du Moyen Age, 237–46, Paris
Glass, D F 1987. ‘Pseudo-Augustine, prophets, and pulpits in Campania’, Dumbarton Oaks Papers, 41, 215–26
Glass, D F 2000. ‘Prophecy and priesthood at Modena’, Zeitschrift fur Kunstgeschichte, 63, 326–38
Glass, D F 2001. ‘Otage de l'historiographie: I'Ordo prophetarum en Italie’, Cahiers de Civilisation Medievale, 44, 259–73
Gough, R 1786-1796. Sepulchral Monuments in Great Britain, 2 vols, London
Graves, P 1989. ‘Social space in the English medieval parish church’, Economy and Society, 18, 297–322
Green way, D 1991. Fasti Ecclesiae Anglicanae 1066-1300: IV Salisbury, Oxford
Hanson, J 2000. ‘The prophets in discussion in the Middle Ages’, Florilegium, 17, 73–85
Henderson, G 1963. ‘The sources of the Genesis Cycle at Saint-Savin-sur-Gartempe’, J Brit Archaeol Ass, 26, 11–26
Holdsworth, C J 1973. ‘The blessings of work: the Cistercian view’, in Sanctity and Secularity: The Church and the World (ed Baker, D), 59–76, Oxford
Hollaender, A J E 1943. ‘The Sarum Illuminator and his school’, Wiltshire Archaeol Natur Hist Mag, 50, 230–62
Hope, W H St John 1904. ‘The imagery and sculptures on the west front of Wells Cathedral Church’, Archaeologia, 59, 143–206
Hope, W H St John 1916. ‘The Sarum Consuetudinary and its relation to the Cathedral Church of Old Sarum’, Archaeologia, 68, 111–26
Horlbeck, F R 1960. ‘The vault paintings of Salisbury Cathedral’, Archaeol J, 117, 116–30
James, M R 1897. ‘On the paintings formerly in the choir at Peterborough’, Proc Cambridge Antiq Soc, 9, 178–94
Jansen, V 1985. ‘Lambeth Palace Chapel, the Temple Choir and southern English Gothic architecture of c 1215-40’, in England in the Thirteenth Century, Proceedings of the 1984 Harlaxton Symposium (ed Ormrod, W M), 95–9, Woodbridge
Jansen, V 1996. ‘Salisbury Cathedral and the episcopal style in the early thirteenth century’, in Medieval Art and Architecture at Salisbury Cathedral, Brit Archaeol Ass Conference Trans, 17, 32–9, London
Jones, W H R 1878. ‘On the original position of the high altar at Salisbury Cathedral’, Wiltshire Archaeol Natur Hist Mag, 17, 136–46
W H R, Jones (ed) 1883. Register of Saint Osmund, 2 vols, Rolls Ser, London
Jungmann, J A 1986. The Mass of the Roman Rite: Its Origins and Development (trans Brunner, F A), Maryland
Kemp, B 1992. ‘God's and the king's servant: Richard Poore, Bishop of Salisbury, 1217-28’, Peritia, 12, 359–78
Kupfer, M 1993. Romanesque Wall Painting in Central France: The Politics of Narrative, New Haven
Ladner, G 1942. ‘The symbolism of the biblical cornerstone in the medieval West’, Mediaeval Stud, 4, 43–60
Lamia, S 2000. ‘The cross and the crown, the tomb and the shrine: decoration and accommodation for England's premier saints’, in Decorations for the Holy Dead: Visual Embellishments on Tombs and Shrines of Saints (eds Lamia, S and Alamo, E Valdez del), 39–56, Turnhout
Liversidge, M and Binski, P 1995. ‘Two ceiling fragments from the Painted Chamber at Westminster Palace’, Burlington Magazine, 137 491–501
F, Madden (ed) 1866-1869. Matthew Paris, Historia Anglorum, 3 vols, Rolls Ser, London
Male, E 1961. The Gothic Image: Religious Art in France of the Thirteenth Century, London
Marks, R 1996. ‘The thirteenth-century glazing of Salisbury Cathedral’, in Medieval Art and Architecture at Salisbury Cathedral, Brit Archaeol Ass Conference Trans, 17, 106–20, London
