Hostname: page-component-8448b6f56d-m8qmq Total loading time: 0 Render date: 2024-04-19T00:18:45.631Z Has data issue: false hasContentIssue false
  • English
  • Français

A new discovery at Cyrene: Tomb S64 and its ‘Pompeian Second Style’ wall paintings. Preliminary notes

Published online by Cambridge University Press:  03 March 2015

Luca Cherstich  and
Anna Santucci
Luca Cherstich
Affiliation:
Chieti, Italy
Anna Santucci
Affiliation:
Dipartimento di Studi per la Storia e il Patrimonio Culturale, Università di Urbino, Italy
Get access Rights & Permissions [Opens in a new window]

Abstract

S64 is an extraordinary tomb. Its well-preserved isodomic façade leads to an antechamber decorated with wall paintings recalling what is usually labelled as ‘Pompeian Second Style’, a unique example in Cyrenaica thus far. This article gives a brief insight on this tomb, its wall paintings and a short discussion of their importance in the wider context of local and foreign monumental funerary customs. This tomb suggests a ritual complexity with few comparisons in Cyrene, but it is also important for the history of the Hellenistic and Roman painted architectural styles.

Type
Articles
Information
Libyan Studies , Volume 41 , 2010 , pp. 33 - 45
Copyright
Copyright © Society for Libyan Studies 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adriani, A. 1938. Osservazioni sulla stele di Helixo e sui precedenti alessandrini del II stile. Bulletin de la Société Royale d'archéologie – Alexandrie 32: 112–30.Google Scholar
Adriani, A. 1966. Repertorio d'Arte dell'Egitto Greco-Romano. Serie C, Vol. I-II. Palermo.Google Scholar
Alabe, Fr. 1991. Peintures apparentées au Deuxième style pompéien découvertes à Délos. Kölner Jahrbuch für Vor- und Frühgeschichte 24: 33–34.Google Scholar
Alabe, Fr. 1995. Intérieurs de maisons hellénistiques. Les murs peints à Délos. Revue Archéologique: 191–97.Google Scholar
Bacchielli, L. 1976. Le pitture dalla ‘Tomba dell'Altalena’ di Cirene nel Museo del Louvre. Quaderni di Archeologia della Libia 8: 355–83.Google Scholar
Bacchielli, L. 1995. The Italian Archaeological Mission at Cyrene, 1993–1994. Libya Antiqua n.s. 1: 161–64.Google Scholar
Bacchielli, L. 1996. La tomba di Thanatos nella Necropoli Sud di Cirene. Libya Antiqua n.s. 2: 27–30.Google Scholar
Baldassarre, I. and Rouveret, A. 1999. Une histoire plurielle de la peinture grecque. In Colloque International ‘Céramique et peinture grecque. Modes d'emploi, Paris 26–28 avril 1995. Paris: 41–53.Google Scholar
Baldassarre, I., Pontrandolfo Greco, A., Rouveret, A. and Salvadori, M. 2002. Pittura romana. Dall'ellenismo al tardo-antico. Federico Motta, Milano.Google Scholar
Beschi, L. 1969–1970. Divinità funerarie cirenaiche. Annuario della Scuola archeologica italiana di Atene n.s. 31–32: 133–341.Google Scholar
Bilde, P.G. 1993. The International Style. Aspects of Pompeian First Style and its Eastern equivalents. In Bilde, P.G., Nielsen, I. and Nielsen, M. (eds) Aspects of Hellenism in Italy: towards a cultural unity? Acta Hyperborea 5. Copenhagen: 151–77.Google Scholar
Brécoulaki, H. 2006a. Considérations sur les peintres tétrachromatistes et les colores austeri et floridi : l'économie des moyens picturaux contre l'emploi de matériaux onéreux dans la peinture ancienne. In Rouveret, A., Dubel, S. and Naas, V. (eds), Couleurs et matières dans l'antiquité. Textes, techniques et pratiques. Paris: 29–42.Google Scholar
Brécoulaki, H. 2006b. La peinture funéraire en Macédoine. Emplois et fonctions de la couleur: IVème -Ilème s. av. J.-C. Paris.Google Scholar
Briault, C., Green, J., Kaldelis, A. and Stellatou, A. (eds) 2005. SOMA 2003. Symposium on Mediterranean Archaeology. BAR IS1391. Oxford.Google Scholar
Bulard, M. 1908. Peintures murales et mosaïques de Délos. MonRiot 14, Paris.CrossRefGoogle Scholar
Callot, O. and Nenna, M.-D. 2001. L'architecture des tombes. In Empereur and Nenna (eds) 2001: 43–160.Google Scholar
Cherstich, I. and Cherstich, L. 2008. Violent dialogues between the living and the dead: disfiguring façades in Cyrene. In Rakoczy, L. (ed.), The Archaeology of Destruction. Cambridge Scholars Publishing, Newcastle upon Tyne.Google Scholar
