Hostname: page-component-8448b6f56d-c4f8m Total loading time: 0 Render date: 2024-04-24T11:06:41.076Z Has data issue: false hasContentIssue false
  • English
  • Français

French Music and Jazz in Conversation: From Debussy to Brubeck. By Deborah Mawer . Cambridge: Cambridge University Press, 2014. 304 pp. ISBN 978-1-107-03753-3 - After Django: Making Jazz in Postwar France. By Tom Perchard . Ann Arbor, MI: University of Michigan Press, 2015. 297 pp. ISBN 978-0-472-05242-4

Review products

French Music and Jazz in Conversation: From Debussy to Brubeck. By Deborah Mawer . Cambridge: Cambridge University Press, 2014. 304 pp. ISBN 978-1-107-03753-3
After Django: Making Jazz in Postwar France. By Tom Perchard . Ann Arbor, MI: University of Michigan Press, 2015. 297 pp. ISBN 978-0-472-05242-4

Published online by Cambridge University Press:  19 June 2017

Bruce Johnson
Bruce Johnson*
Affiliation:
University of Technology Sydney, Universities of Turku and Glasgow
*
brujoh@utu.fi
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 36 , Issue 2 , May 2017 , pp. 308 - 313
Copyright
Copyright © Cambridge University Press 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Harker, B. 2011. Louis Armstrong's Hot Five and Hot Seven Recordings (Oxford, Oxford University Press)Google Scholar
Heffley, M. 2005. Northern Sun, Southern Moon: Europe's Reinvention of Jazz (New Haven, CT, Yale University Press)Google Scholar
Johnson, B. 2000. The Inaudible Music: Jazz, Gender and Australian Modernity (Sydney, Currency Press)Google Scholar
Johnson, B. 2002. ‘The Jazz diaspora’, in The Cambridge Companion to Jazz, ed. Cooke, M. and Horn, D. (Cambridge, Cambridge University Press), pp. 33–54 Google Scholar
Johnson, B. 1993/2011. ‘Hear me talkin’ to ya: problems of jazz discourse’. Reprinted in Jazz, ed. Whyton, T. (Farnham, Ashgate), pp. 21–32 Google Scholar
Kater, M.H. 1992. Different Drummers: Jazz in the Culture of Nazi Germany (New York, Oxford University Press)Google Scholar
Kernfeld, B. 1988. The New Grove Dictionary of Jazz (London, Macmillan and Grove's Dictionaries)Google Scholar
Prouty, K.E. 2010. ‘Toward jazz's “official” history: the debates and discourses of jazz history textbooks’, Journal of Music History Pedagogy, 1/1, pp. 19–43. http://www.ams-net.org/ojs/index.php/jmhp/article/view/4/26 (accessed 27 July 2016)Google Scholar
Rust, B. 1970 (rev. edn). Jazz Records 1897–1942 (London, Storyville)Google Scholar