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Kok Roe-Min and Tunbridge Laura , eds, Rethinking Schumann (Oxford: Oxford University Press, 2011). xv+471pp. £30.00.

  • Daisy Fancourt (a1)
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1 Prasenjit Duara, Rescuing History from the Nation: Questioning Narratives of Modern China, (Chicago: University of Chicago Press, 1995): 65–66.

2 Organised by Franz Liszt and Franz Brendel in Leipzig, 1857.

3 The concept of kulturnation, popular in Germany beginning in the eighteenth century, held that the country was bound together by its language, traditions, culture and religion.

4 Songs of Mary Queen of Scots (Baltimore, 1853), lyrics by ‘Mrs Crawford’ and music by George Barker (1812–1876).

5 Lewis, Jayne, Mary Queen of Scots: Romance and Nation (New York: Routledge, 1998).

6 Krebs, Harald, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann (Oxford: Oxford University Press, 1999).

7 Bischoff, Ludwig, ‘Review’, Rheinische Musikzeitung 2, nos. 19 & 20 (1851).

8 WoO 3 (1844–53).

9 Rykoff explores ‘Schön Hedwig’ op. 106, ‘Ballade vom Haideknaben’ op. 122, no. 1 and ‘Die Flüchtlinge’ op. 122, no. 2.

10 Landis, J. D., Longing (London: Ballantine Books, 2000).

11 Galloway, Janice, Clara (London: Jonathan Cape, Ltd., 2002).

12 First performed in St Petersburg, 1910.

13 Inspired by the works of the nineteenth-century German Romantic painter Caspar David Friedrich, and first performed in New York in 1980.

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Nineteenth-Century Music Review
  • ISSN: 1479-4098
  • EISSN: 2044-8414
  • URL: /core/journals/nineteenth-century-music-review
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