This essay begins by examining divination records from the Zhou dynasty (such as those from Zhouyuan and Baoshan, as well as records in traditional texts) showing that the topic of divination was invariably announced in the form of a “charge” indicating the desire of the person for whom the divination was being performed. Next, other accounts of turtle-shell divination (in the Shiji, Guo yu and Zuo zhuan) are examined to determine how the results of the divinations were interpreted. The author shows that the diviner was responsible for producing a yao 竊 or “omen-text” that was composed of three lines of four characters, the first describing the crack in the shell (i.e., the omen), followed by a couplet linking this omen to the announced topic of the divination, similar to the way in which the nature evocations of the Shijing are linked to events in the human realm. Finally, the author shows that this omentext is formally identical to the most developed form of the line statemerits of the Yijing, and proposes that from this form can be discerned the divinatory context that originally produced these line statements.
本文先從考査周代卜筮之記載 (諸如周原卜辭、包山楚簡以及各種傳統文獻) 入手,顯示無論爲何種卜筮, 卜筮的主題均是以「命辭」來表明卜筮者的願望.其後筆者檢核其他文獻有關貞卜之記載以判定這些結果是如何被詮釋的.筆者並指出卜人在獲兆之後都要給出一段「繇」詞, 其型式是固定的; 共爲三行,每行四字.首行描述龜甲上的裂痕 (亦即兆徵),二三行對仗並有韻,將兆徵與「命辭」繋聯起來並討論其意義,這與《詩經》中״興״的用法很相似.最後筆者指出這種「繇」的型式與《易經》裏的爻辭完全相同, 並論證從爻的型式即可推知《易經》原本功用在於占卜.
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