1 By cultural studies I refer to scholarship that emphasizes a decentered understanding of the dissemination of ideas and art. Typically, work in cultural studies seeks to destabilize distinctions between high and low cultures, and, if anything, privileges the popular over the elite. Methodologically, cultural-studies scholarship emphasizes narratives of race, class, and gender, and approaches culture as a product of social, economic, and/or political forces. The practice of cultural studies therefore tends to privilege interdisciplinary work, deemphasizes the genius of the author/creator, and is deeply skeptical of grand unifying narratives to explain cultural phenomena. For these very reasons, cultural studies means many things to many different scholars: for some it carries a specific set of ideological (particularly Marxist) imperatives, for others it involves a debunking of traditional canons, narratives, and other hierarchies. In this essay, I am using it in a broad sense to refer to the current zeitgeist in literary (and to a certain extent historical) studies. For an example of the diversity of work that fits under the rubric of cultural studies see the collection of essays edited by Grossberg, Lawrence, Nelson, Cary, and Treichler, Paula A. under the title Cultural Studies (New York: Routledge, 1992)Google Scholar.