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Groove: A Phenomenology of Rhythmic Nuance. By Tiger C. Roholt . New York: Bloomsbury Academic, 2014. 175 pp. ISBN 978-1-4411-04182-2

  • Philip Boast (a1)
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philip.boast@nottingham.ac.uk
References
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Benson B.E. 2003. The Improvisation of Musical Dialogue: a Phenomenology of Music (Cambridge, Cambridge University Press)
Danielsen A. 2006. Presence and Pleasure: the Funk Grooves of James Brown and Parliament (Middletown, CT, Wesleyan University Press)
Doffman M. 2008. ‘Feeling the groove: shared time and its meanings for three jazz trios’, PhD thesis, Open University
Keil C. 1966. ‘Motion and feeling through music’, Journal of Aesthetics and Art Criticism, 24, pp. 337–49
Keil C. 1987. ‘Participatory discrepancies and the power of music’, Cultural Anthropology, 2, pp. 275–83
Sudnow D. 1978. Ways of the Hand: the Organization of Improvised Conduct (London, Routledge & Kegan Paul)
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Popular Music
  • ISSN: 0261-1430
  • EISSN: 1474-0095
  • URL: /core/journals/popular-music
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