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Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.

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Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.

Published online by Cambridge University Press:  16 September 2024

Jøran Rudi
Jøran Rudi*
Affiliation:
University of Huddersfield, Huddersfield, UK
*
Email: j.rudi@hud.ac.uk
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Type
Book Review
Information
Organised Sound , Volume 29 , Issue 2: Radical Education in Electronic Music, Past and Present , August 2024 , pp. 239 - 241
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Copyright
© The Author(s), 2024. Published by Cambridge University Press

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References

REFERENCES

Landy, L. [1991] 2013. What’s the Matter with Today’s Experimental Music? Organised Sound too Rarely Heard. Abingdon: Routledge.Google Scholar
Landy, L. [1994] 2019. The ‘Something to Hold on to Factor’ in Timbral Composition. In Timbre Composition in Electroacoustic Music. Abingdon: Routledge, 49–60.Google Scholar
Landy, L. 2005. The Intention/Reception Project. In Simoni, M. (ed.) Analytical Methods of Electroacoustic Music. Abingdon: Routledge, 29–53.Google Scholar
Landy, L. 2007. Understanding the Art of Sound Organization. Cambridge, MA: MIT Press.CrossRefGoogle Scholar
Landy, L. 2012. Making Music with Sounds. Abingdon: Routledge.Google Scholar
Emmerson, S. and Landy, L. (eds.). 2016. Expanding the Horizon of Electroacoustic Music Analysis. Cambridge: Cambridge University Press.CrossRefGoogle Scholar