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35. Fax, , “Emory Douglas,” 276–77.Google Scholar The etymology of policemen as pigs is noted in Howard, Philip, The State of the Language (New York: Oxford University Press, 1985), 28.Google Scholar

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43. Baruch, Ruth-Marion and Jones, Pirkle, The Vanguard (New York: Beacon, 1970).Google Scholar For one review of the De Young exhibition, see Mann, Margery, “Black Panthers Photographic Essay,” Popular Photography. 64, no. 5 (05 1969): 82–83, 137.Google Scholar Another photographer who documented the Panthers was Jeffrey Henson Scales, whose photos of the Panthers appeared in the Black Panther and in Bay Area exhibitions (see “Pictures From America,” a supplement to Afterimage 23, no. 3 [11–12 1995]: 12).Google Scholar

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56. See von Hoffman, Nicholas, “Pop Goes the Gangsta, Farrakhan's Message Routs a Pernicious Role Model,” Washington Post, 11 12, 1995Google Scholar, C-1, C-4; and Franklin, Donna, “Black Herstory,” New York Times, 10 18, 1995, A-19.Google Scholar

57. Elaine Brown, quoted in Pearson, , Shadow of the Panther, 336Google Scholar; and hooks, , “Introduction,” 7.Google Scholar