Hostname: page-component-8448b6f56d-m8qmq Total loading time: 0 Render date: 2024-04-23T10:26:12.837Z Has data issue: false hasContentIssue false

SHE'S ONLY A BIRD IN A GILDED CAGE: FREEDWOMEN AT TRIMALCHIO'S DINNER PARTY*

Published online by Cambridge University Press:  24 April 2012

LIZ GLOYN
Affiliation:
University of Birmingham, lizgloyn@cantab.net

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Research Article
Copyright
Copyright © The Classical Association 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

* My thanks go to Ann Raia, for support above and beyond the call of collegiality, and to Leah Kronenberg, T. Corey Brennan, Sarolta Takács, Thomas Figueira, Victoria Moul, Debra Nousek, Tony Keen, Miriam Moules and my anonymous readers for their generous assistance and thoughtful comments. Caroline Bishop, Lauren Donovan, Isabel Köster and Darcy Krasne provided invaluable feedback and support during the final stages of revision. The attendees of ‘Feminism & Classics V’ heard a preliminary version of the argument and responded to it generously and enthusiastically. Any errors remain entirely my own. Citations and references to the text follow K. Müller, Petronii Arbitri Satyricon reliquiae (Stuttgart, 1995). While the work is more accurately referred to as the Satyrica, throughout this article I will refer to it using the more traditional title of the Satyricon.