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  • Cited by 4
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    This article has been cited by the following publications. This list is generated based on data provided by CrossRef.

    Biehl-Missal, Brigitte 2016. Filling the ‘empty space’: Site-specific dance in a techno club. Culture and Organization, p. 1.


    Barbour, Karen and Hitchmough, Alexandra 2014. Experiencing affect through site-specific dance. Emotion, Space and Society, Vol. 12, p. 63.


    Bass, Orli 2011. Palimpsest African urbanity: connecting pre‐colonial and post‐apartheid urban narratives in Durban. Social Dynamics, Vol. 37, Issue. 1, p. 125.


    Palmer, Scott and Popat, Sita 2007. Dancing in the Streets: The sensuous manifold as a concept for designing experience. International Journal of Performance Arts and Digital Media, Vol. 2, Issue. 3, p. 297.


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Embodying the Site: the Here and Now in Site-Specific Dance Performance

Abstract

In this article, Victoria Hunter explores the concept of the ‘here and now’ in the creation of site-specific dance performance, in response to Doreen Massey's questioning of the fixity of the concept of the ‘here and now’ during the recent RESCEN seminar on ‘Making Space’, in which she challenged the concept of a singular fixed ‘present’, suggesting instead that we exist in a constant production of ‘here and nows’ akin to ‘being in the moment’. Here the concept is applied to an analysis of the author's recent performance work created as part of a PhD investigation into the relationship between the site and the creative process in site-specific dance performance. In this context the notion of the ‘here and now’ is discussed in relation to the concept of dance embodiment informed by the site and the genius loci, or ‘spirit of place’. Victoria Hunter is a Lecturer in Dance at the University of Leeds, who is currently researching a PhD in site-specific dance performance.

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New Theatre Quarterly
  • ISSN: 0266-464X
  • EISSN: 1474-0613
  • URL: /core/journals/new-theatre-quarterly
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