Cherstich, L. 2005. The tomb S1 of Cyrene: from the Hellenistic phase to the Christian re-use. In Briault, , Green, , Kaldelis, and Stellatou, (eds) 2005: 33–8.Google Scholar
Cherstich, L. 2006a. S4: la tomba di Klearchos a Cirene. In Fabbricotti, and Menozzi, (eds) 2006: 103–14.Google Scholar
Cherstich, L. 2006b. Ricognizione lungo la Strada di Balagrae. In Fabbricotti, and Menozzi, (eds) 2006: 391–405.Google Scholar
Cherstich, L. 2008a. The role of Alexandria in Cyrenean Cemeteries from Ptolemaic to Roman Times. In Menozzi, O., Di Marzio, D.L. and Fossataro, D. (eds), SOMA 2005: Proceedings of the IX Symposium on Mediterranean Archaeology, Chieti (Italy), 24-26 February 2005. BAR IS1739. Oxford: 129–142.Google Scholar
Cherstich, L. 2008b. From looted tombs to ancient society: a survey of the Southern Necropolis of Cyrene. Libyan Studies 39: 73–93.CrossRefGoogle Scholar
Daszewski, W.A. 1994. The Origins of Hellenistic Hypo-gea in Alexandria. In Minas, M. and Zeidler, J. (eds), Aspekte Spätägyptischer Kultur. Festschrift für Erich Winter zum 65. Geburtstag. Mainz am Rhein: 51–68.Google Scholar
Daszewski, W.A. 2003. Le tombeau perdu de Gabbari. In Empereur, and Nenna, (eds) 2003: 659–70.Google Scholar
Descamps-Lequime, S. (ed.) 2007. Peinture et couleur dans le monde grec antique. Actes de colloque, Musée du Louvre 10 et 27 mars 2004. Paris.Google Scholar
Di Valerio, E., Cherstich, I., Carinci, M., Siciliano, F., D'Addazio, G. and Cinalli, A. 2005. Votive funerary niches in funerary architecture in Cyrenaica (Libya). In Briault, , Green, , Kaldelis, and Stellatou, (eds), 2005: 53–8.Google Scholar
Dunand, M. 1965. Tombe painte dans la campagne de Tyr. Bulletin du Musée de Beyrouth 18: 5–46.Google Scholar
Empereur, J. and Nenna, M.D. (eds) 2001. Nécropolis 1 Études alexandrines 5, Le Caire.Google Scholar
Empereur, J. and Nenna, M.D. (eds) 2003. Nécropolis 2, 2 Étude alexandrines 7, Le Caire.Google Scholar
Fabbricotti, E. 2006. “Alcune tombe della Necropoli Occidentale di Cirene” in Fabbricotti, and Menozzi, (eds) 2006: 121–140.Google Scholar
Fabbricotti, E. and Menozzi, O. (eds) 2006. Cirenaica: studi, scavi e scoperte. Parte I: Nuovi dati da città e territorio. BAR IS1488. Oxford.CrossRefGoogle Scholar
Fragaki, H. 2003. Représentations architecturales de la peinture pompéienne. Évolution de la pensée archéologique. Mélanges de l'École française de Rome – Antiquité 115: 231–94.CrossRefGoogle Scholar
Fraser, P.M. 1972. Ptolemaic Alexandria. Clarendon Press, Oxford.Google Scholar
Frigerio, C. 1997. Un esempio di architettura ellenistica funeraria a Cirene: la tomba S388. Libya Antiqua n.s. 3: 51–73.Google Scholar
Goodchild, R.G. 1950. Roman Milestones in Cyrenaica. Papers of the British School at Rome 18: 83–91.CrossRefGoogle Scholar
Gros, P. 1979. Architettura tardo-classica e ellenistica in Cirenaica. Questioni di metodo. Dialoghi di Archeologia n.s. 1.2: 109–16.Google Scholar
Guimier-Sorbets, A.M. 2001. Mobilier et décor des tombes macédoniennes. In Frei-Stolba, R. and Gex, K. (eds), Recherches récentes sur le monde hellénique. Actes du colloque international organisé à l'occasion du 60e anniversaire de Pierre Ducrey (Lausanne, 20–21 novembre 1998). Bern: 217–99.Google Scholar
Guimier-Sorbets, A.M. 2003. Les décors de plafond dans les tombes hellénistiques d'Alexandrie. Un nouvel essai d'interprétation. In Empereur, and Nenna, (eds) 2003: 589–629.Google Scholar
Jaussen, J. and Savignac, R. 1907. Mission archéologique en Arabie, Vol.1. Paris (new edition 1997).Google Scholar
Kakoulli, I. 2008. Greek painting techniques and materials from the fourth to the first century BC. Archetype Publications, London.Google Scholar
Laronde, A. 1987. Cyrène et la Libye hellénistique. Libykai Historiai de l'èpoque rèpublicaine au principat d'Auguste. Editions du Centre National de la Recherche Scientifique, Paris.Google Scholar
