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An Overview of Spatialised Broadcasting Experiments with a Focus on Radio Art Practices

  • Colin Black (a1)
Abstract

This article is an introduction to the specialised area of spatialised broadcasting experiments associated with radio art practices. This subject is investigated primarily from two perspectives: artistic works that explore the dissemination of radio waves (the ‘spectrumscape’) and the multichannel broadcasting/listening experience. It also discusses some of the history and ideas that form the undercurrents for radio art practice and explores radio art’s uses and concepts of spatiality.

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E-mail: artist@colinblack.com.au
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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.

Sergio Freire . 2003. Early Musical Impressions from Both Sides of the Loudspeaker. Leonardo Music Journal 13: 3771.

Leigh Landy . 2007. Understanding the Art of Sound Organisation. Cambridge, MA: The MIT Press, 2007, www.ears.dmu.ac.uk/spip.php?rubrique148 (accessed 21 July 2008).

Andrew McLennan . 1994. A Brief Topography of Australian Sound Art and Experimental Broadcasting. Continuum: The Australian Journal of Media & Culture 8(1): 302317.

Jonathan Sterne . 2003. The Audible Past: Cultural Orgins of Sound Reduction. Durham, NC: Duke University Press.

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Organised Sound
  • ISSN: 1355-7718
  • EISSN: 1469-8153
  • URL: /core/journals/organised-sound
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