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Men, Masculinities and Symbolic Violence in Recent Indonesian Cinema

Published online by Cambridge University Press:  11 February 2004

Marshall Clark
Marshall Clark
Affiliation:
The School of Asian Languages and Studies at the University of Tasmania, Australia. He may be contacted at Marshall.Clark@utas.edu.au
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Abstract

This article investigates images of men and masculinities in post-New Order Indonesian popular culture, focusing on a recent and path-breaking Indonesian film, Kuldesak. The theoretical sociology of Pierre Bourdieu is utilised to suggest that if Indonesian women are to be assisted in their efforts to resist the gender inequality of Indonesia's patriarchal gender regime, then the social gendering of men and masculinity must also be understood.

Type
Articles
Information
Journal of Southeast Asian Studies , Volume 35 , Issue 1 , February 2004 , pp. 113 - 131
Copyright
© 2004 The National University of Singapore

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Footnotes

I am very grateful to Lauren Bain, Laine Berman, Keith Foulcher and the two anonymous JSEAS reviewers in particular for their helpful comments in the writing of this article; any shortcomings or errors remain my responsibility.