McCracken, H N 1911. The Minor Poems of John Lydgate, Early English Text Society 107, Oxford
McNamee, M B 1972. ‘The origin of the vested angel as a Eucharistic symbol in Flemish painting’, Art Bulletin, 54, 263–78
Morgan, N J 1982. Early Gothic Manuscripts I: 1190-1250, London
Morgan, N J 1988. Early Gothic Manuscripts II: 1250-1285, London
Morgan, N J 2004. ‘Marian liturgy in Salisbury Cathedral’, in Backhouse, (ed) 2004, 89–111
Mortet, V 1913. ‘Hugue de Fouilloi, Pierre le Chantre, Alexander Neckham et les critiques dirigees au douzieme siecle contre le luxe des constructions’, in Melanges d'histoire offerts a Charles Be'mont par ses amis et ses e'leves, 105–37, Paris
Murray, S 1996. Notre-Dame Cathedral of Amiens: The Power of Change in Gothic, Cambridge
Neagley, L 1997. ‘Architecture and the Body of Christ’, in The Body of Christ in the An of Europe and New Spain, 1150-1800 (ed Clifton, J), 27–36, Munich
Nichols, J 1967. Literary Anecdotes of the Eighteenth Century, London
Ousterhout, R 1995. ‘Temporal structuring in the Chora Parakklesion’, Gesta, 34, 63–76
Park, D 1983. ‘The wall paintings of the Holy Sepulchre Chapel’, in Medieval Art and Architecture at Winchester Cathedral, Brit Archaeol Ass Conference Trans, 6, 38–62, London
Park, D and Welford, P 1993. ‘The medieval polychromy of Winchester Cathedral’, in Winchester Cathedral: Nine Hundred Years 1093-1993 (ed Crook, J), 129–30, Chichester
Parker, E C 2001. ‘Architecture as liturgical setting’, in The Liturgy of the Medieval Church (eds Heffernan, T J and Matter, E A), 273–326, Kalamazoo
F M, Powicke and Cheney, C (eds) 1964. Councils and Synods with Other Documents Relating to the English Church, 2 vols, Oxford
Proc Soc Antiq, VI, 2nd ser, 1875-1876
Procter, F and Wordsworth, C 1882. Breviarium Ad Usum Insignis Ecclesiae Sarum, Cambridge
Raguin, V C, Brush, D and Draper, P 1995. Artistic Integration in Gothic Buildings, Toronto
Randall, R H 1959. ‘Thirteenth-century altar angels’, Record of the Art Museum: Princeton University, 18, 2–16
Reeve, M forthcoming a. ‘Art, prophecy and drama in the choir of Salisbury Cathedral’, Religion and the Arts
Reeve, M forthcoming b. ‘Jacob Schnebbelie, draughtsman to the Society of Antiquaries (1760-92)’, Trans Ancient Monuments Soc
Rich Jones, W H 1884. Vetus Registrum Sarisberiense: The Register of Saint Osmund, Rolls Ser, 78, London
Roberts, M E 1983. ‘The tomb of Giles de Bridport in Salisbury Cathedral’, Art Bulletin, 65, 559–86
Rudolph, C 1990. Artistic Change at Saint Denis: Abbot Suger's Program and the Early Twelfthcentury Controversy Over Art, Princeton
Sampson, J 1988. Wells West Front: Construction, Sculpture, Conservation, Stroud
Sauerlander, W 1995a. ‘Integration: a closed or open proposal?’, in Raguin, et al 1995, 3–18
Sauerlander, W 1995b. ‘Integrated fragments and the unintegrated whole: scattered examples from Reims, Strasbourg, Chartres and Naumberg’, in Raguin, et al 1995, 153–66
Schnebbelie, J 1791. The Antiquaries Museum, London
Scott, G G 1870. Restoration of the Choir of Salisbury Cathedral, Salisbury
Scott, G G 1879. Personal and Professional Recollections, London
