Hostname: page-component-8448b6f56d-42gr6 Total loading time: 0 Render date: 2024-04-23T17:21:39.756Z Has data issue: false hasContentIssue false

Family members' views on the benefits of harp music vigils for terminally-ill or dying loved ones

Published online by Cambridge University Press:  16 October 2013

Linda Ganzini*
Affiliation:
Health Services Research & Development, Portland Veterans Affairs Medical Center, Portland, OR Department of Psychiatry, Oregon Health and Science University, Portland, OR
Alexa Rakoski
Affiliation:
University of Notre Dame, Notre Dame, IN
Sharilyn Cohn
Affiliation:
SacredFlight, Portland OR
Richard A. Mularski
Affiliation:
Kaiser Permanente, Portland, OR
*
Address correspondence and reprint requests to: Linda Ganzini, R&D 66, Portland VAMC, PO Box 1034, Portland, OR 97207; 503-220-8262. E-mail: Linda.Ganzini@va.gov

Abstract

Objectives:

Music-thanatology is a palliative modality that uses harp and voice to provide bedside vigils, particularly for terminally ill or actively dying. We sought to determine the benefits of music vigils for terminally ill patients.

Methods:

Survey of 55 family members, whose terminally ill loved one experienced a music vigil during hospitalization, regarding effects on the patient's breathing, relaxation, comfort, pain and ability to sleep. Written comments on negative and positive results of the vigils were coded using content analysis.

Results:

Family members perceived that the vigils resulted in modest improvement in the patients' breathing, relaxation, comfort, and ability to sleep, with fewer positive effects on pain, and almost no negative effects. Open ended comments focused on the positive benefit in increasing calm, relaxation, comfort. Comments on the positive effects for the family were almost as common as comments on the positive results for the patient.

Significance of Results:

The use of music-vigils in palliative care should be investigated more extensively as our study supports that this intervention has benefits, almost no risk, minimal cost, and may improve patient-family experience of the dying process.

Type
Original Articles
Copyright
Copyright © Cambridge University Press 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Chalise of Repose Project. (2013). Available from: http://chaliceofrepose.org/healing-arts/. Accessed February 12, 2013.Google Scholar
Cox, H., & Roberts, P. (2007). From music into silence: an exploration of music-thanatology vigils at the end of life. Spirituality and Health International, 8, 8091.CrossRefGoogle Scholar
Freeman, L., Caserta, M., Lund, D., et al. (2006). Music-thanatology: prescriptive harp music as palliative care for the dying patient. American Journal of Hospice and Palliative Care, 23, 100104.CrossRefGoogle ScholarPubMed
Ganzini, L., Johnston, W.S. & Hoffman, W.F. (1999). Correlates of suffering in amyotrophic lateral sclerosis. Neurology, 52, 14341440.CrossRefGoogle ScholarPubMed
Horrigan, B.J. (2005). The Chalice of Repose Project. Explore: The Journal of Science & Healing, 1, 166167.CrossRefGoogle ScholarPubMed
Hsieh, H. & Shanon, S.E. (2005). Three Approaches to Qualitative Content Analysis. Qualitative Health Research, 15, 12771288.CrossRefGoogle ScholarPubMed
Murfin, S. & Haberman, M. (2007). Building the ship of death: part I. Explore: The Journal of Science & Healing, 3, 619622.CrossRefGoogle ScholarPubMed
Music-Thanatology Association International. (2013). Available from: http://www.mtai.org. Accessed February 12, 2013.Google Scholar
SacredFlight. (2013). Available from: http://www.sacredflight.org. Accessed February 12, 2013.Google Scholar