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SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture. By Nathan Hesselink. Chicago: University of Chicago Press, 2012. xiv, 201 pp, 1 audio CD. $75.00 (cloth); $27.50 (paper).

Published online by Cambridge University Press:  18 March 2013

Keith Howard*
Affiliation:
SOAS, University of London
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Abstract

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Type
Book Reviews—Korea
Copyright
Copyright © The Association for Asian Studies, Inc. 2013

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References

14 Howard, Keith, Creating Korean Music: Tradition, Innovation and the Discourse of Identity (Aldershot, England: Ashgate, 2006), pp.170Google Scholar.

15 In an earlier publication he had already translated an extended discussion by Shim. See Hesselink, Nathan, P'ungmul: South Korean Drumming and Dance (Chicago: University of Chicago Press, 2006)Google Scholar.

16 Small, Christopher, Musicking: The Meanings of Performing and Listening (Hanover, N.H.: Wesleyan University Press, 1998), pp. 194–96Google Scholar.

17 See Hesselink, Nathan, “The formation of Namsadang (Korean itinerant performer) Troupes: Chapter One of A Study of Namsadang Troupes by Shim Usŏng',” Acta Koreana 9/2 (2006): pp. 3157Google Scholar.

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SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture. By Nathan Hesselink. Chicago: University of Chicago Press, 2012. xiv, 201 pp, 1 audio CD. $75.00 (cloth); $27.50 (paper).
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SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture. By Nathan Hesselink. Chicago: University of Chicago Press, 2012. xiv, 201 pp, 1 audio CD. $75.00 (cloth); $27.50 (paper).
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SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture. By Nathan Hesselink. Chicago: University of Chicago Press, 2012. xiv, 201 pp, 1 audio CD. $75.00 (cloth); $27.50 (paper).
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