Simpson, G 1996. ‘Documentary and dendrochronological evidence for the building of Salisbury Cathedral’, in Medieval Art and Architecture at Salisbury Cathedral, Brit Archaeol Ass Conference Trans, 17, 10–20, London
Southern, R W 1971. ‘Aspects of the European tradition of historical writing: Hugh of St Victor and the idea of historical development’, Trans Roy Hist Soc, XXI, 211–34
Staines, D 1983. ‘The holistic vision of Hugh of Saint Victor’, in Centre of the Labyrinth: Essays in Honour of Northrop Frye (eds Cook, E, Hoek, C, Macpherson, J, Parker, P and Patrick, J), 147–61, Toronto
Tatton-Brown, T 1999. ‘The burial places of St Osmund’, Spire (65th Annual Report of the Friends of Salisbury Cathedral), 19–25
Tatton-Brown, T 2000. ‘Introduction’, in Salisbury Cathedral, The West Front: A History and Study in Conservation (ed Ayers, T), 1–8, Chichester
Tatton-Brown, T 2002. ‘Canterbury and the architecture of pilgrimage shrines in England’, in Pilgrimage, the English Experience from Becket to Bunyan (eds Morris, C and Roberts, P), 90–107, Cambridge
Tatton-Brown, T 2003. ‘Recording the cathedral’, Current Archaeol, 188, 366–9
Thurlby, M 1986a. ‘The north transept doorway of Lichfield Cathedral: problems of style’, Revue d'art Canadienne, 13, 121–30
Thurlby, M 1986b. ‘The effigy of King John and the sculpture of the cathedrals of Wells and Worcester’, Trans Worcestershire Archaeol Soc, 10, 3rd ser, 55–8
Toke, N E 1930. ‘The Opus Alexandrinum and sculptured stone roundels in the retro-choir of Canterbury Cathedral’, Archaeol Cantiana, 42, 189–221
Tristram, E W 1950. English Medieval Wall Painting: The Thirteenth Century, Oxford
Vaughan, M F 1983. ‘The prophets of the Anglo-Norman “Adam”’, Traditio, 39, 81–114
Vincent, N 2002. ‘Master Elias of Dereham: a reassessment’, in The Church and Learning in Later Medieval Society: Essays in Honour of R. B. Dobson, Proceedings of the 1999 Harlaxton Symposium (eds Barron, C M and Stratford, J), 128–59, Stamford
Webber, T 1992. Scribes and Scholars at Salisbury Cathedral 1075-1125, Oxford
Webster, J C 1938. The Labours of the Months in Antique and Medieval Art to the End of the Twelfth Century, Princeton
J, Weiss (trans) 2002. ‘Hugh of St. Victor, A Little Book About Constructing Noah's Ark’, in The Medieval Craft of Memory: An Anthology of Texts and Pictures (eds Carruthers, M and Ziolkowski, J M), 41–70, Philadelphia
Williamson, B 2004. ‘Altarpieces, liturgy and devotion’, Speculum, 79, 341–406
Williamson, P 1995. Gothic Sculpture 1130-1300, New Haven
Wordsworth, C R 1901. Ceremonies and Processions of the Cathedral Church of Salisbury, Cambridge
Wordsworth, C R and Macleane, D 1915. Statuta et Consuetudines Ecclesiae Cathedralis Beatae Mariae Virginis Sarisberiensis, London
Young, K 1922. ‘Ordo Prophetarum’, Trans Wisconsin Academy of Sciences, Arts and Letters, 20, 1–82
Young, K 1933. The Drama of the Medieval Church (reprinted 1967), London
Zinn, G A 1974. ‘Historia fundamentum est: the role of history in the contemplative life according to Hugh of Saint Victor’, in Contemporary Reflections on the Medieval Christian Tradition: Essays in Honour of Ray C. Petry (ed Shriver, G H), 135–58, Durham, NC
Zinn, G A 1986. ‘Suger, theology, and the Pseudo-Dionysian tradition’, in Abbot Suger and Saint Denis: A Symposium (ed Gerson, P Lieber), 33–40, New York
Loading metrics...