Skip to main content Accessibility help
×
×
Home

Technology, accessibility and creativity in popular music education

  • BEN CHALLIS (a1)

Copyright

References

Hide All
Abbotson, M., Abbotson, R., Kirk, P.R., Hunt, A.D., and Cleaton, A. 1994. ‘Computer music in the service of music therapy: The MIDI Grid and MIDI Creator systems’, Medical Engineering Physics, 16, May,p. 253
Anderson, T., and Smith, C. 1996. ‘Composability: widening participation in music making for people with disabilities via music software and controller solutions’, in Proc. of ASSETS '96
Boehm, C. 2007. ‘The discipline that never was. Current developments in music technology in higher education Britain’, in Journal of Music, Technology and Education, 1/1(Intellect Ltd)
Bruce, I., McKennell, A., and Walker, E. 1991. Blind and Partially Sighted Adults in Britain: the RNIB Survey (London, Her Majesty's Stationary Office)
Challis, B.P., and Challis, K. 2008. ‘Applications for proximity sensors in music and sound performance’, in Proc. of the 11th Int. Conf. on Computers Helping People with Special Needs (Heidelberg, Springer-Verlag)
Challis, B.P., and Edwards, A.D.N. 1997. ‘Non-visual music representation: a computer based approach’, in Interfaces, 35, Summer 1997, Bulletin of The British HCI Group.
Challis, B.P., and Edwards, A.D.N. 2000. ‘Weasel: a system for the non-visual presentation of music notation’, in Proc. of ICCHP 2000
Challis, B.P., and Smith, R. 2008. ‘Inclusive technology and community music’, in Proc. of Accessible Design in the Digital World
Challis, B.P., Smith, R., and Wiblin, I. 2008. Untitled. Open Ear, Cardiff, http://openear.wordpress.com/
Eno, B. 2004. ‘The studio as compositional tool’ (reprinted article from Downbeat July/August 1983), in Audio Culture: Readings in Modern Music, ed. Cox, C. and Warner, D. (Continuum)
HM Gov. 2001. ‘Explanatory Notes to the Special Educational Needs And Disability Act 2001’, chapter 2 of part 2, ISBN 010 561 001 1
Hunt, A., and Kirk, P.R. 1988. ‘MIDIGRID – a new musical performance and composition system’, in Proc. of the Institute of Acoustics
Kochanek, D. 1994. ‘Designing an offscreen model for a GUI’, in Proc. Int. Conf. on Computers for Handicapped People (Berlin, Springer Verlag)
Magee, W. 2006. ‘Electronic technologies in clinical music therapy: a survey of practice and attitudes’, Technology and Disability, 18, pp. 139146 (IOS Press)
Magnusson, T. 2006. ‘Affordances and constraints in screen-based musical instruments’, in Proc. of the 4th Nordic Conf. on Human-Computer Interaction: Changing Roles (Oslo, Norway, ACM)
Malloch, J., Birnbaum, D., Sinyor, E., and Wanderley, M. 2006. ‘Towards a new conceptual framework for digital musical instruments’, in Proc. of the 9th Int. Conf. on Digital Audio Effects
McCann, W. 2000. ‘The Dancing Dots music editor: a non-graphical approach to scoring for the blind musician or dyslexic’, in Proc. of the CSUN Conf. on Technology and Persons with Disabilities (2000)
McKenzie, N., and Marwick-Johnstone, B. 2008. ‘Making the I-Maestro music learning framework accessible’, in Proc. of the 11th Int. Conf. on Computers Helping People with Special Needs (Heidelberg, Springer-Verlag)
Moore, A.F. 1993. Rock: The Primary Text (Open University Press)
Nicotra, G., and Quatraro, A. 2008. ‘CONTRAPUNCTUS Project: a new computer solution for Braille music fruition’, in Proc. of the 11th Int. Conf. on Computers Helping People with Special Needs (Heidelberg, Springer-Verlag)
Ockelford, A. 1996. Music Matters, Royal National Institute for the Blind (RNIB), ISBN 1-85878-071-3
Pitts, A., and Kwami, R.M. 2002. ‘Raising students' performance in music composition through the use of information and communications technology (ICT): a survey of secondary schools in England’, British Journal of Music Education, 19/1, pp. 6171 (Cambridge University Press)
Savage, J., and Challis, M. 2001. ‘Dunwich revisited: collaborative composition and performance with new technologies’, British Journal of Music Education, 18/2, pp. 139149 (Cambridge University Press)
Swingler, T. 1998. ‘“That Was Me!”: applications of the Soundbeam MIDI controller as a key to creative communication, learning, independence and joy’, in Proc. of the CSUN Conf. on Technology and Persons with Disabilities (1998)
Zahradnicky, T., Lorencz, R., and Musil, P. 2008. ‘Making ProTools accessible for the visually impaired’, in Proc. of the 11th Int. Conf. on Computers Helping People with Special Needs (Heidelberg, Springer-Verlag)
Recommend this journal

Email your librarian or administrator to recommend adding this journal to your organisation's collection.

Popular Music
  • ISSN: 0261-1430
  • EISSN: 1474-0095
  • URL: /core/journals/popular-music
Please enter your name
Please enter a valid email address
Who would you like to send this to? *
×

Metrics

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Abstract views

Total abstract views: 0 *
Loading metrics...

* Views captured on Cambridge Core between <date>. This data will be updated every 24 hours.

Usage data cannot currently be displayed