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Music, Multimedia and Spectacle: The one-man band and audience relationships in the digital age

  • Julian Whittam (a1)
Abstract

The one-man band is a highly performative musical practice which combines visual spectacle and musical production. As digital and electronic technologies play an increasingly important role in our lives and change the ways in which music is produced, performed and consumed, the traditional one-man band with a bass drum on his back and cymbals between his knees provides an interesting model through which to examine both our relationship with technology and the importance of embodiment and visual spectacle in developing and maintaining audience/performer relationships. Furthermore, for digital performance artists, the model of the traditional one-man band can provide interesting inspiration for new works.

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Email: julianwhittam@umontreal.ca
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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.

J. Austin 1975. How to do Things with Words. Cambridge, MA: Harvard University Press.

W. O. Beeman 1993. The Anthropology of Theatre and Spectacle. Annual Review of Anthropology 22: 369393.

J. Butler 1988. Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory. Theatre Journal 40(4): 519531.

K. Cascone 2003. Grain, Sequence, System: Three Levels of Reception in the Performance of Laptop Music. Contemporary Music Review 22(4): 101104.

S. Godlovitch 1993. The Integrity of Musical Performance. The Journal of Aesthetics and Art Criticism 51(4): 573587.

W. A. Schloss 2003. Using Contemporary Technology in Live Performance: The Dilemma of the Performer. Journal of New Music Research 32(3): 239242.

J. Wilson-Bokowiec and M. A. Bokowiec 2006. Kinaesonics: The Intertwining Relationship of Body and Sound. Contemporary Music Review 25: 4757.

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Organised Sound
  • ISSN: 1355-7718
  • EISSN: 1469-8153
  • URL: /core/journals/organised-sound
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