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Creación musical, cultura popular y construcción nacional en la España contemporánea. By Celsa Alonso Madrid: Instituto Complutense de Ciencias Musicales, 2010. 347 pp. ISBN 978-8-489-45745-4 - Transnational Encounters. Music and Performance at the U.S.–Mexico Border. Edited by Alejandro L. Madrid. New York: Oxford University Press, 2011. 406 pp. ISBN 978-0-199-73592-1 - Flamenco Music and National Identity in Spain. By William Washabaugh. Farnham: Ashgate, 2012. 177 pp. ISBN 978-1-409-43484-9

  • Eva Moreda Rodríguez (a1)
Abstract
Copyright
COPYRIGHT: © Cambridge University Press 2013 
Corresponding author
Eva.MoredaRodriguez@glasgow.ac.u
References
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Chuse, L. 2003. The Cantaoras: Music, Gender, and Identity in Flamenco Song (New York, Routledge)
Heffner Hayes, M. 2009. Flamenco: Conflicting Histories of the Dance (Jefferson, NC, McFarland)
Labanyi, J. 1995. ‘Editor's introduction’, in Constructing Identity in Contemporary Spain. Theoretical Debates and Cultural Practice (New York: Oxford University Press)
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Popular Music
  • ISSN: 0261-1430
  • EISSN: 1474-0095
  • URL: /core/journals/popular-music
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