Martin Chusid, Schubert’s Dances: For Family, Friends, and Posterity (Hillsdale, NY: Pendragon Press, 2013). xxxiv+262 pp. $48.00.

¹ Chusid, Martin, ‘Schubert’s Cyclic Compositions of 1824’, Acta Musicologica 36/1 (1964): 37–45 .

² Martin Chusid, The Chamber Music of Schubert, PhD diss., University of California, Berkeley, 1961.

³ Chusid, Martin, ed., Franz Schubert: Neue Ausgabe sämtlicher Wërke, Series VI, Volume 2: ‘Streichquintette’ (Kassel: Bärenreiter, 1971); Chusid, Martin, ed., Franz Schubert: Neue Ausgabe sämtlicher Wërke, Series VI, Volume 3: ‘Streichquartette I’ (Kassel: Bärenreiter, 1979).

⁴ Chusid, Martin, ‘Schubert’s Chamber Music: before and after Beethoven’, in The Cambridge Companion to Schubert, ed. Christopher Gibbs (Cambridge: Cambridge University Press, 1997), 174–192 .

⁵ Schubert, Franz, Schubert: Symphony in B minor (‘Unfinished’), 2^nd ed., ed. Martin Chusid (New York: Norton, 1971).

⁶ Chusid, Martin, A Companion to Schubert’s Schwanengesang: History, Poets, Analysis, Performance (New Haven, CT: Yale University Press, 2000).

⁷ ‘Thanatos as Muse? Schubert and Concepts of Late Style’, international conference held at the National University of Ireland Maynooth, 21–23 October 2011.

⁸ Clive, Peter, Schubert and his World: A Biographical Dictionary (Oxford: Clarendon Press, 1997).

⁹ Deutsch, Otto Erich, Schubert: Memoirs by His Friends (New York: Macmillan, 1958); Deutsch, Otto Erich, The Schubert Reader: A Life of Schubert in Letters and Documents (New York: Norton, 1947); Deutsch, Otto Erich, Franz Schubert Thematisches Verzeichnis seiner Werke in chronologischer Folge, new edition by the editorial board of the Neue Schubert-Ausgabe and Werner Aderhold (Kassel: Bärenreiter-Verlag, 1978).

¹⁰ Litschauer, Walburga and Deutsch, Walter, Schubert und das Tanzvergnügen (Vienna: Verlag Holzhausen, 1997).

¹¹ For instance, Chapter I is listed as ‘The Minuets (for Winds, Piano, and String Quartet)’ in the Table of Contents (p. v), while in the text it appears simply as ‘The Minuets’ (p. 1); similarly, Chapter V, ‘Published Waltzes, Ländler, and German Dances II: For the Carnival Seasons of 1826 to 1828’ (p. v) becomes ‘Dances of the Waltz Family II Published for the Carnival Seasons of 1826–28’ (p. 129).

¹² The Letters of Mozart and His Family, arranged, translated and edited with an Introduction … by Emily Anderson, third edition revised by Stanley Sadie and Fiona Smart (London: Macmillan, 1985), p. 599: Letter 323, Leopold Mozart to his son, dated Salzburg, 13 August 1778 (italics original).

¹³ Chusid explains: ‘Chromatic averages range from 0 (no accidentals) to 5 (a fully chromatic dance). Schubert’s collections of eccossaises and ländler tend to have chromatic averages below 2. His Minuets, German dances, and Polonaises tend to have averages above 2’ (p. 243).

¹⁴ Notley, Margaret, ‘Schubert’s Social Music’, The Cambridge Companion to Schubert (Cambridge: Cambridge University Press, 1997), pp. 138–154 .

¹⁵ Gammond, Peter, Schubert (London: Methuen, 1982), p. 125 .