Hostname: page-component-8448b6f56d-c47g7 Total loading time: 0 Render date: 2024-04-20T03:09:43.646Z Has data issue: false hasContentIssue false
  • English
  • Français

Haitian popular music in Montreal: the effects of acculturation

Published online by Cambridge University Press:  11 November 2008

Voegeli Juste-Constant
Get access Rights & Permissions [Opens in a new window]

Extract

Acculturation is the adaptation of a group or individual to a foreign culture with which they are in contact. In the case of immigrants, however, not only contact is involved. There is a state of immersion in the host culture which, if not total, is at least partial.

Type
Research Article
Information
Popular Music , Volume 9 , Issue 1 , January 1990 , pp. 79 - 85
Copyright
Copyright © Cambridge University Press 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Attlai, Jacques. 1974. Bruits: sur l'economie politique de la musique (Paris)Google Scholar
Beaud, Paul. 1973. ‘Essai de sociologie d'une nouvelle culture’, in Musique et vie quotidienne (Paris)Google Scholar
Nettl, Bruno. 1973. The Study of Ethnomusicology: Twenty-nine Issues and Concepts (Urbana & London)Google Scholar
Roux, Alain. 1973. ‘Sur la pop music’, in Musique et vie quotidienne (Paris)Google Scholar
Tagg, Philip. 1979. Kojak – 50 Seconds of Television Music: Towards the Analysis of Affect in Popular Music (Gothenburg)Google Scholar