1 Darnton, Robert, The Great Cat Massacre and Other Episodes in French Cultural History (New York: Vintage, 1985)
2 Berry, Paul, ‘Johannes Brahms, Clara Schumann, and the Poetics of Musical Memory’, Journal of Musicology 24/1 (2007). 72–111
Taylor, Benedict, Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form (Cambridge: Cambridge University Press, 2011)
3 Muxfeldt, Kristina, ‘Schubert, Platen, and the Myth of Narcissus’, Journal of the American Musicological Society 49 (1996), 480–527
4 Solie, Ruth A., ‘Whose Life? The Gendered Self in Schumann's Frauenliebe Songs’, in Music and Text: Critical Inquiries, ed. Steven Paul Scher (Cambridge: Cambridge University Press, 1992)
5 Suzannah Clark's Analyzing Schubert (Cambridge: Cambridge University Press, 2011)
6 Kristina Muxfeldt was awarded a subvention for Vanishing Sensibilities: Schubert, Beethoven, Schumann from the John Daverio Fund by the American Musicological Society's Publications Committee.
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