Laronde, A. 1999. A propos de la population et des familles Cyrénéennes. In Bellancourt-Valdher, M. and Corvisier, J.-N. (eds), La Démographie Antique. Cahiers scientifiques de l'université d'Artois 11, Arras: 81–90.Google Scholar
Marquaille, C. 2003. The Ptolemaic ruler as a religious figure in Cyrenaica. Libyan Studies 34: 25–42.CrossRefGoogle Scholar
Martin, R. 1968. Sculpture et peinture dans les façades monumentales au IV e siècle av. J.-C. In Études de sculpture antique offertes à Jean Charbonneaux. (Revue d'archéologie 1) Paris: 171–84.Google Scholar
Martin, R. 1976. Valeur et emploi fonctionnel des colonnes d'applique dans l'architecture hellénistico-romaine. In Mélanges d'histoire ancienne et d'archéologie offerts à Paul Collar. Lausanne: 285–94.Google Scholar
McKenzie, J. 1990. The Architecture of Petra. Oxford University Press, Oxford.Google Scholar
McKenzie, J. 2007. The Architecture of Alexandria and Egypt 300 BC–AD 700. Yale University Press, New Haven and London.Google Scholar
Miller, S.G. 1993. The tomb of Lyson and Kallikles: a painted Macedonian tomb. Philipp von Zabern, Mainz am Rhein.Google Scholar
Nikolau, K. 1966. The Topography of Nea Paphos. In Mélanges offerts à Kazimierz Michatowski. Warszawa: 561–601.Google Scholar
PPM. Pompei. Pitture e mosaici, Vol. 10, Roma 1990–1999.Google Scholar
Rouveret, A. 2004. Peintures grecques antiques. La collection hellénistique du Musée du Louvre. Fayard, Paris.Google Scholar
Rouveret, A. and Walter, P. 2007. Couleur et matières dans les peintures hellénistiques du Musée du Louvre. In Descamps-Lequime, S. (ed.) 2007: 121–31.Google Scholar
Salvini, R., Calegari, I., Ventura, A. and Anselmi, M. 2006. Analisi delle potenzialità di moderne metodologie di indagine in applicazioni archeologiche: telerilevamento ad alta risoluzione spaziale, GPS differenziale e fotogrammetria digitale terrestre nell'area di Cirene (Libia). In Fabbricotti, and Menozzi, (eds) 2006: 35–44.Google Scholar
Santucci, A. and Thorn, J. 2003. Tahuna-Windmill, Tomba dei Coniugi, N1: la grande tomba circolare della Necropoli Nord di Cirene. In Bonacasa, N. and Di Vita, A. (eds), Scritti in memoria di Lidiano Bacchielli. (Quaderni di Archeologia della Libya, 18). Roma: 183–204.Google Scholar
Siganidou, M. 1982. Η ιδωτικη κατοικια σρκαια Πελλα. Αρχαιολογια 2: 31–6.Google Scholar
Strocka, V.M. 1993. Le IIe style a Pompéi. In De Francisis, A., Schefold, K., Laidlow, A.et al., La peinture de Pompéi. Témoignages de l'art romain dans la zone ensevelie par Vésuve en 79 ap. J.-C. Hazan, Paris: 237–48.Google Scholar
Thorn, D.M. 2007. The Four Seasons of Cyrene. Studia Archaeologica 155, L'Erma di Bretschneider, Roma.Google Scholar
Thorn, J.C. 2005. The Necropolis of Cyrene. Two hundred years of exploration. Monografie di Archeologia Libica, 26. L'Erma di Bretschneider, Roma.Google Scholar
Thorn, J.C. and Thorn, D.M. 2009. A Gazetteer of the Cyrene Necropolis. From the original notebooks of John Cassels, Richard Tomlinson and James and Dorothy Thorn. Studia Archaeologica 161, L'Erma di Bretschneider, Roma.Google Scholar
Tivérios, M.A. and Tsiafakis, D.S. (eds), 2002. Colour in ancient Greece. The role of colour in ancient Greek art and architecture 700–31 B. C. Proceedings of the conference, Thessaloniki 12th-16th Apr. 2000. Thessaloniki.Google Scholar
Tomlinson, R.A. 1967. False Façade tombs at Cyrene. Papers of the British School at Rome 62: 241–56.Google Scholar
Tybout, R.M. 1989. Aedificiorum figurae. Untersuchungen zu den Architekturdarstellungen des frühen zweiten Stils. Dutch Monographs on Ancient History and Archaeology 7. Amsterdam.CrossRefGoogle Scholar
Tybout, R.M. 2001. Roman wall-painting and social significance. Journal of Roman Archaeology 14.1: 33–57.CrossRefGoogle Scholar
Valeva, J. 1992. Hellenistic tombs in Thrace and Macedonia: their form and decorations. In Moormann, E.M. (ed.), Functional and spatial analysis of wall paintings, Proceedings the 5th international congress of AIPMA, Amsterdam 8–12 September 1992. Leiden: 119–26.Google Scholar
Venit, M.S. 2002. Monumental tombs of ancient Alexandria. The Theatre of the Dead. Cambridge University Press, Cambridge.Google Scholar